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A 1930s Liberty of London crepe tea dress having brown floral design and ruffled collar, no fastening, medium size approx. 42" bust, 36" waist. Good condition, nothing obvious however fastening has been sewn up under inspection, and there is a small hole under frill at waist, hem mainly good with a couple of raw edges.
Blue Dress 2003oil on canvas48.5 x 39 cm (19 1/8 x 15 3/8 in.)framed dimensions: 60.5 x 53.5 cm (23 7/8 x 21 in.)signed, dated and titled on versoCONDITIONObserved in frame, the painting is in very good condition. Craquelure most notably to the left edge. Inspection under UV light shows no sign of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Girl in Turquoise Dress with Downcast Eyes oil on canvas26 x 21.5 cm (10 1/8 x 8 1/2 in.)unframedPROVENANCESDZY Soderberg Dzubinsky Gallery, New YorkEstate of the purchaserCONDITIONThe painting is in very good condition. Not inspected under UV light.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Late Period, Ca. 664-332 BC A finely modelled amulet of Sekhmet, the lioness-headed goddess of war, military strategy, and healing. Covered in apple-green glaze, Sekhmet presents in a striding pose with her left leg forward while wearing an ankle-length, sheath dress. Her arms are draped to her sides, while her short-cut mane drapes across the tops of her shoulders. Almond-shaped eyes, a condensed snout, perky ears, and a furrowed brow comprised her protruding visage, and her head is surmounted by a sun disc with a frontal uraeus cobra. A suspension hole is situated in the middle of the dorsal pillar to enable this figure to be worn as a pendant. Size: L:43.7mm / W:10mm ; 2.52g Provenance: From a London private family collection, formerly acquired on the UK art market in the 1960s - 1970s; then passed by descent.
Ca. 618-906 AD A ceramic "Fat Lady" Figure standing facing forward, with one foot angled to the side, and a child cradled on her left arm. She wears long-sleeved, loose-hanging robes, and the court dress is embellished with delicately detailed upturned shoes. The original pigmentation is still visible on the figure's face, dress, and hair. The facial features, such as the eyes, lips, nose, and eyebrows are picked out by delicate painting. An elaborate coiffure crowns the face of the "Fat Lady".The so called "Fat Lady" was a popular attendant figure among the wealthy as during the Tang dynasty luxurious tastes led to a change in the ideal feminine form, from thin to more buxom body types.This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Size: L:500mm / W:200mm ; 4.2kg Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.
Ca. 618-906 AD Modelled in the form of a "Fat Lady", this terracotta figure has been formed from a fine clay terracotta, her face skilfully formed, her eyes with a serene expression, lips, nose, and eyebrows have been delicately painted with a careful hand, her makeup painted according to the fashions of the time, with a white painted face, red rose-like cheeks, and blood red lips. Her head featuring a framed coiffure in a high chignon. She is bulbous, almost globular in shape, gently swaying to one side, wearing a long-stylised courtier loose robe painted in pale blue with pink sleeves, showing deeply naturalistically incised folds, her arms are folded, and the hands secretly hidden by the long sleeves of her dress. The dress flaring near the bottom, providing a gentle glimpse of two pointed shoes on each corner.This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Oxford Authentication. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:480mm / W:185mm; 3.4kg Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.
Ca. 618-906 AD A delicate Tang Dynasty female dancer wearing a long flowing gown with draped, winged sleeves. The long dress uncovers her up-turned shoes. Her both arms are up in the air, indicating motion. The dancer herself is carefully modelled, with her hair done up, red pursed lips, delicate brows and smiling eyes. Dance as an art form reached its peak in China during the Tang Dynasty, which is now known as the golden age of Chinese music and dance. Indeed, during this time The Great Music Bureau was created as a means through with to train musicians and dancers for the imperial court. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:330mm / W:265mm ; 1.4kg Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.
Ca. 618-906 AD A terracotta Tang Dynasty female dancer wearing a long flowing gown with her hands uncovered. The dress is a deep orange, which continues to the waist sash which separates the skirt from the bodice is also the same orange colour. Her upper body is slightly bend to the side, with her left arm up in the air, indicating motion. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:320mm / W:145mm ; 1.1kg Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.
A NO.10 MESS DRESS: JACKET, WAISTCOAT AND TROUSERS Brigadier R.G.W. Melsome, 8th/53; together with dress jacket, trousers and hat, with medal ribbons for B.E.M., 39-45 star and 39-45 war, E.R. II Coronation 1953; and 49 pattern battle dress jacket, shirt, trousers and beret, the jacket 1955, the trousers 1954, medal ribbons B.E.M. 39-45 star, and 39-45 war, E.R. II Coronation 1953; and a grey coat North Hampshire Regiment, 26/9/1945, made by Flights Ltd, New Burlington, London (a lot)Provenance: From Steven Roberts Military Uniform Collection.
A NO. 2 DRESS, JACKET AND TROUSERS R.S.N. E. Austin, 10th Royal Hussars, dated 21/08/60, medal ribbons MM, 39-45 star, African star (8th Army), Italian star, Defence 39-45 and War 39-45, Army Long Service; and the No. 2 dress jacket (2)Provenance: From Steven Roberts Military Uniform Collection.
A ROYAL CORPS OF SIGNALS SERVICE DRESS JACKET, a 17th/21st Lancers Service dress jacket, Royal Corps of Signals jacket, tailored by H. Lottery & Co. Ltd, a Royal Dragoon dress jacket and trousers; and two Royal Dragoons overcoats (a lot)Provenance: From the collection of Lance Corporal Denis Jones, 5th Royal Inniskilling Dragoon Guards
AN OFFICER'S SUMMER UNIFORM Order of the Bath Regiment (Staff Officer) and Mess Dress comprising jacket, blue waistcoat, Staff Officer's uniform jacket, two caps and two brown leather Sam Brownes, an officers dress sword in its original metal scabbard (a lot).Provenance: From the collection of Lance Corporal Dennis Jones, 5th Royal Inniskilling Dragoon Guards.
A ROYAL NAVY BATTLE DRESS jacket and trousers, medal ribbons for WWII Star, WWII Star Africa, WWII Star Italy, WWII Star France/German, and a war medal from 1939-45; a Royal Navy reserve jacket, Lt. Cadet S. Sutton, medal ribbons WWII Star, WWII Star Africa, WWII Star Italy, WWII Star France/Germany, war medal 1939-45; and a Royal Navy reserve jacket and trousers, Lt. Commander rank, medal ribbons WWII star, WWII star Africa, WWII Star Italy, WWII Star France/Germany, war medal 1939-45, reserve decoration long service (3) Provenance: From Steven Roberts Military Uniform Collection.
Photo of African tribe chief with traditional feather hair dress from the collection of District Commissioner Joseph Van Reeth Foto van Afrikaans stamhoofd met traditioneel hoofdtooi van veren uit de collectie van districtscommissaris Joseph Van Reeth 51.5 x 35 cmPrivate Collection of District Commissioner Joseph Van Reeth. He arrived with his wife Gabrielle Goedertier in 1911 in Moma in the then Congo. He remained in the service of the Belgian State until 1963.
Photo of African tribe chief with traditional feather hair dress from the collection of District Commissioner Joseph Van Reeth Foto van een Afrikaans stamhoofd met traditioneel hoofdtooi van veren uit de collectie van Districtscommissaris Joseph Van Reeth 44 x 26.5 cmPrivate Collection of District Commissioner Joseph Van Reeth. He arrived with his wife Gabrielle Goedertier in 1911 in Moma in the then Congo. He remained in the service of the Belgian State until 1963.
A silver and blue goldstone set dress ring, the oval stone with diamond facets, London 2007, finger size N 1/2, and a 19th century circular brooch, 3.6cm diameter CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Two 19th century gold plated lockets containing hair, a Victorian oval banded agate brooch in gold plated mount, a Victorian silver bar brooch, a Victorian Vulcanite oval locket, assorted cuff links and dress studs, a single Victorian gold plated drop earring, a 19th century seal fob, two military and other pins and badges, a Venetian souvenir bracelet, and a Continental Fleur-de-lys locket or watch pin stamped '800' CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Items relating to Lieutenant Frederick Harriott Goodwin of the Special Reserve of Officers Royal Flying Corps Military Wing, comprised of his appointment papers dated 17.06.16, discharge papers dated 16.09.19 and photos in military dress, and invitations and other paper items relating to the coronation of King George VI and Queen Elizabeth, 12th May 1937, where Goodwin was a member of the Westminster Cathedral Coronation choir, and a small assortment of unassociated early 20th century newspapers CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
A group of six portrait miniatures of gentlemen, early 19th century and later, including an example of a gentleman in military uniform, on ivory, four in 17th century dress, probably on copper and a gentleman in 18th century dress, all framed, the largest L10.5 exc. frame Condition Report: Portrait of military gentlleman in red is on ivory. Example with gentleman ij curled brown wig, wearing armor and red sash - on copper. Example with man with brown hair, moustache and white ruff is on copper, Circular example with man with white ruff and blue tunic is on a thin panel which is has not been removed from backng but it is very cold to the touch and may be copper. Oval example with man in black hat with white ruff, indiistinctly signed Aeta X ?, not inspected out of frame, possilby on wood or copper. Larger oval portrait of gentleman in blue coat is on copper.
A 19th century oval silver snuff box inset with carved ivory portrait of a maiden, of oval form, L5.2cm Condition Report: Of good decorative appearance overall. Some typical tarnishing to mount, slight wear to gilt interior, with a patch of yellowing across front of her dress and small areas to the fruit in her hair.
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228188 item(s)/page