Rembrandt van Rijn (1606-1669) The Flight into Egypt: Crossing a BrookEtching, engraving and drypoint, 1654, a good impression printing with burr in the lower left corner, on laid paper without watermark, New Hollstein's only state, before the scratch on the Virgin's lap, platemark 95 x 145 mm (3 x 2 1/2 in), sheet 102 x 151 mm (4 x 6 in), one small carefully repaired tear in the left hand quadrant, minor spotting and handling creases, (unframed)Literature:Hind 276; New Hollstein 277
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Salvador Dali (1904-1989)Sous le Pin Parasol (Field 70-10I; M&L 414a)Etching printed in colours, 1970, signed and numbered in numerals from the edition of 85 in pencil, on japan paper, as included in 'Tristan et Iseult', printed by Ateliers Rigal, published by Pamela Verlag, with full margins, plate 400 x 265mm (15 3/4 x 10 3/8in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669) Peasant in a High Cap, Standing Leaning on a StickEtching, 1639, a very good but slightly later impression of New Hollstein's second state (of two), evenly printed with the two dots in the upper right corner on laid paper without watermark, platemark 82 x 45 mm (3 1/4 x 1 3/4 in), sheet 92 x 54 mm (3 5/8 x 2 1/8 in) (unframed)Literature:Hind 164; New Hollstein 178 ii/ii
After E P Kinsella (early 20th century British) - Two humorous coloured cricketing prints - The Hope of his Side and Out First Ball, 34 x 21cm, together with Michael Blacker black and white etching of a man and a child beside a caravan, signed, two 19th century botanical engravings, etc, various sizes, all framed
Carolyn Sergeant, nee Cann (1937-2018) - Study of a rose branch with rose hips, watercolour, signed Cann and dated 65, 21 x 16cm, together with further pictures including an abstract oil on paper, study of a stretching figures in the manner of Keith Vaughan, inscribed KV, dated 64, 20 x 13cm approx, a black and white artists proof etching of a still life with fruit bowl by Gillian Waite, a lithograph after Andre Masson - Artemis and Zeus, etc
France Hilon (20th century) - A moonlit landscape with horses, coloured etching, signed, edition number 1/15, 41 x 50cm visible sheet size, together with Meyrick (20th century) - Greek landscape with ewer, coloured lithograph, signed, edition number 2/50, 48 x 60cm approx sheet size, also together with after William Blake (18th century) - The Progress of Poesy, coloured print, 41 x 31cm, all framed
PIERRE-FRANCOIS (FRENCH 1723-1797) AFTER REMBRANDT VAN RIJN Agony in the Garden, 1663, published in Recueil circa 1810 etching full sheet measuring 11.8 x 9.2 cm (4 5/8 x 3 5/8in), plate mark 11.3 x 8.4 cm (4 1/2 x 3 1/4in) signed and dated lower right This lot is being sold without reserve.
A PAINTING BY ALEXANDER ZAKHAROV (RUSSIAN B. 1960), SOLD TOGETHER WITH AN ETCHING comprising:a) Dream of Catching the Big Fish, 1999, acrylic on board, 151.5 x 105 cm (59 5/8 x 41 3/8 in.), monogrammed and dated lower rightb) Flight, 1999, plate mark 29.7 x 50 cm (11 3/4 x 19 3/4 in.), signed, dated, titled, and inscribed with edition along lower edge, monogrammed and dated in platePROVENANCEMimi Ferzt Gallery, New York (label on verso)
Sword: An 1827 Pattern Volunteers Rifles Sword. Blade 35". Ricasso marked 'J & B Johnstone, Sackville Street. London & Dublin'. Clean blade with Rifle Volunteers etching. Wirebound fishskin grip. Steel guard with VR Cypher & strung bugle. In its steel scabbard. The whole in good condition for its age. A 'sleeper'.
HEDLEY FITTON (1859-1929) 'St. Andrew's Castle', signed in pencil to the margin, etching, 29cm x 27.5cm; together with a similar work by the same artist 'Devorgilla Bridge, Dumfries', signed in pencil to the margin, etching, 31cm x 21.5cm (2) Provenance: Acquired from Thomas Agnew & Sons and Robert Dunthorne respectively

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