78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

* BRENT MILLAR (SCOTTISH b. 1950),LEPUSetching on paper, signed, titled and numbered artist's proofimage size 50cm x 67.5cm, overall size 77cm x 92cm Mounted, framed and under glass.

John Alfred Haggis - 'A Sussex Road' - 1927 etching 15/42 - signed in graphite, 12 x 22cm

Ada Galton - An early 20th century etching 5/20 - depicting a Cornish fisherman mending a net, 27 x 18cm

Rowland Langmaid - etching of 'The Solent', 32 x 11cm

An etching of two West Highland Terriers waiting at the garden gate 'Patience', 14 x 26cm

Julian Trevelyan (1910-1988), 'Schooner', 1981, limited edition signed etching and aquatint, numbered 127/150, 47 cm x 34.5 cm with margins, framed and glazed.Private collection.

John Hoyland (1934-2011) British, "Mirage1986", signed and dated '86, Artist's Proof 3/10, colour etching, from a set of five with a limited edition of 40 (plus proofs), 60 cm x 55 cm framed and glazed.Curwen Gallery label verso

Julian Trevelyan (1910-1988) – ‘Cretan Witches’, etching and aquatint, signed and dated 1964, numbered 21/30, 47 cm x 35cm framed and glazed.

Julian Trevelyan (1910-1988), ‘Les Baux’, artists proof etching, pencil signed and titled, 35 cm x 47cm framed and glazed.

A framed and glazed etching, Pre-Raphaelite style angel. Unsigned. H.57 W.67cm.

Paula Rego (b. 1935)"The house under the ground", 1992Colored etching and aquatint on paperSigned and marked HCEdition of 50(foxing on the passe-partout area)28x27,5 cm image)63,5x54,5 cm (sheet)

Paula Rego (b. 1935)"The Neverland", 1992Colored etching and aquatint on paperSigned and marked HCEdition of 50(small stains)29,5x44,5 cm (image)50,3x65 cm (sheet)

Michael Farrell (1940 - 2000)Self-PortraitEtching, 49.5 x 64cm (19½ x 25¼")Signed, titled and dated (19)'77

Patrick Scott HRHA (1921-2014)UntitledEtching with gold leaf, 127 x 130cm (50 x 51¼")Edition 54/75Signed Provenance: With the Fenton Gallery, Cork, label verso

Morris Henry Hobbs (American, 1892-1967). Drypoint etching on paper titled "Street Scene - Chicago," ca. 1930, depicting families and individuals strolling along an urban street with the sprawl of the city seen in the background. Pencil signed along the lower right; titled along the lower left; illegibly numbered from an edition of 50 along the lower left.Provenance: Frederick Baker Inc., Chicago; Distinguished corporate collection, Minnesota.Sight; height: 6 1/4 in x width: 6 1/4 in. Framed; height: 21 1/4 in x width: 17 1/4 in.

Charles William Dahlgreen, (American, 1864-1955). Etching on paper titled "The Art Institute," 1916. Depicting the Art Institute of Chicago on a sunny day. Signed and dated in pencil along the lower right.Provenance: Frederick Baker, Inc., Chicago, Illinois; Distinguished corporate collection, Minnesota.Sight; height: 8 3/4 in x width: 10 1/2 in. Framed; height: 19 in x width: 17 1/2 in.

S. Chester Danforth (American, 19th/20th c). Etching titled "Three Towers," ca. 1935. Signed in pencil along the lower right; titled along the lower left.Provenance: Frederick Baker, Inc., Chicago, Illinois; Distinguished corporate collection, Minnesota.Sight; height: 13 1/2 in x width: 8 in. Framed; height: 21 1/2 in x width: 17 1/2 in.

Luigi Kasimir (Austrian, 1881-1962). Etching on paper titled "Paris, Boul de la Madeleine," depicting a bustling city scene in front of La Madeleine in Paris, France. Titled in the plate along the lower left; pencil signed along the lower center.Sight; height: 19 in x width: 16 in. Framed; height: 27 1/2 in x width: 24 in.

Luigi Kasimir (Austrian, 1881-1962). Aquatint and etching on paper depicting Fleet Street in London. Pencil signed along the lower center.Sight; height: 23 1/4 in x 17 1/2 in. Framed; height: 31 in x width: 25 1/4 in.

James E. Allen (American, 1894–1964). Etching on paper titled "Teaming Ingots" depicting a pair of metalworkers standing before a bright furnace. Signed in pencil along the lower right. Alternatively titled "Molten Iron" along a Keppel & Co label affixed to the verso.Provenance: Frederick Keppel & Co. Inc, New York.Sight; height: 12 1/2 in x width: 10 1/2 in. Framed; height: 19 1/2 in x width: 17 1/2 in.

Sunol Alvar (Spanish, b. 1935). Group of three lithographs and one etching including:One lithograph titled "Reve du Village," signed along the lower right; numbered 6/285 along the lower left.One lithograph titled "La Muse et les Reveuses," signed along the lower right; numbered 80/225 along the lower left.One lithograph depicting a dove and two wome, one playing a flute; signed along the lower right; numbered 196/225 along the lower left.One etching depicting a woman and a child holding a branch; signed along the lower right; artist proof numbered 71/75.Provenance: Distinguished corporate collection, Minnesota.(Sight) height ranges from 20 in to 40 in; width ranges from 20 in to 29 in. (Framed) height ranges from 32 1/2 in to 53 in; width ranges from 33 in to 42 in.

Lebandang (Vietnamese/French, 1921-2015). Etching with embossing on paper titled "Paysage Poetique 5," depicting a red diamond against an abstract turquoise background. Pencil signed and numbered 78/250 along the lower right.Provenance: Distinguished corporate collection, Minnesota.Sight; height: 19 in x width: 26 in. Framed; height: 27 in x width: 33 1/2 in x depth: 3 in.

Adolph Gottlieb (American, 1903-1974). Color etching and aquatint titled "Night Glow" depicting an abstract circle of red on a black background. Signed, dated 1971, and numbered 40/65 in pencil along the lower margin. A stunning example of the artist's "Bursts" series in which he simplified his imagery and focused on basic sets of polarities within the image.Provenance: Nancy & Dr. E.F. Simpson collection, Los Angeles, CA (1970-2000); Artemis Galleries; Private Minnesota Collection.Sight; height: 25 1/4 in x width: 19 in. Framed; height: 35 1/4 in x width: 27 1/4 in.

Group of three Russian sterling silver cigarette cases including:One rectangular case with a Soviet-era Artel mark, Moscow. The lid with the seal of OSOAVIAKHIM and the underside with a silhouette of a bi-place with an engraved Cyrillic inscription; with a red cabochon clasp. Marked along the interior.One rectangular with a maker's mark "O.V.," first half of he 20th century. The case lid with 14k gold signatures and a monogram. Marked "875" along the interior.One rectangular case inscribed along the interior and a Soviet-era Artel mark, Moscow. Monogrammed along the case lid with red enamel decoration; with the date 1902 along with floral etching along the underside. Marked along the interior.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height ranges from 1/4 in to 3/4 in; width ranges from 3 3/4 in to 4 1/2 in; depth ranges from 3 in to 3 1/2 in.

Ryohei Tanaka (Japanese, b. 1933). Etching on paper depicting a scene of snow gently falling against rooftops and a darkened sky. Pencil signed and dated 1985 along the lower right; numbered 75/100 along the lower left.Sight; height: 12 in x width: 19 1/4 in. Framed; height: 18 3/4 in x width: 26 1/4 in.

Ryohei Tanaka (Japanese, b. 1933). Etching on paper depicting a farm scene of a woodpile, pants hanging on a line, and bundled garlic. Pencil signed and dated 1986 along the lower right; numbered 76/100 along the lower left.Sight; height: 14 3/4 in x width: 14 3/4 in. Framed; height: 21 3/4 in x width: 21 3/4 in.

Makoto Ouchi (Japanese, 1926-1989). Etching depicting one of the artist's iconic narrative cubes. Pencil signed and numbered 3/20 along the lower left; further signed and illegibly dated along the lower right.Sight; height: 16 in x width: 19 1/2 in. Framed; height: 22 in x width: 25 3/4 in.

Unidentified artist, etching with a Leopard, 54x35cm, Artists Proof. Provenance: N & L Karantokis Estate.

Dame Elisabeth Frink R.A. (British, 1930-1993)Goggled Head signed and numbered 50/52 in penciletching and aquatint in colours, 1973, on wove paper91.5 x 65cm (36 x 25 9/16in).printed at White Ink, with their blindstamp, published by Leslie Waddington Prints Ltd., LondonFootnotes:ProvenanceWaddington Galleries, London, 1965Acquired from the above by the current ownerLiteratureCaroline Wiseman, Elizabeth Frink Original Prints catalogue raisonne, London, 1998 (W.86)Goggled Head is a wonderful example of the artist combining her interest in printmaking and sculpture. Her preferred printing method was etching, as this involved cutting into a copper plate and therefore shared similarities with sculptural processes. The plate was cut to the shape of the head and a series of deeply etched lines carefully placed to create the form.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lynette Yiadom-Boakye (born 1977)The World for a Wilderness signed, dated, titled and numbered 16/50 in penciletching, 2020, on Somerset wove paper50.6 x 46.1cm (19 15/16 x 18 1/8in).published by Tate, LondonFootnotes:'I've never liked being told who I am, how I should speak, what to think and how to think it... But the idea of infinity, of a life and a world of infinite possibilities, where anything is possible for you, unconstrained by the nightmare fantasies of others, to have the presence of mind to walk as wildly as you will, that's what I think about most.'Lynette Yiadom-BoakyeThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Dame Paula Rego R.A. (British, 1935-2022)Adjusting the Recipe, from Stone Soup signed and numbered 74/75 in penciletching and aquatint printed in colours, 2014, on wove paper42.5 x 34.5cm (16 3/4 x 13 9/16 in).from the deluxe edition with the accompanying book Stone Soup by Cas Willing, signed by the artist and the author in ink and numbered 74/75 in pencil on the title page, published by Enitharmon Editions, London, within the cloth-covered slipcase and boxThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Preston, Margaret Rose (1875-1963) A View of the Irish Coast (1914) Oil on canvasSigned and dated, lower right: 'M. R. Macpherson / 1914' Depicted here is Bonmahon, Ireland where Preston and her artist companion Gladys Reynell worked in the summer of 1914-15 (and at other times). There is a postcard of an almost identical scene as the painting depicting the road leading down to the beach between the cottages. Preston sent a copy of this postcard to Edith Collier (a New Zealand artist friend) in 1914. There is also an etching of Bonmahon by Preston (see https://www.artgallery.nsw.gov.au/collection/works/DA42.1964/).Margaret Rose Preston was the pioneer of Australian 'national art' and the leading Australian modernist of the 20th century. She is highly regarded for her explorations, as a non-native artist, of Aboriginal motifs in her work.She lived with her close friend, Gladys Reynell, in London, Paris and Brittany between 1912 and 1914, where she was enjoying her new-found European celebrity as a painter of significant consequence. She married her husband, William Preston, in 1919. Provenance:Acquired by the grandmother of the current owner in the 1950s [the grandmother was a great collector of the works of female artists] Property of a Lady of Title Dimensions:(Frame) 18.25 (H) x 21.25 in. (W)(Canvas) 14.75 (H) x 17.5 in. (W) We would like to acknowledge Roger Butler's contributions to the cataloguing of this painting.

Preston, Margaret Rose (1875-1963)A View of the Shore (Bonmahon, Ireland) (1913)Oil on canvasSigned and dated, lower right: M. R. Macpherson / 1913 Depicted here is Bonmahon, Ireland where Preston and her artist companion Gladys Reynell worked in the summer of 1914-15 (and at other times). There is a postcard of an almost identical scene as the painting depicting the road leading down to the beach between the cottages. Preston sent a copy of this postcard to Edith Collier (a New Zealand artist friend) in 1914. There is also an etching of Bonmahon by Preston (see https://www.artgallery.nsw.gov.au/collection/works/DA42.1964/).Margaret Rose Preston was the pioneer of Australian 'national art' and the leading Australian modernist of the 20th century. She is highly regarded for her explorations, as a non-native artist, of Aboriginal motifs in her work. She lived with her close friend, Gladys Reynell, in London, Paris and Brittany between 1912 and 1914, where she was enjoying her new-found European celebrity as a painter of significant consequence. She married her husband, William Preston, in 1919. Provenance:Acquired by the grandmother of the current owner in the 1950s [the grandmother was a great collector of the works of female artists] Property of a Lady of Title Dimensions:(Frame) 18.25 (H) x 21.5 in. (W)(Canvas) 17.75 (H) x 14.5 in. (W) We would like to acknowledge Roger Butler's contributions to the cataloguing of this painting.

To be sold without a reserve.  Julian Trevelyan R.A., (1910-1988) Kensington Gardens Etching with aquatint Signed, titled, dated 1969-1970 No. 67 out of edition of 75 Literature: Illustrated in Julian Trevelyan - Catalogue Raisonne of Prints, P. 177, cat. no. 231. N.B. The present work is part of Trevelyan’s ‘London Parks’ suite. Dimensions:  (Framed) 26 (H) x 33.5 in. (W) (Paper) 16 (H) x 20.75 in. (W)

To be sold without a reserve.  Julian Trevelyan R.A. (1910-1988) Nimes Etching With Aquatint Signed, titled, numbered Artist's Proof 1971-1972 Literature:  Julian Trevelyan - Catalogue Raisonne of Prints, p. 124, cat. no. 252 N.B. the present work is part of Trevelyan’s ‘Provencal’ suite. Dimensions: (Framed) 26 (H) x 33.5 in. (W) (Paper) 14 (H) x 21 in. (W)

To be sold without a reserve. Stanley William Hayter CBE (1901-1988) La Noyée Etching with aquatint Signed, titled, dated and numbered 'September 1955' Edition 56/175 Literature: Bears blindstamp of the publisher, L'Oeuvre Gravée. Cat.no 222 Black and Moorhead. Provenance: The present work was a gift from Hayter to a school in Sweden and has come from an old teacher there. N.B. This work is widely thought to be one of Hayter's most accomplished large scale prints and is included in the essay on his artistic practice in the catalogue raisonne of his work. Dimensions: (Framed): 19.5 (H) x 26 in. (W) (Image): 15 (H) x 19 in. (W)

20th Century English School 'Canterbury Cathedral, etching and aquatint, signed indistinctly in pencil lower right, 42cm x 20cm and one other 'Near Glympton, Oxfordshire', etching, signed indistinctly lower right, 20cm x 14cm (2) Canterbury example is unglazed, with resulting marks to the mount and damage to the frame. Both have some foxing and fading in places. Overall scuffs and some wear to the frames.

Pictures and prints - l. Voinet, 'Path beyond the woodland edge', signed, oil on board, 34cm x 19.5cm; another, 'Lakeside Villa', oil on board; Saint Marks Square, Venice, lithograph; Pictures and prints - six 19th century French engravings, pastoral and maritime scenes; 'La Conversation Des Fermierres', 'Le Port de Fecamp'; Pictures and prints - continental school, cattle by a river, watercolour, 21cm x 28cm; a coloured etching, ‘Le Depart Pour La Chases’; another, F. Boscher, print; B. Mallet, Bouquet of Lilac and Roses, signed, gouache, 47cm x 62cm; Maurice de Vlaminck, after, Bouquet de Fleur, lithograph print, qty.

Prints - I Brewer, after, A View of the High Torr, Matlock, plate 1, published by R Mosley & I Brewer, Derby Nov 1808, coloured engraving, 47cm x 61cm; Messonier etching etc

Byron, George Gordon Noel, and Greece Portraits and related engravings Engraving by T. Lupton after T. Phillips, 1824, with presentation inscription from Phillips on verso, c. 38 x 26cm, mounted; Engraving by C. Turner after R. Westall, mezzotint engraving, 1815, 36 x 25cm, mounted; another, 1814, 36 x 25cm, mounted;Engraving by Robert Graves after Thomas Phillips. 1836, 42 x 33cm, trimmed to plate-mark;Lithograph by Miss Knight, mounted;Mezzotint engraving by Bove after Barathier, 54 x 42cm;Mezzotint by C. Turner after W.E. West, 1826, 44 x 32cm, trimmed to within neatline, mounted;3 engravings by Robert Grave after Richard Westall, date not legible, mounted;11 smaller engraved portraits;and related engravings, includingThe Oriental Love-letter, engraving by B.P. Gibbon after H.W. Pickersgill, 1829, 35 x 26cm, mounted; Hand-coloured lithograph of Grecian girl in Greek landscape, 28 x 20cm;2 lithographs, one of Mars Hill Athens after A. Arnst;St. James's Street in an Uproar of the Quack Arts and his Assailants, 1819, hand-coloured etching by Marks, 24 x 34cm;17 19th century engravings of Greece; 3 Byron related lithographed plates; one small 19th century pencil copy of a Byron portrait, 9 x 11cmNote: Provenance: From the library of the late William St Clair, FBA, FRSL.

Herbert Dicksee (1862-1942), "Silent Sympathy", etching, 58.5cm x 49cm, framed and glazed.

TWO GERMAN K98 BAYONETS, scabbards and frogs as follows, both are blade marked Cof- Carl Eichorn, Solingen and both have had the blades etched with 12 SS Panzer Division Hitler jugend and the other one Liebstandarte Adolf Hitler, the etching is post war reproduction although the bayonets are period originals

Box of assorted furnishing pictures, including: E J Maybery watercolour of a bridge, botanical prints, etching by Reginald H Green street scene, watercolour of a canal lock, botanical and still life prints. (B.P. 21% + VAT)

Gilt framed bevelled edge mirror with stage coach scene etching, 102 x 72 cm. Not available for in-house P&P

Luftfahrt - - Pierre Cogell (nach). Premiere Expérience, de la Machine Aerostatique, nommée Le Flesselle. construite à Lyon, sous la direction de M.r Joseph Montgolfier, dessinée dans ses proportions à 1/2 ligne par pied. / Départ de la Machine aérostatique, le 19 Janvier 1784. monté par l'auteur, et par M.rs le Prince Charles de Ligne, le C.te de Laurencin, le C.te Dampiere, le C.te d'Angleffort, Pilastre de Rosier, et Fontaine. Gestochen von St. Aubin. Lyon, Castaud, um 1784. Radierung und Kupferstich auf Papier. Sichtmaße 36 x 50 cm. Unter Passepartout und unter Glas gerahmt (ungeöffnet). Selten. - Mit Widmung und dekorativer Wappenkartusche. - Das Auftauchen des Ballons im Jahr 1783 bot Künstlern, Kupferstechern und Verlegern in England, Frankreich, Deutschland und Italien ein neues Motiv. Als die Welle der Ballonbegeisterung den Kontinent erfasste, florierte die Produktion und der Verkauf von Bildern, die die großen Flüge und die wagemutigen Aeronauten darstellten. - Jacques Flesselle (1721-1789) war Stadtoberhaupt von Lyon und finanzierte den hier abgebildeten und nach ihm benannten Ballon. Als bekennender Monarchist wurde er am 14. Juli 1789 von einem Unbekannten in Lyon erschossen. - Etwas gebräunt und teils (braun-)fleckig. Im oberen weißen Rand mit kurzem Einriss. Insgesamt wohl erhalten. Dabei: Ein Guckkastenblatt. Expérience de l'Aérostat nommé la Montgolfière faite par Mr. Pilatre du Rozier à Versailles le 23 juin 1784. Kol. Kupferstich. Sichtmaß 30 x 40,5 cm. Unter Passepartout und unter Glas gerahmt (ungeöffnet). Bildlegende in zeitgen. Hs. ergänzt. Mit größeren Defekten. Aeronautics - Etching and engraving on paper. Framed under mount and under glass (unopened). - Rare. - With dedication and decorative heraldic cartouche. - The appearance of the balloon in 1783 offered a new motif to artists, engravers and publishers in England, France, Germany and Italy. As the wave of balloon enthusiasm hit the continent, the production and sale of images depicting the great flights and daring aeronauts flourished. - Jacques Flesselle (1721-1789) was head of the city of Lyon and financed the balloon depicted here and named after him. An avowed monarchist, he was shot by an unknown person in Lyon on July 14, 1789. - Somewhat browned and partly (brown) stained. In upper white margin with short tear. Overall well preserved. - Added: one further engraving. With major defects.

Braque, Georges - - Tristan Tzara. La bonne Heure. Mit einer Aquatinta-Radierung von Georges Braque. Paris o.D. (Presses de Raymond Jacquet) 1955. 1 Bl., 13 S., 1 Bl. Kl.-12° Lose Lagen in OBrosch. Von größter Seltenheit, kein Exemplar im internationalen Handel nachweisbar, nur 4 Exemplare weltweit in Bibliotheken. - Eins von 42 Exemplaren auf Japon Ancien. - Auf dem Vortitel mit Widmung von Tzara an den Herausgeber Jean Aubier. Zusätzlich von George Braque und Tristan Tzara im Impressum signiert. Die Platte der Radierung wurde nach dem Druck zerstört. - Wohlerhalten. With an aquatint etching by Georges Braque Of the greatest rarity, no copy traceable in international trade, only 4 copies in libraries worldwide. - One of 42 copies on Japon Ancien. - On the pre-title with dedication by Tzara to the editor Jean Aubier. Additionally signed by George Braque and Tristan Tzara on the imprint. The plate of the etching was destroyed after printing. - In good condition.

Zoologica Specifica - - Wilhelm Kuhnert. (Büffel). Graphit auf chamoisfarbenem Papier. Blattmaße 31,5 x 49,5 cm. Signiert. Mit gezeichneter Einfassungslinie. - Mit vertikalem Falz. Ecken bestoßen. Kurzer Einriss im unteren weißen Rand. Etwas atelierspurig. - Dabei: Nach Wilhelm Kuhnert. Wildschweine im Wald. Offsetdruck nach einer Radierung von 1928. (Buffalo). Graphite on buff paper. Signed. - With drawn border line. - With vertical fold. Corners bumped. Short tear in lower white margin. A little bit studio-marked. - Added: After Wilhelm Kuhnert. Wild boars in the forest. Offset print after an etching from 1928.

Erotica - - Édouard Chimot. Les belles que voilà. Mes Modèles de Montmartre à Séville. Illustrations de l'auteur. Mit 32 teils in der Platte signierten großformatigen Originallithographien von Chimot und einer Originalradierung. Paris, Le livre du Bibliophile, Claude Briffaut, 1958. 1 Bl. 74 S., 1 S., 4 Bll. Folio. OUmschlag, Lose Lagen in Original Chemise und Schuber (Schuber minimal verfärbt). Monod 2763. - Eins von 35 Exemplaren der Vorzugsausgabe auf Rives mit zwei Druckzuständen der Lithographien und einer Originalradierung. Die Lithographien wurden vom Atelier Berthelot handkoloriert. - Die Textseiten teils noch unaufgeschnitten, weitgehend verlagsfrisch und wohlerhalten. With 32 large format original lithographs by Chimot and one original etching. Folio. OCover, loose layers in original Ochemise and Oslipcase (slipcase minimally discolored). One of 35 copies of the special edition on Rives with two states of printing of the lithographs and an original etching. The lithographs were hand-colored by the Atelier Berthelot. - The text pages partly still uncut, largely fresh from the publisher and well preserved.

Jorn, Asger - - Carl Caspari. Friedhof der Maulwürfe. (talpa europaea) oder geländegänge in tagesläufen. Mit acht Original-Radierung von Asger Jorn. München, van de Loo, 1959. 41 S., 1 Bl. 4°. OHLwd. mit RTitel in transparentem Schutzumschlag, in Pp.-Schuber (dieser lichtrandig). Eines von 170 nummerierten Exemplaren (GA 200). Im Druckvermerk vom Autor und vom Künstler signiert. Gedruckt auf vélin Bütten-Kupferdruckpapier von Hahnemühle. Die Radierplatten wurden nach dem Druck der Auflage vernichtet. - Die Galerie van den Loo gab das vorliegende Werk anlässlich der Documenta-Teilnahme Asgers im Jahr 1959 heraus. - Sehr gutes Exemplar. With eight original etchings by Asger Jorn. Orig. half cloth in transparent dustjacket, in paper slipcase (the latter with light margins). - One of 170 numbered copies (total ed. 200). Signed by the author and the artist in the imprint. The etching plates were destroyed after the edition was printed. - Galerie van den Loo published the present work on the occasion of Asger's participation at the documenta in 1959. - Very good copy.

Die Zehn Gebote. 11 Bde. 10 signierte Graphik-Leporellos (6 Holzschnitte, 1 Lithographie, 1 Radierung, 1 Linolschnitt, 1 Serigraphie). Rudolstadt, Edition Burgart Jens Henkel, 2005-2009. 4°. Original-Handeinbände von Ludwig Vater in ROMA-Bütten mit Blindprägung, jeder Band mit andersfarbigem Kordelschließband, zusammen mit Begleitheft im OAcrylglasschuber (Bd. 8 minimal fleckig, Schuber mit Einriss). Eins von 50 Exemplaren (GA 60) - Prachtvolle Pressen-Edition mit signierten Graphiken von Felix Martin Furtwängler, Steffen Volmer, Frank Eißner, Walter Sachs, Helge Leiberg, Uta Zaumseil, Wolfgang Henne, Konrad Schmid, Moritz Götze und Klaus Süß zu jeweils einem der zehn Gebote. - Signiertes Begleitheft mit Text und hs. Widmung von Eugen Drewermann. Bd. 1 mit Widmung von Felix Furtwängler, Bd. 2 mit Widmung und Bleistiftzeichnung von Steffen Volmer. - Die vollständige Folge hier in dem seltenen OAcrylglasschuber, der in zu kleiner Auflage hergestellt wurde. One of 50 copies (complete edition 60) - 11 volumes. 10 signed graphic leporellos (6 woodcuts, 1 lithograph, 1 etching, 1 linocut, 1 silkscreen printing). Original hand-bindings by Ludwig Vater in ROMA laid paper with embossing, each volume with a different coloured cord ribbon, together with accompanying booklet in the original acrylic glass slipcase (vol. 8 minimally spotted, slipcase with tear). - Splendid press edition with signed prints by Felix Martin Furtwängler, Steffen Volmer, Frank Eißner, Walter Sachs, Helge Leiberg, Uta Zaumseil, Wolfgang Henne, Konrad Schmid, Moritz Götze and Klaus Süß, each with one of the ten commandments. - Signed booklet with text and handwritten dedication by Eugen Drewermann. Vol. 1 with dedication by Felix Furtwängler, vol. 2 with dedication and pencil drawing by Steffen Volmer. - The complete set here in the rare original acrylic slipcase, which was produced in a too small edition.

Zoologica Specifica - - Sammlung von ca. 70 OZeichnungen und OGraphiken versch. Künstler. Versch. Techniken, u.a. Kohle, Graphit, Gouache, Aquarell, Feder, Kupferstich, Radierung tls. auf chamoisfarbenem Papier, tls. punktuell unter Passepartout oder auf Karton montiert. Blattmaße von 18 x 12 cm bis 44 x 32 cm. Meist signiert, tls. datiert oder bezeichnet u. lose eingelegt in HLdr. Flügelmappe mit DSchild (diese berieben und bestoßen). Gezeigt werden Motive wie Affen, Antilopen, Giraffen, oder auch Gorilla "Bobby", welcher bis heute das Logo des Berliner Zoos ziert. Vertreten sind Künstler wie Josef Steib, Willy Müller, Otto Wiedemann, Harry Woehleke u.a. - Verso tls. mit gestempeltem Besitzvermerk "Lutz Heck Archiv", einige Bll. etw. fleckig, teils mit kl. Einrissen (Motive jeweils nicht betroffen), insgesamt wohlerhalten. Beigegeben: Aus: Architektonisches Skizzen-Buch. 10 Einzelne Bll. mit Entwürfen zu Bauelementen des Zoologischen Gartens Berlins. Zoology - Collection of 65 orinial-drawings and original-prints by various artists. Various techniques, including charcoal, graphite, gouache, watercolor, pen and ink, copperplate engraving, etching partly on buff paper, partly mounted in spots under passe-partout or on cardboard. Mostly signed, some dated or inscribed. Loosely inserted in half calf wing folder (rubbed and bumped). - Shown are motifs such as monkeys, antelopes, giraffes, or gorilla "Bobby", which until today decorates the logo of the Berlin Zoo. Represented are artists such as Josef Steib, Willy Müller, Otto Wiedemann, Harry Woehleke, etc. - Verso partly with stamped ownership note "Lutz Heck Archiv", some sheets slightly stained, partly with small tears (motifs each not affected), overall in good condition. Added: see above.

Surrealismus - - Camille Bryen. Saint Galligraphie. Mit 1 handsignierten Originalradierung von Bryen und 6 Tafeln nach Zeichnungen. St. Gallen, Erker 1967. 16 S. Gr.-8°. OBrosch. 1 von 45 Exemplaren der Vorzugsausgabe. - Im Druckvermerk von Bryen zusätzlich handsigniert und gewidmet. Die Graphik in einer Auflage von 45 Exemplaren. - Dabei: Gaston Puel. Ce chant entre deux astres. Mit zwei Holzschnitt-Tafeln von Jean Arp. Lyon, Henneuse 1956. 35 S. 2 Bll. OBrosch. (Deckel etwas lichtrandig). Hagenbach 177. - KhZ 205. - Mit Widmung und Originalsignatur von Gaston Puel. - Innen nur minimal papierbedingt gebräunt. Surrealism. - With 1 signed original etching of Bryen and 6 plates after drawings. - 1 of 45 copies of the special edition. - In the printing note additionally signed and dedicated by Bryen. The graphic in an edition of 45 copies. Added: see above.

Pierre Michel Alix. Vue du Pont de Westminster. (Paris), 1799. Kolorierte Aquatinta-Radierung. Sichtmaß ca. 45 x 63 cm. Dekorativ unter Glas gerahmt (ungeöffnet). In der Velegeradresse bezeichnet "d'aprés le Tableau original, qui est dans le Cabinet de M.F. Drouhin 1799." - Teils minimal braunfleckig und etwas knickspurig. Schöner klarer Druck mit zarter Tonalität. Coloured aquatint etching. Decoratively framed (unopened). - Partly minimaly brownstained and with slight crease marks. Fine clear print with gently tonality.

Molière - Corneille - - J. M. Moreau Le Jeune - nach. Zwei Alben mit 56 Illustrationen zu den Werken von Molière und P. Corneille. Frankreich, 19. Jh. Verschiedene Techniken: u.a. Radierung und Stahlstich. Blattmaße je ca. 27 x 17 cm. Montiert in zwei späteren braunen Lwd. Kl.-4°. Der erste Bd. enthält die Suite der 30 in den Jahren 1812 und 1813 von Renouard in Auftrag gegebenen Illustrationen zu den Oeuvres de Molière, gestochen nach Moreau Le Jeune von Basq, Ribault, Roger, Simonet, Croutelle, de Ghendt, Girardet, Villerey und Delvaux, sowie ein weiteres, bei De Villiers fratres erschienenes Bl. Der zweite Bd. umfasst 25 Bll. größtenteils Stahlstiche wohl um 1840 erschienen und ebenfalls Illustrationen u.a. nach Moreau Le Jeune für die Oeuvres de Pierre Corneille. Darunter ein Porträt gezeichnet und gestochen von Augustin de Saint-Aubin nach einer Büste von Caffiery. - Bll. teilweise leicht braunfleckig. Im zweiten Bd. 2 Bll. lose eingelegt. Insgesamt in sauberem Zustand. Two albums with 56 illustrations of the works of Molière and P. Corneille. France, 19th century. Various techniques: etching and steel engraving among others. Mounted in two later brown linen cloths. - The first volume contains the suite of 30 illustrations commissioned by Renouard in 1812 and 1813 for the Oeuvres de Molière, engraved after Moreau Le Jeune by Basq, Ribault, Roger, Simonet, Croutelle, de Ghendt, Girardet, Villerey and Delvaux, as well as another sheet published by De Villiers fratres. The second volume contains 25 sheets mostly steel engravings probably published around 1840 and also illustrations a.o. after Moreau Le Jeune for the Oeuvres de Pierre Corneille. Among them a portrait drawn and engraved by Augustin de Saint-Aubin after a bust by Caffiery. - Partly slightly brownspotted. In the second vol. 2 fol. loosely inserted. Overall in clean condition.

Funeral of the Late Marquis of Ormonde "The Procession leaving Kilkenny Castle," a coloured Etching, another "View of the College of Kilkenny" and one other "View of Old Parliament House, Kilkenny." (3)

After James Gillray (British, 1756-1815)Posting the ElectionHand coloured etching 21.5 x 62cm (8 7/16 x 24 7/16in).Together with two further Gillray political prints titled 'Middlesex Election' and 'Pacific Overture' (3)For further information on this lot please visit Bonhams.com

Eric Gill (1882-1940): orginal copper etching plate, depicting a seated female nude, signed and numbered verso 'EG 131', plate 25 x 18cm, with bill of sale from M H Mushlin, 31 New Bond Street, September 25th, 1963. Provenance: By descent from Douglas Shepherd (1922-1989), a designer and architect working on public houses for the brewery firm Ind Coope. He was heavily influenced by and was a serious collector of Arts and Crafts and Art Nouveau, including leading designers and artists such as Charles Ashlee and Jessie M King. He assembled a large collection from the 1950s to 1970s. His book collection was subsequently sold through Sotherby’s and in 2013 his magnificent silver collection by Archibald Knox and others was sold through these rooms.

George Cruikshank (1792-1878), hand-coloured etching in glazed Hogarth frame, entitled 'Battle Royal, or Which has it?', 36cm x 21cm

*Sir Alfred Munnings (1878-1959) etching plate - Horse and Groom, 15cm x 21.5cm

*Sir Alfred Munnings (1878-1959) etching plate - Cattle beneath a Tree, 12.5cm x 15.5cm