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Preisdatenbank abonnierenJEAN FRANCOIS RAFFAELLI (1850-1924)Le Boulevard des Italiens, Paris (1911)etching and aquatint in colourspencil signed and number 180, (in lower margin)7 1/4 x 12 1/2 in (18.4 x 31.8 cm)The Boulevard des Italiens is one of the four grand 'boulevards' in Paris. The origin of the name is the Theatre des Italiens built on it in 1783.
Charlotte Reine, by and after, La Belle Aux Bois Dormant, a limited edition coloured etching, number 8 of 99, signed, titled, and numbered in pencil to margin, 22cm x 19cm, framed; another, indistinctly signed, titled Super Positions, coloured etching, artists proof number 6 of 15, signed and titled to margin, 30cm x 21cm, framed; another; indistinctly signed, coloured etching, number 24 of 60, 17cm x 19cm, framed (3)
Palmer (Samuel, 1805-1888). The Life and Letters of Samuel Palmer, Painter and Etcher, Written and Edited by A.H. Palmer, 1st edition, 1892, portrait frontispiece, original etching 'The Willow' (1850), some spotting, black and white plates, publisher's advert leaf at rear, original cloth gilt, spine and covers partly faded, large 8vo (1)
Binyon (Laurence). The Art of Botticelli, an essay in pictorial criticism, 1913, 21 (of 23) plates including frontispiece etching lacks colour plates at pp. 46 & 56), some light toning, original quarter vellum, spine slightly marked, folio, (limited edition of 275), together with James (M.R.), The Canterbury Psalter, 1935, numerous colour and black and white facsimiles, some minor toning, original gilt-decorated blue cloth, spine slightly faded, folio, (limited edition 342/425), plus Van Gogh (Vincent), The Complete Letters of... , volumes 1-3, USA, 1959, numerous stuck down plates, original gilt-decorated black cloth in partial slipcase, spines slightly faded, 8vo, plus other modern art reference, mostly original cloth in dust jackets, G/VG, 8vo/folio (6 shelves)
Pogany (Willy, illustrator). Rubaiyat of Omar Khayyam. The First and Fourth Renderings in English Verse by Edward Fitzgerald, 1930, 12 tipped-in colour plates, a few light spots, top edge gilt, original green morocco gilt, spine faded, 4to, limited edition, 59/750 signed by the artist, with an extra signed etching at front, together with The Rime of the Ancient Mariner in Seven Parts, by Samuel Taylor Coleridge, 1910, 20 tipped-in colour plates, top edge gilt, original green cloth gilt, edges a little rubbed, 4to (2)
An 18th century continental black and white engraving showing a dramatic battle scene inscribed Briel 1572, 28 x 36 cm in black and gilt glass mount and wooden frame together with an early 19th century black and white engraving after Greuse of a woman and her family of young children, pencil inscription bottom left, with presentation French inscription verso 25 x 19 cm in gilt frame, a signed colour etching of a windmill indistinctly signed bottom right Battmon? and a small 18th century black and white engraving of a scene at Utrecht, all framed
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