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Peter Wilson Fine Art Auctioneers Ltd
Los 228

Damien Hirst (British, 1965-), "Xylene Cyanol Dye Solution", 2005, signed in pencil, on Hahnemühle etching paper, from an edition of 65, published by The Paragon Press, London, etching in colours, plate size 58.5 x 38cm, 23 x 15in, sheet size 97 x 73cm, 38.25 x 28.75in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours. There are one or two very small spots of foxing within the central plate. The print is framed and glazed.

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Peter Wilson Fine Art Auctioneers Ltd
Los 226

John Hoyland R.A. (British, 1934-2011), "Wish", signed, dated '86 and numbered 16/40 in pencil, etching and aquatint, on wove paper, with full margins, plate size 59.5 x 55.5cm, 23.5 x 21.75in, sheet size 87.5 x 68cm, 34.5 x 26.75in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition. There are a few tiny spots of foxing and browning in the margins as well as some minor creasing to the paper most notably in the lower right hand corner of the sheet. The paper is mounted by tape in each corner of the sheet. The print is framed and glazed.

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Peter Wilson Fine Art Auctioneers Ltd
Los 232

Ben Nicholson O.M. (British, 1894-1982), Goblet Forms (Untitled), signed, dated '62 and numbered 35/50 in pencil, published by Leslie Waddington Prints, London, etching and aquatint, on wove paper, with full margins, sheet size 45 x 27.5cm, 17.75 x 11in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition. There is one small spot of browning at the top edge of the sheet and two very small spots of foxing down the left hand edge of the sheet. The paper is slightly wavy across the sheet. The print is ornately framed and glazed. There is one small scuff to the frame on the left hand inner edge.

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Peter Wilson Fine Art Auctioneers Ltd
Los 234

Sean Scully (Irish/American 1945-), "Tutto E Sciolto (#4)", signed, dated '93 and numbered 21/33 in pencil, etching and aquatint, plate size 15 x 10cm, 6 x 4in, sheet size 55 x 41.5cm, 21.75 x 16.25in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition. There are some tiny spots of foxing running down the right hand side of the sheet. The print is framed and glazed.

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Peter Wilson Fine Art Auctioneers Ltd
Los 233

Sean Scully (Irish/American 1945-), "She Weeps over Rahoon", signed, dated '93 and numbered 21/33 in pencil, etching and aquatint, plate size 15 x 20cm, 6 x 8in, sheet size 55.5 x 41.5cm, 21.75 x 16.25in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition. There are some tiny spots of foxing running down the right hand side of the sheet. The print is framed and glazed.

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Adam Partridge Auctioneers & Valuers
Los 640

UNATTRIBUTED; a coloured artist's proof etching, 'To the Sea... To the Freedom...', indistinctly signed and dated '93, and two further etchings by the same artist, each bearing blind stamp, various sizes, framed and glazed (3).

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Adam Partridge Auctioneers & Valuers
Los 730

PABLO PICASSO (1881-1973); a pencil signed black and white etching from the Vollard Suite, with Vollard watermark, 29 x 36cm, the margin 2.5 x 3.5cm, unframed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

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Adam Partridge Auctioneers & Valuers
Los 731

PABLO PICASSO (1881-1973); a pencil signed black and white etching from the Vollard Suite, with Vollard watermark, 19 x 26.3cm, the margin 8 x 9.5cm, unframed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.ukProvenance: these have come from a private European collection.

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Adam Partridge Auctioneers & Valuers
Los 732

PABLO PICASSO (1881-1973); a pencil signed black and white etching from the Vollard Suite, with Vollard watermark, 19 x 26cm, the margin 9.75 x 7.5cm, unframed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

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Adam Partridge Auctioneers & Valuers
Los 744

BEN NICHOLSON OM (1894-1982); etching with aquatint on wove paper, '2 Sculptural Forms', 1968, 46/50, signed in pencil and dated lower right, embossed Lafranca and with Lafranca Locarno blind stamp lower left, 42 x 36cm, framed and glazed. (D)Additional InformationImage 30.5 (at highest point) x 27cm. Some very light marks to the mount. Frame with wear. Paper very slightly wavy. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

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Adam Partridge Auctioneers & Valuers
Los 745

BEN NICHOLSON OM (1894-1982); etching with aquatint on wove paper, 'Ronco', 1968, signed in pencil and dated lower right, 27 x 30cm, framed and glazed. (D)Additional InformationPaper very slightly wavy, some visible spotting or dirt, dust, etc. Frame with light general wear.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

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Maxwells
Los 529

After A Legros: etching of seated man; a 1950's chalk sketch of a woman

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Bamfords Auctioneers & Valuers
Los 494

A Pears style print "A Fleeting Moment"; a colour etching "Forget-Me-Not" (2)

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Keys Fine Art Auctioneers
Los 104

Trevor Pue (20th century) "Marine forms I" coloured etching and aquatint, signed, numbered 34/150 and inscribed with title in pencil to lower margin 35 x 18cm, together with a further limited edition print by W B Hansen (2)

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Keys Fine Art Auctioneers
Los 128

AR Mark Andrew Godwin (born 1957 "Voyager X" coloured etching, signed, inscribed with title in pencil to lower margin 75 x 89cm

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Keys Fine Art Auctioneers
Los 208

AR Colin Self (born 1941 "Nuclear Bomber" black and white etching, signed, dated 2 Nov 2005, inscribed (Unique Variation) intaglio, Odyssey/Iliad Suite in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

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Keys Fine Art Auctioneers
Los 210

AR Colin Self (born 1941 "Euro" (from The Odyssey Series) black and white etching, signed, dated 27 Sept 2006 and numbered 14/40 in pencil to lower right image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

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Keys Fine Art Auctioneers
Los 183

AR Colin Self (born 1941 "Ploughman" (from The Odyssey Series) coloured etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

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Keys Fine Art Auctioneers
Los 111

AR Juan Genoves (born 1930, "Pruegaddi Artista" black and white etching signed, dated 66 and inscribed with title in pencil to lower margin 13 x 15cm

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Keys Fine Art Auctioneers
Los 127

AR Mark Andrew Godwin (born 1957 "Seraph XXIV" coloured etching, signed and inscribed with title in pencil to lower margin 34 x 91cm

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Keys Fine Art Auctioneers
Los 203

AR Colin Self (born 1941 "The Siege of Troy" (Old Men's Battle Tales (from The Odyssey Series) black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

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Keys Fine Art Auctioneers
Los 180

AR Colin Self (born 1941 "John Barry, String Beat" (from the Odyssey Series) coloured etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

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Keys Fine Art Auctioneers
Los 136

AR Salvador Dali (1904-1989 Portrait black and white etching, signed and numbered 205/250 in pencil to lower margin 58 x 40cm

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Keys Fine Art Auctioneers
Los 204

AR Colin Self (born 1941 "Stealth Bomber II" black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

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Keys Fine Art Auctioneers
Los 185

AR Colin Self (born 1941 "A Journey to my Childhood" (from The Odyssey Series) coloured etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

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Keys Fine Art Auctioneers
Los 172

AR Colin Self (born 1941 "Money Man" (from The Odyssey Series) black and white etching, signed, dated 27 9 2006 and numbered 14/40 in pencil to lower right image 105 x 75cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

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Keys Fine Art Auctioneers
Los 157

AR Deanne (20th century) "Ophelia and the Grave Diggers" coloured etching, signed, numbered 6/50 and inscribed with title in pencil to lower margin 59 x 47cm

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Keys Fine Art Auctioneers
Los 146

AR Norman Stevens (1937-1988 "Second Iris" coloured etching, signed, dated 79, numbered 135/200 and inscribed with title in pencil to lower margin 25 x 20cm, together with a further print signed David Suff (2)

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Keys Fine Art Auctioneers
Los 206

AR Colin Self (born 1941 "Nuclear Bomber" (variation) (from The Odyssey Series) black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

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Keys Fine Art Auctioneers
Los 126

AR Mark Andrew Godwin (born 1957 "Seraph IV" coloured etching, signed and inscribed with title in pencil to lower margin 35 x 93cm

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Keys Fine Art Auctioneers
Los 211

AR Colin Self (born 1941 "Stealth Bomber I" black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922 

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Burstow & Hewett
Los 1135

Richard Spare, coloured etching, Thistle, signed in pencil, no. 5/100, image 10" x 9", framed Very good condition

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Burstow & Hewett
Los 1332

Early 20th century American School, etching, Native American on horseback, indistinctly signed in pencil, image 6" x 8", mounted One faint fox mark by left-hand margin, slight paper discolouration, no creases or tears

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Burstow & Hewett
Los 1097

David Haughton, etching, backyard, signed in pencil, no. 3/50, plate 18.5" x 18" Several very light fox marks in the sky

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Burstow & Hewett
Los 1191

Henry Rushbury, etching, St Martin in the Fields, signed in pencil, image 11.5" x 10", and Edgar Pott, etching Cutty Sark, framed (2) Good condition

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Burstow & Hewett
Los 1029

Fred Cuming (born 1930), etching, Night Studio with Self Portrait, signed in pencil, no. 1/45, image size 19.5" x 14.75", framed Very good original condition, no tears, damage or restoration, paper has an extremely slight ripple, modern frame in good condition.

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Burstow & Hewett
Los 1134

Richard Spare, coloured etching, low tide, signed in pencil, no. 13/150, image 9" x 9.5", framed Very good condition

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Burstow & Hewett
Los 1143

John Brunsdon, coloured etching, Avebury, signed in pencil, no. 42/100, image 17.5" x 23.5", framed Very good condition

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Burstow & Hewett
Los 1141

John Brunsdon, coloured etching, Cotswold view from Cleeve Hill, signed and dated 1975, no. 46/100, image 18" x 23.5", framed Very slight paper discolouration, no foxing

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Burstow & Hewett
Los 1142

John Brunsdon, coloured etching, Point Lynas, signed in pencil, no. 102/150, image 17.5" x 23.5", framed Very good condition

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Burstow & Hewett
Los 1010

L C Rosenberg, drypoint etching, Rue Du Pont Vieux, Nice, signed in pencil, plate size 8.8" x 5", framed Paper very slightly discoloured evenly, no foxing

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Burstow & Hewett
Los 1217

George Henry Harlow (1787 - 1819), rare proof etching, portrait of Lord Byron, image 4.5" x 3.5", unframed Good condition

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Burstow & Hewett
Los 1096

Luigi Kasimir, etching, Grays in Holborn, signed in pencil, no. 94/100, image 15" x 13", framed

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Burstow & Hewett
Los 1195

Anthony Gross, etching, landscape with praying mantis, trial proof, signed in pencil, image 14" x 18", mounted Several tiny fox marks in the image and in the margin, very slight even paper discolouration

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Martin & Pole
Los 66

Henry George Walker (1876 - 1932) Conwy Castle colour etching signed in pencil 15.5 x 32.5 cm

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Lyon & Turnbull
Los 439

Strang, William Spanish Etchings Glasgow: James Maclehose and T. & R. Annan & Sons, 1892. First edition, large folio, title etching and 6 etchings signed by the artist, all loosely hinged onto thick card, loose as issued in original brown half cloth and brown board portfolio, lettered panel to upper cover, light spotting to printed title, the board portfolio, slightly wornCondition report: plates clean, gouge to upper cover, lower portfolio edges somewhat worn

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Lyon & Turnbull
Los 9

Frink, Elizabeth The Art of Elizabeth Frink London: Lund Humphries, 1972. First edition, 4to, number 44 of 75 copies containing at etching signed by the artist, original cloth, dustwrapper lightly soiled, with small tearCondition report: etching very clean, and signed in pencil, Horse Lying Down, numbered 44/75

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Lyon & Turnbull
Los 69

Rops, Félicien - Gustave Guiches 3 works, comprising La Pudeur de Sodome Paris: Maison Quantin, 1888. 4to, number 309 of 325 copies on Papier de Hollande, engraved frontispiece by Rops, contemporary tan quarter morocco, spine lettered in gilt, t.e.g.; Alexandre, A., & others. Félicien Rops et son Oeuvre. Brussels: E. Deman, 1897. 4to, limited to 366 copies, one of 310 on paper velin fort, plates, original wrappers bound in, blue half morocco by Ch. de Samblani, coloured onlays to spine, t.e.g., lightly rubbed at head of spine; Ramiro, Erastène. L'oeuvre lithographié de Félicien Rops. Paris: L. Conquet, 1891. 4to, plates, original wrappers (3)Condition report: a few light spots to extreme fore-edge of etching. 2 small spots to title, one or two light marks to cloth.Quant

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Moore Allen & Innocent
Los 349

AFTER KAROLINA LARUSDOTTIR "The magic garden" coloured etching, limited edition 28/100, signed in pencil lower right No'd centre, titled lower left CONDITION REPORTS Image size approx 30 cm x 62 cm

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Moore Allen & Innocent
Los 329

LOUIS LE GARE "Donning Stockings" etching, limited edition 25/30 signed in pencil

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Moore Allen & Innocent
Los 342

AFTER MARK ANDREWS (GODWIN) (b. 1957) "Metropolis II" etching and aquatint in colours, signed lower right, titled centre and No'd 107/150 lower left together with DAVID TRACEY "Ties and sofa" colour print signed and dated 1981 lower right, Artist's Proof and F.G. DAVISON "Alverstoke" study of lake and church, pastel, signed lower left, titled lower right

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Moore Allen & Innocent
Los 397

AFTER JOSEPH WOLF (1820-1899) "Santa Maria della Salute, Venice" coloured lithograph, signed in pencil lower right together with AFTER DOUGLAS PORTWAY (1922-1993) limited edition etching of a woman wearing a hat No'd 2/30, signed in pencil lower right and a further etching AFTER M OLIVER RAE "Christ's College Cambridge (Entrance Gate)"

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Moore Allen & Innocent
Los 328

AFTER PIERRE-AUGUSTE RENOIR "Sur la Plage, á Berneval" dry point etching (posthumous impression)

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Moore Allen & Innocent
Los 330

AFTER MARC CHAGALL "Pliouchkine offers a drink" black and white etching

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Moore Allen & Innocent
Los 424

AFTER HENRY WILKINSON "Cock and Hen Pheasant" coloured etching, limited edition numbered 76 from 150, together with another by the same hand of "Pointers Putting Up Grouse" numbered 11 from 160, both signed and numbered in the margin

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Moore Allen & Innocent
Los 344

HAROLD CHEESEMAN "Landscape with yellow trees" watercolour, unsigned, inscribed on label verso together with SUSAN HORSFIELD "Coastal buildings and boat with figures and bike in background" mixed media, signed and dated 1959 lower right and AFTER VALERIE THORNTON "Stonehenge" coloured etching, limited edition 30/35, signed in pencil and a monochrome portrait print AFTER BERYL CHAPPLE signed in pencil and dated '59 top left

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Peter Francis
Los 175

W.H Wyllie, stormy fore shore, uncoloured etching signed in pencil, together with another Michael Bone, 'a Tuscan farm', uncoloured dry point etching signed in pencil. Framed. (2)(B.P. 24% incl. VAT)

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Bellmans
Los 758

Rowland Langmaid (British, 1897-1956), Ryde; Britannia, White Heather and Shamrock, signed and inscribed in pencil 'Rowland Langmaid, Ryde' (in lower margin), and bears The Rembrandt Gallery label, and a further label with title and artist's name (verso), etching, 9 x 33cm. May be subject to ARR.

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Freeman's
Los 2

Rembrandt van Rijn (Dutch, 1606-1669)Saskia with Pearls in Her Hair1634. Etching on laid paper, New Hollstein's first state (of two), a very fine early impression with the finest lines printing very clearly, with good contrasts and trimmed marginsImage size: 3 5/15 x 2 5/8 in. (8.5 x 6.7cm)Sheet size: 3 5/15 x 2 5/8 in. (8.5 x 6.7cm)[Bartsch 347; Hind 112; Hollstein 347; New Hollstein 136]PROVENANCE:Collection of Viscount Fitz-Harris, Earl of Malmesbury (per pencil-inscribed name verso, not in Lugt).Private Collection, Maryland.NOTE:The subject of the present etching is Saskia Uylenburgh, daughter of a wealthy Leeuwarden burgomaster. Orphaned, she went on to live with her relative, the art dealer Hendrick Uylenburgh, who introduced her to Rembrandt-whom she married in 1634. Saskia with Pearls in Her Hair was executed during the couple's first year of marriage, hence her outfit, which may be bridal attire as she is depicted here with pearls woven into her hair and hanging from her neck and ears, along with a gown and stylish lace kerchief.

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