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78475 Los(e)/Seite
Los 557
AFTER CHARLES FREDERICK TUNNICLIFFE "Ploughman with horse by haystack", black and white etching, signed in pencil lower right CONDITION REPORTS There are some areas of foxing and discolouration throughout but especially to the edges. There are also some spore like marks particularly to the bottom left hand corner of the image - unknown if this is just trapped under the glass or on the picture itself. Glass is in need of a good clean, frame has knocks and bumps etc conducive with age and use. General wear and tear throughout - see images for further details
Los 661
AFTER CECIL ALDIN (1870-1935) "A portrait of a Sealyham", black and white etching, limited edition No'd. 43/150, signed in pencil lower right CONDITION REPORTS Has discolouration and a couple of small marks to the image itself. There are thunder bugs trapped beneath the frame and glass is in need of a clean both inside and out. Frame has some chips and knocks to the edges. Wear and tear conducive with age and use - see images for more details
Los 558
AFTER CHARLES FREDERICK TUNNICLIFFE "Milking the cow", black and white etching, signed in pencil lower right CONDITION REPORTS There is staining and discolouration. The word 'handmade' is visible. assuming a watermark coming through the paper on the top border and there is a mark to the milkmaids' coat. Has general wear and tear conducive with age and use. The frame has knocks and bumps etc and glass is in need of a clean both inside and out - see images for further details
Los 559
AFTER CHARLES FREDERICK TUNNICLIFFE "Feeding the sheep", black and white etching, signed in pencil lower right CONDITION REPORTS Has some signs of discolouring and foxing throughout. Appears to have some very light surface scratching but unsure if this is within the plate itself and there is a white mark to the bottom right hand corner underneath the sheep. Glass is in need of a good clean both inside and out, frame has knocks nad bumps etc. General wear and tear conducive with age and use - see images for further details
Los 750
AFTER JEAN LAMOUR (1698-1771) Designs for the gilded ironwork around the Neptune fountain, Place Stanislas, Nancy, France, etching and engraved by Dominique Collin (1725-1781) 38" x 70.5". Inscribed, "Dessein de grandes Grilles posees sur La PLace Royale de Nancy en 1755 par ordre de S.M. Le Roy de Pologne, and Collin Regis Sculptor". Jean Lamour carried out commissions for King Stanislas of Poland- the father-in-law of Louis XV, during the 1750's. King Stanislas (1677-1766) had abdicated as King of Poland but retained the title of King whilst ruling Lorraine as the Duke of Lorraine. The ironwork in Place Stanislas- the former Place Royale at Nancy (1751-1759) is a fine masterpiece and one of his most elevated triumphs of the blacksmith's art. The Cooper-Hewitt museum, New York has another version of this print (ref. 1921-6-210-3); this was exhibited in the 2008 exhibition at the Cooper-Hewitt, 'Rococo: The Continuing Curve, 1730-2008'. Shown in Fig.12, p.98 in the section 'Eighteenth century Nancy: The Good King and the Blacksmith' by Penelope Hunter-Stiebel, pp. 90-101 of the exhibition catalogue.
Los 447
Rowland Hilder (1905-1993), Rural landscape with farm buildings, signed, dated 1989 and inscribed 'Artist's Proof' in the margin, etching with aquatint, plate size 20 x 25.5cm.; 8 x 10in. Artists' Resale Right ("droit de suite") may apply to this lot. Condition Report: The etching is in good, original condition. There is some creasing to the paper around the plate mark. The etching is framed and glazed. Condition report: see terms and conditions
Los 452
Georges Henri Rouault (French, 1871-1958), "Bon Electeur", signed in ink in the margin, etching with aquatint, on japon-nacre paper, plate size 27 x 17.5cm.; 10.75 x 7in. Artists' Resale Right ("droit de suite") may apply to this lot. Condition Report: The etching is in very good, original condition with no obvious faults to report. The etching is framed and glazed. Condition report: see terms and conditions
Los 438
Paul Hawdon (1953-), "Il Duomo - Pisa", signed, titled and initialled 'A.P.' in pencil in the margin, etching, plate size 19.5 x 24.5cm.; 7.75 x 9.75in. Artists' Resale Right ("droit de suite") may apply to this lot. Condition Report: The etching is in very good, original condition with no obvious faults to report. The painting is framed and glazed. The frame has the odd minor knock and loss commensurate with age. Condition report: see terms and conditions
Los 466
Francesco Rosaspina (Italian, 1762-1841) after Parmigianino (Italian, 1503-1540) "The Lovers" etching with aquatint 20 x 15cm (8 x 6in) The present etching was executed after one of only approximately fifteen etchings dating from 1527-1530 that Parmigianino produced himself during his period of experimentation with the printmaking process in the 1520s. Some scattered foxing in the margins. Image clear and crisp.
Los 31
Travel and Topography - Samuel Joachim (18th century), by and after, Prospect von Copenhagen, urban panorama, etching, 16cm x 35cm; a pair, View of Loch-Ranza Bay in Scotland with the manner of taking the Basking Shark and View of the Stars at York Buildings in the Strand, with the Water Works & a distant prospect of Westminster Bridge [London], Engraved for The Modern Universal British Traveller, engravings, 20cm x 32cm; The South Prospect of Leicester, Engraved for the Univerfal (sic) Magazine for J. Hinton [...], 18th century engraving, 18cm x 30, Hogarth-type frame; another similar, later 18th century, 22cm x 35cm (5)
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78475 Los(e)/Seite