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Lot 17A
Art Deco Superb Platinum Diamond Set Dress Ring, the interior and shank marked Platinum. The central round faceted diamond of good colour and clarity. Est. diamond weight 1.10 cts. with further diamonds to shoulders, the baguette cut diamonds also of good colour and clarity. Est. diamond weight 0.30 cts. Est. total diamond weight 1.40 cts. Ring size R. Shank and setting good condition.
Lot 19
Ladies - 18ct White Gold Pleasing Quality Aquamarine and Diamond Set Dress Ring. Full Hallmark to Interior of Shank. The Central Square Shaped Faceted Aquamarine of Excellent Colour / Clarity, Surrounded by Emerald Cut and Brilliant Cut Diamonds, Which Extend to Shoulders of Top Colour / Clarity. Est Size of Aquamarine 2.00 cts. Ring Size N. Weight 5,7 grams. Cost Over £2000 pounds. Shank / Setting Excellent Condition.
Lot 1433
Knitting/Crafting Interest - Collection of Knitting and Crafting items, comprising a large wooden needle box containing assorted sized knitting needles and patterns, a box of mohair wool, together with crafting equipment including crochet hooks, scissors, pins, roller cutter, rug wool cutter, tracing paper, dress marker, etc. Great collection of the crafter.
Lot 281
English School (mid-19th century) Portrait of a young girl, half length, in a red and white short sleeved dress oil on canvas, the canvas stamped 'C. Davy Artists Colourman 83 Newman Street Oxford St London' verso (1843-62), 19th century ebonised and gilt Hogarth frame 11½ x 9½ in (29.5 x 24.5 cm), the frame 37.5 x 32.5 cm * Condition: Not relined. Heavy craquelure visible across the surface, more notably to the upper half. Surface very dirty. Framed behind glass. A few scattered retouches visible under UV, and larger retouches around margins. Some strengthening visible to hair.
Lot 38
A pair of early 20th century Meissen porcelain figures of a lady and gallant - in 18th century dress, he modelled with a sword and holding a posy, she holding a fan, underglaze blue crossed swords marks, one incised 'A56' and impressed '42' and '81' to base, the other with painted '13' mark, 18.5 cm to 19 cm high, faults. (2)* Condition: The female figure missing one finger from her raised hand. Restoration to the fingers and fan in the other hand. The male figure with restoration to the sword scabbard. Both with minor losses to the lace decoration to the clothing.
Lot 169
A diamond set dress ring, featuring a central round brilliant cut diamond measuring approximately 5.5mm claw set into a white metal surround further mounted in yellow metal that tests as 18ct yellow gold in the shape of an oblong saddle style head with tapering shank, ring size H (leading edge) total weight of item: 10.00g
Lot 147
De Beers - a diamond-set dress ring in 18ct yellow gold, the wide flat band has flush-set with 26 round brilliant cut diamonds in various sizes, and another one on the inside of the shank, signed and engraved with Birmingham assay marks, along with a serial number, band measures 9.0 mm wide, ring size M, total weight 15.7 grams.
Lot 188
A diamond dress ring, set with a central round brilliant cut diamond with an estimated weight of 0.35ct, with baguette cut and round brilliant cut diamonds in an Art Deco style design, the head measuring 16 x 10.8mm, mounted in white metal stamped '950' and testing as platinum, ring size S. Total weight 4.7 grams
Lot 195
Georg Jensen - a dress ring set with a rutilated quartz, of bottle cork shape, composed of cylindrical quartz with fine yellowish rutile inclusions, collet-set to a tapering open shank, designed by Vivianna Torun Bülow-Hübe, No. 151, post-1945 maker's mark, signed 'TORUN', stamped 925S, ring size L½, hard stone dimension 12.1 mm x 13.3 mm, total weight of item 16.1 grams.
Lot 185
Van Cleef & Arpels - a boxed diamond dress set, comprising cufflinks, buttons and shirt studs, of square lattice blocks channel-set with square step-cut diamonds of an estimated grand total of 16.20ct; the pair of cufflinks with 10.5 mm wide panel fitted with bridge connectors, four matching buttons, and three spring-back studs with 7.3 mm wide panels, in fitted case, all signed and numbered, maker's mark for Charles Profillet, mounts struck with French wolf head hallmark for platinum, button fittings with eagle head mark for 18ct, shirt stud fittings marked '14Kt', total weight of items 30.7 grams.
Lot 83
A Victorian gem-set ring and an old-cut diamond ring; the diamond and emerald five-stone half hoop ring set with three graduated old-cut diamonds with emeralds flanked between, yellow metal struck with Chester assay marks for 18ct gold, 1897, size O½; together with a dress ring star-set with a single old-cut diamond, unmarked yellow metal testing 18ct, size N; Total weight of items 7.2 grams. (2)
Lot 135
An amethyst dress ring and a citrine dress ring; the oval-cut amethyst measures 14.6 x 10.3 x 7.1 mm in 9ct gold four claws setting, London 1966, size O; the octagonal-cut citrine measures 14.7 x 11.4 x 7.8 mm, in claw setting to grooved shank, yellow metal marked '18ct', size L; Total weight of items 9.8 grams. (2)
Lot 198
Georg Jensen - a dress ring with polished labradorite, comprises an open shank with a flat long oval panel end, and set with an oval labradorite cabochon on the other end, designed by Bent Gabrielsen, No. 172, post-1945 maker's mark, stamped 925S, ring head 2.8 cm long, ring size S, 17.0 grams.
Lot 289
Attributed to Stephen Catterson Smith (1806-1872) 'Portrait of a Military Officer in full dress Uniform,' O.O.C., 143cms x 112cms (56'' x 44''); together with its companion 'Portrait of a Lady,' probably his wife, seated in a black lace trimmed dress, by a vase of flowers, a pair, (some faults). (2)
Lot 213
GASTON LA TOUCHE (FRENCH 1854-1913) L'ARRIVÉE DE LA PRINCESSE Oil on cradled panel, painted on gold ground Signed, inscribed 'STC' and dated '1911' lower right 311.1 x 191.8cm (122¼ x 75½ in.)Provenance:Le Transatlantique 'France'. Collection Henri Cangardel, Chairman of the Compagnie Generale Transatlantique French Line. Private Collection, by descent. Private Collection, London. Exhibited:St Cloud ( Paris), Musée des Avelines, 16th October 2014 - 1st March 2015, Gaston La Touche, Les Fantaisies d'un peintre de la Belle EpoqueVersailles, Château de Versailles, Revival 1867-1937, 19th November 2019 - 15th March 2020 Literature:Henri Frantz, Gaston La Touche 1854-1913, London 1914, p. 19. Louis Rene Vian, Arts d'ecoratifs a bord des paquebots francais 1880-1960, Paris 1992, p. 48 and 49. Selina Baring Maclennan, Gaston La Touche. A Painter of the Belle Epoque, Antique Collector's Club, UK 2009, p. 71, illustrated p. 73, pl 71, illustrated in colour. Musée des Avelines, Gaston La Touche, Les Fantaisies d'un peintre de la Belle Epoque, Saint-Cloud 2014, illustrated p. 91. La Touche could not have received a more appropriate commission than this large panneau decoratif for the First Class Dining Room of the liner France. A major exhibition of 323 works at the Galeries Georges Petit had firmly established his reputation in 1908 and this commission came a few years later in 1911. The four funnel France was built in St Nazaire, France in 1911 and was the most lavishly decorated liner of the day - it accommodated 517 First Class passengers from a total of 1623. Known as the "Versailles des mers" or the "Chateau de l'Atlantique", the decor throughout was opulent gilded Louis XIV, expressed so grandly in the two tiered First Class Dining Room with its magnificent sweeping staircase ending in the centre of the salon - indeed, it was said that no self respecting woman would enter by any other way. It was for this staircase that La Touche painted this panel. Throughout his life he had had a love affair with the Palace and gardens of Versailles: painting several large canvases of beautiful women alighting from carriages and stepping into brightly coloured barges and gondolas. As early as 1895 he painted a suite of Quatre Saisons for the Salle de Mariage in the Mairie at St Cloud and it is here that La Touche used the format for this panel in his depiction of Spring. To echo the opulence of its setting, he has the viewer looking up at the central figure as she is helped from her carriage towards a waiting barge, complete with musical ensemble - she appears to be of royal standing as her entourage bow to show her status.The France was sold in 1933 and broken up by Dunkirk Breakers in 1934 - the whereabouts of this painting were unknown until its discovery 25 years ago. Photograph: French Line, S.S. "France", Interior, Dining Salon,1924. [Byron Company (New York, N.Y.)][ 93.1.1.11467] Museum of the City of New York. Condition Report: Please note that the present lot has been shot with and without the frame, but the frame has been photo shopped in place as was in pieces and was not built around the picture. This may not reflect the actual fitting of the frame, which may need building and is not guaranteed to fit properly. The painting presents a few scattered losses of paint at the borders and a generally sparse craquelure which has though been covered by restoration. UV light, in fact, reveals numerous fillings in the cracks that have widen across the whole surface, most noticeable in the background area of the sky, and on the carriage. Furthermore, there are extensive restorations on the lower centre part of the panel, such as on the back of the musician at the centre, or on the water of the fountain; such restorations can be up to 10 cm of width. Numerous restorations are also present on the vessel, in the leaves of the tree, and on the head and dress of the lady at the centre. Condition Report Disclaimer
Lot 35
FLEMISH SCHOOL (17TH CENTURY) CRUCIFIXION Oil on panel 104 x 71.5cm (40¾ x 28 in.) Condition Report: The panel has two beams on the verso which cradle the painting. The panel presents various visible crack; starting from the left: the first crack starts from the top border and ends on the foot of the crossed man on the left; the second crack starts from the top, crosses the right hand of Christ, and continues in a straight line to the bottom; the third crack, similarly, passes from Christ's left arm and follows to the bottom; the forth crack follows the pole of the crucified on the right; while the last crack starts from the top right corner and ends at the bottom, crossing by St. John's cloak. UV light reveals various retouches scattered across. The most visible are the ones covering the abovementioned cracks, especially the first, third, and forth crack, where the applied paint is thick enough to see without UV light. Furthermore, there is a restoration of about 6cm long on the right to Christ's pelvis, and various retouches on the dress of Mary Magdalen, of which some of them up to 3cm wide; other a present above the head of Christ, on the body of the crucified man on the left, and a few more on the borders. To conclude, a thick varnish is applied unevenly across the whole surface. Condition Report Disclaimer
Lot 100
SIR THOMAS LAWRENCE PRA (BRITISH 1769-1830) PORTRAIT OF ELIZABETH WILLIAMS OF GWERSYLT PARK, DENBIGHSHIRE, WEARING A WHITE DRESS Oil on canvas 76.2 x 63.5cm (30 x 25 in.) Provenance: By descent in the family of the sitter to Major W. G. Townsend Currie, CheshireHis sale, Christie's, London, 3rd June 1932, lot 64 where bought by Mr. Buttery With Leggatt Brothers, London Lilian S.Whitmarsh Her sale, Sotheby's, New York, 7-8th April 1961, lot 294Anonymous sale: Sotheby's, London, 27th November 2003, lot 169, where purchased by the present owner Exhibited: London, Royal Academy Exhibition, 1804, No. 25 Literature: W. Armstrong, Lawrence, London, 1913, p. 171K. Garlick, Sir Thomas Lawrence, London, 1954, p. 199K. Garlick, Sir Thomas Lawrence - A Complete Catalogue of the Oil Paintings, Oxford, 1989, p. 284, No. 825a Elizabeth Williams, a celebrated beauty, was also painted by Lawrence in a full-length portrait as St. Cecelia in 1803. She was the daughter of William Currie of Boughton Hall, near Chester and married John Williams of Gwersylt Park, near Wrexham in 1804. He was the son of Thomas Williams (1737-1802) who was one of the most successful and important industrialists in Wales in the 18th century, becoming the richest man in Wales at the time of his death in 1802. He was described by Matthew Boulton as "the despotic sovereign of the copper trade". His portrait by Lawrence, painted in 1789, is in the National Museum of Wales, Cardiff.
Lot 102
JEAN BAPTISTE GREUZE (FRENCH 1725-1805) PORTRAIT OF A CHILD IN A BLACK AND WHITE DRESS Oil on panel 38 x 30cm (14¾ x 11¾ in.) We are grateful to Dr. Yuriko Jackall for her assistance with preparing the catalogue entry Condition Report: The panel presents a thick uneven varnish. UV light reveals various retouches across the whole panel, such as on the black cloth of the child's right arm; such retouches are of about 2cm long and cover most of the black cloth. Retouches are also present on the right white sleeve, with one of about 5 cm long. A similar size retouch is also present on the right of the sitter's shoulder, above which, always in the background area, are two spherical retouches of about 2cm diameter. There have been extensive restorations on the chin, nose, and mouth of the sitter; some of the retouches are of about 3 cm wide. Extensive retouching is also present on the eyebrows and eyes, and on the area of flesh between the eyes. There are also various retouches on the hair, especially on the left, near the curls, and near the crown of the head, where there is a large patch of restoration of about 5cm wide. In the background area above the head, there is also a large patch of retouching of about 4 cm diameter. To conclude, the panel presents a thin crack which crosses the whole panel, and passes just next to the right eye. Such crack has been covered with a thin layer of paint. Condition Report Disclaimer
Lot 140
An early 20th Century black ostrich feather 18 wand fan A/F, a 1930's glove envelope pouch containing a quantity of ladies gloves to include kid examples together with two 21st Century dresses comprising a 'ForHerAndForHim' lilac silk effect short and off the shoulder dress, 34" chest and a pre-2016 BCBG Maxazria tea length dress with ruched waistband, up to 36" chest and 4 vintage printed silk scarves. Location:Rail+R2.2
Lot 7
Gucci-A ladies black silk off the shoulder and full length evening gown, European size 40 having bow detail to shoulder and long sash tie to the right hand side waistline , thigh height slit to right hand side together with a brown Gucci dress carrier and branded coat hanger A/F. Location:Rail
Lot 3
Dolce & Gabbana-A ladies knee length black satin sleeveless dress having an animal print lining, branded zip and rear gold tone zip fastening, European size 40 approx 32" chest x 40" long, no signs of wear, together with branded black cloth suit/dress carrier. Location:RailCondition:As new, good, no signs of wear.
Lot 76
Giorgio Armani and Biba-A late 20th Century ladies full length Armani taupe sleeveless dress having a side slip to the hip with button detail together with a matching jacket having shoulder pads, European size 42 (36" chest x 55" long), an Armani Collezioni grey fitted jacket, Size 6 (34" chest x 28" waist) and matching trousers size 8 (30" waist), a 1990's Biba deep red satin slip dress with spaghetti straps, 36" chest x 28" long approx, a mid 20th Century St Andrew's Ambulance Service ladies coat, 36/38" chest and a black Astrakhan coat, 40" chest:Rail
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228098 item(s)/page