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Click here to subscribeA matched and cased Victorian gold dress set, the18ct gold double-ended cufflinks with convex oval plaques and chain links, one end of each with engaved monogram, Chester hallmarks 1901, weight 13.17g; and three 9ct gold studs with bright cut foliate faces, Chester hallmarks 1897, weight 2.49g; in period fitted leather case
A red hardstone, red enamel and mother-of-pearl gentleman's dress set, the double-ended cufflinks designed as mother-of-pearl discs with a small crimson hardstone set in the centre and an outer border of clear red enamel with opaque white dots, articulated bar connections, the six buttons of exactly the same design, in period fitted case
A chalcedony and diamond dress ring, the large oval cabochon pale blue chalcedony held either side by cords of white precious metal pavé set with round brilliant cut diamonds, the four ends crossing behind the stone and emerging again pavé set with diamonds to wrap around the finger merging into a polished shank, size P-Q (not round), length of ring head 2cm Comes with the receipt for US $3,500, dated 13th March 2004
A diamond, mother-of-pearl and enamel gentleman's dress set, the double-ended cufflinks designed as a round brilliant cut diamond collet set in the centre of a dished cushion-shaped plaque of mother-of-pearl with a white enamel Greek key design border, chain link connections, backs all stamped '18' suggesting 18ct gold, and with a serial number; the three buttons of similar but circular design, backs stamped 'Pt & 18ct', presented in a period fitted red morocco leather case
Unsigned - a Victorian 18ct gold cased dress fob watch, the decoratively engraved gold coloured dial with ornate two colour foliate border, Roman numerals in black, the unsigned movement numbered 31725, the ornately engraved case marked for London 1887, case 43mm diameter, dial 40mm diameter, case 44mm diameter, suspended from an unmarked two section triple strand chain with hardstone seal to the centre, 24.5cm, gross weight of watch 68gm, cased In good working order, one clip to the end of the chain is broken
K *** Swift (British, 19th Century) Portrait of a young boy, seated, wearing Highland dress, his arm upon his pet mastiff, hills beyond signed centre right "K Swift / 1866" oil on canvas 145 x 102cm (57 x 40in) Provenance: By descent within the family of the sitter One old repaired tear. Oil on canvas which is unlined. The canvas is very slack and there are undulations across the surface. The original dimensions of the painting have been extended by the artist who has used the original tacking edge along the left side. There is a patch on the reverse at the lower left corner securing a tear in the area of the dog's face which has been retouched. There are a few minor areas of loss and scuffs but overall the paint layer is in a good condition. The painting has a thin, streaky layer of varnish which has yellowed and is noticeable in the lighter areas of the sky. The frame has a few small chips and losses.
English School (early 18th Century) Portrait of a Lady, believed to be a member of the Stileman family, of Winchelsea, Sussex, seated, in blue, with her arm resting on a pink cushion and an Italian greyhound beside her oil on canvas, unlined 74 x 45cm (29 x 18in) Provenance: By descent within the family of the sitter Unlined. Old stretcher bar marks can be seen from the front. Frame needs attention. Oil on canvas, unlined. Canvas tension is very slack with undulations across the surface and pronounced stretcher bar marks. There are a few small losses to the paint layer and areas of raised craquelure. Some of the pigments appear to have degraded over time, notably in the blue of the sitter's dress. Localised areas of discoloured retouchings, noticeable in the sitter's face. Old and yellowed varnish which is dull with a layer of surface dirt. Frame has raised flaking to the gilding layer and areas of loss.
Manner of Sir Peter Paul Rubens (Flemish, 1577-1640) Portrait of a lady, head and shoulders, half length, wearing a pearl necklace and earrings and gold dress, gold coronet and motto scroll on right with crown and ribbons, indicating a possible Marchioness, bears initials 'ET' in gold to the left of the sitter oil on canvas, in a gilt frame 25 x 18cm (10 x 7in) Provenance: Private collection, London. Paint layer stable and secure. Ornate frame with losses to moulded decoration and dust layer. Under glass which is quite dirty. The gold paint is probably an addition. Frame an 18th century copy.
Jeremiah Meyer, R.A. (Anglo-German, 1735-1789) Portrait of Mrs Elizabeth Theobald (c.1725-1796), wearing a grey dress with white lace trim and a white bonnet inscribed "E Theobald Died 9 November 1796 aged 71" to the reverse watercolour on ivory, oval; in an engine-turned gold locket frame with hinged lid 7½ x 6cm (3 x 2in) This portrait miniature was executed when Jeremiah Meyer resided at Kew Green from 1774 until his death. Mrs Elizabeth Theobald was the artist's neighbour who lived at the north side of Kew Green, at Hanover House, now known as Kew Garden's Herbarium. A small scratch to the glass left of the sitter's shoulder.
Wilhelm Andreas Müller (Danish, 1733-1816) Portrait of a lady in a white silk dress with a bow at her corsage, pearls and unswept powdered hair, seated at a desk, crocheting; and A portrait of a gentleman in a brown frock coat, green waistcoat and powdered wig worn en queue, seated and holding a letter, circa 1774 watercolour on ivory, ovals; in gilt-metal frames with wavy reeded surrounds (a pair) 8 x 6½cm (3 x 2in) Provenance: With D S Lavender (Antiques) Ltd., London, where described as His Majesty King Christian VII and Queen Caroline Mathilde of Denmark; Property of a European Gentleman; Christie's, London, 27 November 2012, lot 270 Literature: Illustrated in colour in "The Grosvenor House Art and Antiques Fair 1996 Handbook", p. 231 Other Notes: In 1765, Müller was appointed as the official painter to the King of Denmark. The present pair are thought to have been executed at a time when the artist was commissioned to paint the various members at the court of Christian VII. Gentleman - slight paint loss by the right edge, opposite the sitter's neck. Lady - some staining above the vase. A small scuff by the top left edge, opposite the sitter's wig.
Pierre Pasquier (French, 1731-1806) Portrait of a lady, thought to be Empress Maria Feodorovna, in a powdered wig, wearing a pink silk cloak over a cream dress, with a diadem, ribbons and flowers in her hair enamel, oval; in a blue and white enamel and filigree frame 4.20 x 3½cm (2 x 1in) Minor losses to the edges, especially right of the sitter's head and along the bottom margin. A crack across the sitter's chest and another in the upper area running across the flowers.Notes: It has been suggested that the sitter is Empress Maria Feodorovna (née Sophia Dorothea, Princess of Wurttemberg) (1759-1828), second wife of Paul I of Russia.
Festival attire - a Star silk chiffon dress by Julien Macdonald, vibrant star and swirl print, jewelled detail; another similar; a silk chiffon jump suit by Traffic People, colourful floral print on yellow ground; a runched silk chiffon multi-coloured dress by Lipsy, part boned bodice; an embroidered silk zipped jacket by Aftershock; etc
Custo of Barcelona - a Custoline jersey fabric tunic dress printed design depicting stylised peacocks, fish courting couple etc on grey ground, transparent sequins to front; a Custoline silky jersey fabric tunic colourfully printed with geometric designs; a Custo stretch fabric tunic, printed in shades of brown with abstract design, cap sleeves; a Custo silky jersey fabric tunic printed with Oriental surrealist design (4)
A clear cut glass bell shaped scent bottle, globular faceted prismatic stopper, silver collar, Birmingham 1926, 13cm; a modern silver mounted address book, the embossed cover with lute player and ladies in 17th century dress, within a summer garden, scolling foliate border, vacant shield shaped cartouche, 14cm x 11cm, London 1991, boxed; a similar silver mounted prayer book, Sheffield 1998, boxed (3)
A miscellaneous lot to include a Dennis Wheatley Murder off Miami, 1st Edition in Crime Book Society edition, a vintage dolls house, pop-up book, Lean to Cook by Pictures, Patsy's Reflections, a 1950s cookery book in cartoon style and other, along with a Philltina child's record deck and a Marlow laundry box containing various vintage dress designs
An Elizabeth II Royal Navy Officer's Dress sword by Wilkinson of London:, numbered 118424, the blade with acid etched crown and 'ER' cypher to one side and foul anchor to the other, signed to ricasso as per title, over a gilt brass folding hilt and wire bound fish skin grip and lion's head pommel, in a gilt brass mounted black leather scabbard, blade length 79cm.
A Royal Marine Examination presentation sword to Colonel J T O Waters:, the acid etched blade inscribed 'Presented by the Lords Commissioners of The Admiralty to Second Lieutenant J T O Waters, Royal Marines for Meritorious Examination 1939', together with a Royal Marine Lieutenant's dress tunic with rank insignia, Royal Marine Great coat, peaked cap and pith helmet.* Provenance- by family descent
AN ART DECO 18CT GOLD TOP WIND DRESS WATCH, the circular engine turned dial with black Arabic numerals in white roundels, the jewelled movement in an engine turned case with blue enamelled borders, the back centrally engraved with a monogram, London 1921 (Est. plus 18% premium inc. VAT) (Illustrated)
AN ART DECO 18CT GOLD TOP WIND DRESS WATCH, the engine turned cushion dial with black Arabic numerals to the chapter ring, the jewelled movement stamped "Geneve" x 2 and numbered 4920 in a plain case, the back engraved with a monogram and dated June 10th 1925, London 1920 (Est. plus 18% premium inc. VAT) (Illustrated)
A 9CT GOLD TOP WIND DRESS WATCH, the matt dial with applied gilt metal Arabic numerals enclosing subsidiary seconds dial, the Movado fifteen jewel movement adjusting to four settings, in a plain case engraved with an armorial and motto "Bydand", London import marks 1934 (Est. plus 18% premium inc. VAT)
AN ART DECO BRONZED SPELTER FIGURAL TABLE LAMP, modelled as a young lady wearing a halter neck short dress with large cuffs, posing with her arms outstretched supporting a pair of crizzle glass globes, standing on an alabaster stepped oblong base, raised upon four metal spheres, 11 1/2" high (Est. plus 18% premium inc. VAT) (Illustrated)
"CHRISTINE", a Royal Doulton china figure, 1940's, wearing a flower trimmed puce bonnet, lavender flounced dress and a blue and purple shawl, holding a book in her right hand, printed mark in green, name and HN1839, inscribed in green, indistinct monogram and impressed mark, 7 3/4" high (Est. plus 18% premium inc. VAT)
Sale Item: 1938 GERMAN ARMY DRESS BLADE Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 3% of the hammer price plus VAT @ 20%
Sale Item: VINTAGE DRESS & JACKET SET Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 3% of the hammer price plus VAT @ 20%
Sale Item: VINTAGE MILITARY DRESS TUNIC(AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 3% of the hammer price plus VAT @ 20%
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