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Los 203

T. WAGHORN (1900-1959) - coloured etching `Old Houses, Amersham`, signed.

Los 823

A John Fullwood etching The Minnow Catcher" and an engraving "The Mill" Leonasso Studio"

Los 887

A Limited Edition etching The Granary" 3/120 signed in pencil Gillian Stroudley - 45 x 54 cm"

Los 428

AFTER THOMAS LANDSEER "The Orang-Outang", coloured etching, published by G & W B Whittaker, AFTER S DANIEL "The Gnoo of South Africa", black and white engraving by McGahey, another titled "The African Rhinoceros" and 19TH CENTURY ENGLISH SCHOOL "Trtior Castle in Brecknockshire", black and white engraving by Carey, two Transvaal black and white etchings and a quantity of assorted pictures and prints CONDITION REPORTS All with wear and scuffs, various stains and foxing, some damage and losses.

Los 429

AFTER FRED MORGAN R.I. "Ring a Roses", coloured etching by Murray, published by Clifford & Co., AFTER FRED MORGAN "Mother's birthday", coloured engraving by M Cormack, AFTER FRED MORGAN "Study of a young girl with butterfly resting upon her hand", coloured engraving, published by C Clifford, London, AFTER JULIO "St. Francisco di Paula", coloured engraving by Bishop and 20TH CENTURY SCHOOL "Study of red roses in a glass", limited edition coloured print, No'd. 24/25, indistinctly signed in the margin (5)

Los 430

AFTER T J GREENWOOD "Andalucian horses and egrets", limited edition etching No'd. 25/50, signed in pencil in the margin, bearing "Henry Brett Galleries" label verso, AFTER JOHN BEER "The Grand National - At the post", coloured print, CARLE VERNET "Cavalry Officer on horseback", coloured lithograph, published by Dickinson New Bond Street (3)

Los 459

AFTER ALBANY HOWARTH "Continental street scene with Gothic archway", black and white drypoint etching, signed in pencil in margin, AFTER R.B. HARRADEN "This view of Kings College Chapel, Cambridge", coloured engraving by R. Havell & Son, AFTER WILLIAM BURGESS "Ely Cathedral", coloured engraving by H. Burgess, published 1810, and IN THE MANNER OF THOMAS ROWLANDSON - a colour print CONDITION REPORTS All in worn condition, with some dirt and scuffs, some discolouration, staining, etc. Signed print very browned and yellowed, and with foxing. "Ely Cathedral" print appears to be a later copy.

Los 252

Herbert Dicksee, Stalking Leopard, etching, an easel frame, two faux rosewood oval frames and a print in an ornate frame, 52 x 72cm (5)

Los 577

Lucy Dawson, Sealyham Terriers, an etching, signed and titled in pencil, framed. 18.5cm by 32.5cm

Los 421

John Hoyland RA (1934-2011) `Snow Dancer` Etching with aquatint Numbered 16/100 and signed in pencil lower left 66cm x 82cm

Los 422

John Hoyland RA (1934-2011) `Snow Dancer` Etching with aquatint Numbered 59/100 and signed in pencil lower left 66cm x 82cm

Los 443

John Hoyland RA (1934-2011) `Snow Dancer` Etching with aquatint Signed in pencil and numbered 22/100 lower left 65cm x 79.5cm visible behind mount

Los 444

John Hoyland RA (1934-2011) `Snow Dancer` Etching with aquatint Signed in pencil and numbered 58/100 lower left 65cm x 79.5cm visible behind mount

Los 445

John Hoyland RA (1934-2011) `Snow Dancer` Etching with aquatint Signed in pencil and numbered 66/100 lower left 65cm x 79.5cm visible behind mount

Los 446

John Hoyland RA (1934-2011) `Snow Dancer` Etching with aquatint Signed in pencil and numbered 56/100 lower left 65cm x 79.5cm visible behind mount The glass is cracked

Los 447

John Hoyland RA (1934-2011) `Snow Dancer` Etching with aquatint Signed in pencil and numbered 67/100 lower left 65cm x 79.5cm visible behind mount

Los 448

John Hoyland RA (1934-2011) `Snow Dancer` Etching with aquatint Signed in pencil and numbered 55/100 lower left 65cm x 79.5cm visible behind mount

Los 449

Gillian Ayres RA (b. 1930) Sikar II Etching with aquatint and handcolouring in acrylic Numbered 63/100, signed, and dated `93 in pencil 85.5cm x 84cm

Los 450

Gillian Ayres RA (b. 1930) Sikar II Etching with aquatint and handcolouring in acrylic Numbered 9/100, signed, and dated `93 in pencil 85.5cm x 84cm

Los 451

Gillian Ayres RA (b. 1930) Sikar II Etching with aquatint and handcolouring in acrylic Numbered 54/100, signed, and dated `93 in pencil 85.5cm x 84cm

Los 453

Gillian Ayres RA (b. 1930) Sikar II Etching with aquatint and handcolouring in acrylic Numbered 80/100, signed, and dated `93 in pencil 85.5cm x 84cm Blurring to the edges

Los 454

Gillian Ayres RA (b. 1930) Sikar II Etching with aquatint and handcolouring in acrylic 60cm x 65cm Cut down with no signature or number

Los 470

William Walcot R.B.A., R.E. (1874-1943) `The Portico, Newcastle Central Station` Black and white drypoint etching Signed in pencil lower right 9.5cm x 14. 5cm.

Los 541

*THOMAS WHITTLE. A Farmhouse, pencil and watercolour, 8 1/2 x 8 1/4 ; and a watercolour by another hand depicting a coastal landscape; an etching by Laurence Davies depicting `Old Houses, Holborn`; and an etching by Percy J. Westwood depicting a street scene , Bruges ; four (4)

Los 409

An ebonized framed and glazed etching of `Chelsea old church` signed in pencil `M. Rayner,`

Los 323

GEORGE V SILVER BACKED DRESSING TABLE BRUSH with decorative scrolling etching, Chester 1919, a GEORGE VI SILVER BACKED DRESSING TABLE HAIR BRUSH, Birmingham 1949 and a WHITE METAL DRESSING TABLE HAND MIRROR with elaborate embossed floral decoration and central vacant cartouche (3) EST 60-80

Los 1037

George Chapman (1908 - 1994), signed limited edition etching - father and child walking beside a cemetery, signed and numbered 9 / 50 in pencil, in original glazed frame, 71.5cm x 37.5cm

Los 1063

Marc Henry Meunier (1873 - 1922), coloured etching, entitled - La Passerelle, signed and inscribed in pencil, dated 1917, in glazed frame, 48cm x 62cm

Los 474

Attributed to David Jones, Landscape study, bears signature, crayon drawing, 40 x 28cms and an etching by A.L. Hammond, "Resting", (2).

Los 494

Chris Orr, signed, dated 1972, titled, number 7/8, etching with aquatint, 26 x 42cms and another print, "Chris Orr`s John Ruskin", (2).

Los 505

Tatton Winter, "Chartres", signed, hand-coloured etching, 36 x 24cms and another print after Tatton Winter, (4).

Los 506

Henry Williams, "Landing the Fish", signed, 83/120, hand-coloured etching, 16 x 27cms, other prints, maps and photographs.

Los 877

Francis Dodd (1874-1949) - Etching - "Return from the Quarry", signed in pencil within the plate mark and dated 1929, 9.5ins x 15ins, and Frank D. Marriott - Etching - "Landgate, Rye", 8.75ins x 6.75ins, signed outside plate mark in pencil and initials on image, both framed and glazed

Los 899

Cyril Henry Barraud (1877-1965) - Drypoint etching - View of Westminster Abbey with Big Ben to background, 11ins x 15ins, unsigned, and a small collection of etchings and coloured etchings - London views - various sizes, some signed in pencil - (all unmounted and unframed)

Los 903

Cyril Henry Barraud (1877-1965) - Drypoint etching - View of the rear of the "Mermaid Inn, Rye, East Sussex", 14ins x 8.75ins, unsigned, and a collection of other etchings of village and town street scenes, landscapes, etc, various sizes, mostly unsigned - (all unmounted and unframed)

Los 906

Cyril Henry Barraud (1877-1965) - Drypoint etching - View of a quarry with a horse and cart to foreground, 8ins x 12ins, signed in pencil, and a portfolio containing a selection of etchings of miscellaneous subject matters, and a few small oil sketches, etc - various sizes, mostly unsigned (all unmounted and unframed)

Los 908

Cyril Henry Barraud (1877-1965) - Drypoint etching - View of an air display with numerous bi-planes, 6.75ins x 4.75ins, and a small collection of other etchings showing various aircraft, various sizes, mostly unsigned (all unmounted and unframed)

Los 747

A good quality Middle Eastern bazaar dagger, c 1900, DE blade 8¾”, shallow central fuller and panels of scrolled etching, with inscription on side at forte and 6 pointed star on the other, brass hilt with inset horn grips, in its lizard skin sheath with brass locket and iron chape. GC

Los 364

James Abbott McNeill Whistler PRBA RP HRSA RSW, American 1834-1903- "Limehouse" from The Thames Set, (Kennedy 40); etching on laid chine applique, signed and dated 1859 within the plate, 12.5x20cm

Los 367

John Bellany CBE RA, Scottish b.1942- "Untitled" from `The Old Man and the Sea`; etching, signed and numbered VII/XV in pencil, 52.5x42.5cm, (may be subject to Droit de Suite)

Los 373

William Tillyer, British b.1938- Untitled from the Courthorpe Collection, 1977; etching with aquatint printed in colours, signed and numbered 4/60 in pencil, 49x38cm: Philip Braham, British b.1959- "Forest Path, Pinkle" and "Study for an Apparition"; drypoint etchings, a pair, both signed, titled, dated `87 and numbered 7/10 in pencil, in a shared mount and frame, ea. 22.5x29.5cm: David Austen, British b.1960- "Untitled"; lithograph printed in colours, 81x71cm, (3), (may be subject to Droit de Suite)

Los 383

George Frederick A Belcher, British 1875-1947- "Two Veterans", Aug 1918; hand coloured etching, signed in pencil beneath the plate, 32.5x23.5cm: Alfred James Hipkins, British 1826-1903- Musical Instruments, Historic, Rare and Unique, two plates, publ. Adam & Charles Black, 1888; chromolithographs, two, ea. 35.5x23cm, (3) (may be subject to Droit de Suite)

Los 422

Dame Elizabeth Frink RA CH DBE, British 1930-1993- "The Physician`s Tale", 1972; etching with aquatint, signed in pencil, 50x34cm: Harry Thubron, British 1915-1985- "Salamanca"; screenprint in colours, signed, titled, numbered 48/70 and dated 78 in pencil, 73x66cm., (2) (part unframed) (may be subject to Droit de Suite)

Los 504

Dmitry Plavinsky, Russian 1937-2012- Derelict Barn; etching, signed, titled and numbered 4/60 in pencil, 48.5x64cm: together with two further by the same artist depicting the Crucifixion, aquatint, signed in pencil, 62x45.5cm and A wooden loom with a hanging oil lamp, etching with aquatint, signed in pencil, 36.5x48.5cm, (3), (unframed)

Los 506

Dmitry Plavinsky, Russian 1937-2012- Trees; etching with aquatint, signed in pen, 63.5x48cm: together with another etching with aquatint by the same artist depicting a large leaf, signed in pencil, 63.5x48cm, (2), (unframed)

Los 509

Luis Alberto Solari, Uruguayan 1918-1993- "Pantomima Mitologica"; etching with aquatint printed in colours, signed, titled and inscribed `a/p` in pencil, 20x29cm: Argentinean School, mid-late 20th century- Op art composition; lithograph in colours, signed and dated 78, 50x49.5cm., (2)

Los 578

Attributed to Luigi Rossini, Italian 1790-1857- Figure in a ruined temple; etching, 51x74cm: French School, late 18th/early 19th century- Party of figures in an elegant interior; pen and brown ink and grey wash on laid, 21x29.5cm: Dutch School, 18th century- Harbour scene with shipping; pen and brown ink and watercolour on laid, 16.5x28cm: British School, 19th century- Studies of baskets; pencil, four in a shared mount and common frame, all bear inscriptions, 8x10cm., (max): together with two steel engraved book plates of Rouen and Lyons, various sizes, (6)

Los 580

Erich Wolfsfeld, German 1884-1956- Three North African figures seated by a wall in a landscape; etching, signed in pencil, 51.2x95cm (may be subject to Droit de Suite)

Los 612

Martin Ware, British 1946- "Still Life With Two Birds"; etching with aquatint printed in colours, signed, titled and numbered 14/150 in pencil, 36.5x44cm: together with fourteen further etchings with aquatints printed in colours by the same hand, each signed, titled and numbered, some dated, various sizes, (15), (unframed), (may be subject to Droit de Suite)

Los 613

After Romain de Tirtoff, Erté, Russian/French 1892-1900- "Erté", publ by Sevenarts Tokyo, The Erté Gallery, printed in England by Coriander (London) Ltd; poster/screenprint in colours, 75.3x49.2cm: Orotle, late 20th century- "Skokiaan, Louis Armstrong"; etching printed in colours, signed and numbered 125/200 in pencil, 67x42.5cm: together with a further etching printed in colours by the same hand depicting musical instruments, signed and dated 1986 within the plate, signed and numbered 29/150 in pencil, 32x26.5cm: S Dal Baulo, late 20th century, "Start Cord"; collage with mixed technique, signed and titled, 64x95cm: Soderqvist, Scandinavian School, late 20th century- "Abyss 3"; screenprint, signed and titled in pencil, 56.5x47: together with two other late 20th century etchings printed in colours entitled "Adagio I" and "Adagio II", 40.5x30.5cm, (7), (unframed)

Los 614

Terry Willson, British b.1948- "Landscape Fragments No 9"; etching with aquatint, signed, titled, dated 1974 and numbered 9/20, 29.5x29.5cm: together with seven further prints by the same artist including two etchings with aquatints from the same series entitled "Landscape Fragments No 10" and "Landscape Fragments No 8", both signed, titled and inscribed in pencil, 35x31.5cm and 44x59.5cm, four other lithographs printed in colours entitled "Theatre of the Absurd No 3", "Theatre of the Absurd No 2", "Self Portrait" and "Portrait of Lynda"; each signed titled and numbered, various sizes, and one mixed technique mezzotint depicting screaming heads, signed and inscribed `3rd State Proof 1/1` in pencil, 30x43cm, (8), (unframed), (may be subject to Droit de Suite)

Los 615

John Swanson, American b.1938- "Flying Trapeze"; etching with aquatint printed in colours, signed, titled, dated 1986 and numbered 12/50 in pencil, stamped with a blind stamp, 25x28cm: together with two further etchings with aquatints printed in colours by the same hand entitled "Circus Gallop" and "Acrobats" both signed, titled, dated 1986 and numbered 90/150 and 29/100, 25x27.5cm and 27.5x20.5cm respectively: M Andrews, late 20th century- "Nimrod I"; etching with aquatint printed in colours, signed, titled, numbered 39/200 in pencil, 60x50cm: James Cox, British b.1956- "Flowers I"; etching with aquatint, signed, titled and numbered 139/200 in pencil, 58x44cm: together with one further etching with aquatint printed in colours by the same hand entitled "Sigma VI": Terence Millington, British b.1943- Bandstand; etching with aquatint printed in colours, signed and numbered 6/75, 21x20cm: together with two further etchings with aquatints printed in colours, one from the same series depicting a bandstand and one entitled "Spiral Staircase II", various sizes, (9), (maybe subject to Droit de Suite), (unframed)

Los 616

Richard Spare, British b.1951- "Summer Flowers"; etching printed in colours, signed, titled and numbered 7/150 in pencil, 10x10cm: together with two further etchings printed in colours by the same hand entitled "Yellow Gladioli" and "Cornish Landscape", various sizes: Michael Pettersson, British b.1938- "Flooded Marshes, Dedham"; etching with aquatint printed in colours, signed, titled, dated 86 and numbered 7/150: together with two further etchings with aquatints printed in colours by the same hand, various sizes: Barbara Munns, British b.1937- "Orchard Mill"; etching with aquatint printed in colours, signed, titled and numbered 248/250, 22.5x27.5cm: together with two further etching with aquatints printed in colours by the same hand entitled "Orwell" and "Elmswell Church", various sizes: together with six other contemporary prints by different hands including examples by Annabel Manwell, Daniel Landou, Peter Easton (A Shamet) and Langmead, (15) (may be subject to Droit de Suite) (unframed)

Los 619

Terrance Warren, British b.1948- "A Window on Venice"; a suite of three etchings with aquatints, each signed and inscribed A/P, titled on wraps, 14.7x11cm: Martin Leman, British, b.1934- "Cornish Memories I"; etching with aquatint, signed, titled, dated `87 and inscribed A/P in pencil, 15x15cm: together with one mezzotint and three lithographs by the same hand entitled "Panda", "Rosie", "Hill Street Blues" and "Good Companions", all printed in colours, signed, titled and numbered in pencil, various sizes: Bob Saunders, British b.1945- "Purbecks"; screenprint, signed, titled, inscribed 139/175 and embossed with publishers blind stamp, 18.5x22cm: together with a further screenprint by the same artist from the same series entitled "Clevelands", signed, titled, inscribed 139/175 and embossed with publishers blind stamp,18.5x21cm, (10), (may be subject to Droit de Suite), (unframed)

Los 620

Xavier Degans, French b.1949- Vase of lilies; mezzotint printed in colours, signed, titled, numbered 166/175 and dedicated in pencil, 63x47cm: Sarah Dunton, British b.1952- "The Dove"; etching with aquatint printed in colours, signed, titled and numbered 7/40, 14x12cm: together with a further etching printed in colours by the same hand entitled "Neoclassical Spring": Christopher Penny, British b.1947- "Ruined Croft"; etching with aquatint printed in colours, signed, titled, numbered 34/200,40x30cm: Arthur Byrne, British b.1947- "Garden 4", lithograph printed in colours, signed, titled and numbered 55/200, 29x21.5cm: together with seven further contemporary prints and watercolours depicting various scenes by different artists including examples by Annie West and C Penny and two mezzotints printed in colours depicting still life subjects with apples, various sizes, (17) (may be subject to Droit de Suite), (unframed)

Los 629

Josef Kostka, Slovakian 1912-1996- "Nude with Hand behind Back"; pen and black ink and wash, signed with initial, 43.5x31cm Provenance: with The Grosvenor Gallery, London, according to label attached to the reverse of the frame: Jacques Villon, French 1875-1963- Portrait of a lady seated at a table; etching with aquatint and drypoint, signed and numbered 12/50 in pencil, 19x14cm: 20th Century- Woman on a horse; pen and black ink, 24.5x19.5cm., (3) (may be subject to Droit de Suite)

Los 632

Central European School, early 20th century- `Kino`, crowd watching a film at the cinema; pen and ink on buff, signed with initials `CH`, dated `17 and titled, 29x20.5cm: L Stemer, early 20th century- Ploughing the fields; etching, signed, titled and numbered 1/9 in pencil, 23.5x26.5cm, (2) (unframed)

Los 638

Leon Auguste Jules Desbuissons, French 1870-1940- "Obernai" and "Ammerschwihr"; etchings, a pair, signed and titled within the plate, ea. 34x22.5cm: Georges Le Meilleur, French 1861-1945- Cathedral; etching, signed and dated 1923 within the plate, 49x63.5cm: Jean-Joseph Balechou, French 1716-1746- "La Naissance" after Bardon; etching, 38.5x27.5cm: Jean-Louis Bremond, French 1858-1943- River scene with figure on a path; etching, signed in pencil and within the plate, 42x64.5cm, (5) (may be subject to Droit de Suite)

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