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WALTER RICHARD SICKERT, RA (1860-1942) MAPLE STREET (Bromberg 212) Etching with drypoint, c.1923, full margins, on laid, signed in pencil, unframed 19.6 x 12.6cm. * This lot and the following lot are strikingly similar and were evidently composed from the same standpoint at the junction of Maple, Cleveland and Southampton Streets close to Tottenham Court Road. The site was close to Sickert's studio in Fitzroy Street and the prints were derived from a drawing and an oil executed in c.1917. The almost entirely vertical and linear technique used in `O Sole Mio` has been developed into the more complex textures afforded by the cross-hatched lines in `Maple Street`. It is probable that these were Sickert's experiments in assessing different moods in an etching as he tested subtly nuanced varieties of technique and scale. He varied the `weight` of etched lines and explored contrasts of light and dark by placing patches of blackness against the stark paleness of the paper. ++ Slight light-staining
•SIX MODERN PRINTS comprising `Pines, Birds and Sea` (1948) after Milton Avery, coloured and inscribed by Gerald Dillon, 11 x 15cm.; `St. George`, etching by Leo Wyatt after Albrecht Durer, signed and inscribed, 10.5 x 8.5cm.; `Sitting Hare`, wood engraving by Charles Frederick Tunnicliffe, publ.2007, 18.5 x 11.5cm.; and three unframed prints by Mainie Jellett, Leo Wyatt and Barry Moser, two signed, various sizes. (6) ++ Each in good condition
A black and white Print depicting a street scene with horse and carts, figures and a lady pushing a cart; a Print of a photograph depicting HMS Newcastle, built by Sir W.G. Armstrong, Whitworth & Co. Ltd., Elswick Shipyard 1910, and a coloured Etching of a horse at a blacksmith's, signed lower right in pencil Henry G. Walker

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78475 Los(e)/Seite