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78472 Los(e)/Seite
Los 1072
Sue Scullard - The Canterbury Pilgrims, etching, signed, titled and dated 1986 and numbered 253/500 in pencil to the lower margin, 16 x 57.5 cm; together with Anne Randall - Poppy, colour lino print, signed and numbered 34/20 in pencil to the lower margin; and a 19th century maritime engraving (3)
Los 515
MAXWELL DOIG (born 1966); 'Two Figures Climbing', a signed and dated limited edition etching, 1987, edition 1/4, 52 x 43.5cm, Hart Gallery label verso, framed and glazed. (D)Provenance: Purchased from the Hart Gallery, Nottinghamshire, 2012.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 30
Napoleon's exile.- Bellasis (George Hutchins), after. A View of the Island of St Helena, large landscape view taken from the sea with two further vignettes below either side of the title, etching and aquatint by J. Clark and J. Hamble, with full hand-colouring, on wove paper with Whatman watermark and date '1813', sheet 580 x 860 mm (22 3/4 x 33 3/4 in), backed on conservation support, several large repaired tears, mainly within the margins, old vertical fold with repaired splitting, minor surface dirt, unframed, published by Edward Orme, 1806.
Los 31
Regency rosewood and mother of pearl sewing box, the gadrooned lid with mother of pearl inlaid roundels, the lid interior with black and white etching of Chiswick House Middlesex, the interior with removable tray, the tapering body with lion mask handles, raise don ball feet, 31cm wide, 17cm high, 24cm deep
Los 147
Carl Clemens Moritz Rungius (German/American, 1869-1959). Etching and drypoint on paper titled "The Traveler," 1931, depicting a bull moose walking through a forest, mountains in the background. Pencil signed along the lower right.Sight; height: 9 in x width: 11 3/4 in. Framed; height: 16 3/4 in x width: 18 1/2 in.
Los 154
Joseph Pennell (American, 1857-1926). Etching on laid paper titled "Pisa: Lung Arno Regio," depicting the city of Pisa, Italy, with the Arno River curving through the center of the composition. From Pennell's "The Italian Series." Pencil signed along the lower right; further signed, titled, and dated 1883 in the plate along the lower left.Sight; height: 8 in x width: 11 1/2 in. Framed; height: 14 1/4 in x width: 17 1/4 in.
Los 162
Pierre Auguste Renoir (French, 1841-1919). Drypoint etching on laid paper titled "Sur la Plage, a Berneval," depicting Julie Manet, daughter of Berthe Morisot and Eugène Manet, and her cousin, Paulette Gobillard, gazing out to sea. Signed in the plate along the lower right.Literature: D. 5Sight; Height: 8 1/4 in x width: 6 1/2 in. Framed; Height: 20 1/2 in x width: 16 3/4 in.
Los 163
Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669). "David at Prayer," etching and drypoint on paper, 1652. A strong, dark impression of this lovely print. Biorklund's third state (of 3); Usticke's third state (of 3); White and Boon's third state (of 3).Literature: Bartsch 41, Biorklund 52-C; Hollstein (White and Boon) 41.Provenance: Swann Galleries, New York, 2011; Private collection, Minnesota.Sight; Height: 5 3/4 in x width: 3 3/4 in. Framed; Height: 13 3/4 in x width: 11 in.
Los 186
Albert Besnard (French, 1849-1934). Drypoint etching and aquatint on paper titled "La Robe de Soie," depicting a smiling woman in a long flowing robe seated in a large chair. Titled and dated 1887 in pencil along the lower edge of the mat.Unmatted; Height: 17 1/4 in x width: 11 1/2 in. Matted; Height: 22 in x width: 16 in.
Los 55
Johnny Friedlaender (German/French, 1912-1992). Etching on paper depicting two abstract modernist horses underneath a blue moon. Pencil signed along the lower right; inscribed epreuve d'artiste along the lower left.Provenance: Distinguished corporate collection, Minnesota.Sight; Height: 18 in x width: 23 1/2 in. Framed; Height: 25 in x width: 30 1/2 in.
Los 139
JAUME PLENSA (Barcelona, 1955).Untitled, 1987.Aquatint etching on copper plate, copy 4/50.Signed and justified in pencil.Size: 18 x 18 cm (print); 50 x 37,5 cm (paper).Jaume Plensa studied at the Llotja School and the Sant Jordi School of Fine Arts, both in Barcelona. He excelled in sculpture, drawing and engraving. His work focuses on the relationship between man and his environment, often questioning the role of art in society and the position of the artist. He currently lives in Paris, and was recently awarded an honorary doctorate by the School of the Art Institute of Chicago. Plensa began his career working with wrought iron mixed with polyester. Between 1983 and 1984 he began to mould iron using the casting technique, and developed a sculptural concept based on zoomorphic elements. His work gradually evolved, and he is now considered a precursor of Spanish neo-expressionism. In the nineties he introduced modifications in his work in both material and formal terms, and began to use different materials such as metal scraps, polyester and resins. During these years he produced series of walls, doors and architectural constructions, seeking to give space an absolute protagonist role. Between 1999 and 2003 Plensa became one of the pillars of world scenography, reinterpreting four classical operas by Falla, Debussy, Berlioz and Mozart with "La Fura dels Baus", and alone in a contemporary theatrical production, "La pareti della solitudine", by Ben Jelloun. He has held solo and group exhibitions all over the world, including a retrospective at the Museo Nacional Centro de Arte Reina Sofía in 2000. In June 2008 he unveiled his work "Breathing", a memorial to journalists killed in the line of duty, at the BBC headquarters in London. Throughout his career he has received numerous distinctions, such as the Medal of the Knights of Arts and Letters in 1993, awarded by the French Ministry of Culture, and the National Prize for Plastic Arts in 1997, awarded by the Generalitat of Catalonia. Considered one of the leading representatives of the new Spanish art of expressionist tendency, his work is present in the best national and international galleries and art fairs, as well as in the main museums of Europe and the United States, such as the MoMA in New York, the Kemper in Kansas, the Museo Patio Herreriano in Valladolid, the Palazzo Forti in Verona, the MACBA and the Museo Reina Sofía in Madrid.
Los 1033
§ Julian Trevelyan (1910-1988), 'Marlborough College' (1963). Etching. Signed, titled and numbered 37/75 in pencil to margin. Image size 47 x 35cm. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org.uk for more information.
Los 1061
Heidi Konig (British, b. 1964), 'Train to Konya', etching in colours, signed and numbered 42/150 in pencil to margin, framed and glazed, 34 x 40cm, with another etching in colours by the same artist, 'Emili Valley', signed and numbered 61/150 in pencil to margin, framed and glazed, 34 x 40cm. (2)
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78472 Los(e)/Seite