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78475 Los(e)/Seite
Los 371
Henry George Rushbury (1889-1968)+ 'Adelaide House' Etching Signed in pencil to margin lower right 21.5cm x 27.5cm In contemporary frame with printed information en verso + Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org or www.dacs.org.uk CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Los 372
Robert Houston (1891-1940) Coastal landscape with riders on the beach Etching 10cm x 13.5cm Signed in pencil to margin lower right CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Los 406
Ben White (20th/21st Century British)+ An etching entitled 'Sonnet', artist's proof, signed and titled to margin, 45cm x 31.5cm, purchased from the Arts Forum Gallery in 2008 and a limited edition woodcut entitled 'The Studio', numbered 1/8, signed and titled to the margin, 45cm x 31.5cm, purchased from the Arts Forum Auction in 2009 This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen patron and his extensive collection will be offered for sale over a number of forthcoming auctions + Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org or www.dacs.org.uk CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Los 416
Nicola Jackson (20th/21st Century British)+ A collograph entitled 'Through Orange', artist's proof, initialled to the lower margin, 27cm x 27cm, purchased from the Rye Society in 2008 ww.hastingscreatives.co.uk/directory/918/nicola-jackson and A Avenllo, coloured etching 'Bull Terrier', artist's proof, titled and signed to lower margin, 14cm x 12.5cm purchased in 2016 This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen patron and his extensive collection will be offered for sale over a number of forthcoming auctions + Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org or www.dacs.org.uk CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Los 419
Heather Meyerratkin (20th/21st Century Australian/British)+ A limited edition coloured etching entitled 'Le Voyage Traitre', signed and titled to the margin, numbered 2/4, 14cm x 20cm, purchased from her HND show in 2005 www.heathermeyerratken.co.uk This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen patron and his extensive collection will be offered for sale over a number of forthcoming auctions + Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org or www.dacs.org.uk CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Los 1052
After James McIntosh Patrick OBE, RSA (1907-1998) Scottish"The Knapp Road, Rossie Priory"Numbered 178/850, limited edition print, together with Simon Hodson, "Rose Shutters", signed, watercolour, a watercolour by Trevor D Boult, "Fox", an etching by Elizabeth Morris "Unmade Bed" and two further mixed media works by Debbie Lee and Jennifer Mackie (6)Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Los 1142
Winifred Pickard (1908-1996) ''Christmas Roses'' Signed, inscribed and numbered 40/75, etching, together with a further etching by the artist ''Syringa and Roses'', 28.5cm by 24.5cm and 32.5cm by 25cm respectively (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Los 102
NO RESERVE Wales.- Buck (Samuel and Nathaniel) The South-East View of Carmarthen, etching and engraving, an excellent clean impression on laid paper without watermark, platemark 310 x 820 mm (12 1/4 x 32 1/4 in), sheet 450 x 860 mm (17 3/4 x 33 3/4 in), central vertical fold, minor nicks to edges, some faint spotting and surface dirt, unframed, 1748.
Los 232
NO RESERVE Literary portraits.- Collection of ten portraits of authors by various hands, including an etching by Schoff of George Eliot, a lithograph of Shelley, an etching of Lord Byron by George Henry Harlow, and others of Thackeray, Alex Dumas, and others etchings and lithographs, various sizes, neatly presented on loose album leaves, each approx. 320 x 270 mm (12 1/2 x 10 1/2 in), many with pencil inscriptions identifying sitters, unframed, [19th century] (10).
Los 264
NO RESERVE Sangorski & Sutcliffe.- Cundall (H.M.) Birket Foster, limited edition of 500 signed by publisher, additional etching bound before half-title, portrait frontispiece, colour plates, captioned tissue-guards, illustrations, scattered faint spotting, modern decorative green crushed morocco by Sangorski & Sutcliffe, small faint stain to upper cover, 4to, 1906.
Los 274
della Bella (Stefano) and Israel Silvestre. Veuë et Perspective du Palais Cardinal..., etching, the background etched by Silvestre, sheet 132 x 245 mm (5 1/4 x 9 1/2 in), thread margins or trimmed to platemark, tipped onto paper support, minor handling creases, some spotting and surface dirt, unframed, [circa 1650]; together with ten landscape views by Silvestre, etchings on cream laid paper with 17th century watermarks, each sheet approx. 130 x 245 mm (5 1/4 x 9 1/2 in), tipped at left corners onto paper supports with ruled brown ink borders, some occasional spotting and surface dirt, minor handling creases, unframed, [circa 1650] (11)
Los 277
NO RESERVE Fountain design.- Erasmus (Johann Georg, Nuremberg-based publisher, 1659-1710) Abbildung der Fontaine..., view of the massive sandstone Triton fountain installed in the Neuen Bau in Nuremberg (now Maximiliansplatz), etching, an excellent richly inked impression on laid paper with armorial watermark, platemark 415 x 310 mm (16 1/4 x 12 1/4 in), small margins approx. 2-3 mm, horizontal fold, other handling creases, marginal nicks, with small tear and loss in the upper right corner, and another in centre right edge, minor surface dirt, unframed, Nuremberg, 1687⁂ Johann Georg Erasmus was the son of the designer and cabinet-maker Georg Caspar Erasmus, and became a prolific draughtsman and architect in Nuremberg.
Los 278
NO RESERVE Earlom (Richard) Nymphs and satyrs, after Peter Paul Rubens, mezzotint with etching, proof impression with coat of arms but before letters, platemark 480 x 605 mm (18 7/8 x 23 3/4 in), sheet 550 x 800 mm (21 3/4 x 31 1/2 in), some marginal nicks and tears, minor damp-stains and surface dirt, handling creases, unframed, John Boydell, 1784.
Los 280
Caricatures.- Colley (Thomas), Attributed to. The English Lion Dismember'd, satire on the reaction of the English to their loss of Minorca in the Seven Years' War, symbolized by the loss of a lion's paw, engraving with hand-colouring on wove paper without watermark, platemark 245 x 350 mm. (9 5/8 x 13 3/4 in), sheet 300 x 480 mm. (11 3/4 x 18 7/8 in), some surface dirt, light toning, nicks to extremities, unframed, [BM Satires 5649], [1780] § Cruikshank (Isaac) The aristocratic crusade, or chivalry revived by Don Quixote de St Omer and his friend Sancho, satire on Burke's 'Reflections on the French Revolution', etching with hand-colouring on 'Taylor' watermarked laid paper, sheet 270 x 430 mm. (10 3/4 x 17 in), some surface dirt, trimmed to or within the platemark, unframed, [BM Satires 7824], 1791 § Grant (Charles Jameson) A General Retreat, Wellington leading the government in flight from its attack on the castle of Reform, etching with hand-colouring, on wove paper without watermark, platemark 250 x 340 mm. (9 7/8 x 13 1/2 in), small margins, unframed, [BM Satires undescribed], [1830] (3)
Los 281
Caricatures.- Sayers (James) The Brewer and the Thistle, satire on the British politician Samuel Whitbread II (1764-1815), who is shown covered by tubs of varying shapes and sizes, and attacking the drooping head of a thistle with the features of Melville, etching and engraving on wove paper, platemark 350 x 250 mm. (13 3/4 x 9 7/8 in), sheet 415 x 330 mm. (16 1/4 x 13 in), minor surface dirt, unframed, [BM Satires 10416], Hannah Humphreys, 1805; together with Sayers' 'Frontispiece to Dr Bellendenus's sermon preached before the Right Honble &ca &ca' [BM Satires 9533], and '[The coalition stage coach]' [BM Satires 6226], etching and engravings, unframed, 18th century; together with 'The Downfall of Sejanus', an anonymous satirical broadside on Robert Walpole and the Excise Crisis, probably the frontispiece to C. Masquerade's 'C----- and country. A play of seven acts' [see ESTC N39166], etching and engraving, laid onto paper support, sheet 395 x 320 mm. (15 1/2 x 12 1/2 in), several repaired tears and splits, with a central area of loss replaced in facsimile, handling creases, surface dirt, unframed, [1733] (4).
Los 282
Caricatures.- Cruikshank (Isaac Robert) A peep into Saldanha bay or the Dutch perfidy rewarded, satire on the Dutch having to capitulate to Elphinstone's squadron, etching with hand-colouring, platemark 240 x 350 mm. (9 1/2 x 13 3/4 in), unframed, published by Fores, 1796; together with 5 others, including William Heath's 'Leaving the House of Lords through the assembled commons', Doyle's 'The Apparition. A Cabinet Picture from the Downing St Collection', Cruikshank's 'Gambols on the River Thames, Feb 1814', an original watercolour after Isaac Cruikshank's 1792 'Rape of Europa', and another 'A Total Eclipse', all hand-coloured, unframed, mainly 19th century (6)
Los 284
Caricatures.- Cruikshank (Isaac Robert) Blind-man's Buff, satire on suitability for marriage, the lady shown is Isabelle Forrester, who jilted both Lord Apsley and Mr Biddulph before marrying George Anson, etching and aquatint with hand-colouring, on wove paper with watermark date '1826', platemark 255 x 310 mm. (9 7/8 x 12 1/4 in), sheet 285 x 405 mm. (11 1/4 x 16 in), minor exposure lines and surface dirt, unframed, [c. 1820]; together with William Heath's 'The Virginia Fishing Smack, 1827 [BM Satires15410], John Phillips' 'The Nurse, Child, and Plaything', 1829 [BM Satires 15772], and W.H Isaacs' 'Revd. Mr Sambo's Sarmont', circa 1850 [not in BM Satires] (4)
Los 251
Phil Greenwood (Contemporary), Cregennan Lake, Etching Signed, dated 79, inscribed, numbered 39/295 36 x 49cm (14 x 19¼ in.) And a colour aquatint by Rene Ligeron "Landscape", 45 by 63.5cms (2) Condition Report: First- slightly browned from sunlight (specks look to be dirt under glass) Second- slightly browned from sunlight Condition Report Disclaimer
Los 476
1831 Pattern Scottish Officer’s Broadsword 32 inch, double edged blade with two narrow fullers. Blade with traces of foliage etching. Forte with two wide fullers. Steel basket hilt with double ring quillons and heart and ball pierced hilt panels. Steel, fluted pommel. Shagreen covered grip with twist wire binding. Hilt with some repairs and pitting to hilt and blade.
Los 486
Light Infantry Officer’s Sword 32 3/4 inch, dumb bell blade with central fuller. Traces of foliage etching. White metal guard with KC strung bugle cartouche. White metal, checkered backstrap. Shagreen covered grip with twist wire binding. Contained in its leather covered, field scabbard. Some damage to hilt, pommel nut replaced and tip of scabbard damaged.
Los 497
Napoleonic Period British Infantry Officer’s Sword 28 1/2 inch, single edged blade with wide fuller running through the point. Traces of gilt, floral and stand of arms etching. Steel crossguard with downswept quillon, D shape knuckle bow. Steel ferrule and urn pommel. Ivorine ribbed, square section grip.
Los 4
Collection of Prints, to include: a post-Impressionist print titled Afternoon by the river, framed measurements 45 x 53 cm, a reproduction framed print of a Venetian flower girl, framed measurements 52 x 42 cm and a photographic print of a Victorian lady in an oval frame, framed measurements 67 x 50 cm, a large reproduction print of a dancer, framed measurements 114 x 85, a Lionel Smythe ARA etching of a young lady wearing a cap, signed bottom left, label for Dunthorne and Brown of the Rembrandt Gallery Liverpool verso (5)
Los 18
Alexis de Leeuw (Belgian 1822-1900), The Timber Wagon, chromolithograph on canvas, signed bottom right, framed 62 x 92cm, frame 87 x 117 cm 19th-early 20th century French School, coloured etching of Windmill, Georges Pettit blind stamp bottom left, signed 'Fienne Frisus' bottom right, 37 x 46 cm (PL), frame 55 x 65 cm Ralph Duck (Irish 20th Century), The Old Cedar Tree, watercolour, signed bottom right, mounted and framed. Measurements 34 x 27 cm (i), frame 55 x 47.5 cm. Previous auction label verso.There is a record for Ralph Duck as a member of the Dublin Sketching Club with whom he exhibited with in 1967. Together with: John Purser (British School), Leaving Harbour at Whitby, watercolour, signed bottom right. Measurements 25 x 34.5 cm and Geoff Marsters, The Weaver Bend, limited edition print, signed and dated 1989 bottom right, numbered 250/300, measurements 21cm x 31 cm (PL), frame 38 x 45 cm (3)
Los 137
Naum Slutzky (1894-1965), a group of copper etching plates One depicting Russian fighters, with rifles, 20.5cm x 30.5cm, signed; together with another depicting a man playing a harmonica, standing before a peasant farmstead, 33.3cm x 20.5cm; also three smaller etched sketches on copper plates, loose in a wooden box (5) Provenance: From the studio of Naum Slutzky 1966, thence by decent and then to the present owner. Purchased: Roseberys, Fine Art Auction, 6th September 2016, Lot 276Please refer to department for condition report
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78475 Los(e)/Seite