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Lot 4376
Vintage items including Robin Hood framed poster, collection of suits and dresses- Geoffrey Beene dark navy dress suit with Ciro Citterio trousers (36L), as well as Frank Usher vintage dress, 3 other dresses, Star Wars - The complete visual dictionary Hardcover book, two vintage style hand made dancer/ sci fi hats, Helmet made from Paper mache with painted wood on top and two later masks. Condition Report: The Robin Hood poster is a reproduction.
Lot 4464
Large collection of lobby cards including Hugo the Hippo, Teenage Bad Girl, Trial, The Hellions, The Tattered Dress, Brainwashed, The Day of the Jackal, Earth Quake, It's all Happening, The Sunshine Boys, Four Guns to the Border, The Mob, The Patsy, Street of Sinners, The Cruel Sea, Teenage Crime Wave, Stakeout on Dope Street, The Bride and the Beast, The Fall of the Roman Empire, The Chosen starring Kirk Douglas, Agatha Christie's - Evil under the Sun, 11 x 14 inches.
Lot 129
A Chinese Jade Horse, in Archaic style, rearing with one foreleg in the air, 10cm long, on wooden stand; A Similar Jade Bangle, 9cm diameter; A Similar Bowl, 8.5cm diameter; A Pair of Chinese Wire-Inlaid Hardwood Figures of Immortals, 29cm high; and A Jarvanese Figure of Wayang Kulit, being carried by a winged beast, 25cm high (6)Jade horse, loss to the right front foot, not as pictured and also right rein, bangle in good condition, bowl with a Y shaped crack and two others, pair of figures, both with large age-related splits, one with a large flat, chip to the reverse, the other with a crack to the front, Jarvenese carving, slight chips to wings, figures head dress and the beasts lower jaw
Lot 364
KEITH MURRAY FOR WEDGWOOD OBLONG RIBBED GREEN GLAZED BUTTER DISH AND COVER,along with two pressed glass figures of ballet dancers (3)Overall good condition, butter dish has no noticeable damage or signs of repair, dust and residue present. Ballerina figures are both in good condition with no noticeable damage however one has a small paint stain to the dress.
Lot 167
Jean-Baptiste Nini (Italian, 1717-1786): A terracotta medallion of Queen Marie Antoinette, circa 1770modelled to depict Marie Antoinette (1755-1793), Queen of France (1774-1792), in profile, facing left and wearing a mantle over her elaborately embellished dress, her curling hair dressed with flowers and ribbons, signed 'J.B. NINI F.' on the truncation, the reverse bearing a handwritten label inscribed, 'n.138 – Coll. Pierrot Didier Marie de Thénart – P. de Baufranart', dimensions 0.8 x 12.0 x 14.0cm, fitted caseFootnotes:Provenance: Pierrot Didier Marie de Thénart – P. de BaufranartThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 5
A silver copy of the Portland VaseCharles Reily & George Storer, London 1845 Amphora-shape, depicting seven figures in Classical dress and surroundings, the base featuring a man wearing a Phrygian cap, height 26cm, weight 51oz.Footnotes:Hunt & Roskell featured a copy of the Portland Vase on their stand in the 1851 Great Exhibition, but earlier examples have been noted from at least 1820. This example may have been produced at the time of the shattering of the original Roman cameo glass vase in the British Museum in 1845 and prior to its restoration sometime later.For further information on this lot please visit Bonhams.com
Lot 34
Spanish school, 17th century."Virgin and Child in the soup".Oil on panel.Chipped.Lacking in the painting.Measurements: 68 x 49 cm; 91 x 73 cm (frame).In this composition of baroque epoch and Spanish school, the theme of the Maternity has been treated in its most domestic manifestation, showing the moment in which the Child eats a soup of bread or milk. This theme was first introduced by the Flemish school (due to its interest in depicting everyday activities in the intimacy of the home), but it is an iconography that soon became widespread in Spanish and Italian painting. In the present scene, the Virgin has a monumental canon but still appears maternal in her gestures and countenance. She is about to give a spoonful of soup to the Child Jesus, seated on her knees, whose gestures also convey naturalism. An angel holds the bowl of soup. A rich palette lights up the colours of the mother's soft flesh tones and ample red dress.
Lot 78
Circle of HANS VREDEMAN DE VRIES (Leeuwarden, 1525/1526-Hamburg, 1609)."The Return of the Prodigal Son".Oil on copper.It has a 20th century frame.Size: 69 x 85,5 cm; 96 x 112 cm (frame).The treatment of the architecture in this work suggests that its composition is close to the artistic circle of Hans Vredeman de Vries, who achieved a great fame due to this type of scenes in which he developed a great architectural complex, in which scenes that remain in the background, with respect to the magnificence of the landscape, were included. In this particular case it is the representation of the parable of the prodigal son. The Parable tells " A man had two sons; and the younger of them said to his father, "Father, give me the share of the inheritance that is mine." And he divided the inheritance between them. A few days later the younger son gathered it all together and went away to a far country where he squandered his inheritance living like a libertine. "When he had spent it all, there came an extreme famine in that country, and he began to be in need. "While he was still far away, his father saw him and, moved, ran to him, threw himself on his neck and kissed him warmly. The son said to him, "Father, I have sinned against heaven and before you; I am no longer worthy to be called your son." But the father said to his servants, "Bring quickly the best robe and dress him, put a ring on his hand and sandals on his feet. Bring the fattened bullock, kill it, and let us eat and feast, for this my son was dead and is alive again; he was lost and is found. In this case we can see the embrace between father and son in the centre of the scene, but as is usual in the Flemish school, different scenes can be seen in the same image, such as the servant preparing the table, or the people strolling through the gardens.Born in Leeuwarden and raised in Friesland, in 1546 Vredeman de Vries went to Amsterdam and Kampen. In 1549 he moved to Mechelen where the High Court was located. Sebastian, his brother, was the organist of the local church. Vredeman de Vries designed ornaments for the joyous parades of Charles V and Philip II. Studying Vitruvius and Sebastiano Serlio, he became an internationally renowned specialist in perspective. He continued his career in Antwerp, where he was appointed municipal architect and engineer of fortifications. After 1585 he fled the city because of the Spanish occupation by Alessandro Farnese. As a Protestant, he had to leave the city within two years. Vredeman de Vries moved to Frankfurt and worked in Wolfenbüttel, designing a fortification and a new town layout for Julius, Duke of Brunswick-Lüneburg. After his death, the project was cancelled and Hans worked in Hamburg, Danzig (1592), Prague (1596) and Amsterdam (1600). On his travels Vredeman was accompanied by his son Paul and Hendrick Aerts, both painters. Vredeman de Vries attempted to obtain an appointment at the University of Leiden in 1604.
Lot 79
A rare late 19th century French mystery rotary pendulum timepieceGuilmet, Paris, number 9985The patinated spelter figure of a man in Medieval dress standing on tip toes and slightly crouching forward in a playful pose, his right arm extended and holding a gilt metal hoop from which is suspended a trio of 'fetter and three' gilt chains terminating in a silvered sphere creating the dial and set with gilt Roman numerals and hands, the top of the orb with rotating impulse arm that drives the fancy gilt pendulum bob above. The movement with inverted T-shaped plates stamped with the Guilmet trademark and numbered 9985, the four wheel train terminating in a contrate wheel driving the rotating impulse bar above, fast/slow regulation offered by a block set on a long thread set within the rear half of the orb and adjusted via a named slot above. All set on an ebonised wooden plinth. 60cms (23.5ins) highFor further information on this lot please visit Bonhams.com
Lot 339
A collection of 20 framed vintage music covers, mostly popular cabaret and music hall songs, early 20th century, 70 x 80cm, A pastel portrait of a young girl; William Fulljames, native nude figures, wood engraving signed and dated 1975; a textile panel of far eastern figures in typical dress; series of 4 coloured prints 'The Dancing Lesson' after Cruikshank; etc
Lot 43
A pair of Meissen figures of a boy and girl, he wearing a puce foliate decorated jacket, green britches, holding his hat full of birds eggs in his right hand on a naturalistic base with a black and white dog; she with a shawl over her head, wearing a yellow jacket, a flower decorated dress on a naturalistic base with an ewe, blue cross sword marks to back of base, both 24cm (9.5 in) high (2) (D)
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228188 item(s)/page