78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

A late 19th/early 20th century etching by James Mcintyre; a hand-coloured picture of the Thames estuary by John Evans; 2 abstract etchings, unframed; another

A 19th century topographical hand coloured etching of Newcastle upon Tyne in the reign of Queen Elizabeth, in a carved frame surmounted by the Newcastle coat of arms. (AF)

A colour etching of the south west view of Bamburgh castle in hogarth frame together with two further colour etchings.

Harold Wyllie : Drypoint etching of boats approaching Dover, signed in pencil, 36cm by 13cm

Dave Barden (b.1943) : Study of an Arched Window with Symbols, momochrome etching with aquatint, numbered 1/6, signed in pencil, dated '77, with full margins beyond the platemark, 14 cm x 20 cm, together with a companion piece, also signed, numbered and dated, framed as a pair. (2)

Sir Frank William Brangwyn RA, RWS, RBA (1867-1956) - Billingsgate Fish Porters, signed in pencil, n.d. [1920], etching, 30 x 36.5cm Good condition. Some slight rippling. Light wear to frame.

George Vernon Stokes RBA, RMS (1873-1954) - Two Cats, etching, signed by the artist in pencil and numbered 60/75, 27 x 31cm Good condition

Eileen Alice Soper (1905-1990) - November 5th, etching, signed by the artist in pencil, 16.5 x 21cm Good condition, unexamined out of frame

Walter Hoyle (1922-2000) - St. Catharine's College with Acanthus, [Cambridge], signed, titled and numbered 150/200 in pencil by the artist, n.d., etching, 71 x 55cm, and Max Marschner (1929-2017) - Below Stairs, signed and dated III 70 in pencil by the artist, print, 43 x 57cm, (2).

Fred Millard / Hilliard – 19th century framed coloured etching of a lady. Framed and glazed, signed in pencil by the artist

A 19th century Victorian etching after Charles Bird showing a Bristol street scene with church to the background and with characters to the street. Framed and glazed being signed in pencil by the artist to the margin. Measures approx. 73cm x 59cm.

After Cecil Aldin (1870-1930 )  Dog in undergrowth etching, circa 1930. Signed to corner, mounted but unframed. Measures 10x 13cm,

Herbert Railton (1857-1911) - A Victorian 19th century Herbert Railton dry point etching of Middle Temple Hall. Signed to bottom right. Framed. It measures approx. 39 x 29cm. 

Mixed marine pictures including Yachting scene off Cowes, Isle of Wight, pub 1851 by Fores, 43 x 54 cm; watercolour of fishermen pulling in nets, 18 x 28 cm; F Aldrige watercolour of a shipping fleet, 26 x 20 cm and Henry Walker etching (4)

A Chinese Longquan celadon barbed rim dish, Yuan-early Ming dynasty, 14th/15th century, the centre moulded with a lotus flower, within a foliate carved cavetto and barbed rim, fluting to the underside and burnt orange ring to base, some etching to the glaze possibly from a shipwreck,Provenance- collected by the vendor’s grandfather while working and travelling in South East Asia in the 1930s - 1960s. 22.5cm diameter***CONDITION REPORT***Typical glaze imperfections including some on glazed spurs to the interior of the dish, some crazing to the glaze on the underside of the barbed rim, some light scratching to the interior. Evidence of some etching to the glaze indicating the piece probably come from a shipwreck. Otherwise in good condition with no restoration, chips or cracks detected..PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A small Chinese Ming Longquan celadon dish, 15th/16th century, the interior with a fluted cavetto, the sea-green glaze with some etching probably from a shipwreck,Provenance- collected by the vendor’s grandfather while working and travelling in South East Asia in the 1930s - 1960s. 16.2cm diameter, some faults***CONDITION REPORT***Two worn shallow chips to the rim, a star crack to one side of the cavetto, some etching to the glazing places which may mean the dish came from a shipwreck.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Louis Icart (1888-1950) 'Leda and the swan'drypoint etching with hand colouring,1934signed in pencil55 x 81cm***CONDITION REPORT***Good condition, colours remain strong, possibly slight but even discolouration to the unprinted outer margin, signed in pencil and numbered 56 in the lower left corner, under glass in a later mount and reeded gold frame, label verso for the Great Dane Collection stating from the limited edition of 250.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

John Hoyland RA (British, 1934-2011) 'Fly Away' 1981etching with aquatint and carborundumsigned in pencil and dated '81, numbered 32/60visible sheet 63 x 73cm***CONDITION REPORT***Looks to be in good condition, colours remain strong, no sign of any dirt or damage, plain white mount and ebonised frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

§ § Sir Terry Frost, R.A. (1915-2003) Lemon, Green and Black, 2002etching and aquatint on heavy wove papersigned in pencil, 33/75, (Kemp 230)38 x 39.5cm***CONDITION REPORT***Very good clean condition with no faults noted, sheet over all 56 x 56cm. Floating mount and plain glazed white framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

§ § Victor Pasmore (British, 1908-1998) 'Senza Titulo III, 1989'etching and aquatint on copper plate printed in five colours on Fabriano papersigned in pencil and dated '89, numbered 5/90, comes with a copy of the James Kinmont Fine Art catalogue by Pasmore Prints56 x 95cm***CONDITION REPORT***This print has slipped in its mount so will need re-attaching, but otherwise looks to be in fair to good condition, possibly one or two dirt specks running across the centre, plain white card mount and glazed white painted frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

ENGRAVING. GOA.- A Ilha e Cidade de Goa Metropolitana da India e Partes Orientais qve esta en 15 graos da Banda do Norte.- [Amsterdam: Cornelis Claez, 1595-1596]. - 1 intaglio engraving;, Hand-coloured copperplate engraving and etching of the work “Itinerario”, by Jan Huygen van Linschoten (1563-1611), published in Amsterdam, 1595-96, by the Dutch engraver Johannes von Doetecum ( 1530-1605). It includes three coats of arms (of Portugal, Goa and the Archbishop of Goa) and four cartouches, one with the title, another with a dedication to Prince Albert of Austria, another with a descriptive caption and the last one with the edition information.slight creases when folding,Framed. Dim. - (gravura) 59,5 x 81,5 cm; (moldura) 71,5 x 92,8 cm

PRINT.- LISBOA.- Lisabona magnificentissima Regia sedes Portugalliæ et florentißimum Emporium ad ostia Tagi situm... = Lisabon die prächtigste Königl. Residenz Statt in Portugall u. florisanteste Handels Plaz am Austfluß des Tagi situm...- Aug[usta]. Vindel[icorum]. (Ausgsburgo): Georg Matthäus Seutter, [ca. 1735].- 1 gravura a talhe-doce color.; 505x595 mm (matriz); 522x622 mm (folha)., Engraving and etching, watercoloured by hand, by the German cartographer from Augsburg Georg Matthäus Seutter (1678-1757), with representation of Lisbon in “aerial view” (above) and riverside area (below), previous to the Philippine turret of Commerce Square. In the centre a large cartouche containing an extensive interpretive caption of the image (in German). Very fresh proof, with central crease and short margins, but retaining all the plate mark crease., Dim. - 51 x 60 cm

PRINT.- SEQUEIRA, Domingos António de.- [Sopa de Arroios (Lisboa)].- Lisboa: s.n., 1813.- 1 copperplate;, One of the most famous engravings of Lisbon, open engraving and etching by Gregório Francisco Queirós (1768-1845) after an original by Domingos António de Sequeira (1768-1837), published in Lisbon, on December 17, 1813. Presents the following subscription: Dom. Ant. de Sequeira Ac. Rom. inv. del. et abrio os cont. das fig. — Greg. Franco. de Queiroz esculpio as figuras a Agoa forte e a buril em 1813. Clean, framed proof., Dim. - (gravura) 55 X 83 cm; (moldura) 68,5 x 96,4 cm

ENGRAVINGS.- SANTA ISABEL, Milagre de.- Fatto milagrozo de Santa Izabel Rainha de Portugal.- Roma: s.n., 1798. - 1 copperplate engraving; 440x550 mm (matrix), 530x656 mm (sheet)., Rare etching, with the following subscription: M. D. inv. e F. — Manoel Dias de Oliveira, Brasilience inventou ea briu[sic] en Roma no Anno de 1798. Manuel Dias de Oliveira (1764-1837), painter and teacher, was born in Cachoeiras de Macacu (Rio de Janeiro); very young he travelled to Lisbon, having studied at the newly founded Casa Pia; at an uncertain date he was sent to Rome in order to improve his training at the Accademia di San Luca, having been a fellow disciple of Domingos Sequeira; in 1800 he returned to Portugal and Brazil where he founded the "Aula Régia de Desenho e Figura". Manuel Dias was also a decorator, having been responsible for the decoration of the city at the reception of the Portuguese Court on arrival in Rio de Janeiro, in 1808. From 1816 onwards, his prestige declined and he took up residence in Campos dos Goitacazes, where he opened an elementary school and died in 1837. Engraving dedicated to Diogo Inácio de Pina Manique, protector of the artist. Handled and dusty proof, with some imperfections, acidity stains and restoration in the lower left corner. It is, however, complete, with good margins and is susceptible to recovery. We are not aware of any existing proof in Portugal. Dim. - (gravura) 52,5 x 565 cm

PRINT.- JAPÃO.- Iapponiae Noua & accurata descriptio Per R.P. Antonium Francisco Cardim Societatis IESV et Elogia Iapponica.- [Romae: Typis Heredum Corbelleti, 1646].- 1 gravura a talhe-doce; 278x408 mm (matriz), 320x435 mm (folha)., Engraving and etching map, not coloured, published in the work of Fr. cardim, “Fasciculus e Iapponicis floribus” (Rome, 1646). Father Cardim SJ (1596-1659), a Jesuit missionary, born in Viana do Alentejo, joined the Society of Jesus in 1611, having completed his studies in Goa. Cardim, was one of the great travelers in the East, chronicler of the Society of Jesus in China and Japan and attorney general of the province of Japan, ended his days in Macau, at the age of 63 after having lived 15 years between the two empires of the East. The print represents the diocese of Japan, with the implementation of schools, seminaries, hospitals, etc., making up the 36 points identified in the extensive caption; bottom left, a ship on the high seas, representing the arrival of St. Francis Xavier to Japan, on August 15, 1549. Slightly worn copy with some stains, left margin trimmed by the platemark; occasional minor restorations and weakened central fold. It is, however, complete and recoverable. Sommervogel, II, p. 740., Dim. - 31,5 x 43 cm

GRAVURA.- GUINÉ, MANICONGO & ANGOLA.- Typus orarum maritimarum Guineae, Manicongo, & Angolae ultra promontorium Bonae Spei.- [London: John Wolfe, 1598].- 1 gravura a talhe-doce; 380x520 mm (folha aparente)., copperplate (engraving and etching) navigation chart, hand-coloured, probably from the London edition of the “Itinerario”, by Jan Huygen van Linschoten (1563-1611), published in 1598, by the Flemish engraver Arnold Florent van Langren (1580-1644). Large descriptive cartouche, surmounted by the coat of arms of the Kingdom of Portugal. Below, another panoramic cartouche, representing the islands of Ascenção and Santa Helena, both discovered by the Galician navigator João da Nova, in 1501, at the time in the service of Portugal. Very fresh, central crease, framed proof. Dim. - gravura) 42 x 54,5 cm; (moldura) 53 x 65 cm

GRAVURA. ILHA TERCEIRA (Açores).- A Cidade de Angra na ilha de Iesv Xpo da Terceira qve esta em 39 graos.- [Amsterdam: Cornelis Claez, 1595-1596].-- 1 copperplate engraving; 570x800 mm (image); 600x 815 mm. (apparent leaf)., Copperplate print engraving (engraving and etching), from the work “Itinerario”, by Jan Huygen van Linschoten (1563-1611), published in Amsterdam, 1595-96, by the Dutch engraver Johannes von Doetecum (1530-1605) . It includes five cartouches, a compass rose and the coats of arms of Portugal and the Azores, highlighting, in the upper right corner, the dedication to D. Cristóvão de Moura (1538-1613), 1st Count of Castelo Rodrigo and capitão-donatário of the city of Angra. Hand coloured, central crease, slightly trimmed but preserving the matrix crease, fradem proof. Dim. - (gravura) 50 x 85 cm; (moldura) 61 x 96 cm

ENGRAVINGS.- DONA CATARINA DE BRAGANÇA, (Departure & Arrival of).- Three copperplate engravings and etching.- Frankfurt: Matthäus Merian, (ca. 1700)., Engravings probably from volume IX (1661-1665) of the work “Theatrum Europaeum” initially published by the German bookseller and engraver Matthäus Merian (1593-1650) in Frankfurt, between 1633 and 1738 (in 21 volumes). Set consisting of the following engravings: 1 - Departure of Queen Catherine from Terreiro do Paço in 1662, 2 - Arrival in Portsmouth; 3 - Arrival in London. Framed., Dim. - (gravura - a maior) 34,5 x 41 cm; (moldura - a maior) 46,5 x 54 cm

MURPHY, James.- Plans, elevations, sections and views of the church of Batalha, in the province of Estremadura in Portugal, with the history and description by Fr. Luis de Sousa; with remarks. To which is prefixed an introductory discourse on the principles of Gothic Architecture.- London: I. & J. Taylor, 1795.- [2], II, [2], 61, [1] p.: [27] gravuras; 53 cm.- E., A monumental work, especially appreciated for its magnificent copperplate engravings (burin and etching), of large dimensions, containing the architectural survey of the Monastery of Batalha and some reconstructions. James Murphy (1760-1814), Irish architect and traveller, born in Blackrock (Cork), was in Portugal during the years 1789 and 1790, in the service of William Burton Conyngham, with the mission of studying and drawing the architecture of the Monastery of Batalha. The work includes the following typographic texts: List of subscribers [2 p.]; Preface (II p.); Introduction (p. 1 a 26); A history and description of the Royal Monastery of Batallha... / by Father Luis de Sousa ([2], p. 27 a 61, [1] p.). The engraved sheets are as follows: title; dedication to William Conyngham; five engravings at the end of the introduction; and 20 engravings at the end of the volume, two of which are double-leaf, with the architectural survey. The copy also includes, bound at the end, a small leaflet (4 p.) with a catalogue of architecture books, by the same publisher. The copy, complete (according to the bibliography and the engraving index) and uncropped, is very clean up to the engraving [12] (The effigies...) which has a slight semi-circular water stain (of tide), in the upper third, which is accentuated until the last engraving. Half leather binding (single), from the 19th century, with the original Whatman paper endpapers. Duarte de Sousa, 510.

ENGRAVINGS.- LISBOA.- Lisabona.- [Augsburg (Augusta Vindelicorum)]: s.n., [ca. 1756].- 1 copperplate engraving; 410x1100 mm (apparent sheet), Copperplate and etching engraving by the German Georg Balthasar Probst (1732-1801), published in Ausburg, engraved from a pre-earthquake drawing of 1755, composed of two sheets glued together.Slightly dusty proof, with small imperfections and central crease, framed. Dim. - (gravura) 41 x 110 cm; (moldura) 53,5 x 122,5 cm

ENGRAVINGS.- LISBOA.- Vue du Port de Lisbonne.- A Paris: Chez Noel, s.d. [circa 1780].- 1 copperplate engraving; 540x745 mm (apparent)., Copperplate engraving and etching, hand-coloured, with the following caption: Vue du Port de Lisbonne. Prise du milieu du Port entre la Montagne Ste. Catherine et le Village d'Almada, à bord du Vaisseau de Guerre le St. Sebastien. Dédiée à son Altesse Monseigneur Dom Jean-Charles de Bragance ... Proof with soft colouring,two creases, minor restoration in the lower left corner, trimmed by the matrix crease. Dim. - (gravura) 54 x 74,5 cm; (moldura) 80,5 x 100,5 cm

GORDIJN HERMAN (1932-2017), sign. and dated. 1972 l.l., Figure with head, etching 14/30, 24 x 35 cm.GORDIJN HERMAN (1932-2017), ges. en gedat 1972 l.o., Figuur met hoed, ets 14/30 24 x 35 cm.

Cramer Rie (1887-1977), sign. l.r., Set of 3, etching 11 x 16 cm.CRAMER RIE (1887-1977), ges. r.o. , serie van 3 etsen, 11 x 16 cm. (in houten kader) Voor Henk Brouwer

HEIJBOER ANTON (1924-2005), sig. and dat. 1978 r.m., composition with ships and text 'Mari 1954', etching own print 32 x 50 cm.HEIJBOER ANTON (1924-2005), ges. en gedat. 1978 r.m., compositie met schepen en tekst 'Mari 1954', ets eigendruk 32 x 50 cm.

Hindu representation of palm leaf etching, Inda Orissa Odisha, 58 x 35 cm.Hidoestaanse voorstelling, gravure van opengewerkt palmblad, India Orissa/ Odisha, 58 x 35 cm.

HEIJBOER ANTON (1924-2005), sig. l.r. and dat. 1989, Composition with man and horse, etching, 30x50 cm. (liquid damage)HEIJBOER ANTON (1924-2005), ges. r.o. en gedat. 1989, Compositie met mens en paard, ets, 30x50 cm. Werk heeft vochtschade

MANKES JAN (1889-1920), sign r.b Two mice, etching, 7 x 10 cm. Possibly later printedMANKES JAN (1889-1920), ges. r.o. Twee muizen, ets, 7 x 10 cm. Mogelijk latere druk

Witsen Willem (1860-1923), sig.in the plate bottom left, numbered with pencil No. 55, etching, Montelbaanstoren, Oude Schans, Amsterdam, 24 x 32 cm.Witsen Willem (1860-1923), ges. in de plaat l.o, genum. met potlood No. 55 l.o, ets, Montelbaanstoren Oude Schans, Amsterdam., 24 x 32 cm.

VAN DER MEIJ WIM (1949), sig. l.r. and dat. 1988, Shunting yard near Onnen, etching, 17x24 cm.VAN DER MEIJ WIM (1949), ges. r.o. en gedat. 1988, Rangeerterrein bij Onnen, ets, 17x24 cm.

MANKES JAN (1889-1920), sign. r.b Standing horse, etching, 20 x 24 cm. Possibly later printedMANKES JAN (1889-1920), ges. r.o Staand paard, ets, 20 x 24 cm. Mogelijk latere druk

William Lionel Wyllie (1851-1931) - 'Rosyth and Forth Bridge', artist proof etching, signed lower left in pencil, 22.5 x 37.5 cm, framed

William Lionel Wyllie (1851-1931) - etching, signed 'W L Wyllie to Henley Cornford' lower left in pencil, 32.5 x 17 cm, framed and glazed

William Lionel Wyllie (1851-1931) - etching, signed lower left in pencil, 25 x 9.8 cm, framed and glazed

Arthur John Trevor Briscoe (1873-1943) - 'Mooring Her', etching, signed and indistinctly marked below in pencil, 17.5 x 39 cm, framed and glazed

Four prints of Scottish terriers: James Arden Grant (1887-1974) 'Aberdeen Terrier' drypoint etching, 10 x 14 cm; 'Row's Hat', drypoint etching of dog on hind legs, indistinctly signed 'B. Neville?' and titled in pencil below; Lithograph in colour, Terrier in the grass; After Lucy Dawson, two dogs, print in colours, 28 x 34 cm, all framed (4)

Frederick Marriott (1860-1941) - A busy evening outside the boulangerie, etching in colours, signed in pencil lower right, 24.5 x 29 cm, framed and glazed

Claude Piechaud (20th Century) - Seahorse, etching, signed and inscribed 'eau forte original' in pencil below, 55 x 33 cm, framed and glazed

Collection of twelve framed miniature paintings and prints to include: (late 19th/early 20th century) watercolour of Eastern landscape with soldiers on camels; five miniature watercolours by R.J. Baker; and D. Chell (1990); miniature oleograph signed lower right, inscribed 'English Landscape, Michael Moore' verso; miniature etching and engraving; and three others (12)

Lars Nyborg limited edition coloured etching

Adams, Michael - 1793 - 'The New Royal Geographical Magazine; or, a Modern, Complete, Authentic, and Copious System of Universal Geography Containing Complete, Full, Particular and Accurate Histories and Descriptions of Europe, Asia, Africa & America..., including every recent Discovery and Circumstance in the Narratives of Captain Cooks Voyages Round the World, together with all the recent Discoveries made in New Holland, New South-Wales, Botany-Bay, Port-Jackson, Norfolk-Island, North and West Coasts of America, the Interior Parts of America, Africa, China, Caffraria, India East and West, Arabia, Madagascar, Russia, &c... With original etching by Alexander Hogg. Frontispiece: 'This emblematic plate represent Hercules assisting Atlas in supporting the Globe. Fame is resounding the New Discoveries of the late celebrated Circumnavigators & Travellers, while History tenders a Crown of Laurels to the public services  of Captain Cook, Phillips Dixon, Portlek Hunter &c, whose expeditions are pointed out by the appearance of Shipping in the background'. The book being suede bound with minor damage.

A vintage 20th Century brass etched cigarette case. Having a decorated etched front of a Japanese scene with hinged lid opening to reveal an ebonised interior with holder, etching of a bird to verso. Measures approx. 9cm x 9cm.

A SMALL GROUP OF PICTURES AND PRINTS ETC, to include a lithographic print after James Abbot McNeil Whistler 'Limehouse' signed and dated in the plate 1859, approximate size 13.5cm c 20.5cm including visible margins, an early 20th Century unsigned pastel sketch depicting a figure preaching? to fishermen, ladies and children, two Vanity Fair Spy prints, Frederick Courtnay Morgan and Algernon St Maur, a mid-century wire and pin picture of a schooner signed Kramer, naive oil on canvas depicting a cavalier, James Priddy etching with colours depicting Paradise Street in Birmingham, assorted other prints and wooden half models of trawlers etc (Qty)

William Lionel Wyllie (1851-1931), drypoint etching, 'Fishing boats, Hamilton Bank', signed in pencil, 16 x 21cm

William Lionel Wyllie, etching, “Fairway to Portsmouth Harbour”, signed, 17 x 36cm

William Lionel Wyllie, etching, “HMS Champion and 13th Flotilla ahead of Beatty’s battle cruisers”, signed, 20 x 43cm

William Lionel Wyllie, etching, “Syracuse, Sicily”, signed, 18 x 38cm

William Lionel Wyllie, etching, “Cobles at Newbiggin”, signed, 24 x 51cm

Sir Hugh Casson RA, limited edition print, etching and aquatint, “Cat”, signed and dated ‘93, 40/100, 21 x 28cm

William Lionel Wyllie, etching, “Shipping on the Thames”, signed, 31.5 x 50cm

Tracey Emin (b.1963) 'No Idea why they can jump so high', 2010 A etching, polymer gravure print on Japanese Misumi paper. Edition of 200. Published and printed in 2010. Signed and numbered in pencil by Tracey Emin Measures 44 by 52cm. Framed. In fair condition with light wear to the frame. ARR charges may be applicable. All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively, lots can be collected in person by prior appointment from NN8 1RT.