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Los 88

Fred Burridge - 'A Dancing Sky', monochrome etching, signed in pencil, together with five other prints.

Los 111

Eileen Alice Soper - 'Mighty Atom', monochrome etching, circa 1928, signed in pencil, approx 29.5cm x 21cm.

Los 113

Eileen Alice Soper - 'Bracing Morning', monochrome etching, circa 1925, signed in pencil, approx 29cm x 40cm.

Los 176

An early/mid-20th Century colour etching with aquatint, View of Battersea Power Station from the Thames, indistinctly signed, together with a monochrome print.

Los 221

Rowland Langmaid, pupil of W.L. Wyllie - View of the Houses of Parliament and the Tower of Big Ben across the Thames, monochrome etching, signed in pencil, approx 21.5cm x 16cm.

Los 222

Rowland Langmaid, pupil of W.L. Wyllie - View of St. Paul's Cathedral with the H.M.S. Discovery in the foreground, monochrome etching, signed in pencil, approx 21.5cm x 16cm.

Los 272

Jackson Simpson - 'Leaving Port', monochrome etching, signed and titled in pencil, together with an engraving, Map of Scotland.

Los 669

A 1920s etching, young woman with fur coat seated on a cushion, indistinctly signed, in silvered frame

Los 135

Trevor Price (1966-), "Tiffany in the Bath I", signed and dated 1990 in pencil in the margin, numbered 19/50, coloured etching, plate size 24 x 17cm.; 9.5 x 6.75in.

Los 45

Hand coloured engraving 'Limestone Reach', published May 1st 1888 by C.E. Clifford & co, after etching by R.E. Roe, 38 x 51 cm

Los 80

Pair of Venetian colour etchings, pencil signed to margin 28 x 22 cm & 18.5 x 28 cm to/w another continental etching pencil signed & titled to margin, 28.5 x 38 cm and an etching of Edinburgh Castle by R. Payne 14 x 19 cm (4)

Los 107

Horace Brodzky (1885-1969) - Portrait of Dr Seth Hirsch, New York, 1919, dry point etching monogrammed & dated within image, pencil signed to margin, 16 x 15 cm Provenance: John Brodzky, the artist's son

Los 430

Etching of an Alpine Scene, indistinctly inscribed and two other prints, (3).

Los 202

A 1930S ETCHING and a watercolour of a moorland scene and further prints

Los 12

JAMES ABBOTT MCNEILL WHISTLER (AMERICAN 1834-1903), GREENWICH PARK, Etching, signed in plate, 12.5cm x 20cm (5in x 8in), Provenance: James Connell and Sons, Glasgow

Los 52

WILLIAM LIONEL WYLLIE R.A. (BRITISH 1851-1931), FIRST IN WITH THE CATCH, Etching, signed, 14.3cm x 24cm (5.5in x 9.5in)

Los 53

WILLIAM LIONEL WYLLIE R.A. (BRITISH 1851-1931), ST PAUL'S, LONDON, Etching, signed, 22.5cm x 35cm (9in x 13.75in)

Los 54

WILLIAM LIONEL WYLLIE R.A. (BRITISH 1851-1931), ATLANTIC PATROLS, Etching, signed, 8.5cm x 33cm (3.25in x 13in)

Los 62

FRANK WESTON BENSON (AMERICAN 1862-1951), WINTER YELLOWLEGS, Etching, signed and numbered 96. 17cm x 27cm (6.75in x 10.5in)

Los 63

FRANK WESTON BENSON (AMERICAN 1862-1951), OVER THE TREE TOPS, Etching, signed, 12.5cm x 20cm (5in x 7.75in) and another etching Benson 'Pair of Yellow Legs' (2)

Los 163

PAUL CÉZANNE (FRENCH 1839-1906), PAYSAGE À AUVERS, 1873. Etching in sepia, 13cm x 11cm (5in x 4.25in)

Los 513

An etching after Hogarth "Paul Before Felix" 10 x 14", a 19th century engraving "Preston" and a pair of circular photographic prints

Los 514

An etching the "The Greyhound Inn", a coloured etching and 2 others

Los 1536

Sir Frank Brangwyn R.A (1867-1956), 'Headless Christ', signed and titled in pencil, etching, image 39cm x 30.5cm. Visit www.sworder.co.uk for larger image and condition reports.

Los 1549

William Frederick Austin, 'Frodamans? Hotel' (Kings Lynn), watercolour, signed, inscribed and dated 1874 l.r., 42cm x 53cm, and an etching - country scene with windmill (2). Visit www.sworder.co.uk for larger image and condition reports.

Los 1560

Sir Francis Seymour Haden (British 1818-1910), 'Old Battleships', etching, signed in pencil, image 19.5cm x 41.5cm. Visit www.sworder.co.uk for larger image and condition reports.

Los 142

Gerald Leslie Brockhurst (1890-1978). Chiquita. Etching. Reverse signed in plate upper left. Signed in pencil lower right. 16.5cm x 13.3cm. Visit www.dnfa.com for condition reports.

Los 143

Gerald Leslie Brockhurst (1890-1978). The black silk dress. Etching. Signed in pencil lower right, p. 22cm x 16cm. Visit www.dnfa.com for condition reports.

Los 144

Gerald Leslie Brockhurst, ARA, RE (1890-1978). Almina. Etching [1924]. Signed in reverse in the plate lower centre, Signed in pencil lower right. 18.2cm x 13.7cm. An impression exhibited at the RA, 1924, no.1079 Illustrated in Malcolm Salaman, 'Modern Masters of Etchings', The Studio, 1928. Visit www.dnfa.com for condition reports.

Los 145

Hubert Andrew Freeth (1912-1986). Girl reading. Etching. Signed lower right. Inscribed lower left. Numbered /50 lower centre. 32cm x 25cm. Visit www.dnfa.com for condition reports.

Los 146

After Pierre Auguste Renoir . Baigneuse debout, a Mi-Jambes. Etching, p. 17cm x 11cm. Visit www.dnfa.com for condition reports.

Los 138

William Strang, R.A. R.E., (1859-1921), "Old Walls, Segovia", signed in pencil, etching, 26.5 x 33cm. Visit www.sworder.co.uk for larger image and condition reports.

Los 277

Helena Markson, Pier Head, limited edition coloured etching, No. 4/100, signed

Los 310

L. Squirrell, etching, signed in pencil, together with another by the same hand

Los 406

After Maurer, A Perspective view of The Royal Garden of Somerset, coloured engraving and Print of Notre Dame Cathedral, A Macfarlane (early 20th century), 'Figurehead of Kobenhaven', Signed etching, 21x26cm (3)

Los 469

R L Payne (20th century), Holyrood Palace and the Castle, Signed etching, 12x17cm

Los 498

J Leslie Rose (20th century), River landscape, pastel, pansies, woodblock drawing and another, Maurice de Vlarminck, Beaumont etching and two sporting prints (a lot)

Los 589

Rowland Langmaid (1897-1956), The Forth Bridge, Etching, signed and titled in pencil. 11x28cm

Los 291

A LATE 19TH CENTURY/EARLY 20TH CENTURY humorous pen, ink and wash drawing inscribed 'The P...s and their "pro's" en route to the Sheldonian at the "Encaenia" as it would have been proferred by their friends the Undergraduates of 1871', 7 1/4" x 9"; and five various prints to include a Derek Hyatt etching; Vanity Fair lithograph; two comical engravings; and a continental street scene (6).

Los 300

SYDNEY H. PAVIERE (1891-1971) - 'Magdalen Bridge Evening', etching, pencil signed in the margin and titled, 7" x 5" and four further Oxford views by the same hand (5).

Los 333

SIR WILLIAM WALCOT (1874-1943) - The Bank of England and the Royal Exchange London, etching, pencil signed in the margin, 6 3/4" x 10 1/2" (see illustration).

Los 54

ANNA RAVENSCROFT. Signed in pencil limited edition etching and aquatint on paper, 8/150, shepherd and sheep in a mountainous landscape. 15.1/4" x 23.1/4"

Los 400

Frederick Milner (British, 1863-1939), Castle Ruins on a Hill, etching, signed in pencil bottom right, 15 x 12in (38 x 30.5cm). * The Wintle Collection: Irene Carr, daughter of the early St. Ives School artist & photographer Sydney Herbert Carr (1864-1917), married Francis Edward Wintle at the parish church, St. Ives in June 1912. The wedding was a major local social event with a reception at the Porthminster Hotel, and was attended by a number of local and other artists, many of whom presented paintings to the couple as wedding presents. The Wintle Collection includes a number of these presents, which are being offered on the open market for the first time. A full list of guests and presents was published in The St. Ives Times on June 21st 1912, listing a "framed etcing" as being given by Mr. and Mrs. Milner. A facsimile copy of the article from The St. Ives Times accompanies the lot. Please contact us for further details of this unusual provenance.

Los 401

Claude Francis Barry RBA (1883-1970), "Henry VIII's Gate Windsor Castle -" Evening Light, etching, signed in pencil bottom right and dated 1911, inscribed in pencil bottom left, 9.75 x 6.5in (25 x 16.5cm). * The Wintle Collection: Irene Carr, daughter of the early St. Ives School artist & photographer Sydney Herbert Carr (1864- 1917), married Francis Edward Wintle at the parish church, St. Ives in June 1912. The wedding was a major local social event with a reception at the Porthminster Hotel, and was attended by a number of local and other artists, many of whom presented paintings to the couple as wedding presents. The Wintle Collection includes a number of these presents, which are being offered on the open market for the first time. A full list of guests and presents was published in The St. Ives Times on June 21st 1912, listing a "framed etching" as being given by Mr. and Mrs. Claude Barry. A facsimile copy of the article from The St. Ives Times accompanies the lot. Please contact us for further details of this unusual provenance. Early Claude Barry etchings are rare, as it is reputed that his wife burnt all of his work when he went off with a mistress in 1914.

Los 620

Robert Walker Macbeth R.A., R.W.S., R.I., R.E. (1848-1910). "Midnight Moths". Original etching trial proof signed by the artist, inscribed with the title, extensive pencil decoration, also inscribed verso, the border decorated with figures, putti and masks, black and white etching, overall size including the border 50.5cm by 71.5cm . Provenance: J.S. Maas & Co Ltd, 15a Clifford Street, London

Los 621

George Frederick Arthur Belcher (1875-1947). "Mrs Harris of Follop Yard, Taken from Life". Signed within the margin, inscribed verso, black and white etching, 28cm by 19cm (pl)

Los 625

William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931). "A Bad Time for Fritz". Signed artist's proof, inscribed on an old label verso, black and white drypoint etching, 19.5cm by 25cm (pl); together with. "HMS Warspitz drawing Fire from the Black Prince, disabled, later sank, Jutland 1915". Signed artist's proof, extensively inscribed and dated verso, black and white etching, 20.5cm by 41.5cm (pl) (2)

Los 626

William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931). WW1 Destroyer firing at Warships and Taking a Shell Nearby; Old British Fleet from Admiral Lord Nelson's Era. Signed artist's proofs, black and white drypoint etchings, each 12cm by 16cm (pl); together with. William Walcott R.B.A., .R.E. (1874-1943). "The American Ship Delaware, lying in the Firth of Forth Scotland, 1916". Back and white drypoint etching, 10cm by 12.5cm (pl); and. Rowland Langmaid (1897-1956). Coal Barges and Boats on the Thames, the Houses of Parliament and Big Ben in the Distance. Back and white drypoint etching, 18cm by 30.5cm (pl) (4). Provenance. Exhibited and purchased by the present vendor's father from the Austen Hayes Galleries, 44 The Shambles, York in the 1960s

Los 3

ERNEST HERBERT WHYDALE Figures seated beneath trees. Etching. Signed. 12 x 10ins.

Los 12

NATHANIEL SPARKS Church beyond the estuary. Etching. Signed. 5 x 14ins. Together with two other etchings and a watercolour.

Los 42

JOHN EMANUEL Resting. Etching. Signed, inscribed and numbered 10 from an edition of 30. 9 x 5 1/2ins.

Los 67

PIERRE BONNARD Portrait of Renoir. Etching. Signed in the plate. 10 x 7 1/2ins.

Los 68

GEOFFREY GARNIER The judgement of Paris. Etching. Signed and inscribed. 6 x 8ins. (See illustration)

Los 74

HENRY GEORGE WALKER Fishing harbours. Two etching aquatints. Each signed.

Los 90

FRED BOTTOMLEY The harbour, St. Ives. Etching. Signed. Artist's label to the reverse. 5 x 7ins.

Los 91

FRED BOTTOMLEY Norway, St. Ives. Etching. Signed and inscribed. Together with a second Bottomley etching. Each of these is mounted in a greetings card. Also with a collection of greetings cards and other small works by Arthur Sullivan.

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