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Vinyl - David Bowie The Man Who Sold The World on Mercury (6338 041). Original UK textured dress sleeve. Sleeve Ex with light corner / edge wear and small blemishes to rear. Vinyl is EX with a few light surface marks and poly residue from inner. Small red circular stickers to label on both sides.
A collection of porcelain figures including Royal Worcester Grandmother's Dress, the Parakeet, Royal Doulton Top 'o the Hill, Christmas Morn HN1992, the Old Balloon Seller HN1315, LLadro figure of a girl with puppies, two Royal Copenhagen Millenium Collection figures Emma and Frederik and Bing and Grondahl figure of two lovers (one tray)
A split pearl swallow pendant, stamped '15CT' on a 9 carat gold chain; a 9 carat gold fancy link chain; a 9 carat gold textured ring, finger size Q; a 9 carat gold smoky quartz ring, finger size I1/2; a stickpin stamped '9CT'; two silver dress rings and a rolled gold wristwatchCondition report: Pendant on chain, another chain, two rings and stickpin - 21.9 grams.
Three 15 carat gold dress studs, cased; two 18 carat gold dress studs; two 9 carat gold dress studs; a dress stud, stamped '9CT'; together with six further dress studs, a button and a cufflinkCondition report: Three 15 carat gold dress studs - 3.4 grams. Two 18 carat gold dress studs - 8.3 grams. Two 9 carat gold dress studs and stud stamped '9CT' - 1.6 grams. Cufflink - marks illegible, 2.5 grams.
Mathilde de Cordoba (1875-1942) AmericanPortrait of a young girl wearing a pale blue dress and seated on a sofaSigned in pencil, coloured etching, together with a further coloured etching of a young child, a further signed coloured etching of young child standing in a landscape and two further monochromatic renditions depicting a crawling baby and a head and shoulders portrait of a young girl in profile, 38.5cm by 26.5cm, 42.5cm by 30cm, 14cm by 18.5cm & 14.5cm by 19cm respectively (4)
dating: End of 19th beginning of 20th Century provenance: Europe, All different, made of silver, brass or silver-plated. A silver queen with three children and a red stone base with heraldic crest, a musician in an 18th century dress with a trumpet, a bearded man on a column, a ring with a ducal coat of arms, a silver ring complete with a case and others. height 2.2 - 9.4 cm.
AN ANTIQUE LAPIS LAZULI AND DIAMOND CUFFLINKS AND BUTTON DRESS SET in 18ct yellow gold and platinum, comprising six buttons and a pair of cufflinks, each set with a piece of polished lapis lazuli, accented by diamonds, in a fitted presentation case, stamped PT & 18CT, button face 1.0cm, 12.8g.
Property of a Lady. A three-quarter length portrait of Anne, Lady Russell, later Countess of Bedford (1615-1684), in a blue dress. Attributed to Sir Anthony Van Dyck. Anne Carr, Lady Russell, an esteemed beauty was clearly a favourite of Sir Anthony Van Dyck. There are six portrait types of Lady Russell listed in Miller, et al. It is tempting to associate the current portrait with the three-quarter length in blue in the Egremont collection at Petworth House (Millar IV.22) because of the similarity of colouring. However, we believe that this picture represents a different portrait type, and most likely derives from a separate sitting.The comparison with the short three-quarter length belonging to the Tokyo Fuji Art Museum, Tokyo (Millar IV.23), is telling. The heads are essentially the same, though the pose and the colouring of the portraits are quite different. The Japanese painting features a rose-red gown and a fawn stole, possibly darker than in this painting. This comparison also illustrates Van Dyck's ability to develop different compositions from a single sitting. Dr. Malcolm Rogers CBE FSA believes this painting to be an unfinished work by the artist: "with, as you might expect, preparatory work by a member of his studio. Especially encouraging is the penumbra of thicker paint around the lady's head which is a recognised feature associated with the artist's ad vivum rendering of heads. My notes do not mention a similar penumbra in the Tokyo painting, though the painting is throughout of very high quality. There are one or two slight pentimenti in the silhouette of the figure of your painting and in the line of her stole, which at one point may have been intended to run over her right wrist. Close examination may reveal more. Some areas of the draperies, especially the linens are not fully realised, and, of course, the background is only roughed in. Millar suggests that the Tokyo painting with its loose gown and protective hands may indicate that the sitter is pregnant. The gown is similarly loose in [this] painting. If she is indeed pregnant this might suggest a date around 1638 or 1639, in which years the first two of her eleven children were born. I cannot explain why the painting was left unfinished, but it is, must be, a distinct possibility that this is the very portrait of Lady Bedford that remained in Van Dyck's studio at the time of his death (see C. Brown and N. Ramsay, 'Van Dyck's Collection: Some New Documents', Burlington Magazine, Vol. 132, pp. 704-9)." We are immensely grateful to Dr. Malcolm Rogers CBE FSA. Dimensions: 53 1/8 in (H) x 43 1/4 in (W) Provenance: Picture probably listed in contents of van Dyck's studio at time of death December 1641 (O. Millar, Van Dyck, A complete catalogue of the paintings, New Haven and London, 2004, under no. IV.23);The most Reverand Dean of Durham, possibly William Lake (1817-1897); Charles Sedelmeyer, 1906, as 'Sir Anthony van Dyck';Colonel Edward F Simms of Kentucky;H. Kenneth Franzheim;Kenneth Franzheim II;Thence by descent to Sabrina Franzheim (current owner).
A Tiffany & Co platinum and diamond set lady's dress wristwatch, the jewelled lever movement detailed 'Girard-Perregaux 7919937', the signed silvered dial with black baton hour markers, the curved square bezel mounted with a surround of cushion cut diamonds, unmarked, on a black leather strap, total weight 15.4g, case width 2.1cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
ATTRIBUTED TO JOHN LINNELL (1792-1882) A portrait of Mrs Henry Hayward depicted as an elderly lady in mourning dress, half-length, possible monogram lower left, oil on canvas, 44cm x 37cm; together with the companion portrait of Henry Hayward, attributed to Sanderson, oil on canvas, 43cm x 33cm (2)
§ Edward Le Bas RA (British 1904-1966) A woman in a blue dress standing in sand dunessigned and dated 'E. Le Bas / 31.' (lower right)oil on board34 x 24cmCondition report: The surface a little dirty and with some minor, scattered accretions. The dress of the figure shows a series of diagonal brush strokes, though this would appear to be part of the artist's technique. Overall, the paint layer appears stable and the image in good condition.
A continental yellow metal enamel, seed pearl portrait miniature dress watch, the central panel with hinged oval front centred with portrait of young female in fashionable dress surrounded by a bezel of seed pearls and a scroll border lifts to reveal a rectangular watch by Perle on a fine chevron chain linked bracelet marked 14k, 18cm, 3.2cm max wide, 2.4cm min wide, 72g
mostly UK Quads including Meet The Applegates, Postcards From The Edge, Yanks, Henry and June, Handful Of Dust, What's Love Got To Do With It, Roxanne, A Perfect Couple, Who Framed Roger Rabbit, The Rose, The Big Chill, Heaven Can Wait, Business As Usual, Sea Of Love, An Unmarried Woman, The Milagro Beanfield War, Goodbye Girl, Gloria, A Private Function, Working Girl, Great Balls Of Fire, The Marriage Of Maria Braun, Midnight Run, The Other Side Of Midnight, Heat and Dust, Black Joy, The Missionary, Black and White In Colour, Head Over Heels, How To Get Ahead In Advertising, Devil In A Blue Dress, Nuns On The Run (32)
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227115 item(s)/page