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78472 Los(e)/Seite
Fernando Diaz Infante (Mexican, act.1980s). "Viejos Robles". Etching. 1984. Signed, titled, dated, annotated in pencil, lower right. An artist's proof. Cream wove watermarked paper. Full margins. Fine impression. Good to very good condition. Provenance: Ex-collection Jaled Muyaes & Estela Ogazon. Overall size: 20 1/4 x 25 13/16 in. (514 x 656 mm). Image size: 13 13/16 x 20 3/16 in. (351 x 513 mm). Image copyright © The artist or his asignee. [26890-5-100]
Karima Muyaes (Mexican, b.1960). "Ventanas". Color etching with aquatint. 2002. Signed, titled, dated and numbered in pencil. Edition of 35. Wove paper. Full margins. Fine impression. Fine condition; two zinc plates utilized. Literature/catalogue raisonne: James Orr's provisional catalogue number PR78. Provenance: Private collection, Santa Barbara, California. This print was included in the one woman exhibition “Karima Muyaes: Retrospectiva, 1985-2007,” at the Museo de Arte Regional (Azcapotzalco), Mexico City, March-May, 2007. Overall size: 28 x 21 1/2 in. (711 x 546 mm). Image size: 19 1/2 x 13 9/16 in. (495 x 344 mm). A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2020. Muyaes’s work has sold at Sotheby's (New York City), Swann Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas). In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [16699-0-400]
Jean Dubuffet (French, 1901 - 1985). "Denegator [from: Presences Fugaces]". Color silkscreen. 1973. Signed with the initials and dated, lower right; annotated lower left; publisher's blindstamp, lower right. A trial proof aside from the regular editoin of 100 plus 20 HC. High-grade archival Dutch Etching wove paper. Full margins, as issued. Fine impression. Fine condition. Literature/catalogue raisonne: Sophie Webel, "L´Oeuvre Gravé et les Livres Illustrés par Jean Dubuffet. Catalogue raisonné II", Baudoin Lebon éditeur, París 1991, nº 1162; L27.165D. Overall size: 30 x 22 in. (762 x 559 mm). Image size: 19 1/2 x 13 5/16 in. (495 x 338 mm). "Denegator" is one of six prints in Dubuffet’s “Presences Fugaces” series, which sold for $32,500 at Sotheby’s New York, October 18, 2018, lot #237. The set was printed by Ives-Sillman, New Haven, CT, and published by Galerie Jeanne Bucher, Paris, and Pace Editions, New York City. Image copyright © Artists Rights Society (ARS), New York / ADAGP, Paris. [29957-5-3000]
Karima Muyaes (Mexican, b.1960). "Voces y Cantos". Color etching with aquatint. 2005. Signed, titled, dated and numbered in pencil. Edition of 30. Pale cream wove paper. Full margins. Fine impression. Fine condition. Two zinc plates utilized. Printed by Emilio Payan in Mexico City. Literature/catalogue raisonne: James Orr's provisional catalogue number PR103. Provenance: Private collection, La Jolla, California, acquired directly from the artist. Included in the one woman exhibition “Karima Muyaes: Retrospectiva, 1985-2007,” at the Museo de Arte Regional (Azcapotzalco), Mexico City, March-May, 2007. Overall size: 25 1/4 x 19 1/2 in. (641 x 495 mm). Image size: 15 7/16 x 11 3/4 in. (392 x 298 mm). A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2020. Muyaes’s work has sold at Sotheby's (New York City), Swann Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas). In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [17707-0-500]
Maurice de Vlaminck (French, 1876 - 1958). "Rue de la Glaciere". Etching. 1937. Printed later. Signed in the plate, lower right. Edition of 500. Cream laid paper. Very wide margins. Fine impression. Fine condition. Literature/catalogue raisonne: W146. Overall size: 17 5/8 x 13 in. (448 x 330 mm). Image size: 13 1/8 x 10 1/8 in. (333 x 257 mm). Image copyright © Artists Rights Society (ARS), New York. [25686-3-200]
Edouard Vuillard (French, 1868 - 1940). "Le Square Vintimille". Etching & drypoint. 1937. Printed later. Signed in the plate, lower right. Edition of 500. Cream wove paper. Very wide margins. Fine impression. Fine condition. Literature/catalogue raisonne: RM66. Overall size: 19 1/2 x 13 5/8 in. (495 x 346 mm). Image size: 13 1/4 x 10 1/16 in. (337 x 256 mm). According to 'Gordon's Art Reference' the auction record for this print is $1,546 (Bassenge, Germany, 2006). Image copyright © Artists Rights Society (ARS), New York. [25689-3-400]
Pierre-Auguste Renoir (French, 1841 - 1919). "Femme nue assise". Etching & Softground. 1906. Printed later from the original plate. Cream wove paper. Full margins, deckle edges. Fine impression. Fine condition. Literature/catalogue raisonne: Delteil 12. Overall size: 14 7/8 x 11 1/8 in. (378 x 283 mm). Image size: 7 3/8 x 5 9/16 in. (187 x 141 mm). Earlier impressions of this print regularly sell at auction for well over $1,000. [25684-3-300]
Isaiah Zagar (American, b.1939). "She Lives a Paintful Life". Etching. 1984. Signed, dated, titled in pencil. An artist proof from an unknown, presumed small, edition. Cream wove watermarked Arches paper. Full margins. Fine impression. Good to very good condition. Overall size: 29 7/8 x 17 9/16 in. (759 x 446 mm). Image size: 23 5/8 x 22 in. (600 x 559 mm). Image copyright © Isaiah Zagar. [26892-5-300]
Pierre-Auguste Renoir (French, 1841 - 1919). "Sur la plage, a berneval". Original etching. c1892. Printed later. Signed in the plate, lower right. Cream wove paper. Full margins (deckle edges). Fine impresson. Fine condition. Literature/catalogue raisonne: Delteil 5iii. Overall size: 11 1/8 x 10 in. (283 x 254 mm). Image size: 5 3/8 x 3 5/8 in. (137 x 92 mm). Image copyright © Artists Rights Society (ARS), New York. [1398-2-300]
Paul Klee (Swiss/German, 1879 - 1940). "Drohendes Haupt ["Head of Menace"]". Lithograph after the original etching. 1905. Printed later. Signed and titled in the plate; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Wide margins. Fine impression. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Overall size: 10 3/8 x 8 1/2 in. (264 x 216 mm). Please note that the original image was created as an etching by Klee in 1905. At a later date the original etching was used to create this lithograph, hence the very low pre-sale estimates. This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later the director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29304-2-225]
Henri Matisse (French, 1869 - 1954). "Cite - Notre Dame". Original etching. 1937. Printed later. Signed in reverse in the plate, lower right. Cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: D248. Overall size: 20 x 15 1/16 in. (508 x 383 mm). Image size: 13 1/8 x 10 1/4 in. (333 x 260 mm). An example from the original printing has sold at auction for as high as $2,585 (Christie's, East [19th & 20th Century, Contemporary Prints & Multiples, Sale #8423] - 09/20/2000 - Lot #71). The original edition was 500. [17489-4-300]
Collection of Valentines and associated ephemera, comprising: four mid-Victorian hand-coloured lithographic Valentines with paper lace borders; a handmade card on paper (folded) with handwritten romantic verse and central applied watercolour flower; an early novelty postcard with applied silk bows, 'From a "Beau" who loves you', inscribed in pencil from 'George' to 'Emily' and apologising for not being able to travel to Warwick tomorrow; 'General Heartsease', hand-coloured botanical etching with comic text explaining how this illustration represents 'correct likenesses' of the Prince Regent, Duke of Wellington, Emperor of Austria and others, published in London by G. Smeeton, 13 May 1815; a novelty banknote, 'Bank of Love, Temple of Hymen, 14 February 1847'; 'Copy of a Curious Love Letter', c.1850 pamphlet printed on very fine paper, appears abusive but the secret code is explained by the (anonymous) publisher: read every second line to get the true message of love; a novelty "trade card" for Cupid, 'Manufacturer & Promoter of Marriages', c.1850 (10)
Late-Georgian keepsake box (possibly for a Valentine) constructed from card and pink paper, oblong octagonal form with drawer, mirrored top featuring inset hand-coloured etching depicting lady with two children and dog ('La Petite Jalouse'), applied embossed paper borders, lined with lilac and pastel pink paper. The box contains a quantity of fans, 19th century and later, including a mechanical greetings card in the form of a fan, 'The Language of Flowers - Happy New Year'
Valentine Interest. A 19th-century watercolour depiction of a lady holding a love letter, a spaniel at her feet and cupid seated atop a plinth, presented in verre eglomise frame, 25cm by 19cm, together with a pair of 18th-century oval stipple engravings in gilt frames with titles/publisher pasted to verso ('Love' and 'Harmony', W. Palmer, 14 February 1782), and a hand-coloured etching depicting cupid grinding arrows (4)

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