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Los 130

DOUGLAS ION SMART, SIGNED IN PENCIL TO MARGIN, GROUP OF FOUR BLACK AND WHITE ETCHINGS, Town and Coastal Views; plus INITIALLED PROOF ETCHING, Cathedral, assorted sizes, all unframed (5)

Los 134

VERA DOWN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Sir Winston Churchill, 9” x 7”

Los 135

FRED A FARRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “The Rialto Bridge, Venice”, 12” x 19”

Los 136

H P EVANS, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, West Country Harbour Scene, 10” x 14”

Los 139

WILLIAM PALMER ROBINS, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Barn Interior, 14” x 12”

Los 143

PERCY LANCASTER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE TRIAL PROOF ETCHING, The Loving Couple, 7” x 10”

Los 145

REUBEN MORING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Leeds Castle, Kent, 9” x 14 ½”; plus CHARLES WILLIAM TAYLOR, SIGNED IN PENCIL TO MARGIN, WOOD ENGRAVING, “A Sussex Farm”, 6” x 8” (2)

Los 147

DAVID YOUNG CAMERON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Castle Moyle”, 7” x 10 ½”

Los 148

HENRY RAYNER, SIGNED IN PENCIL TO MARGIN, DRYPOINT ETCHING, Portrait of King George VI, 7” x 5”

Los 150

JAMES ABBOTT McNEILL WHISTLER, SIGNED AND DATED 1859 IN THE PLATE, GROUP OF THREE BLACK AND WHITE DRYPOINT ETCHINGS, Three Plates from the Series of 16 Etchings – The Thames Set: “The Pool” 5 ½” x 8 ½”; “Lime House” 5” x 8” and “Thames Police or Wapping Wharf” 6” x 8 ¾”, all etched 1859 then printed and published 1871, all laid down; together with JAMES ABBOTT McNEILL WHISTLER, SIGNED AND DATED 1859 IN PLATE, BLACK AND WHITE DRYPOINT ETCHING, “Old Westminster Bridge”, 3” x 8” (4)

Los 151

WILLIAM WALCOT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A Street Scene, 6 ½” x 8” (mounted but unframed)

Los 153

FRANK HARDING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Cleopatra’s Needle”, 9” x 12”

Los 155

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Windy Day, Cowes Week, Isle of Wight”, 6” x 14 ½”

Los 159

AFTER WILLIAM LIONEL WYLLIE, BLACK AND WHITE ETCHING (PUBLISHED BY THE ART UNION OF LONDON 1901), “Victoria Victrix”, 16” x 23” (A/F)

Los 160

DAVID YOUNG CAMERON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Cad’ Doro”, 7 ½” x 5 ½”

Los 171

AFTER REMBRANDT, ANTIQUE BLACK AND WHITE ETCHING, Figure Group before a Doorway (inscribed to verso Early 19C), 5 ½” x 4 ½”, (mounted but unframed)

Los 190

INITIALLED “L”, BLACK AND WHITE ETCHING, Group of Medieval Figures on a Cliff Top, 7” x 9”; plus AFTER J H DOWD, A GROUP OF SIX MOUNTED PRINTS, Figure Subjects; together with a small packet of assorted PRINTS AND ENGRAVINGS (qty)

Los 195

AFTER T GAINSBOROUGH, ETCHED BY T ROWLANDSON, BLACK AND WHITE SOFT GROUND ETCHING, Cows, 6” x 8” (mounted but unframed)

Los 198

GILIANBRANDT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Figure Study, 7 ½” x 3” (mounted but unframed); plus one further PRINT, IN THE MANNER OF BEARDSLEY (2)

Los 209

LAWRENCE ALMA TADEMA AND AUG BLANCHARD, SIGNED IN PENCIL BY BOTH TO MARGIN, ANTIQUE BLACK AND WHITE ETCHING (PUBLISHED BY PILGRAMS AND LEFEVRE 1877), Classical Maiden, 10” x 8”

Los 212

WALTER DENDY SADLER, ENGRAVED BY W BOUCHER, SIGNED BY BOTH TO THE MARGIN, TWO BLACK AND WHITE ETCHINGS, The Butler’s Toast (1893) and The Wedding Breakfast (1898); together with WALTER DENDY SADLER, ENGRAVED BY JAMES DOBIE, SIGNED BY BOTH TO MARGIN, BLACK AND WHITE ETCHING, “A Doubtful Bottle” (1892), assorted sizes (all mounted but unframed) (3)

Los 216

WALTER DENDY SADLER, ENGRAVED BY JAMES DOBIE, SIGNED BY BOTH TO THE MARGIN, BLACK AND WHITE ETCHING, “Stymied” (1915), 10” x 15”

Los 232

ROBERT WALKER MACBETH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (PUBLISHED BY ROBERT DUNTHORNE 1886), The Fishmonger, 14 ½” x 23”

Los 247

M E COOPER, SIGNED AND DATED 1987 IN PENCIL TO MARGIN, LIMITED EDITION (1/50) COLOURED ETCHING, Inscribed “Crab Boats”, 13” x 16”; plus two further PRINTS (3)

Los 252

ROBERT R GREENHALF, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (26/150) COLOURED ETCHING, Inscribed “Heron Rising”, 11” x 10 ½”; together with four LIMITED EDITIONS by SUE KAVANAGH (5)

Los 264

LYNSEY ANDERSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (7/30) COLOURED ETCHING, “Fruit and Spring Flowers”, 9 ¾” x 9 ¾” (mounted but unframed); together with TWO FURTHER PENCIL SIGNED LIMITED EDITION ETCHINGS by the same artists (3)

Los 269

ENA MORRIS, SIGNED IN PENCIL TO MARGIN, GROUP OF FOUR COLOURED SCREEN PRINTS AND ONE SIGNED BLACK AND WHITE ETCHING, various subjects; together with MARY CHAPMAN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ARTIST’S PROOF ETCHING, Japanese Woman, assorted sizes (all mounted but unframed) (6)

Los 278

GRAHAM OVENDEN, SIGNED AND DATED ’71 IN PENCIL TO MARGIN, LIMITED EDITION (10/10) ROUGE ETCHING, Young Girl, 10” x 6” (unframed)

Los 284

INDISTINCTLY SIGNED AND DATED 1970 IN PENCIL TO MARGIN, LIMITED EDITION (62/90) BLACK AND WHITE ETCHING, Inscribed “Drei Nymphei”, 9 ½” x 15 ½”

Los 297

PATRICK PROCKTOR, BLACK AND WHITE ETCHING, Figure Studies, 8” x9 ½”

Los 334

HENRY WILKINSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (42/100) HAND COLOURED ETCHING, The Fisherman, 7” x11”

Los 335

HENRY WILKINSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (53/75) HAND COLOURED ETCHING, Spaniel and Widgeon, 10” x 14”

Los 336

GEORGE VERNON STOKES, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (43/75) HAND COLOURED ETCHING, Spaniels by Waters Edge, 10” x 11 ½”

Los 337

GEORGE VERNON STOKES, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (3/75) HAND COLOURED ETCHING, Black Labrador Retrieving a Mallard from the River, 9 ½” x 12”

Los 538

After Jackson Simpson The Keilanmans Haugh and Benachie Etching, signed in pencil and inscribed with title, 19 x 26cm

Los 262

A ROYAL WORCESTER ETCHED COPPER PLATE DEPICTING " LULGRAVE MANOR " USED BY THE COMPANY TO PRODUCE THE TRANSFER PRINTS USED IN THE DECORATING AND PAINTING OF THE PORCELAIN - FROM THE CLOSURE SALE 2009. IT IS PROBABLE THAT THIS ETCHING WAS USED FOR PLATES AND PLAQUES, FROM IT`S SIZE

Los 15

AFTER DAVID INSHAW (B. 1943) "Tree study", black and white etching, artist`s proof, signed bottom right, image size 12.7 x 12.7 cm (ILLUSTRATED) (Being sold on behalf of Coln House School, a Registered Charity)

Los 16

AFTER DAVID INSHAW (B. 1943) "Half woman`s face", a study, black and white etching, artist`s proof, signed bottom right, 10.5 x 10.8 cm (ILLUSTRATED) (Being sold on behalf of Coln House School, a Registered Charity)

Los 17

AFTER DAVID INSHAW (B. 1943) "Woman`s face", a study, black and white etching, artist`s proof, signed bottom right, image size 16.5 x 15.2 cm (ILLUSTRATED) (Being sold on behalf of Coln House School, a Registered Charity)

Los 18

AFTER DAVID INSHAW (B. 1943) "Be my Valentine", a study, black and white etching, artist`s proof, signed bottom right, image size 10.5 x 25 cm (ILLUSTRATED) (Being sold on behalf of Coln House School, a Registered Charity)

Los 19

AFTER DAVID INSHAW (B. 1943) "Naked couple in woodland glade, a fox in the background", black and white etching, artist`s proof, signed bottom right, image size 16 x 10.5 cm (ILLUSTRATED) (Being sold on behalf of Coln House School, a Registered Charity)

Los 20

AFTER DAVID INSHAW (B. 1943) "Batsman at the crease", black and white etching, artist`s proof, signed bottom right, image size 31 x 26 cm (ILLUSTRATED) (Being sold on behalf of Coln House School, a Registered Charity)

Los 110

AFTER WILLIAM LIONEL WYLLIE (1851-1931) "Fishing boats on Hamilton Bank", a black and white dry point etching, bears signature in the margin, image size 17 x 21.5 cm (ILLUSTRATED)

Los 111

AFTER HENRY RUSHBURY (1889-1968) "Stirling Castle", a dry point etching, signed in pencil in the margin, image size 21 x 30 cm, together with TOM MAXWELL "Gilmore Hill in snow", a black and white dry point etching, signed in pencil in the margin, also inscribed in mount, image size 25 x 36 cm

Los 112

AFTER FERDINAND SHMUTZER (1870-1928) AUSTRIA "Die `kleine` Klostersuppe" (Free Soup), a black and white etching, signed in pencil in the margin, also bears "Klostersuppe" and "Free Soup" in pencil in the margin, plate size 18 x 20 cm

Los 116

AFTER CARL LUCKHARDT (1886-1970) "Workmen alongside a team of shire horses and cart with town and river in the distance", a black and white dry point etching, signed in pencil in the margin, 17.5 x 28 cm

Los 145

AFTER ALBANY E HOWARTH (1872-1936) "A town gateway", black and white etching, signed in pencil in the margin, ENGLISH SCHOOL "A pair of headland seascapes", watercolours, mounted as one, unsigned, 20TH CENTURY SCHOOL "Study of a cormorant", pencil, nine various loose prints and a framed black and white etching of a young girl wearing medieval dress

Los 412

Lubboch, a full length portrait of a young girl, signed, pastel, and a coloured etching of a girl

Los 688

David Tindle - First State Artist`s Proof etching, entitled Garden East Haddon, signed in pencil on mount, 20 x 14in.

Los 704

Two oil paintings, coloured etching of cats after Percy Macquoid and other pictures

Los 178

An etching by C.O. Murray after G.L. Seymour "Cliefden Woods" and two other framed prints.

Los 426

An early 20th century Chinese coloured etching of a young woman with parasol in a rickshaw. Signed, 24cm x 21xm in moulded wood glazed frame.

Los 747

Sir Frank Brangwyn (1867-1956), "Men with Performing Animals", signed in pencil in the margin, published in 1911, etching, plate size 27 x 36cm.; 10.75 x 14.25in.

Los 748

Sir Frank Brangwyn (1867-1956), "Fish Porters, Billingsgate", signed in pencil in the margin, published in 1920, etching, 27.5 x 35cm.; 11 x 13.75in.

Los 749

Sir Frank Brangwyn (1867-1956), "Old Bridge, Rome", signed in pencil in the margin, published in 1921, etching, plate size 30 x 35.5cm.; 12 x 14in.

Los 750

Sir Frank Brangwyn (1867-1956), "Rabbis", signed in pencil in the margin, published in 1923, etching, plate size 32.5 x 42.5cm.; 12.75 x 16.75in.

Los 751

Sir Frank Brangwyn (1867-1956), `Via Dolorosa", signed in pencil in the margin, published in 1923, etching, plate size 38 x 35cm.; 15 x 13.75in.

Los 758

Seven assorted framed etchings and lithographs to include Sylvia Melland (1906-1993), "Sanary", signed and numbered 6/25 in pencil in the margin, with gallery label on verso, etching, plate size 33 x 50.5cm.; 13 x 20in; Liam Bailey, "Bonfire Night", titled and dated `Nov1997` on artist`s label verso, photographic print, 46 x 23cm.; 18 x 9in; Alistair Grant (1925-1997), "Mirror and Window: Brown", signed and inscribed Artist`s Proof in pencil in the margin, aquatint and etching, plate size 51.5 x 60cm.; 20.25 x 23.75in (7).

Los 767

Sir Frank Brangwyn (1867-1956), "Pont Neuf, Paris", signed in pencil in the margin, published in 1923, etching, plate size 55.5 x 34cm.; 22 x 13.5in.

Los 768

Sir Frank Brangwyn (1867-1956), "Title Page from the Brangwyn Portfolio published by E.F. D`Alignan and Paul Turpin", signed and numbered 69/120 in pencil in the margin, published in 1927, etching, plate size 44.5 x 36cm.; 17.5 x 14.25in.

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  • 78475 Los(e)
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