Gillray (James) The Reception in Holland, etching with original hand-colouring, an excellent impression on wove paper without watermark, platemark 260 x 360 mm (10 1/4 x 14 1/8 in), sheet 297 x 440 mm (11 3/4 x 17 1/4 in), minor spotting, unframed, published by Hannah Humphrey, 1799Literature:BM Satires 9414 ⁂ The fat Prince of Orange, just landed, stands impassively, surrounded by exuberantly loyal Hollanders. Two fat Dutchwomen throw their arms round him and kiss his cheeks. The landing of the British troops on the 27th August was opposed by General Brune with French and Batavian troops. However, the French troops retreated after confused fighting, and the Dutch fleet obeyed without resistance a summons to hoist the Orange flag and surrender.
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Gillray (James) The King of Brobdingnag, and Gulliver. -Vide. Swift's Gulliver: Voyage to Brobdingnag, etching and aquatint with original hand-colouring, an excellent impression on wove paper, sheet 310 x 250 mm (12 1/4 x 9 3/4 in), tipped onto mount support, minor browning, unframed, published by Hannah Humphrey, 1803Literature:BM Satires 10019 ⁂ George III, half length, stands in profile to the left, a holding a tiny Napoleon on the palm of his right hand, and inspecting him through a spy-glass. Lord Holland notes (MS.) that the print was shown to the King who exclaimed 'quite wrong quite wrong no bag with uniform!!!'. [BM]
Gillray (James) The King of Brobdingnag and Gulliver. (Plate 2d.), etching with original hand-colouring, on wove paper without watermark, platemark 350 x 450 mm (13 3/4 x 17 3/4 in), sheet 425 x 575 mm (16 3/4 x 22 1/2 in), wide margins, some browning, repairs to marginal tears visible verso, nothing affecting the image, unframed, published by Hannah Humphrey, 1804Literature:BM Satires 10227⁂ The King and Queen sit on chairs of state intently watching a rectangular tank in which Napoleon as Gulliver sails his little boat, manoeuvring the single sail. Behind the King's chair Lord Salisbury stands stiffly, holding his wand of office. [BM]
Woodward (George Moutard, 1760-1809) Grotesque caricature of a Georgian Gentleman, point of the brush and ink, watercolour, inscribed 'G.M. Woodward' in the lower right corner, on buff wove paper without watermark, sheet 220 x 165 mm (8 5/8 x 6 1/2 in), hinged onto old paper support, spotting, and exposure lines, handling creases and small nicks to edges, unframed, [circa 1790s]⁂ Highly distinctive drawing by the caricaturist from Stanton by Dale, Derbyshire; a contemporary of Gillray and Rowlandson. The present sheet bears some comparison to the grotesque portraits found in the etching by Isaac Cruikshank after Woodward, A collection of hobgoblins [see BM Satires 8915], as well as the many giant headed caricatures produced after Woodward's drawings in the 1790s.
Bowles (Carrington, publisher) The Contrast, after Robert Dighton, satire on Anglo-French relations, with the thin Frenchman antagonising John Bull with the comment "Ve ave beat a you Dam-mi-na-bly", alluding to the conclusion of the American War of Independence, with Bull replying "You Lye Damnably", lettered in the margin, etching and mezzotint with full original hand-colouring, 355 x 250 mm (14 x 9 3/4 in), under glass, in 18th century frame, [1783]Provenance:Sale. Christie's South Kensington, British Mezzotints and Printed Handkerchiefs from the Collection of the Honourable Christopher Lennox-Boyd, March 12th, 2008, lot 7
Dighton (Robert), After. Geography Bewitched! or, a Droll Caricature Map of Ireland, "This portrait of Lady Hibernia Bull is humbly dedicated to her husband the great Mr. John Bull", etching, on cream wove paper without watermark, sheet 210 x 160 mm (8 1/4 x 6 1/4 in), tipped at edges into old window mount with verso visible, faint pencil inscription '1786' in the lower right, [BM Satires 8399], Bowles & Carver, circa 1780 [but probably circa 1830]
Limited Editions Club.- Poe (Edgar Allan) The Fall of the House of Usher, one of a few copies signed by the artist, etching, colour plates and illustrations by Alice Neel, original morocco-backed marbled boards, uncut, original cloth drop-back box, 1985 § Crane (Hard) The Bridge, photographs by Richard Benson, original cloth, 1981 § [Clemens (S.L.)], "Mark Twain". Roughing It, double-page colour plates by Noel Sickles, original cloth-backed boards, 1972 § Dreiser (Theodore) An American Tragedy, illustrations by Reginald Marsh, 1954 § Bierce (Ambrose) The Devil's Dictionary, wood-cut illustrations by Fritz Kredel, original morocco-backed cloth, 1972, limited editions signed by the artists, plates and illustrations, all but the first with slip-cases, first two with prospectuses loosely inserted, New York, Limited Editions Club; and 6 others for the club, v.s. (11) ⁂ The first includes a two-page tribute to Alice Neel by Raphael Soyer, and is signed by both Soyer and Neel; most were signed only by Soyer as Neel died during the production.
Edward Bawden & Eric Ravilious: 'Away We Go! Advertising London's Transport', Sparham, Mainstone Press, 2006, 1st edition, illustrated throughout, original pictorial wraps; P. Skipwith & B. Webb: 'Edward Bawden's London', V & A, 2011, 1st edition, colour & black & white ills. throughout, orig. cloth, dust wrapper; C. Bacon & J. McGregor: 'Edward Bawden', Cecil Higgins Art Gallery, 2008, orig. cloth, d/w; 'Eric Ravilious in Context', Fine Art Society, 2002, colour ills. throughout, orig. printed wraps; 'Signature. A Quadrimestrial of Typography and Graphic Arts', 1947, new series No.4, content includes Edward Bawden full page litho illustration of the original linocut "Campions and Columbine", John Piper half tone full page illustration of original etching and aquatint "Hall Place Chapel", plus other full page and in text ills. by Lynton Lamb, Michael Ayrton, Barnett Freedman, Michael Rothenstein etc, original printed wraps; C. Colvin: 'John Nash Book Designs', 1986, ills. throughout, orig. wraps; 'Artists at the Fry. Art and Design in the North West Essex Collection', 2003, orig. wraps, ills. throughout by Bawden and other Great Bardfield artists, orig. pictorial wraps; plus 4 titles by Ruth Artmonsky on Edward McKnight Kauffer, 20th Century art & design and interior design etc (11)
Sir Terry Frost R.A. (British b. 1915) The Quay, St Ives 1951, 2003 Colour etching Published by The Tate St Ives Signed and numbered 56/200 in pencil to the bottom with label to the verso Framed and glazed 51 x 22 cm (20 x 8.5 in) Sir Terence Ernest Manitou Frost RA (13 October 1915 – 1 September 2003) was a British abstract artist, who worked in Newlyn, Cornwall. Frost was renowned for his use of the Cornish light, colour and shape to start a new art movement in England. He became a leading exponent of abstract art and a recognised figure of the British art establishment.
EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002)."A peu pel llibre".Etching on Rives paper, copy 7/75.Hand signed and dated.Hatz d'Ignacio Chillida de San Sebastián Printing.Size: 12 x 25 cm (print); 65 x 50 cm (paper); 75 x 59 cm (frame).Engraving from the book "A peu pel llibre" with poems by Joan Brossa, etchings by Chillida and frontispiece by Pere Gimferrer, published by Polígrafa in Barcelona. Polígrafa summarises in its synopsis "The harshness of Brossa's poems, violent and harsh in their nakedness, combine with the serenity of Chillida's engravings. Each combination of poem and engraving constitutes, in fact, a triptych, formed by the title, on the title page, the text by Brossa and the engraving by Chillida, so that each of these elements contrasts with the previous one. At the same time, the title acts as a bridge to the optical and almost tactile poetry of the engravings".Chillida began drawing at the Círculo de Bellas Artes in Madrid, and his interest in sculpture gradually grew. It was during his years in Paris that he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. He held his first sculpture exhibition in the French capital in 1950. In 1951 he returned to San Sebastián for good, and produced his first work in iron, the material he would work with for the rest of his life. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation Prize for the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts in London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections all over the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofía in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.
Graham Vivian Sutherland OM (British, 1903-1980), "Fight between Workers and Drones", etching and aquatint on Magnani wove paper, signed in pencil lower right and numbered 59 of an edition of 66, metal frame, 17 ½ x 14in. (44.4 x 35.5cm.); accompanied by the Exhibition Catalogue of the fourteen Etchings and Aquatints in the series "Bees" produced by Graham Sutherland. The Catalogue was published to coincide with the exhibition at Marlborough Fine Art (London) Ltd, 6 Albemarle Street, London June - July 1977., * Provenance: The Pallas Gallery Ltd, London, 5th July 1978., ** Notes: Plate 14 from the suite "The Bees". Printed after 2nd March 1977 in , four colours: yellow, violet, brown & black on Magnani paper. Etched by the artist in collaboration with Eleonora and Valter Rossi and printed in Rome by Adriano Corazzi and Antonio Di Leo. Marlborough Fine Art Edition, London & Rome., ** Good condition, full margins. Acidic mount., Good condition, full margins. Acidic mount.
Henry Moore O.M., C.H. (British, 1898-1986), 'Head of Girl', soft ground etching, 1981, on wove paper, signed and numbered J4/50 in pencil, printed by Michael Rand, London, published by Raymond Spencer Company Ltd, with margins, 11.5 x 12in. (29 x 30.5cm.), in silvered frame with plain ivory mount. Good condition. Slight cockling to sheet and a little dirt spotting to underside of glass. No other faults.
Edmund Blampied RE (Jersey, 1886-1966), 'A Jersey Vraic Cart', drypoint etching, signed "Blampied 1939" in the right lower corner of the plate, signed in ink lower centre, published in 1939, edition not known, 8 9/16 x 11 1/16in. (21.8 x 28.1cm). * Notes: Catalogue Raisonné Appleby & Arnold No.183
E. C. Boon (British, early 20th century), Bulb planting above Rocquaine, Guernsey. * pencil on wove paper, signed lower right. * 6¾ x 9¾in. (17.1 x 24.75cm.); together with an etching by A. Sines, 'an old street, Guernsey' [Berthelot Street], signed and titled, 8 7/8 x 6 7/8in. (22.5 x 17.5cm.). (2). *
Robert Tilling (R.I., M.B.E. (British, 1944-2011), 'Distant Island'. * watercolour, signed, inscribed and dated 2002 verso, further presentation inscription by artist above. * 11¾ x 7¾in. (29.8 x 19.7cm.); together with a signed artist's proof etching by the same hand, untitled, signed and inscribed to margin, 7¾ x 9 7/8in. (19.7 x 25cm.). (2). * Good condition, with no faults.
Hedley Fitton (British, 1859-1929)., The Pantheon, Rome, etching with drypoint, executed in 1913, signed in pencil lower right “Hedley Fitton”, framed, 17¾ x 22in. (45 x 55.9cm.).. * * The Pantheon is generally considered to be Hedley Fitton's most accomplished etching.. * Behind glass. Unexamined out of frame but appears to be lightly foxed and lightly time stained but otherwise in good condition.
Edmund Blampied R.E., R.B.A. (Jersey, 1886-1966), Kicking Horse. * terracotta maquette, signed lower centre “Blampied”, English, early 19th century, gilded frame with a lamb’s tongue sight edge, 4 1/8 x 5 1/8in. (10.5 x 13cm.). * * The maquette is related to the drypoint etching “Flies” of 1913 and the bronze sculpture Kicking Horse of 1924 (Catalogue Raisonné, Arnold & Appleby, No.17 & BZ.1). Maquettes by Edmund Blampied are extremely rare.. * Good condition, mane possibly with losses, some wear to frame, very appealing to the eye.
Eric James Melon (British 1925-2014), Persephone Returns to the Realm of The Dead Accompanied by Musicians, monochrome lithograph, signed, dated 1978 and inscribed with title 5/25. 31 cm x 20 cm (SH), together with an etching depicting Natalie Clein, young musician of the year 1994, signed by the artist in the margin and a further etching by the same hand of a young lady, in addition a collection of pamphlets and exhibition programmes relating to the artist. ARR
Bob Dylan, American b.1941- Sunflowers, 2009; giclee print in colours on 350gsm Hahnemühle Museum Etching wove, signed and numbered 260/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, (framed)Note: this work is accompanied by a Certificate of Authenticity, published by Washington Green Fine Art.Please refer to department for condition report
Bob Dylan, American b.1941- Sidewalk Cafe, 2008; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 211/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, (framed)Note: this work is accompanied by a Certificate of Authenticity, published by Washington Green Fine Art.Please refer to department for condition report
Bob Dylan, American b. 1941- Train Tracks; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 284/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 123 x 91.5 cm, (framed) Note: this work is accompanied by a Certificate of Authenticity, published by Washington Green Fine Art.Please refer to department for condition report
Bob Dylan, American b.1941- Train Tracks, 2012; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 110/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 91.5 x 71 cm, (framed)Note: this work is accompanied by a Certificate of Authenticity, published by Washington Green Fine Art.Please refer to department for condition report
Bob Dylan, American b. 1941- Train Tracks (white), 2012; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 275/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet 83.4 x 61 cm, (framed) Note: together with COA, issued by Washington Green Fine Art. Please refer to department for condition report
Bob Dylan, American b. 1941- Train Tracks (blue), 2012; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 275/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet 83.4 x 61 cm, (framed) Note: together with COA issued by Washington Green Fine Art. Please refer to department for condition report
Bob Dylan, American b. 1941- Train Tracks (green), 2012; giclee print in colours on 350gsm Hahnemuhle Museum Etching wove, signed and numbered 275/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet 83.4 x 61 cm, (framed) Note: together with COA issued by Washington Green Fine Art. Please refer to department for condition report
Louise Bourgeois, French 1911-2010- Be Calm, 2005; screenprint with embroidery on linen tea towel, signed in the plate, numbered 703/1000 in black pen, in original paper packaging, published by Third Drawer Down and Tate, London, sheet: 68 x 49.5 cm, (unframed) (ARR) Note: In 2005, Bourgeois created ''Be Calm'' a drypoint etching, after which this tea towel is reproduction. It was created two years prior to Louise Bourgeois's monumental exhibition at the Tate Modern, London in 2007.Please refer to department for condition report
Peter Doig, Scottish, b. 1959- Untitled (Canoe) from Grasshopper Series; etching on wove, numbered 25/35 and signed in pencil, 45 x 55.5 cm, (framed) (ARR) Provenance: With the Contemporary Art Society Market (according to a label on the reverse) Please refer to department for condition report
![AMENDMENT- please note this lot is unframed.Georges Braque, French 1882-1963, Green Head [Vallier 58], 1950; etching with aqu](https://cdn.globalauctionplatform.com/373dc0dc-a142-4fca-8d37-af4300fa0295/95719589-ad56-4749-ac26-af43010e442b/468x382.jpg)
AMENDMENT- please note this lot is unframed.Georges Braque, French 1882-1963, Green Head [Vallier 58], 1950; etching with aquatint in colours on wove, signed and numbered 25/30 in pencil, sheet: 49.8 x 32.5 cm, (framed) (ARR) Note: this book is accompanied by the monograph 'George Braque Printmaker', published by The Tate Gallery.Please refer to department for condition report
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