78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Maurice de Vlaminck (French, 1876-1958), "L'Eglise", drypoint etching from 'Visages des Maison' series; signed lower right, stamped lower left; invoice to verso

* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), BOO artist's proof colour etching on paper, signed, titled and inscribed 'AP'mounted, framed and under glassimage size 33cm x 22cm, overall size 72cm x 59cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow.

* JOHN HOUSTON OBE RSA RSW RGI SSA (SCOTTISH 1930 - 2008), BASS ROCK, SUNRISE limited edition etching on paper, signed, titled and numbered 2/30mounted, framed and under glassimage size 51cm x 61cm, overall size 89cm x 97cm Note: Painter and teacher, born in Buckhaven, Fife, married to the artist Elizabeth Blackadder. Houston studied at Edinburgh College of Art, 1948–54, his final year being spent in Italy on a travelling scholarship. He returned to Edinburgh to teach at the College. In 1957 Houston helped start the 57 Gallery in Edinburgh, having his first solo show there in 1958. Other one-man shows were held at Scottish Gallery, Edinburgh, and Mercury Gallery for many years. A keen traveller, Houston exhibited widely abroad. He was a member of SSA and RSW and was elected RSA in 1972. Houston tended towards Expressionism in his landscapes, Munch being a key influence, employing bold colours. Sixty-five examples of his paintings are held in UK public collections including at The Scottish National Gallery of Modern Art, The Hunterian, The Fleming Collection, The City Art Centre (Edinburgh) & Glasgow Museums & Galleries.

* JAMES MCDONALD (SCOTTISH b. 1956), THE BRAM STOKER AWARD limited edition etching on paper, signed, titled, dated 1991 and numbered 28/60mounted, framed and under glassimage size 20cm x 41cm, overall size 46cm x 67cm Note: James McDonald studied at Edinburgh College of Art 1974-78, and completed his postgraduate year there in 1979. McDonald has painted full-time since studying at Edinburgh, and his work has won numerous awards including the Andrew Grant Travelling Scholarship, British Council Travel Grant and the Alexander Stone Foundation Award. He has exhibited widely throughout the U.K. and overseas and is in private and public collections including the Victoria & Albert Museum, London; BBC; STV and all major Scottish banks.

* FRANCES WALKER CBE RSA RSW (SCOTTISH b. 1930) GRYTVIKEN, SOUTH GEORGIA limited edition etching on paper, signed, titled and numbered 1/12mounted, framed and under glassimage size 23cm x 55cm, overall size 45cm x 76cm Label verso: The Scottish Gallery, EdinburghProvenance: the artist's studiooExhibited: Frances Walker - Antarctic Convergence, 3-27 November 2010, The Scottish Gallery, EdinburghNote: born in Kirkcaldy in 1930 Frances Walker studied at Edinburgh College of Art and then took up a post as visiting teacher of art for the Hebrides . This experience engendered in her a life-long love of wild and desolate places and since then she has chosen to depict the most remote landscapes, her compositions usually based on coastal reaches, craggy rocks and deserted beaches. Moving to Aberdeen , Walker took up a post at Gray's School of Art where she taught for many years. After retirement she has since divided her time between Aberdeen and the Western Isles, especially Tiree, where she owns a thatched cottage, but more recently has also travelled further afield - her latest inspiration being the even wilder and more desolate landscape of Iceland.

* BRYAN EVANS, STRIPES limited edition etching on paper, signed, titled and numbered 13/75mounted, framed and under glassimage size 13cm x 8.5cm, overall size 40cm x 28cm Note: Bryan Evans is an artist who depicts in his paintings the rainy streets and tenement closes of Glasgow, Edinburgh and other Scottish towns and cities. Bryan was born in Pembrokeshire in West Wales in 1964. After one year at Dyfed College of Art in Carmarthen he studied a degree in Fine Art at Loughborough College of Art in Leicestershire, England. During this course he visited Glasgow School of Art on a three month exchange visit. Upon graduation he moved to Glasgow and has lived there ever since exhibiting his watercolours throughout Scotland. He has work in collections throughout Britain, Europe, and North America, and has gained considerable acclaim with his atmospheric interpretations of wet city streets and moody interiors.

* PETER HOWSON OBE (SCOTTISH b. 1958), JIVE MOTHER artist's proof etching on paper, signed, titled, dated '90 and inscribed 'A/P V'mounted, framed and under glassimage size 23cm x 15cm, overall size 64cm x 51cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* PHILIP REEVES RSA PRSW RGI RE (SCOTTISH 1931 - 2017), SHORE FORM limited edition etching on paper, signed, titled and numbered 1/10mounted, framed and under glass image size 44cm x 68cm, overall size 64cm 88cm Handwritten artist's label versoNote: Philip Reeves brought the tenets of European Modernism to Scottish art, creating collages and prints that centre on the formation of shape, line and colour. Known for his economy of form and appropriation of scrap materials, Reeves was a virtuosic printmaker and is credited with reinvigorating the practice in Scotland. Vitally important in the elevation of the status of printmaking from that of a craft to that of an art form in Scotland.

* PETER HOWSON OBE (SCOTTISH b. 1958), THE TERRIES limited edition etching on paper, signed, titled, dated '90 and numbered 20/50mounted, framed and under glassimage size 31cm x 23cm, overall size 63cm x 55cm Note: the major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh (27th May - 1st October 2023) brought together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b. 1941), CLAN ADHAIMH limited edition etching on paper, from an edition of 40, signed verso, from the 'Night of Islands' set mounted, framed and under glassimage size 75cm x 53cm, overall size 83cm x 60cm Note: Will Maclean RSA, Professor of Painting in the University of Dundee, is one of the outstanding Scottish artists of his generation. He was born in Inverness where his father, a former sailor, was harbour master, and he spent his childhood between Inverness and Skye. His art is rooted in his knowledge of the Highlands, the Highland people and their history and in his own early associations with sailors and the sea. These things make it relevant and immediately accessible, yet it remains uncompromisingly modern in its forms and in its concerns.

* BARBARA RAE CBE RA RSA RE (SCOTTISH b. 1943), SEAGATE limited edition colour etching on paper, signed dated '93, titled and numbered 54/60mounted, framed and under glassimage size 27cm x 29cm, overall size 57cm x 50cm Label verso: Roger Billcliffe Fine Art, GlasgowNote: Painter, printmaker and teacher, born in Stirlingshire. She studied at Edinburgh College of Art 1961–5 concluding with postgraduate study, in 1966 using a travelling scholarship to work in France and Spain. In 1966–7 was at Moray House College of Education, then taught in Edinburgh Schools until appointments 1972–4 at Aberdeen College of Education, then from 1975 at Glasgow School of Art. In 1984 she was an exchange teacher at University of Maryland. Won a number of awards and prizes, including Arts Council Awards and RSA Guthrie Award and Medal. In 1985 she gained a Scottish Arts Council Grant which permitted her to paint in Spain and New Mexico. Rae was an extremely prolific exhibitor internationally and from 1967, when she had her first solo show at New 57 Gallery, in Edinburgh, was regular at venues including Aberdeen Art Gallery; Scottish Gallery, Edinburgh and London; and Glasgow Print Studio. Her work is in several dozen collections, including Aberdeen Art Gallery, University of Glasgow and British Museum. Rae was a striking landscape painter with a rich palette, yet her pictures sometimes have an intense, brooding quality. Was elected RSA, and RA in 1996. Over the next few years Rae travelled extensively and in 2002 had a residency at Ballinglen Arts Foundation, County Mayo, Ireland. The North House Gallery, Manningtree, put on Barbara Rae Ten Years’ Printmaking in 2004, the first such major survey. In the same year she had a solo show at Tom Caldwell Gallery, Belfast, with another, Mayo, of monotypes and colour etchings in 2006. In 2003, Aberdeen University conferred an Hon. Doctorate on Rae and the Royal College of Art an Hon. Fellowship.Condition of the picture is good overall, with no visible or known issues.

* JUNE CAREY RSW RGI (SCOTTISH b. 1942), DIES ANNIVERSARIES limited edition colour etching on paper, signed, titled and numbered 1/5mounted, framed and under glassimage size 48cm x 35cm, overall size 81cm x 61cm Note: June Carey began her art education in the 1960s at The Glasgow School of Art. She has been exhibiting her work widely throughout Britain and abroad ever since. Her awards include The Scottish Arts Council 1998, McGrigor Donald Trust 1989, European City of Culture Woman 2000 (First Prize) 1990, Dundee District Council Purchase Prize 1991, British Council Assistance Grant 1992, The Hope Scott Trust Award 1993, Scottish Arts Club Award 1993, McDonald Orr Ltd 1993, Anne Redpath Award 1996, BP Aberdeen Assistance Grant 2002, Connell & Connell Sponsorship and in 2004, a Research Grant from the Scottish Arts Council, to visit India. June Carey's work can be found in the collections of Lady Thyne; Peter Gabriel, BBC Television, The Royal Bank of Scotland, The Scottish Arts Council, Oxford University, Teachers Whisky, Highland Region, Edwins Gallery Jakarta, Barclay Lennie Fine Art Ltd, MacTaggart & Mickel Ltd. Eastern General Hospital, McDonald Orr Ltd, Dundee District Council, Arts in Fife and Private Collectors at home and abroad.

* TOM MACKENZIE (SCOTTISH 1947 - 2018), LOCHANS, LEWIS limited edition colour etching on paper, signed, titled and numbered 28/75mounted, framed and under glassimage size 23cm x 46cm, overall size 42cm x 66cm Note: Tom MacKenzie was educated at Portree High School and at 17 left home to enrol at Duncan of Jordanstone School of Art in Dundee. This did not work out and after a year he went to London. His pursuit of art continued at evening classes in life drawing while working in a variety of jobs by day. In 1976 he moved back to Scotland, joining a team of many talents at the Glasgow Print Studio. John Taylor, a colleague and long-time friend, says: "Tom MacKenzie’s art was made from the Isle of Skye’s unique cornucopia of visual riches: the huge, notched and jagged coastline; sea lochs with many rocky islands; the Cuillins, the most awesome mountains in Britain." Living and working on the lovely Isle of Skye, Tom MacKenzie was renowned for his wonderful colour etchings of the island and the West Coast of Scotland. These large and very stylish etchings are appreciated and collected worldwide. Working from his studio and workshop in Portree, the island’s capital, Mackenzie used three steel plates to produce his etchings and limited the editions to 75 or less, printed on 300gm, Arches waterleaf paper. He was a very popular figure in Portree where he lived and worked and a much-respected artist throughout Scotland and far beyond. In The Scottish Contemporary Art Auction of 12th September 2021, three colour etchings by Tom Mackenzie sold for hammer prices of £300, £320 and £340.

* ADRIAN WISZNIEWSKI RSA HonFRIAS HRSW (SCOTTISH b. 1958), TUMBLING HEADS limited edition etching and aquatint on paper, signed and numbered 5/25mounted, framed and under glassimage size 61cm x 15cm, overall size 75cm x 50cm

John Brunsden (1933-2014), "Pass near Cader Idris", limited edition etching with aquatint, signed, titled and numbered 19/100 in pencil, 48.5x64cm, framed and glazed. Note: small crack to glaze lower right.

SEYMCHAN, SIBERIA, C. 4.5 BILLION YEARS B.P.the slice with olivine crystals suspended within the metal matrix and etchingProvenance: Private collection, United Kingdom65.05grThe meteorite that produced this sculpture was formed in the Asteroid Belt around the same time as the birth of our Solar System. It consists of both metal and olivine minerals, the remnant materials of planet forming collisions occurring during this formative period.

Anthony Gross (1905-1984)The Valley No.1 (Herdman 5608) Etching, 1956, signed and titled in pencil, numbered from the edition of 50, on wove paper, with full margins, sheet 544 x 720mm (21 1/2 x 28 3/8in)

Pablo Picasso (1881-1973)Homme et Femme (Bloch 77)Etching, 1927, signed in brown ink, numbered from the edition of 250, on wove paper, with full margins, plate 196 x 280mm (7 3/4 x 11in); sheet 453 x 580mm (17 7/8 x 22 3/4in)

Roy Lichtenstein (1923-1997)Illustration for 'De Denver au Montana, Départ 27 Mai 1972 (II)' (Corlett 276)Etching with aquatint printed in colours, 1992, initialled in pencil, numbered from the edition of 80, as included in 'La Nouvelle Chute de l'Amérique', printed by Atelier Dupont-Visat, Atelier Dupont-Visat, l'Inéditeur, published by Les Editions du Solstice, Paris, on Arches wove paper, with full margins, sheet 482 x 353mm (19 x 14in)This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom this duty can be refunded.

Salvador Dalí (1904-1989) Petites Nus d 'Apollinaire (Field 72-4C; M&L 200) Etching with drypoint printed in colours, 1972, signed in pencil, numbered from the edition of 95, printed by Robbe, published by Editions Argillet, Paris, on Japan paper, with full margins, sheet 385 x 290mm (15 1/8 x 11 3/8in) With the Dali Trade authentication and signature in pencil verso (dated 10/13/22)

Anthony Gross (1905-1984)Issy-Les-Moulineaux (Herdman 3008) Etching, 1930, signed and titled in pencil, numbered from the edition of 40, on wove paper, with full margins, sheet 260 x 330mm (10 1/4 x 13in)

Paula Rego (1935-2002)Embarkation, from Six Artists: The Royal College of Art Portfolio 1992 (Rosenthal 76)Etching with aquatint, 1992, signed and inscribed 'HC' in pencil, an hors commerce impression aside from the edition of 50, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on Arches paper, with full margins, sheet 760 x 560mm (29 7/8 x 22 1/2in)

Salvador Dalí (1904-1989)Révérence du Groseillier, from FlorDalí (Field 69-11J; M&L 353c)Etching and lithograph printed in colours, 1969, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal & Matthieu, Paris, published by Werbungs- und Commerz Union Anstalt, on BFK Rives paper, with full margins, sheet 748 x 550mm (29 3/8 x 21 5/8in)With the Dali Trade authentication and signature in pencil verso (dated 12/10/23)

Salvador Dalí (1904-1989)Paysage Fossile Imaginaire, from Neuf Paysages (Field 80-2C; M&L 239)Drypoint with etching and aquatint in colours, 1980, signed in pencil, numbered from the edition of 80, printed by Jean Schneider, Basel, published by Werbungs- und Commerz Union Anstalt, on wove paper, with full margins, sheet 501 x 497mm (19 3/4 x 19 5/8in)With the Dali Trade authentication and signature in pencil verso (dated 05/11/22)

Paul Cézanne (1839-1906) Portrait of Guillaumin Etching, 1873, printed later, on laid paper, with full margins, sheet 330 x 252mm (13 x 10in)

Anthony Gross (1905-1984)Alta Navarra - Foothills Pyrenées or Haute Navarre (Herdman 6501) Etching, 1965, signed and titled in pencil, numbered from the edition of 50, on wove paper with full margins, image 545 x 380mm (21 1/2 x 15in)

Keith Haring (1958-1990)Untitled, from the Valley (see Littman p.141)Etching, 1989, signed and dated in pencil, numbered from the edition of 80, printed by Wellington Studios, London, published by George Mulder Fine Arts, New York, on Twinrocker wove paper, with full margins, sheet 360 x 320mm (14 1/8 x 12 5/8 in)

Salvador Dalí (1904-1989)Phantasmes de la Plaine de l'Ampurdan, from Neuf Paysages (Field 80-2H; M&L 244)Drypoint with etching and aquatint in colours, 1980, signed in pencil, numbered from the edition of 80, printed by Jean Schneider, Basel, published by Werbungs- und Commerz Union Anstalt, on wove paper, with full margins, sheet 501 x 497mm (19 3/4 x 19 5/8in)With the Dali Trade authentication and signature in pencil verso (dated 8/14/23)

Edgar Degas (1834-1917)Danseuse Mettant son Chausson (Delteil 36; Adhémar 60)Etching, circa 1892, the second and final state after cancellation, from the edition of circa 150, published by Vollard, Paris, on wove paper, with full margins, plate 179 x 117mm (7 x 4 5/8in)

Martin Whatson (b.1984)ElephantEtching printed in colours extensively hand-finished, 2022, signed and dated in pencil, numbered from the edition of 100, published by Graffiti Prints, London, and with the accompanying certificate of authenticity, on Somerset wove paper, with full margins, sheet 695 x 694mm (27 3/8 x 27 3/8in)

Salvador Dalí (1904-1989)Le Gué du Sang, from La Quête du Graal (Field 75-9J; M&L 788d)Etching with drypoint printed in colours, 1975, signed in pencil, numbered from the edition of 249, printed by Taille-Douce, co-published by Oeuvres Graphiques Contemporaines & Pamela Verlag, Paris, on Arches paper, with full margins, sheet 452 x 324mm (17 3/4 x 12 3/4in)

Raoul Dufy (1877-1953)Éloge de Raoul DufyThe book, 1931, comprising a loose etching and four lithographs printed in colours, the etching signed in pencil, numbered from the edition of 31, co-published by Jean-Gabriel Daragnès & Edouard Duchâtel, Paris, on BFK Rives paper, with title page and justification, in the original pink printed wraps, overall 325 x 255mm (12 3/4 x 10in)

Salvador Dalí (1904-1989)Jinete, from Cadaqués i l'art (Field 78-4A; M&L 935l)Etching printed in sienna, 1978, signed in pencil, numbered from the edition of 70 in roman numerals, published by Grafos Verlag, Weiden, on Arches paper, with full margins, sheet 506 x 561mm (19 7/8 x 22 1/8in)

Salvador Dalí (1904-1989)Intra-Uterine Paradesic Locomotion, from Imaginations and Objects of the Future (Field 75-11D; M&L 825a)Etching with drypoint and lithography printed in colours, 1975/6, signed in pencil, numbered from the edition of 250, printed by Ateliers Rigal, Paris, published by Merrill Chase Publishing Association, Chicago, on Arches paper, with full margins, sheet 775 x 557mm (30 1/2 x 22in)

Eduardo Paolozzi (1924-2005)Omaggio a Michelangelo Etching printed in colours, 1975, signed and dated in pencil, numbered in roman numerals from the edition of 20 artist's proofs, aside from the edition of 200, printed by White Ink Studio, London, published by Stufio Bruckmann, Munich, on wove paper, with full margins, sheet 795 x 600mm (31 1/4 x 23 5/8in)

Salvador Dalí (1904-1989)Paysage avec Figures-Soleil, from Neuf Paysages (Field 80-2A; M&L 237)Drypoint with etching and aquatint in colours, 1980, signed in pencil, numbered from the edition of 80, printed by Jean Schneider, Basel, published by Werbungs- und Commerz Union Anstalt, on wove paper, with full margins, sheet 501 x 497mm (19 3/4 x 19 5/8in)With the Dali Trade authentication and signature in pencil verso (dated 05/19/22)

Elizabeth Blackadder (1931-2021)Venice CatsEtching printed in colours, 2003, signed in pencil, numbered from the edition of 80, printed and published by Glasgow Print Studio, Glasgow, on wove paper, with full margins, plate 295 x 355mm (11 5/8 x 14in) (framed)

Roy Lichtenstein (1923-1997)Illustration for 'Hüm-Bum!' (Corlett 274)Etching with aquatint printed in colours, 1992, initialled in pencil, numbered from the edition of 80, as included in 'La Nouvelle Chute de l'Amérique', printed by Atelier Dupont-Visat, Atelier Dupont-Visat, l'Inéditeur, published by Les Editions du Solstice, Paris, on Arches paper, with full margins, sheet 483 x 353mm (19 x 14in)This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom this duty can be refunded.

Keith Haring (1958-1990)Untitled, from the Valley (see Littman p.137)Etching, 1989, signed and dated in pencil, numbered from the edition of 80, printed by Wellington Studios, London, published by George Mulder Fine Arts, New York, on Twinrocker wove paper, with full margins, sheet 360 x 318mm (14 1/8 x 12 1/2 in)

Salvador Dalí (1904-1989)Vignette, from 'Petits nus' from Apollinaire (Field 72-4; see M&L 206)Etching with hand-colouring in watercolour, 1967, signed in pencil, numbered from the edition of 95, published by Éditions Argillet, Paris, on Japan paper, with the Dali blindstamp, with full margins, sheet 385 x 290mm (15 1/4 x 11 3/8in) This work was authenticated by Dali Trade on 10/13/22 and bears the authentication signature in pencil verso.

A. Maud Parsons (1885 - 1975), Etching, Porch of the Temple Church (Fleet Street London), signed, 31cm x 23cm; Beswick Romeo & Juliet relief decorated jug, shape 1214, impressed and printed marks, 21cm high (2)

Thomas Rowlandson. (British, 1756-1827)'Stage Coach and six', etching and watercolour on laid paper, c.1786 unsigned, mounted framed, etching engraved and published Samuel William Fores, 1786within 20 x 28.5 cm., overall 42.3 x 49.5cm.Condition: Red slightly faded. Otherwise in good condition commensurate with age

William Walcot RA (British, 1874-1943), 'The Thames',Etching on paper from 'The Arteries of Great Britain' series published 1922,Signed in pencil lower right, 14cm x 34cm,Framed and glazedWith another William Walcot RA (British, 1874-1943), 'The Forth', Etching on paper from 'The Arteries of Great Britain' series published 1922, Signed in pencil lower right, 11.5cm x 27.5cm, Framed and glazed (at fault) (2)

Herbert Thomas Dicksee RE (British, 1862-1942)‘A Scottish Deerhound’,Drypoint etching on paper, published 1924 by Frost & Reed Ltd,Signed in pencil and Fine Art Trade Guild blind stamped to lower margin, titled to label verso,16.5cm x 24cm,Framed and glazed

A LIMITED EDITION, 51/100, ETCHING OF A DORSET LANDSCAPE SIGNED ROBERT BARNES, 70CM X 62CM

A white milk glass oil lamp body with a cranberry-red and white glass orb in the center. Includes a clear glass lamp shade decorated in a grapevine etching. Dimensions: 5.25"W x 20"HCondition: Age related wear.

'Fallen Angel' etching by Alméry Lobel-Riche, 1910, etching/print 'Fallen Angel' etching by Lobel-Riche, depicting an image of a naked bat-like witch sitting on a large stone with the city of Paris below, the etching is part of a single sheet advertising brochure for 'Études de Filles',sheet size 49.5 x 34cmCondition Reportminor creases to edges

James Gillray (1756-1815) The head of King Louis XVI being cut off by a guillotine, 1793a hand-coloured etching by James Gillray, printed by H Humphrey, of the execution scene, the text reads 'The blood of the murdered crying for vengeance. This exact representation of that instrument of French refinement in assassination, the Guillotine is submitted to the Gentlemen of the Phalanx & other well-wishers to the King and Constitution of Great Britain, by their devoted Servants at Command The Assassins of the King of France. Js. Gy. desn. et fect. pro bono publico'plate mark 36 x 26cm, window mountedCondition Reportsmall crease close to middle of right hand boarder - generally excellent condition - nice hand colouring. printed on reverse with another cartoon - see additional photos

After Boris O'Klein (1893-1985) Etching "W.C. Prive" and "Comme nos Maitres", two colour etchings, signed and titled in pencil within margin, Hogarth frames, image size 18cm x 45cm (2)

After James Gillray (1756-1815) Etching with contemporary hand colouring "Hounds Finding" and "Hounds in Full Cry", framed and glazed, image size 26cm x 36cm, together with After Henry Alken "Ideas", hand coloured etching, framed and glazed, image size 29cm x 21.5cm and a further print (4)

"Fatigues of the Campaign in Flanders"  hand-coloured etching after James Gillray, published 1793 by Hannah Humphrey 18 Old Bond Street, London - approx. 70cm x 54cm

Small framed etching, watercolour of Stoke Rochford Hall, plates and plaster plaques

LOUIS ICART (1888-1950) “Spilled Oranges”, 1921, coloured etching, signed & numbered 232 in pencil, blindstamp EM, 38cm x 28cm (image), framed & glazed(65cm x 51cm overall).

MARCUS STONE, R.A. (1840-1921), by & after “The Lost Bird”, black & white etching, signed & dated 1883 in the plate & signed in pencil lower margin, published 1884 by The Fine Art Society, London, 52cm x 26.5cm (image), framed & glazed (67x39cm overall).

BETTY SANDHAM (contemporary). “Siamese”, etching, artist’s proof, signed & inscribed in pencil, 29.5cm x 45cm (image), framed & glazed (39cm x 57cm overall).

LOUIS ICART (1888-1950) “Patience”, 1922, coloured etching, signed & numbered 115 in pencil, blindstamp EM, 19cm x 23.5cm (image), 27.5cm x 35cm overall (framed, un-glazed).

LOUIS ARTHUR WARD (1913-2004) “The Roman Baths, Bath”, coloured etching, signed, inscribed & numbered 24/850 in pencil, 30cm x 42.5cm (image), framed & glazed (56x66.5cm overall).

DOUGLAS OWEN PORTWAY (South African, 1922-1993) Standing female nude, drypoint etching, signed & numbered 18/50 in pencil, 17.5cm x 14.3cm, framed (36.5cm x 32cm overall).

A contemporary folk-art painting of two cats at play with mice & birds, Signed indistinctly, Oil on board: 35cm x 44cm; a coloured print after Louis Wain, 27cm x 22cm; a painted porcelain tile depicting a tabby cat, 13cm x 11cm (cracked); & a coloured etching titled “Uplifting Sea Air”, signed & numbered 32/175, 35cm x 49cm (image); each in glazed frame (4).

GORDON BROWNE watercolour – titled verso ‘Better Alone than in Bad Company’, 24 x 34.5cms. VIETNAMESE SCHOOL etching - traditional dancing figures with presentation plaque to the glass - Presented to Mr O C Wearne by the Assistant for Veterans Affairs, South Vietnam 1968, 40 x 63cms. MARY McCROSSAN watercolour - a large crowd of people at Chartres Market, signed and dated 1894, 17 x 32cms, and, JOHN PASKIN (20th Century) pastel - still life with walnuts, signed, titled on label verso, 27 x 37.5cmsProvenance: private collection Conwy