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Lot 1003
Mixed lot comprising a Ladies dress watch with jewelled movement and bi-metallic cut compensated balance and blued steel over coil hairspring, to an Arabic enamel dial with cobalt blue numerals and red 12 in a hinged and polished case with hands set to the band and stamped K18 and numbered 6661, with a later fitted curb-link chain, with sprung clasp and safety chain, together with a further 9ct Gold Ladies wrist watch, various dates and makers (2)
Lot 1012
Third quarter of 20th Century Ladies 9ct Gold dress watch, Longines, jewelled movement to a signed square and Silvered dial with Arabic quarters and dagger hands in a textured square case with covered lugs and fitted brick-link bracelet with folding clasp and marked for London 1964, makers mark DS & S and numbered 32478, width 11/16
Lot 385
Two Damm Porcelain figures of a young girl wearing a floral decorated dress with arms outstretched and a young man in a dancing pose, each with blue printed six spoke wheel marks, together with four other figures, includes a small Derby figure of winged Putto with a birdcage (repaired) and three other various European figures, all painted in colours throughout, various sizes Condition Report: Figure of boy in floral clothes and cherub figure both restored. Rest of lot appears fine. Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”. Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid.
Lot 876
Mixed group comprising a Yellow Metal Royal Artillery dress Brooch with enamelled banners (one slight loss), 30mm wide, stamped 9ct ; a Yellow Metal Naval dress Brooch with enamel detail to the Crown and Anchor centre, 40mm long, stamped 9ct ; and a possibly American Yellow Metal and enamelled Fraternity or Sorority pin with skull and crossed bone detail and Seed Pearl mounts, 13mm wide (3)
Lot 162
Circle of George Richmond RA (1809-1896)PORTRAIT OF CHRISTOPHER WILLIAM GILES PULLER (1807-1864), THREE-QUARTER LENGTH, LEANING ON A TABLE;PORTRAIT OF HIS WIFE, EMILY PULLER, THREE-QUARTER LENGTH, SEATED, WEARING A BLUE DRESS AND BLACK SHAWLA pair, watercolour heightened with white, painted oval38 x 31cm, in the original gilt-gesso frames, contained in a faux leather bound volume with gilt decoration (2)
Lot 197
English School, c.1730PORTRAIT OF A YOUNG GIRL OF THE FFOLKES FAMILY, THREE-QUARTER LENGTH, IN A BLUE DRESS AND GOLD WRAP, WITH A PARROT PERCHED ON HER FINGEROil on canvas, oval76 x 63cmLiterature: Prince Duleep Singh, 'Portraits in Norfolk Houses', Vol I, under Hillington Hall, p.255, no. 50.
Lot 199
Thomas Hudson (1701-1779)PORTRAIT OF MARY, WIFE OF SIR WILLIAM BROWNE AND DAUGHTER OF CHARLES GREENE OF LYNN, THREE-QUARTER LENGTH SEATED, IN A SILVER DRESS WITH LACE COLLAR AND SLEEVES AND WHITE LACE BONNETSigned and dated 1759 l.l., later inscribed 'Mary, Dr & co-heiress of Chas. Greene Esqr Lynn Rs. wife of Sir Wm Browne ob. 1763' u.r., oil on canvas127 x 101cm, in a fine George II carved giltwood frame
Lot 200
Thomas Hudson (1701-1779)PORTRAIT OF MARY, DAUGHTER OF SIR WILLIAM BROWNE, WIFE OF WILLIAM FFOLKES, THREE-QUARTER LENGTH SEATED, IN A SILVER DRESS WITH LACE COLLAR AND SLEEVES AND WHITE LACE BONNETSigned l.l., later inscribed 'Mary Dr & heiress of Sir Wm Browne, 2d. Wife of W Folkes Esq ob.1773 aet.52' u.r., oil on canvas127 x 101cm, in a fine George II carved giltwood frame
Lot 242
Sir William Orpen RA RHA (1878-1931) PORTRAIT OF GERTRUDE, COUNTESS OF DUDLEY, NE MILLAR (1879-1952) HALF LENGTH, IN A WHITE DRESS AND RED CLOAK WITH FUR-TRIMMED COLLAR, WEARING A MULTIPLE STRING OF PEARLS Signed l.r., oil on canvas 76 x 61cm Gertie Millar was born in 1879 in Bradford and started her career at the age of 13 at the St. James's Theatre in Manchester. Later she moved to London and by 1897 she was well established as a stage favourite. In 1902, she married Lionel Monckton, a talented composer of musical comedies, who subsequently wrote a number of hit songs for her. Despite great success together in the theatre, GertieÉs marriage to Lionel Monckton was not a happy one.The gossip columns carried many stories about the popular showgirl and in 1913 there were rumours of a liaison with the Duke of Westminster, with both reportedly about to divorce their respective spouses so that they could marry each other. How true these stories were is open to debate, as even th
Lot 207
ALBERT ERNST BELLEUSE, FRENCH 1824-1887, PAINTED BRONZE AND IVORY FIGURE LA... ALBERT ERNST BELLEUSE, FRENCH 1824-1887, PAINTED BRONZE AND IVORY FIGURE LA LISEUSE, THIRD QUARTER OF THE 19th CENTURY Modelled as the reader in Renaissance dress, set upon a stepped bronze plinth with plaque, cast signature to base, 40.5cm in height.
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228098 item(s)/page