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Lot 152
* Children's Clothes. A collection of garments, 18th-20th century, including: an 18th century hand-stitched broderie anglais bodice front, incorporating collar with draw-string rear neck-tie and tiny button with stitched loop; a 19th century broderie anglais bib apron with hand and machine-stitching; a late Victorian whitework long-sleeved dress with original interior tapes terminating in metal hooks, and mother-of-pearl buttons, a few minor marks to skirt; a pair of Edwardian leather baby shoes (worn); an Edwardian hand-made lilac taffeta dress for a small child, with tucks, lace insertions, and frilled cap sleeves, some staining; 3 long baby gowns, 5 long petticoats, 3 christening gowns, and a whitework baby dress trimmed with pink ribbon insertion, early 19th-early 20th century, together with a quantity of other textiles, including: 2 white aprons, one of muslin, the other of fine cotton lawn; 12 19th/early 20th century bonnets and caps, various, including muslin, net, lace, crochet; two pairs of Victorian white cotton bloomers; an Irish Carrickmacross lace veil (some age spotting); a fine cotton lawn handkerchief with wide tape lace border; and some other fragments of lace veils, trims, and embroideries, various sizes and condition (Qty: -)NOTESProvenance: From the families of Marie Carmichael Stopes (1880-1958) and Sir Barnes Neville Wallis (1887-1979) by direct family descent.
Lot 156
* Spitalfields . A large cloth of 18th century silk brocade, large cloth composed of a number of large and small pieces of brocade fabric, probably sometime repurposed from an 18th century dress, neatly stitched together by hand, with repeated large pattern of a flower cornucopia, in shades of blue, pink, and yellow, with silver metalled threads, on a pale peach ground, some faint spotting, minor staining, and short splits, trimmed with various similar metalled braid edgings (fabric pulling away from edging in one or two places), with terracotta backing fabric, backing and edges partly machine-stitched, overall size 167 x 159 cm (66 x 62.5 in), together with 14 other fragments of fabric, including Spitalfields and some matching pieces, largest 142 x 102 cm (56 x 40 in), smallest 56 x 5 cm (22 x 2 in) (Qty: 15)
Lot 166
* Dress. A printed cotton day dress, 1830s, hand-stitched gown, with vertical striped pattern of flowers and leaves in blue, pink, and brown, printed on cream cotton, lined fitted bodice with fine piped edges, close-gathered skirt (lower portion lined), front opening fastened with metal hooks and eyes (some missing), several small repairs where hooks have pulled fabric (including small inserted patch of matching fabric on front), long gigot sleeves, cuffs fastened with two buttons, all non-matching and probably later, some fading, sporadic brown spotting (mainly to skirt), bust 71 cm (28 in), waist 64 cm (25 in), sleeves 71 cm (28 in), length 140 cm (55 in), together with another 1830s printed cotton day dress, somewhat worn and repaired (Qty: 2)NOTESProvenance: From the families of Marie Carmichael Stopes (1880-1958) and Sir Barnes Neville Wallis (1887-1979) by direct family descent.
Lot 167
* Dress. A stipple-printed cotton day dress, 1830s/40s, pink and black striped pattern of leaves and berries printed on fine white cotton, mostly hand-stitched, but some machine-stitching and signs of unpicked seams (evidence of later re-modelling?), gathered and fitted bodice lined with cotton, long sleeves, front fastening of mother-of-pearl buttons (8 to bodice all matching, 7 to skirt with two different designs), some overall discolouration and marks, occasional small holes and repairs (mostly to skirt), bust 92 cm (36 in), waist 78 cm (30 in), sleeves 53 cm (21 in), length 152 cm (60 in) (Qty: 1)
Lot 169
* Clothing. A lady's walking dress, circa 1870s, hand-made two-piece silk gown, with bands of fine brown and white stripes between wider purple stripes, mostly hand-stitched, but some machine-stitching (e.g. to hem of skirt), comprising: a boned and fitted cuirass bodice with stand-up collar (latter with metal hook and loop), terminating in a 'v' waist at front and back embellished all round with a tassel trim, long sleeves with wide tucked cuffs, front opening with 8 domed covered buttons and corresponding button holes, 3 further buttons to either side below waist, and 4 buttons to each cuff, buttons all matching (some surface wear and indentations), lined with brown cotton twill, and sleeves lined with fine linen, light staining to underarms, some minor soiling and wear to cuffs, bust 72 cm (30 in), waist 61 cm (24 in), length excluding trim 63.5 cm (25 in); and a matching long gathered skirt, linen waistband with later non-matching hook and eye, one large patch pocket mimicking tucks on cuffs, embellished with three more matching buttons and tasselled fringing, length 101.5 cm (40 in), together with several other items of Victorian clothing, comprising: a boned striped silk bodice and several matching pieces of fabric (including an unfinished skirt); a black damask fitted and boned long jacket, internal black twill ribbon waist band with dressmaker's details in gold 'Kerkham & Son, Costumiers, High Street, Kings Lynn'; and another boned jacket, of black satin lined with crimson satin, plus some hand-made Edwardian clothing: a matching embroidered cream muslin skirt and blouse (latter lace-trimmed), and 2 cream skirts, one of plain silk, the other with herringbone stitch and large floral cutwork insertions, various sizes and condition (Qty: 10)
Lot 170
* Dress. A satin wedding dress, circa 1890, cream satin gown, hand-made (machine and hand-stitched), partly boned and fitted dress with standing collar, slim elbow length sleeves, front fastening with 7 concealed mother-of-pearl buttons (one non-matching and 2 missing) and one covered button (with one missing), buttons sometime moved to enlarge garment), long flared train, with small metal rings and fabric ties inside to hold train gathers in place, hem trimmed with lace (6 in section torn), bodice lined with silk and satin, sleeves with brushed cotton, and skirt with muslin, some soiling and marks, underarm a little stained (one with silk perishing slightly), bust 71 cm (28 in), waist 56 cm (22 in), sleeves 34 cm (13.5 in), length (front) 129.5 cm (51 in), length (including train) 234.5 cm (92.25 in), together with a two-piece wedding outfit, 1880s, comprising boned bodice and skirt with short train of cream figured twill, with frilled lace sleeves, trimmed with lace, pale blue silk ribbon, and black velvet ribbon (added later?), some wear and discolouration (Qty: 3)
Lot 185
* Doilies. A set of six Spitalfields silk brocade mats, early 20th century, a set of circular brocade mats composed from pieces of 18th century Spitalfields silk, backed with linen and with looped fringe edging, some light marks, diameter 26 cm (10.25 in), together with 53 other mats and doilies, including: a set of 12 lace-edged circular mats hand-painted in watercolour with landscapes, some identified in contemporary manuscript on versos ('Poole Estuary', 'Old Harry', 'Brading Downs', 'Poole Harbour', etc.), spotted, one faded and indistinct; a set of 12 square drawn threadwork mats hand-worked in gold thread on linen; and a set of 12 square doilies hand-painted in watercolour and gouache on cream silk with birds (nuthatch, budgerigar, gold crest, green woodpecker etc.), together with part of lid from old Fortnum & Mason cardboard box bearing manuscript note in ink pertaining to first item 'Best Table Mats made by me from old Queen Anne silk dress', with later pencilled note beneath 'No Not Q.A. Circa 1760 Spitalfields V&A Dating. H.B.' (Qty: 59)
Lot 197
* Clothing. An Edwardian white lace tea gown, circa 1910, full-length dress of fine white cotton lawn, lined, handmade, with machine and hand-stitching, bodice and sleeves with tucks and lace insertions, long flowing medieval-style over-sleeves, off-centre front opening fastened with metal hooks and stitched loops, and press studs, dipped hem, some discolouration and minor marks, stitching broken in a few places, bust 82 cm (32 in), waist 70 cm (27.5 in), length 132 cm (52 in), together with a ladies' heavy red velvet two-piece with elaborate frogging, Barnes & Co, Hampstead, circa 1900, with additional pair of sleeves, some soiling and wear, plus a quantity of assorted ladies' clothing, mostly early 20th century, various sizes and condition (Qty: 23)NOTESProvenance: From the families of Marie Carmichael Stopes (1880-1958) and Sir Barnes Neville Wallis (1887-1979) by direct family descent.
Lot 202
* Guida (John, 1897-1965). Fashion illustration, 1931, watercolour, coloured pastels and pencil on thick wove paper, depicting an elegant female model in a long red pleated dress with black cloche hat, signed 'John' and dated in charcoal lower right, some overall spotting and marks, sheet size 69 x 50 cm (27 x 19.75 ins) (Qty: 1)
Lot 204
* Guida (John, 1897-1965). Fashion illustration, 1931, watercolour, coloured pastels, pencil and charcoal on thick wove paper, depicting an elegant female model in a long polka dot pale blue dress with neck bow and floppy hat, signed 'John' and dated in charcoal lower right, some minor spotting and marks, small circular grease stain below signature lower right, sheet size 69 x 50 cm (27 x 19.75 ins) (Qty: 1)
Lot 205
* Guida (John, 1897-1965). Fashion illustration, 1933, watercolour, coloured pastels, gouache, pencil and charcoal on thick wove paper, depicting an elegant female model with one arm akimbo in a pale long-fitted dress with bodice details, long gloves and yellow hat, boldly inscribed in charcoal upper left, 'Concorso ippico 4a. giornata' and signed 'John and dated in charcoal lower right, a few minor marks to corners, sheet size 69 x 50 cm (27 x 19.75 ins) (Qty: 1)
Lot 206
* Guida (John, 1897-1965). Fashion illustration, 1936, watercolour, coloured pastels, pencil and charcoal on thick wove paper, depicting an elegant female model in a slim blue dress with pale swing coat and matching hat with bow, boldly inscribed 'un mantello 1936', additionally inscribed 'Attieri' in another hand in pencil upper left, initialled and dated in grey watercolour lower right, a little soiling and a few short brown horizontal marks to upper half of image, sheet size 69 x 50 cm (27 x 19.75 ins) (Qty: 1)
Lot 220
* French School. Ariadne Asleep, later 19th century, bronze neoclassical sculpture with brown patina, depicting Ariadne in classical dress reposing on a chair, wearing a diadem in her hair decorated with stars, her right hand holding a spindle, and her left arm resting on the back of the chair, unsigned, 35.5 x 36 cm (14 x 14.25 in) (Qty: 1)
Lot 329
* Miniature. Portrait of a lady, Continental, early 17th century, watercolour and bodycolour, heightened with gold, on vellum, oval bust length portrait of a young lady with curled flaxen hair and enigmatic gaze, wearing a dress with black skirt and muslin bodice, a black shawl over her head, and a string of pearls around her neck, indistinct letters in gold top right 'MARO ANTE'(?), 60 x 46 mm (2.25 x 1.75 in), later oval gilt metal pendant frame with hanging loop, glazed (Qty: 1)
Lot 332
* Miniature. Portraits of a Husband and Wife, circa 1780s, two oval head and shoulder portraits, watercolour, gouache, and bodycolour on ivory, one of a woman in a blue dress with white muslin yoke and frilled collar, and a white ruffle-edged bonnet, the other of a bewigged gentleman wearing a red waistcoat and blue coat, each 60 x 47 mm (2.25 x 2 in), contained back-to-back in oval gold plated frame with hanging loop, glazed (Qty: 1)
Lot 352
* Vernon (Arthur Langley, active 1871-1922). Lady Sewing in a Garden, oil on canvas, depicting a young lady in a white muslin tea dress and feathered hat, seated in a wooden chair in front of a large stone entrance at the top of a flight of stone steps, sewing accoutrements on the table beside her, and a white kitten playing with the contents of a work basket spilling its contents on the steps, signed in red lower right, 55 x 40.5 cm (21.75 x 16 in), framed (Qty: 1)
Lot 372
* Attributed to Henry Acland (1815-1900). A pair of watercolour views, watercolour and pencil on paper, one depicting a female figure in a blue dress and bonnet, seated on a rocky shore, with trees and mountains, indistinctly annotated in pencil by the artist lower left '[place name?]. Julii 24 1844' , sheet size 16.8 x 24.8 cm (6.6 x 9.75 in), the other depicting a lowland landscape with distant church tower and mountains beyond, indistinctly annotated in pencil by the artist lower right, sheet size 17.5 x 24.7 cm (66.75 x 9.75 in), both mount-stained, framed and glazed, with pencil attribution on back of frames (Qty: 2)
Lot 378
World War Two German Navy (Kriegsmarine) Officer's dress dagger, housed in hammered scabbard with two hanging strap rings, cross guard with fouled anchor to centre and release clip to the reverse, pommel in the form of an eagle with swastika, white celluloid grip with wire binding, etched blade marked on ricasso with Knight Head trademark of WKC, 42cm total length
Lot 122
A COLLECTION OF CULTURED FRESHWATER PEARL NECKLACES, VARIOUS COSTUME AND OTHER JEWELLERY Including; an oval cultured freshwater pearl three-row necklace, approx. 46cm long (18 in); a baroque shaped-oval cultured freshwater pearl continuous necklace, approx. 120cm long overall (47 in); a round cultured freshwater pearl and metal-circlets necklace, the beads approx. 9.5mm-10.5mm diameter, the necklace approx. 46cm long (18 in); an imitation-pearl seven-row belt on an oval paste set buckle, and a matching bracelet; an imitation-pearl graduated single row necklace on a paste cluster clasp; a collection of hardstone heart-shaped pendants in a case; a 'mystic topaz' oval single stone pendant stamped '925' on a silver box chain; a pair of stained and fracture-filled coral pointed-rectangular pendent earrings; a pair of coloured-stone cluster stud earrings; a dress ring; and other costume jewellery
Lot 206
A COLLECTION OF OBJECTS TO INCLUDE A LATE VICTORIAN TORTOISESHELL PIQUE SMALL CARD CASE 9cm high (3 ½ in); a silver foliate engraved two-piece pencil, mark of Henry Williamson Ltd, Birmingham 1899; a 9ct gold mounted amber cigarette holder, Birmingham 1900, in a case; a silver thimble by Charles Horner, and another by James Fenton; an orange guilloche enamelled oval brush, in a box; an early 20th century ivory and gilt metal mounted oblong case centred with an oval portrait miniature depicting a young lady with blue flowers in her hair and wearing a pink dress; a Victorian portrait miniature depicting a lady in morning earing a coral necklace, in a square frame; and an early 20th century small ivory brush, in a red morocco case
Lot 257
A SET OF SIX LATE VICTORIAN SILVER-GILT MOUNTED-CORK FIGURAL WINE BOTTLE STOPPERS The terminals cast with a lady drummer, a man carrying two geese; a mournful lady in a below-the knee dress; a man with an outstretched arm and holding a hook; a teas maid carrying a tray; and a man checking his watch, all on slightly domed round bases and tapering cork stoppers, the maker's mark of Adolph Posener, London 1898, each figure stands approx. 4cm high (1 ½ in), each stopper approx. 9cm high overall (3 ½ in); on a black-velvet lined blue-leather covered case
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227115 item(s)/page