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Click here to subscribeDULUX; a gold plated cased Antimagnetique lady's wristwatch, the circular dial set with Arabic numerals and with subsidiary seconds dial, on 9ct yellow gold expandable bracelet, a further stainless steel FELCA Incabloc, and WILSON examples, also a small group of costume jewellery comprising lapel pins, two pairs of cufflinks, ear studs, two dress rings, and two faux pearl bead necklaces.
Thomas Hand (British, 1771-1804) - Figures in a Woodland Landscape, oil on canvas, 29 x 35 cm The thinner passages of paint in the background of the painting show signs of wear and abrasion. Examined under ultraviolet light small, scattered areas of retouching are visible. These are mainly present in the background covering wear but are also present in the dress of the figures. Retouching is present across the surface of the painting but are small touches rather than wholesale overpaint and are well matched to the surrounding, original paint.
A gold dress ring set of citrine and two other gold dress rings. Condition report: clip to one part of dress clip missing, one sprung, pin with safety catch working but stiff, no stones missing from clips, bracelet or earring. Bracelet also Trifari earring would seem to be also but mark not clear.
A collection of vintage children's fancy dress costumes, dating from 1910-14, worn by the Singer children at the Mansion House Parties, their father, Horace D. Singer was Alderman of the City of London Freeman of the Skinners Company. The collection comprises: a Mary Queen of Scots two piece Tudor style costume in gold brocade; a red velvet stomacher and a Tudor pearl edge cap; a yellow butterfly costume with large wings and an antennae cap in cotton fabric; a stumpy umbrella costume in different colourways and a matching tasselled hat; a pale pink lace Miss Muffet dress and muslin apron, some of these outfits were purchased from Harrods (4)
An early 1950s full length, silk rayon, slate grey dress with a side zip and a blue lighter motif flower pattern, small floral design with a flat bow on the V neck, together with a teal taffeta dress (watered taffeta) made by Binnie of London, having piecrust pleating on the hem and three quarter length sleeves, the whole of the dress has a stitch design through the fabric (2)
Wedding bodice and skirt, originally cream, now dyed red from 1901, a fine cotton fabric, cream lace collar with black velvet trim, ice blue lace halter neck dress, late 1940s early 1950s with a tulle skirt, boned bodice, by Aquer, metal zip, damage to skirt marked and holed, pale peach 1950s evening dress with covered buttons, organdy fabric, cowl collar by Rosemary Barnes, metal zip (4)
A late 1960s wool coat made by Birg of Mayfair with a mink collar, together with a wool dress from Bellino with a rib design, tie belt, 100% wool, early 1970s, together with a dog tooth cheque dress by Marcel Griffin, 1970s with a makling belt and brass buttons, together with a Heibi Sports suit 1963, in blue embossed patterned wool, jacket with shirt, with a pencil skirt (1)
Vous e bes embroidered woollen long sweater, made in France early 1980s, together with an early 1970s maxi dress made by Java in blues, greens and pinks on a black background, 100% cotton, also a woollen unusual dress from the 1960s made by Mina U.K. in colourful round circles, cream rolled neck colour, with a cream hem, together with an early 1900s cream lace bolero, with a double layer detail on sleeves (small hole in back of neckline) (4)
A 1957/8 tulle pale pink underskirt with a nylon overlay by Kayser bondor, together with a 1980s dark brown day dress by Moschino decorated with large brown velvet flowers, a 1980s navy classic dress by Jobis in a two tier effect, a 1980s chiffon tiered peasant top, a 1980s floral evening dress and a green velvet double sided waistcoat
A vintage style white cotton blouse with high neck frilled cuffs, with a cut out feature on fabric, with slight discolouration marks, an Indian cotton floral skirt and top, decorated with gold braid and sequins with a late 1940s black crepe dress, sweetheart neckline, heavily embellished with beads and sequins and accordion pleated skirt, metal zip, by Heiress (3)
A cocktail dress by Blacktie, from the mid 1980s, the bodice is heavily embellished in cream sequins and pearl detail and silver bugle beads, the dress has a lined skirt with scalloped design, beadwork and long hanging tasselled worked beads on a black chiffon background, together with a floral quilted housecoat in a colourful design with matching belt, late 1940s (nylon zip attached at a later date) (2)
Viyella floral dress by Taramina, fabric by Liberty of London, late 1950s, a black crepe skirt with metal zip, late 1940s early 1950s, a cream silk blouse (mark on side) with floral embroidery on bodice, late 1940s/early 1950s; a white cotton linen dress by Derry & Toms, smocked detail, 1920s style (could be later) (4)
A Victorian dress that was remodelled in the 1950s into a ballgown, in striped silk fabric, slight tear on skirt, trimmed with green velvet ribbon (photos enclosed and event menu), together with a crepe, blue flower design Japanese kimono from the early 1930s, with blue rope cord belt and tassel, slit sleeves (one sleeve has tear underarm, long robe) (2)
Early 1950s coloured embroidered runner, slightly marked, a 1920s white cotton embroidered long runner, late Edwardian, an early 1900s cotton voile skirt embroidered hemline in petit point and embroidered with flower detail over the skirt, two cream lace embroidered sleeves (probably from a wedding dress) late 1930s-1940s with a souvenir Chinese embroidered tray cloth and applique small cloth, a late 1940s/early 1950s white sheet embroidered in blue with matching pillowcases (stained) (8)
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