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Lot 319
Unknown - A late 1920s ladies 'Flapper' evening or cocktail dress, the drop waisted dark cream chiffon with gold and silver beading in a U shape to the bust, the irregular form hem in gold and silver, the underdress in a matching chiffon with a longer hem with matching bead work to create a layered effect, approximate size 8 S/D
Lot 227
T. L. Rectangular framed, oval portrait miniature on ivory, signed with initials, 'T. L', c. 1815, bust length portrait of a young Regency woman in white lace trimmed dress and roses in her curled hair, indistinctly inscribed in pencil to verso, together with a rectangular framed, oval portrait miniature on ivory, c. 1820's, portrait of a Regency lady in white dress and embroidered shawl, with ringleted hair, inscribed to backing paper verso, 'B. Waddington', possibly name of sitter,
Lot 228
THOMAS CLEMENT THOMPSON R.H.A. (c. 1773 - 1857) Rectangular framed, oval portrait miniature on ivory, signed, dated 1805, portrait of a young Regency lady with dark hair in a white dress with blue ribbon, inscribed to verso, possibly in artist's hand, 'Painted by/ T. Clement Thompson/ 1805/ Belfast'. Thompson studied as a miniature painter in Belfast and Dublin. From 1809 onwards, it appears he abandoned miniature painting and focused on portrait painting in oil, later becoming a founding member of the Royal Hibernian Academy in 1823, 7.4cm x 5.9cm.
Lot 89
GOOD SELECTION OF COSTUME JEWELLERY AND COLLECTABLES including a Mackintosh style silver pendant on attached chain, a green Jasperware Wedgwood brooch, marcasite brooches and clip, a silver horseshoe link bracelet, a Guess wristwatch, a Citizen wristwatch, a Lambournes mother of pearl decorated gentleman's dress stud set (incomplete), military and other badges, carved Buddha figure, etc., 1 case
Lot 1509
A Victorian Royal Hussars dress sword and leather scabbard, by Wilkinson, inscribed 'FW Stanley' and numbered 36902. Condition Report: Overall condition is good, however the hilt/grip has lost 3-4 bands of silver thread but the fish skin is intact. The handguard is tarnished. The blade is tarnished in several places. The scabbard, whilst intact, is scuffed/nicked, with split stitching and the metal tip is tarnished. Measurements: Blade 88.5cm x 3cm (max).
Lot 370
Harry John Pearson, RBA (British, 1872-1933) Portrait of Miss Audrey Hughes in boy's dress signed lower right "to my friend Steve, H John Pearson, RBA" oil on canvas, unframed 40 x 33cm (16 x 13in) Provenance: A gift to Steven Spurrier from Harry John Pearson, and by descent. Harry John Pearson, RBA (1872-1933) was known mainly for his portrait and figure subjects, especially of children and society women, many of which were illustrated in periodicals of the day such as Colour Magazine and Woman’s Pictorial. He trained at The Royal Academy Schools and spent some time working in The Netherlands prior to World War I. Pearson exhibited at the Royal Academy 1916-1927, and extensively with the Royal Society of British Artists of which group he was elected a full member in 1915. Pearson also showed his work with the Royal Society of Portrait Painters, the Royal Institute of Oil Painters, the Royal West of England Academy, the International Society, the Walker Art Gallery Liverpool and he was President of the Langham Sketch Club. He lived in Ealing, west London and died in March 1933 aged 61 Unframed and with a scratch approx. 3in horizontally across the sitter's shorts. Scuffed around the edges. Inscribed with the artist's address of 23 Fitzroy Square to the reverse.
Lot 397
Peter Lloyd-Jones (British, 1940- 2001) Portrait of a Young Girl, head and shoulders, in a grey silk dress oil on canvas, oval 13 x 9cm (5 x 4in) Provenance: Bought directly from the artist by Nicholas and Elisabeth Luard. From the collection of Elisabeth Luard, Brynmeheryn. Unframed and fine.
Lot 535
§ Steven Spurrier, RA (British, 1878-1961) Girl in a green dress and black coat signed upper left "Spurrier" oil on canvas, unframed 36 x 31cm (14 x 12in) Steven Spurrier was born in London in 1878, and studied at Heatherley School of Art. Initially he concentrated on theatrical subjects including music and the theatre. In 1900 he began work as a freelance illustrator contributing to various periodicals. He exhibited at leading London societies including the Royal Academy from 1906; the Royal Institute of Painters in Watercolours and the Royal Society of Painters in Oils, becoming a member in 1912. In 1919 he began to work for the Illustrated London News as their special artist. Spurrier was a wonderful draughtsman and the primacy of drawing informed not only his work as an illustrator but his entire versatile output. To Spurrier illustration was "the most living of the pictorial arts" With the outbreak of the First World War, Spurrier enlisted in the Artists' Rifles. However due to heart problems he was exempted from active service. He was seconded to work for Military Intelligence with the Dock Police in Hull, and he subsequently became Dazzle Officer with the Royal Navy on the Clyde. He was responsible for camouflaging HMS Argus, the world's first aircraft carrier, prior to her launch in 1918. In the 1930s he became friendly with Dame Laura Knight, and the two friends travelled with Bertram Mills Circus, painting and sketching. Both loved to paint and draw the circus, the ballet and the theatre. In 1939 he extended his repertoire to teaching at his old college of Heatherley. He taught his students that the skill of draughtsmanship must constantly be practised. - whilst out and about, when at home and to concentrate on the detail and beauty of the ordinary and the commonplace.. He used charcoal for his compositional sketches, then often following up with a completed design in pencil. In 1933 he was elected to the Royal Society of British Artists; the National Society of Sculptors, Painters and Engravers; the Pastel Society, and as a Royal Academician in 1952 (ARA 1943). He had a keen interest in wildlife and was made a Fellow of the Zoological Society of London. He had a major exhibition at the Hazlitt Gallery in 1946. Unframed and stuck to board.
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