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78472 Los(e)/Seite
Salvador Dali (Spanish, 1904-1989): 'King of Aragon', etching with mezzotint printed in colours, 1971, signed and numbered 163/250 in pencil to lower margin, on Auvergne Richard de Bas wove vellum paper, printed by Ateliers Rigal, published by Christie's Contemporary Art, London, 1979, with Certificate of Authenticity, Michler & Lopsinger 528, plate mark 35.5 by 26.5cm, sheet 48 by 38cm, mounted, glazed and framed, 73.5 by 62cm.***May be subject to ARR***
Macaroni fashion.- Carrington Bowles (publisher) Welladay! is this my son Tom!, mezzotint after Samuel Hieronymous Grimm showing a distressed father meet his son dressed as a macaroni with high wig, cane and sword, platemark 355 x 250 mm (14 x 9 3/4 in), sheet 400 x 290 mm (15 3/4 x 11 1/2 in), repaired loss in upper right corner, numerous careful repaired nicks, mainly marginal, the date in the lower right scraped, some spotting and surface dirt, unframed, [BM Satires 4536], [circa 1773]; together with an uncoloured etching by Darly, 'Macaroni Courtship, or the two Insignificants', and another after Boilly, Grand Papa's Wig, various sizes, all unframed, 1772 and later (3)
Sam Garrett (Welsh 19th/20th Century), 'New Inn,Gloucester', uncoloured etching, signed in pencil by the artist. 16.5 x 21.5cm approx. Together with Charles Barclay (British 20th Century), 'Ripon Cathedral', uncoloured etching, signed in pencil. 12.5 x 17.5cm approx. Framed and glazed. (2)(B.P. 24% incl. VAT)(B.P. 24% incl. VAT)
Edmund Blampied RE (Jersey, 1886-1966), Drawing for the etching "Tarascon" sepia ink on laid paper, signed lower right and inscribed "Drawing for Tarascon", in reproduction swept gilded frame 14 x 11½in. * The etching Tarascon is a reverse image of this drawing and was published in 1925 in an edition of only six. (Catalogue Raisonée Appleby & Arnold No.110) * Condition: Ink somewhat faded. Paper is lightly cockled and acidic mount.
Edmund Blampied R.E. (Jersey, 1886-1966), "The Stranger", drypoint etching, signed "Blampied" at foot of plate, right of centre, signed in pencil lower left, published in 1920, edition of 100 (According to Campbell Dodgson, the plate was destroyed in 1921) 9 7/8 x 13in. (25 x 33cm.) * Notes: Catalogue Raisonné Appleby & Arnold No.66
Edmund Blampied RE (Jersey, 1886-1966), Loading Vraic, St Malo, etching, signed in pencil lower right and numbered lower left 46/100, signed in the plate and dated September 1926, inscribed with title in pencil, published in 1926-27, edition of one hundred, 6 7/8 x 10in. (17.6 x 25.6cm), unframed and unmounted. * Literature: Catalogue Raisonée Appleby & Arnold No.122, listed as "Loading Vraic, St Malo". * Condition: Glued down onto acidic backing, otherwise good condition.
Edmund Blampied R.E. (Jersey 1886-1966), "Cider Drinkers", drypoint etching, signed "Blampied" at foot of plate, right of centre, signed in pencil lower centre and inscribed in ink "Country Cider", edition of 50 (According to Campbell Dodgson, the plate was destroyed) 10¼ x 8¼in. (26 x 20.9cm.) * Notes: Catalogue Raisonné Appleby & Arnold No.102
Edmund Blampied R.E. (Jersey, 1886-1966), "A Jersey Vraic Cart", drypoint etching, signed "Blampied 1939" in the right lower corner of the plate, signed in ink lower centre, published in 1939, edition not known, 8 9/16 x 11 1/16in. (21.8 x 28.1cm). * Notes: Catalogue Raisonné Appleby & Arnold No.183
Walter David Jones CH, CBE (1895-1974) for The Golden Cockerel Press, etching, unpublished print from the series for The Ancient Mariner, 17 x 14cmCONDITION: Appears to be unsigned, undulating so not laid down, one or two small damp marks and discoloured around the margins, later card mount and slim silvered frame.

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78472 Los(e)/Seite