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78472 Los(e)/Seite
Job Nixon (1891-1938) The Ponte Santa Trinita over the Arno, signed in ink in the margin lower right, etching, 22 by 35cm (PL), together with two posters from the Paris Pavillion de Louvre, Exhibition of British Arts and Crafts, April - October 1914, an etching by Charles Sims (1873-1928) inscribed 'to my dear friend JRG Exley', an etching of a windmill signed George J Holmes, a portrait mixed media print signed Sunderland Rollinston, dated 1919, an etching of battleships signed in the plate Harry Hudson Rodmell, and an etching titled 'Kato Krusoves, Lower Struma' and signed C.F.Strangmar, 1919.
After Hugh Brandon-Cox. Winter Evening near Walberswick, Autumn near Walberswick, Ancient Evening, two artist signed prints and another similar, a print signed Glyn Thomas of a Cornish farmyard, No.23/100, an etching of St Johns College Cambridge by J.W. King, and a 19thC map of Rutlandshire by John Carey.
Imperial German Alter-Art Infantry Officers Sword Degen, with silver plated fittings, wire bound grip, single d shaped knuckle guard and shaped pommel. Single edged blade etched with trophy of arms, foliage and Imperial crowned eagle. Clemen & Jung makers trade mark to the base of the blade. The blade appears to have been plated also which has obscured some of the etching. Housed in its original leather scabbard with plated mounts.
Ann Warff (Wolff) (b1937 Germany) a set of four hand blown glass drinking glasses with engraved fern design and applied 'lip wrap', made circa 1990, engraved 'Transjo W.R.C.' to the base, 27 x 13.5 x 13.5cm, together with an artist's proof etching by the same artist, portrait of a nude lady, signed and marked 'AP' in pencil, sight size 16 x 11cm.
James Gillray (1757-1815) The Introduction of the Pope to the Convocation at Oxford by the Cardinal Broad-Bottom satiring Grenville's aspirations to the chancellorship of Oxford University, seen here to be cheered on by the devil while the pope holds up his robes, under which crouches Napoleon Black and white etching (trimmed and laid down) together with a further black and white print ''Veduta di una Parte di Lung Arno, e del Ponte a S. Trinita prefa dal Palazzo del Sig. March Ruberto Capponi'' Zocchi after Franceschini and another black and white signed print after Dendy Sadler, 28cm by 38.5cm, 27.5cm by 40cm, 36.5cm by 48cm, respectively (3)
Percy John Delf Smith (1882-1948) ''The Three Withens'' Signed and inscribed from the Bronte Set, a black and white etching, together with four further etchings from the same series including ''The Threshold of Wuthering Heights'', ''Wuthering Heights'', ''The Passing Storm'' and ''The Path to Wuthering Heights'' , 25cm by 20cm and various other sizes (5) Sold together with various paperwork relating to the Mitchell Hill Gallery, Wetherby dated 21/10/81 and additional accompanying information and letters relating to the lot.
Paul Gangolf (1879-1939) German ''The Bones are All inside (Rotten- Row London 1931)'' Signed in pencil, numbered 21/25, a black and white etching, together with a group of further mostly signed etchings and prints by the same hand including ''I am Zoo'', ''Sortie des Recheurs'' , ''La Corniche, Marseille'', Giraffes in a Crate, and other figurative and animalistic renditions, a small pencil sketch depicting a gentleman head and shoulders, signed and inscribed ''a' de Burnaby'', three pencil signed etchings (J.D. Lucas ?) depicting sitting cats, cats preening and washing and two geese at rest, all unframed, mostly attached along top edges to backing sheets,12.5cm by 16cm (a collection)
William Strang RA (1859-1921) Country figures in a pastoral landscape, signed in pencil, black and white etching; together with two further etchings by Marius A.A.J.Bauer, depicting Continental views; a further example by J Hamilton Mackensie, depicting the Grand Canal, Venice; and further woodblock, signed in pencil by O.F.Openshaw, 14.5cm by 19.5cm, 5cm by 13cm, 24.5cm by 30cm, 18cm by 15cm respectively (5)
DAVID HOCKNEY (born 1937); a signed limited edition black and white etching, 'Peter at Odins', 2/80, 41.5 x 33.75cm, framed and glazed. (D)Provenance: Purchased from The Alice Simsar Gallery, 1987. CONDITION REPORT: There are two yellow/brown rectangular stains where 'tabs' have been used to stick the image down, there are traces of dead insects beneath the glass. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
NORMAN ACKROYD CBE RA (born 1938); a black and white artist's proof etching 'Wasdale Screes', signed, titled and dated '81, 10.5 x 12cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.ukMinor marks to top right, traces of graphite to edge of picture, one very small stain to lower left, spots/foxing to mount.
JOHN COWARD "Landscape with stone walls in foreground, dwellings to the background", oil on board, signed and dated 1983 lower left plus two watercolours in the same hand, AFTER PROFESSOR HUXLEY, chromolithograph from "Vanity Fair 1871 middle of the day" no'd 19, together with TAYLOR "Christ with Crown and Thorns", black and white etching, signed and dated '72 to the mount, together with CARLA PAUL "Moulin Rouge", and another "Parisian Street Scene", oil on paper, both indistinctly signed and PRU SAPP "The Birthday Present", still life study of flowers in a vase, oil on board, signed bottom right and JAMES BUCKNILL "London Park Street Scene of figures viewing a sign", watercolour, signed bottom right, etc

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78472 Los(e)/Seite