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78472 Los(e)/Seite
Los 1027
MARY CASSATT (FRENCH 1844-1926) THE MANICURE Etching and Drypoint, 21 x 14.5cm (8.25 x 5.75") Breeskin 199. Mary Cassatt: A Catalogue Raisonne of the Graphic work by Adelyn Dohme Breeskin Condition Report:On close inspection there are a number of small/very small foxing marks over the image and a few similar over the margins. The paper is slightly wavy in manner.
Los 1055
CAMILLE PISSARO (FENCH 1830- 1903) PORT DE ROUEN (AVEC BATEAU ET VAPEUR) Drypoint etching, Artist's stamp, inscribed with title and numbered 'no10', 14.5 x 16.5cm (5.75 x 6.5") (image size) Condition Report:On close inspection there is a small light spot of foxing located close to the top edge of the image left of centre and adjacent to this to the left a small what appears to be a horizontal yellow/orange toned fragment, unknown whether sitting on the surface, approx. less than 0.5cm in length. Generally discolouration in the margins around edges of the mount and paper natural slight wave noting unlikely stuck down.
Los 1067
EDMUND BLAMPIED RBA RE (BRITISH 1886-1966) A JERSEY MILKMAID Etching, signed, 25 x 17.5cm (9.75 x 7") Condition Report:On close inspection there are two tiny dots of pigment in the plate and another in the margin located top left corner area. There is slight discolouration around the edges of the margins where they meet the mount. Overall the work is in good condition.
Los 1071
JAMES ABBOT MCNEILL WHISTLER NEAC RBA RE (AMERICAN 1834-1903) FREE TRADE WHARF 1877 Etching and drypoint, signed with butterfly in the plate, fifth state of five (Kennedy163), 9.5 x 18.5cm (3.75 x 7.25) Ewan Mundy Fine Art Ltd label verso Condition Report:On inspection general age discolouration in the paper
Los 966
JOHN BYRNE RSA (SCOTTISH b.1940) CERSIE HEAD Etching, signed lower right, titled, numbered (8/18), 22 x 12cm (8.75 x 4.75") Born in Glasgow, John Patrick Byrne studied at both the Glasgow School of Art and Edinburgh College of Art. He is a practicing artist, playwright and theater designer. His multidisciplinary practice explores working-class life in Scotland, and his pursuits include iconic TV dramas, Tutti Frutti and Your Cheatin' Heart. From May to September 2022, Kelvingrove Art Gallery exhibits the first retrospective of Byrne, Glasgow?s cultural icon, including 40 self portraits spanning his artistic career. Condition Report:Foxing across the work, mainly to sheet surrounding plate area. Some ink residue at plate edges.
Los 979
ALEXANDER MCNEISH (SCOTTISH 1932-2000)ABSTRACT FIGUREOil on canvas, 72 x 46cm (28.25 x 18")Together with: 'A Very Particular Hill', a book by Gael Turnbull, linocuts by Alexander McNeish, Wild Hawthorn Press and a personal letter to Alexander McNeish from Charles Pulsford ARSA (3)Alexander McNeish was born at Bo'ness, near Linlithgow, and he studied at the Edinburgh College of Art under John Maxwell between 1952 and 1957. McNeish went on to teach at Wolverhampton College of Art and became head of painting at Exeter College of Art from 1965 to 1980. A linocut by McNeish illustrated a William McGonagall poem in British periodical of visual poetry, Poor Old Tired Horse, and 10 linocuts illustrated Gael Turnbull’s poetry book called A Very Particular Hill, published by Wild Hawthorn Press, which was set up by Ian Hamilton Finlay, the latter included in this lot.Together with an etching by McNeish depicting rolling hills, signed, dated (19)57, 15 x 10cm (4)Condition Report:Available upon request
Los 316
Group of three prints, including two works by Kiyoshi Hasegawa (Japanese, 1891-1980), both depicting nude women, both signed along the lower right. One print by Odilon Redon (French, 1840-1916) titled "Passage d'une Ame;" this etching is not signed.Height ranges from 10 in to 13 in; width ranges from 8 3/4 in to 10 in.
Los 358
Richard Haas (b. 1936). Etching and drypoint on paper titled "Bayard (Condict) Building," depicting the Bayard-Condict Building in New York City. Titled and dated 1970 along the lower left; numbered 9/30 along the lower center; signed along the lower right.Provenance: Distinguished corporate collection, Minnesota.Sight; height: 17 3/4 in x width: 15 3/4 in. Framed; height: 26 1/2 in x width: 24 3/4 in.
Los 91
JOHN HENRY LORIMER R.S.A., R.S.W., R.W.S., R.P. (1856-1936) SWEET ROSES Signed and dated 1888, oil on canvas(38cm x 28cm (15in x 11in))Provenance: New Gallery, London, 1888 from where acquired by a London collector The Fine Art Society Ltd, London, October 1965 from where acquired by a Dumfriesshire collector Exhibited: New Gallery, London, 1888, no.249 Walker Art Gallery, Liverpool, 1888, no.996 Literature: Anon, 'J. H. Lorimer', The Art Journal, 1895, illustrated in black and white p. 4N May Fenoulhet, John Henry Lorimer, Scottish Artist 1856-1936, A Critical Biography, unpublished thesis, Edinburgh University, 1990, p. 58.Note: Dr Antonia Laurence Allen has explained that after this painting was exhibited at the Walker Art Gallery in Liverpool, it was sent for etching so that it could be illustrated in The Art Journal in 1895. In her Edinburgh University unpublished thesis about the artist, May Fenoulhet quotes from a letter of 26 December 1888 written by the work's recent purchaser: 'I only hope that this etching may prove worthy to rank beside the little Picture, which is full of charming beauties, altho' the subject is so very simple a one that few artists would have thought of its selection, or known how to have rendered it so gracefully.' (Fenoulhet, op.cit.). Laurence-Allen had also suggested that the sitters may be Lorimer's older sister Hannah and one of the daughters of his younger sister Janet Alice Chalmers. We are grateful to Dr Antonia Laurence Allen, Regional Curator, National Trust for Scotland and Charlotte Lorimer, contributing authors to ed. Elizabeth Cumming, Reflections: The Light and Life of John Henry Lorimer, Sansom & Company, Bristol, 2021, for their assistance in researching this work.
Los 73
Prisoner artist.- Execution.- Thomson (W., unknown prisoner artist active 1826-1828) The Morning of Execution, Newgate Prison, proof impression after a painting by Thomson now held in the Museum of London [acc. no. A28580], etching on cream wove paper with partial water mark date '18[??]', platemark 90 x 148 mm (3 1/2 x 5 3/4 in), sheet 122 x 194 mm (4 3/4 x 7 1/2 in), deckle edges, minor surface dirt, unframed, 1828; together with J. M. Cullam's 'A Representation of the Remains of Henry Duke of Buckingham (Beheaded Nov. 2nd 1483...', and a letterpress explanation leaf detailing an inscription found in the 'Chapel dedicated to the Blessed Virgin Mary, in the Cathedral Church of Sarum', all unframed (3) ⁂ Few examples of Thomson's prints exist, with only 2 other variant etchings known to be by him. The other etchings by his hand are inscribed 'Sketched on the spot by a prisoner W. Thomson Sepr 1826', and 'Etched by a Prisoner', suggesting that Thomson himself was incarcerated in Newgate Prison [see British Museum no. 1867,0309.403]
Los 243
Joe Tilson (1928- ) series of three limited edition etching/aquatints, entitled 'Dionysos/Hyron' 2/25 signed in pencil Tilson 1982, approx 37 x 39 cms, box framed; 'Kore Lost' 2/25 signed in pencil Tilson 1982, approx 37 x 39 cms; 'Demeter's Search' 2/25 signed in pencil Tilson 1982, approx 37 x 39 cms, framed and glazed. Note: as seen in The Tate Gallery 1984-86: Illustrated Catalogue of Acquisitions incuding Supplement to Catalogue of Acquisitions (1982-84), Tate Gallery, London 1988, pp.465-7.
Los 540
Soper (Eileen Alice, 1905-1990). The Slide, etching on laid paper, depicting four cheerful children and a dog, three children are on the slide in various positions whilst a boy and a dog look on from the top of the bank where the slide is positioned, 13.9 x 19.9 cm (5 4/8 x 7 7/8 ins), mounted, framed and glazed (32.5 x 42.7 cm), Chris Beetles gallery label to verso, together with:Studies of a Small Boy and a Dog, pencil, shows seven sketches, mainly of a small boy sketched from behind in various poses, 17.7 x 15.2 cm (7 x 6 ins) mounted, framed and glazed (42.6 x 32.5 cm) Chris Beetles gallery label to verso QTY: (2)NOTE:Provenance: These artworks comes from the estate of George and Eileen Soper.Exhibited: The Illustrators and The British Art of Illustration 1800-2006, 832. The Slide etching was number 117 in Chris Beetle’s Raisonne of the Etchings of George and Eileen Soper, London published in 1995.
Los 446
KATE BOXER (Scottish contemp.) - 'Bandit', drypoint etching, signed (lower right), dated and numbered in pencil 7/30 lower left in the margin (plate size 19½ x 19½, 49.5cm x 49.5cm). Good condition, original frame, Provenance: Mainhill Gallery, Jedburgh Roxburghshire, exhibited June 2009. 'Out of the Blue'Condition Report:
Los 30
Ryohei Tanaka (Japanese, b. 1933). Etching in colors on paper titled "Harvest Season No. 1," depicting autumn fields spreading out behind the thatched roofline of a farm building. Pencil signed and dated 1984 along the lower right; dated 74/150 along the lower left.Sight; height: 6 1/2 in x width: 10 in. Framed; height: 12 in x width; 15 1/2 in.
Los 31
Ryohei Tanaka (Japanese, b. 1933). Etching in colors on paper depicting a thatch-roofed farmhouse in the winter, a light dusting of snow on the bush and ground. Pencil signed and dated 1990 along the lower right; numbered 19/150 along the lower left.Sight; height: 9 in x width: 9 3/4 in. Framed; height: 14 1/2 in x width: 15 in.
Los 92
Drayton (Michael). Untitled map of Middlesex and Hertfordshire, circa 1622, hand-coloured allegorical map, 255 x 330 mm, together with Hole (William). Britannia, circa 1610, uncoloured engraved map of the British Isles set within a decorative border, supported by Neptune and Ceres, some staining and creasing, small hole affecting the printed image, 265 x 165 mm, with Hollar (Wenceslaus). Glastoniensis..., circa 1655, uncoloured etching. old folds, slight spotting, 285 mmQTY: (3)
Los 160
Ackermann & Co. (publishers). By Permission of the Patentees, This Engraving of the First Carriage, the "Aeriel" is respectfully inscribed to the Directors of the Aerial Transit Company, March 28th, 1843, hand-coloured lithograph, trimmed to image with the title in a separate mount aperture, image size 225 x 300 mm, mounted, framed and glazed, together with Fairburn (J. publisher). Gurney's New Steam Carriage, December 12th, 1827, etching with contemporary hand-colouring, some creasing and staining, trimmed to the neatline and laid on a canvas album page, with a chromolithographic portrait on the verso, 240 x 355 mm, mountedQTY: (2)NOTE:The first print described is a scarce depiction of William Henson's patented Aerial Steam Carriage. The design was one of the first to conceive of what a 'modern' aeroplane would look like and although plausible on paper - and several models were made - the finished machine never flew because the steam-powered engine proved too heavy. The prints were produced to encourage investors and there are several variants showing the plane flying over various parts of the world.The second item illustrates two examples of Gurney's steam carriages on the road, with a panel of explanations below the image. Influenced by meeting Richard Trevithick, the pioneer of steam propulsion, Cornishman Sir Goldsworthy Gurney (1793-1875) built a steam-powered road vehicle himself in 1823. In 1829, he successfully travelled from Bath to London and back at a sustained speed of 15 mph in his steam carriage, and encouraged by this he envisaged a regular passenger service using steam-driven road vehicles as opposed to a horse-drawn coach. It never materialised, because the influential operators of the mail coaches and associated passenger transport, joined forces to ensure that Gurney was forced out of business.
Los 167
Buckman (Edwin, circa 1841-1930). The Rugby Match, 1886, etching on wove paper, signed and dated in the image, additionally signed in pencil to lower right, inscribed by the artist to lower left 'To..Dr. Gage Brown, with kind regards 1887', overall toning, plate size 21.5 x 73.5 cm (8 1/2 x 29 ins), with margins, framed and glazed, together with a late 19th or early 20th century naive watercolour on paper showing the various team kits for Bradbury, Harrow, Charterhouse, Oxford, Eton, Winchester, Shrewsbury, Trinity D, and Cambridge, indistinct signature to lower right corner, image size 25 x 36.5 cm, with margins, framed and glazedQTY: (2)
Los 169
Caricatures. A collection of approximately 20 engravings, mostly early 19th century, including Heath (William, pseud. Paul Pry). The Man wot Drives the Sovereign [and] Caleb Quotem in Parish Factotum..., T. M. McLean, 1829, two etched caricatures with contemporary hand colouring, slight spotting and toning, small margins, each approximately 350 x 240 mm, together with Dighton (Robert). The Classical Almamater Coachman Oxford, A View from Magdalen Hall Oxford, A Noble Duke taken on the Steyne at Brighton, A View taken from Chatham Row Bath, A View from the Swan Brewhouse Oxford, A View Taken from Christchurch Meadows Oxford, A View taken at Oxford, A View of the Telegraph Cambridge, A View from Magdalen College Cambridge & an untitled caricature of Dr William Parsons, circa 1808, together 10 portrait caricatures, all with contemporary hand-colouring, some prints trimmed and tipped on to later paper, each approximately 280 x 210 mm, with Jones (Thomas Howell). King's Colledge to wit- a practical essay, S. W. Fores 1829, etching with contemporary hand-colouring, torn with slight loss to the corners.240 x 355 mm, with others similar, including examples by or after I. Cruikshank, H. Bunbury and S. W. Fores, various sizes and condition QTY: (approx. 20)
Los 179
Fraser (John, publisher). The Chronological Tree of English History, Walsall, 1852, large uncoloured soft-ground etching of the chronological history of Great Britain displayed on the trunk of a tree, from the Invasion of the Romans to Queen Victoria's visit to the West of Ireland in 1855, set against a backdrop of the Houses of Parliament and the River Thames, some overall toning, one very small puncture hole, laid on canvas, framed and glazed in a contemporary stained oak frame, 900 x 650 mmQTY: (1)
Los 193
Priddey (James, 1916-1980). "Scarfell Pike from Derwent Water", colour aquatint, titled in pencil to the margin lower left, signed lower right with blind stamp, image size 30 x 22.5cm, framed and glazed, frame size 48 x 38.5cm, together with two further works by the same artist, "After the Storm, colour aquatint, signed lower right, 24.5 x 35cm, framed and glazed, frame size 45 x 54.5cm plus "Waterloo Street Birmingham", black and white etching, signed in pencil lower right, framed and glazed, frame size 42 x 33.5cm, Frank (Hans, 1884-1948), Tyrolean landscape 1920, coloured woodblock, signed and dated to lower right margin, framed and glazed, frame size 40 x 41cm, Ackermann, Eton College Series colour aquatints, Eton College Chapel and Eton School Room, gilt frame, glazed, frame sizes 38.5 x 43cm, together with 7 further framed prints including Farington (Joseph, 1747-1821), Oxford, colour aquatint, Wallenstein circa 1719, Robinson (Brian), colour woodblock 1972, plus 11 unframed prints and a box of approximately 250 steel plate topographical prints, humerous postcards and other itemsQTY: (approximately 275)
Los 327
Browne (Alexander). Ars Pictoria; Or an Academy Treating of Drawing, Painting, Limning and Etching, 1st edition, London: J. Redmayne, 1669, engraved portrait frontispiece, 30 engraved plates (complete), mostly by Arnold de Jode, small library stamp to title and lower outer corner of each plate, verso of title with manuscript library number, light damp stain to gutter margin of title and lower margins of initial few leaves, some light spotting, minor marginal tears and dust-soiling, front free endpaper with early signature Wm. Beauchamp and later signature of William Goddaire dated 1827 (repair to upper outer corner), modern calf-backed cloth, library blind-stamp to upper board, joints rubbed and scuffed, folioQTY: (1)NOTE:Wing B5097.Alexander Browne (d. 1706) was a miniature painter and auctioneer and one of the first publishers of mezzotints. He was variously a 'practitioner of the art of limning' (although none of his paintings or miniatures survives or can be identified); a drawing master (to Mrs Pepys among others); a colourman; the author of drawing manuals (the first in 1660) and of a treatise on art (Ars Pictoria, 1669); an art auctioneer (conducting sales later at his own premises in Gerrard Street, Soho), and a print publisher and printseller. His shop at 'ye Blew Balcony' in Little Queen Street near Lincolns Inn Fields would have contained quantities of prints, books and artists' materials. After Browne died in 1706 his widow quickly sold his collections at auction.
Los 348
A Gilbert, Haddon Hall, signed and inscribed verso, oil on canvas, as found, 20 x 26cm; Benjamin Cole, Cripplegate Ward with it's divisions, St Luke's Hospital, hand-coloured map, 37cm x 23cm; Michael Chaplin, Two Dutch Barges, signed limited etching with aquatint, numbered 36/200; together with other prints, engravings, etc.
Los 1074
William Lionel Wyllie RA (1851-1931) - The British Warships HMS "Tiger", "Princess Royal", "Lion", "Warrior" and "Defence" in Action at the Battle of Jutland 31st May 1916 shortly before the "Defence" was sunk, etching, signed by the artist in pencil, 20.5 x 45cm, unframed The original mount worm holed, the print with two evident worm holes extreme lower left and extreme upper right
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78472 Los(e)/Seite