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Los 46

HÄNSEL, Karl Ernst(1868 Löbtau - 1947 Radebeul) Bergmann mit GrubenhackeRadierung. Bleistiftsignatur, mit Zusatz "Dresden". Platte: 62 x 47 cm. Gerahmt & hinter Glas : 86 x 70 cm. HÄNSEL, Karl Ernst(1868 Löbtau - 1947 Radebeul) Mountain man with pit pickEtching. Pencil signature, with addition "Dresden". Plate: 62 x 47 cm. Framed & behind glass : 86 x 70 cm. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Los 60

ROGGE, Emy(1866 Schweewarden - 1959 Worpswede) WinterlandschaftRadierung in Graublau. Bleistiftsignatur. Platte: 17,5 x 13 cm. Gerahmt & hinter Glas : 33,5 x 27,5 cm. Etwas stockfleckig. Deutsche Malerin und Radiererin. ROGGE, Emy(1866 Schweewarden - 1959 Worpswede) Winter LandscapeEtching in gray-blue. Pencil signature. Plate: 17.5 x 13 cm. Framed & behind glass : 33.5 x 27.5 cm. Slightly foxed. German painter and etcher. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Los 54

BAUER, Karl(1905 Graz - 1993 Klagenfurt) "Friedrich der Große"Radierung. Bleistiftsignatur. Platte: 26 x 33 cm. Gerahmt & hinter Glas : 39,5 x 53 cm. Porträt des Friedrich II. (genannt "Der Alte Fritz"), König von Preußen (1712 - 1786). Blatt gebräunt. BAUER, Karl(1905 Graz - 1993 Klagenfurt) "Frederick the Great"Etching. Pencil signature. Plate: 26 x 33 cm. Framed & behind glass : 39.5 x 53 cm. Portrait of Frederick II (called "The Old Fritz"), King of Prussia (1712 - 1786). Sheet browned. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Los 282

HUBBUCH, Karl(1891 Karlsruhe - 1979 Karlsruhe) "Else"Radierung auf Bütten. Bleistiftsignatur. [1949]. Exemplar: 16/100. Platte: 39,5 x 40 cm, Blatt: 77 x 54,5 cm. Etwas knickspurig. Deutscher Maler, Grafiker und Kunstprofessor. HUBBUCH, Karl(1891 Karlsruhe - 1979 Karlsruhe) "Else"Etching on laid paper. Pencil signature. [1949]. Copy: 16/100. Plate: 39.5 x 40 cm, sheet: 77 x 54.5 cm. Slightly creased. German painter, graphic artist and art professor. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Los 303

NIEMEYER-HOLSTEIN, Otto(1896 Kiel - 1984 Koserow) "Dank"Radierung. Bleistiftmonogramm "ONH". Datiert: "Mai 81". Platte: 9 x 12 cm. Gerahmt & hinter Glas : 16 x 21 cm. Deutscher Landschafts-, Stillleben- und Figurenmaler; gilt als bedeutendster Maler der Ostseeregion. "Diese Malerei, inspiriert von der Grenzwelt zwischen Land und Meer, weist zuvörderst auf sich selbst und erst dann auf den Gegenstand, den sie darstellt." (Prof. Dr. Lothar Lang über ONH, in: Malerei und Grafik in Ostdeutschland, Leipzig 2002). Literatur : https://www.atelier-otto-niemeyer-holstein.de/. NIEMEYER-HOLSTEIN, Otto(1896 Kiel - 1984 Koserow) "Thanks"Etching. Pencil monogram "ONH". Dated "May 81". Plate: 9 x 12 cm. Framed & behind glass : 16 x 21 cm. German landscape, still life and figure painter; considered the most important painter of the Baltic Sea region. "This painting, inspired by the border world between land and sea, points first to itself and only then to the object it represents." (Prof. Dr. Lothar Lang on ONH, in: Malerei und Grafik in Ostdeutschland, Leipzig 2002). Literature : https://www.atelier-otto-niemeyer-holstein.de/. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Los 221

3 erotische Werke2 Radierungen, 1 Lithografie. Max. 70 x 50 cm. Undeutlich signiert: Liegender weiblicher Akt, Radierung auf Bütten, Bleistiftsignatur, Exemplar: 3/10, Platte: 13 x 16,3 cm, Blatt: 16 x 19,7 cm, auf Karton montiert: 27 x 37 cm | Monogrammist "Bk.": Liegender weiblicher Akt, Lithografie, Bleistiftsignatur, Exemplar: 47/50, [19]84, Blatt: 21,2 x 21,2 cm, auf Karton montiert: 26 x 37,5 cm | Undeutlich signiert: Liegender weiblicher Akt, Radierung auf Bütten, Bleistiftsignatur, [19]88, Exemplar: 57/80, Platte: 24,5 x 30,5 cm, Blatt: 59,5 x 49,5 cm, im Passepartout: 70 x 50 cm. 3 erotic works2 etchings, 1 lithograph. Max. 70 x 50 cm. Indistinctly signed: Lying female nude, etching on laid paper, pencil signature, copy: 3/10, plate: 13 x 16,3 cm, sheet: 16 x 19,7 cm, mounted on cardboard: 27 x 37 cm | monogramist "Bk.": Lying female nude, lithograph, pencil signature, copy: 47/50, [19]84, sheet: 21.2 x 21.2 cm, mounted on cardboard: 26 x 37.5 cm | Indistinctly signed: Lying female nude, etching on laid paper, pencil signature, [19]88, copy: 57/80, plate: 24,5 x 30,5 cm, sheet: 59,5 x 49,5 cm, in mount: 70 x 50 cm. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Los 306

DERPAPAS, Georgios(1937 Katerini - 2014 Mykonos) TierRadierung auf Bütten. Bleistiftsignatur. [19]62. Platte: 22,5 x 34 cm, Blatt: 38 x 54,5 cm. Griechischer Maler und Grafiker; Vertreter des griechischen Surrealismus. DERPAPAS, Georgios(1937 Katerini - 2014 Mykonos) AnimalEtching on laid paper. Pencil signature. [19]62. Plate: 22.5 x 34 cm, sheet: 38 x 54.5 cm. Greek painter and graphic artist; representative of Greek Surrealism. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Los 912

Vase mit Emailmalerei. Legras & Cie. Verreries de St. Denis et de Pantin Réunies, Legras & Cie, Ätzsignatur, um 1920. Frankreich. Farbloses Glas mit weißen und lindgrünen Pulvereinschmelzungen; ausgekugelter Abriss. H 22 cm. Konische Vase mit Kraterhals. Auf der Wandung geätztes und weinrot staffiertes Ornamentband. Vase with enamel painting. Legras & Cie. Verreries de St. Denis et de Pantin Réunies, Legras & Cie, etching signature, circa 1920. France. Colorless glass with white and lime green powder fusions; dislocated breakaway. H 22 cm. Conical vase with crater neck. On the wall etched and wine-red painted ornamental band. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Los 276

PICASSO, Pablo(1881 Málaga - 1973 Mougins) "Le Repos du Sculpteur devant une Bacchanale au Taureau"Abbildung: 16 x 22 cm, im Passepartout: 30 x 40 cm. Lithografischer Abzug nach der Radierung aus "Suite Vollard", 1 von 540 Exemplaren, Editorial Gustavo Gili, Barcelona, 1956; mit Expertise. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Literatur : Bloch Nr. 165. PICASSO, Pablo(1881 Málaga - 1973 Mougins) "Le Repos du Sculpteur devant une Bacchanale au Taureau"Image: 16 x 22 cm, in mount: 30 x 40 cm. Lithographic print after etching from "Suite Vollard", 1 of 540 copies, Editorial Gustavo Gili, Barcelona, 1956; with expertise. Spanish painter, graphic artist and sculptor, is one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Literature : Bloch No. 165. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Los 68

KIRCHNER, Eugen(1865 - 1938) 4 Werke mit Landschaften3 Lithografien, 1 Radierung. Je mit Bleistiftsignatur. Max. 38 x 28 cm. Heu ernten im Sturm, Platte: 15,5 x 19,5 cm, Blatt: 22,3 x 30,6 cm | Berggipfel, Platte: 13,2 x 20 cm, Blatt: 19,3 x 26,8 cm, [1916] | Landschaft mit Kirche, Platte: 17 x 11,5 cm, Blatt: 22,5 x 17,6 cm | Karge Landschaft, Radierung, Platte: 14 x 20,3 cm, Blatt: 28 x 38,5 cm. Je minimal knick- und griffspurig. KIRCHNER, Eugen(1865 - 1938) 4 works with landscapes3 lithographs, 1 etching. Each with pencil signature. Max. 38 x 28 cm. Hay Harvesting in a Storm, plate: 15.5 x 19.5 cm, sheet: 22.3 x 30.6 cm | Mountain Peak, plate: 13.2 x 20 cm, sheet: 19.3 x 26.8 cm, [1916] | Landscape with Church, plate: 17 x 11.5 cm, sheet: 22.5 x 17.6 cm | Barren Landscape, etching, plate: 14 x 20.3 cm, sheet: 28 x 38.5 cm. Each minimally creased and grip. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Los 96

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) RehbockRadierung auf Büttenpapier montiert. Bleistiftsignatur. 18,3 x 25 cm. Gerahmt & hinter Glas : 36,5 x 42,5 cm. Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) RehbockEtching mounted on laid paper. Pencil signature. 18.3 x 25 cm. Framed & behind glass : 36.5 x 42.5 cm. German painter, graphic artist and illustrator, who became known especially for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt, adding the maiden name of the mother. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Los 235

NOßMANN, Andreas(*1962 Hilden) "Amokfahrer"Farbradierung. Bleistiftsignatur. Exemplar: 9/90. Platte: 34,5 x 44 cm. Gerahmt & hinter Glas : 53 x 73 cm. "Ich habe schon so viel gemacht, dennoch habe ich stets das Gefühl, dass halbe Leben verschlafen zu haben. Es gäbe noch so unendlich viel zu tun, so vieles was man noch probieren möchte, noch so viele Ideen. Vermutlich bräuchte ich aber dafür sogar noch ein zweites Leben. Das Zeichnen an sich ist so facettenreich, das habe ich selber viel zu lange unterschätzt." (Zitat: AN, https://www.nossmann.com/anmerkungen/). NOßMANN, Andreas(*1962 Hilden) "Amokfahrer"Color etching. Pencil signature. Copy: 9/90. Plate: 34.5 x 44 cm. Framed & behind glass : 53 x 73 cm. "I have already done so much, yet I always have the feeling that half life to have slept away. There would be still so infinitely much to do, so much what one would still like to try, still so many ideas. But I would probably need a second life for that. Drawing itself is so multifaceted, I underestimated that myself for far too long." (Quote: AN, https://www.nossmann.com/anmerkungen/). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Los 30

LEVE, Frédéric Louis (1877 Paris - 1968) Ansicht von ParisFarbradierung. Bleistiftsignatur. Platte: 18 x 25,7 cm. Gerahmt & hinter Glas : 31,5 x 38,5 cm. Darstellung der Verkaufsstände, die sogenannten Bouquinisten, an den Ufern der Seine in Paris. Blatt gebräunt. Französischer Maler und Grafiker. LEVE, Frédéric Louis (1877 Paris - 1968) View of ParisColor etching. Pencil signature. Plate: 18 x 25.7 cm. Framed & behind glass : 31.5 x 38.5 cm. Depiction of the stalls, called bouquinistes, on the banks of the Seine in Paris. Sheet browned. French painter and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Los 271

WASKE, Felix(*1942 Wien) "Verschiedene Versuche II"Radierung auf Bütten. Bleistiftsignatur. [19]72. Exemplar: 6/50. Platte: 26,3 x 15 cm, Blatt: 48,6 x 32 cm. Minimal griffspurig. Zeitgenössischer österreichischer Maler und Fotograf. WASKE, Felix(*1942 Vienna) "Various Attempts II"Etching on laid paper. Pencil signature. [19]72. copy: 6/50. Plate: 26.3 x 15 cm, sheet: 48.6 x 32 cm. Minimal traces of handling. Contemporary Austrian painter and photographer. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Los 107

HAEFNER?, Carl Stillleben mit KaktusAquarellierte Radierung. Bleistiftsignatur. Platte: 12,5 x 8 cm. Gerahmt & hinter Glas : 23,5 x 18,5 cm. Etwas stockfleckig. HAEFNER?, Carl Still life with cactusAquare etching. Pencil signature. Plate: 12.5 x 8 cm. Framed & behind glass : 23.5 x 18.5 cm. Slightly foxed. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Los 180

Milan Petrovic (1893 - 1978), etching on paper of Ponte Santa Trinita, Firenze, along with a pair of framed and glazed early 20th century watercolours of classical style buildings, indistinctly signed and dated. H.38 W.46cm (largest)

Los 2099A

Richard Beer (British, 1928-2017), 'Venetian Church', etching and aquatint, ed. 53/100, signed in pencil to margin, image size 59 x 44.5cm, framed and glazed.

Los 2100

Graham Clarke (British, b. 1941), 'Francis, The Reconciliation of the Fierce Wolf', etching in colours, ed. 187/400, signed in pencil to margin, framed and glazed, 28 x 21cm.

Los 2101

Graham Clarke (British, b. 1941), 'Italics', etching in colours, ed. 143/400, signed in pencil to margin, framed and glazed, 26 x 24.5cm.

Los 2102

Graham Clarke (British, b. 1941), 'Reine de la Mer', etching in colours, ed. 196/400, signed in pencil to margin, framed and glazed, 34 x 26.5cm.

Los 2103

Graham Clarke (British, b. 1941), 'Winter Goods', etching in colours, ed. 264/400, signed in pencil to margin, framed and glazed, 34.5 x 54cm.

Los 2104

Graham Clarke (British, b. 1941), 'Going First (Mayflower)', etching in colours, ed. 28/200, signed in pencil to margin, framed and glazed, 43 x 34cm.

Los 2106

Graham Clarke (British, b. 1941), 'It's a Doge's Life on the Grand Canal', etching in colours, ed. 267/400, signed in pencil to margin, framed and glazed, 52 x 67cm.

Los 2107

Graham Clarke (British, b. 1941), 'Cafe Antico', ed. 140/400, etching in colours, signed in pencil to margin, framed and glazed, 13 x 16.5cm.

Los 2108

Graham Clarke (British, b. 1941), 'Piece de Resistance', etching in colours, ed. 64/400, signed in pencil to margin, framed and glazed, 53 x 68cm.

Los 2110

Andrew Ingamells (British, b. 1956), Bank of England, 1994, etching in colours, ed. 71/150, signed in pencil to lower right margin, framed and glazed, 45 x 41cm.

Los 2113

Graham Clarke (British, b. 1941), 'Notte Todaye', etching in colours, ed. 182/400, signed in pencil to margin, unframed, 52 x 68cm.

Los 2122

Richard Beer (British, 1928-2017), 'Galerie', etching in colours, ed. 11/70, signed in pencil to margin, 59 x 39.5cm, framed.

Los 1177

Joseph V H**l (Danish 20th century)Chittorgarh Fort, Rajasthan, Indiasigned, dated 1936, pen and ink, 49.5cm x 38.5cm; an etching, Haveli at Jaisalmer, Rajasthan, 58.5cm x 38cm. signed in pencil, dated 1991 (2)

Los 1199

A collection of four pictures to include a 19th century etching of a horse, two prints and a Victorian watercolour of a church

Los 234

Wilfred Ball, "Venice", signed Wilfred Ball (lower left), black and white etching, 19 x 44cm

Los 120

British School, 'At Hardwick, Foss Dyke, 1930' uncoloured etching. 17x12cm approx. in maple frame.

Los 3313

Bedeutender höfischer Luxus-Hirschfänger mit fein geschnitztem Gefäß aus Rhinozeroshorn, deutsch, um 1680 Gerade Rückenklinge mit zweischneidiger Spitze und beidseitiger mehrfacher Kehlung. Am Klingenansatz beidseitig Reste von Zierätzung mit Darstellung von Reitern und schwer leserlichem Motto "Vivat...". Einteilig geschnitzte Parierstange aus Rhinozeroshorn mit Stichblatt in Form eines liegenden Löwen. Die leicht geschwungenen Parierstangenarme in Groteskenköpfe auslaufend. Hilze in Form eines hockenden Löwen mit einer erhobenen Tatze. Kleine Vernietscheibe aus Kupfer. Gefäß stellenweise leicht bestoßen, ein größerer Ausbruch an der Quartseite im Übergang von Parierstange zu Griff. Länge 75 cm.Achtung: Ein Export dieses Loses aus der EU ist leider nicht möglich. An important German deluxe hunting hanger with handle and guard made of finely carved rhinoceros horn, circa 1680 Straight, single-edged blade with a double-edged point and several fullers on both sides. Remnants of decorative etching with depictions of riders and the barely legible motto "Vivat..." on both sides at the root of the blade. The rhinoceros horn quillons carved in one piece, the guard plate in the shape of a recumbent lion. The slightly curved arms of the quillons flaring out into grotesque masks. The grip in the shape of a crouching lion, one paw raised. Small copper riveted disc. The hilt with minor knocks here and there, a larger chip on the reverse where the quillons joins the grip. Length 75 cm.Attention: This lot can only be shipped within the European Union.

Los 61

William Lionel Wyllie, RA (British, 1851-1931)Three marine etchings including 'Early Submarines off Gosport' each signed 'WLWyllie' in pencil (lower left)etching on wove20 x 40.6cm (7 7/8 x 16in) (PL) (and smaller) (4)Together with an etching by Harold Wyllie (British, 1880-1973) of ships in a harbourFootnotes:ProvenanceJonathan Janson, UK.For further information on this lot please visit Bonhams.com

Los 163

A John Cross singed limited edition colour etching, Newcastle upon Tyne, no. 147 of 500 together with three further colour etchings of Newcastle.

Los 193

After Sir William Russell Flint, A Rendezvous, Vicenza, etching, faintly signed and numbered XXXI,24x16cm;and two other etchings, Edward J Cherry, Elizabethan Houses Holborn, signed in pencil, 10x14cm;and another of a figure on river bank with swans and rowers in the background.Qty: 3

Los 197

After Bernard Dunstan, In the Cabin, colour lithograph, titled and monogrammed in pencil, with personalised inscription verso,6x8cm; Milein Cosman, Bear Hug, limited edition, dry point, 15x12.5cm;Ruth Cyril, Au Clair de la Lune, limited edition soft ground etching, 15x23cm;and an indistinctly signed brush drawing of a Jewish elder.

Los 202

Manuel Robbe, Lady and mirror,hand-coloured etching, signed in pencil,image 36.5x24.5cm.

Los 222

Anita Klein, Squeezing Lemons, drypoint etching 7/25, 40x30; and Beetle in the Bathroom, drypoint etching, 10/25, 40x30.Qty: 2

Los 225

A collection of contemporary etchings, prints, and photographs, various artists, including:John Connolly, I can See the Sea Dad, colour print, 25x9cm;Trevor Price, Social Mobility, colour etching, 13/50, 11.5x11.5cm;Erika Oller, three sets of three prints, She Arrives... She Critises.... She Leaves;Tom Durkin, Parasol on the Beach, signed limited edition print, 40x50cm;Hazel Armitage, The Old Barn Door, watercolour, 10x14.5cm;three contemporary photographs, indistinctly signed;'Cyclades' series of three coloured etchings, indistinctly signed;'Naxos II', coloured etching, indistinctly signed.

Los 69

ALFRED HUGH FISHER (1867-1945). A black & white etching “Second Master’s House, Winchester College”, signed & inscribed in pencil lower region, 12” x 7”; & a set of four French School equestrian pen studies, each 7½” x 4¾”, framed in sets of two (foxed, 13” x 16$” over-all; the etching 20½” x 14¼” over-all).

Los 71

FILIPPO MORGHEN (Italian, 18th century). A black & white etching, plate 16 from the series Le Antichita di Pozzveli, Baja, & Cuma, dedicated to Sir Henry Penruddoche Wyndham, 10½” x 15”, (w.a.f.); two other etchings; & a pair after Henry Aitken from the “Hunters” series, 8½” x 10½”, each framed & glazed (the largest & the pair: 19¼” x 21¾” & 18½” x 24¼” over-all).

Los 72

CHARLES ALBERT WALTNER (1846-1925), after SIR FRANCIS DICKSEE (1853-1928). “Harmony”, black & white etching, publ. 1880 by Thos. Agnew & Sons, London; 18½” x 10¾”, in glazed modern painted frame, (29¼” x 21” over-all).

Los 381

Etching of landscape signed by Edward Wilson and with label on back 1919. Image 11” x 5”. On backing board without frame

Los 384

Etching of Casa Marino Faliero signed by W. Renison. Image 16.5” x 13”, frame 28.5” x 20”

Los 123

Jacque study of rural cottages with chickens and sheep, etching, framed and glazed

Los 611

§ § Dame Elizabeth Blackadder, OBE RA RSA RSW RGI DLitt (b.1931) Sienese Cat, from Cats Portfolioetching and aquatint in colours, 2003, on wove papersigned in pencil, numbered 12/80, published by the Glasgow Print Studio,30 x 36cm, sheet overall 49 x 53cm

Los 621

George W. Soper (1870-1942), drypoint etching, White Terriers, signed in pencil, 15 x 20cm

Los 635

William Lionel Wyllie (1851-1931), drypoint etching, 'Torpedo boats hunting for U-boats (Battle of Jutland), signed in pencil, 9 x 33cm

Los 2

A hand coloured etching from the Dirty Dogs Of Paris series after Boris O'Klein titled Sus aux Curiex, signed in pencil, mounted and framed under glass, approximately 17 cm x 45 cm image size and one further framed picture. [2] Condition Report: O'Klein print is unexamined out of the glazed frame but appears in generally good condition, some light foxing in areas, a couple of deceased insects under the glass, possibly loose below the mount as there is a slight wave to the paper.

Los 40

HOWARD HODGKIN, 'Fear gives everything its hue, its high', original aquatint and etching, 28cm x 41cm, published 1981. (Subject to ARR - see Buyers Conditions)

Los 183

Deutsches Reich 1933 - 1945 - Führende Persönlichkeiten des 3.Reiches : ADOLF HITLER - PERSÖNLICHER SILBERRAHMEN MIT ORIGINALRADIERUNG SEINES GEBURTSHAUSES IN BRAUNAU AM INN.Repräsentativer handgefertigter gehämmerter Silberrahmen im übergroßen Sonderformat. Mit Originalradierung des Geburtshauses Adolf Hitlers in Braunau am Inn. Am linken unteren Rand Künstlersignatur "Ernst Zippens" . Am rechten Rand handschriftliche Bezeichnung: " Braunau a. Inn, Geburtshaus des Führers". Auf dem Dedikationsfeld des Silberrahmens unterhalb des Fotos innerhalb eines Mäanderbandes der aufgelegte Hoheitsadler und die Initialen "AH". Am Rand Herstellermarke der Goldschmiede Gebrüder Wandinger "FHW" sowie der Silberstempel "925", Krone und Halbmond. Die Gebrüder Wandinger stellten neben repräsentative Geschenkobjekten im Auftrag Adolf Hitlers auch die vergoldeten Beschläge und Hoheitsadler für die Urkunden und Kassetten der höheren Stufen des Ritterkreuzes des Eisernen Kreuzes her. Rückseitig Lederständer und Abdeckung aus dunkelbraunem Saffianleder. In repräsentativer Kassette ohne Hoheitsadler aus rotem Saffianleder. Im Innenteil rotes Samtfutter. Im Rücken Künstlersignatur der Buchbinderin "FRIEDA THIERSCH" Maße: 420 x 460 x 40 mm Verschiedene Formate dieses Geschenkrahmens der Goldschmiede Gebrüder Wandinger aus gehämmertem Silber mit dem von den Initialen Adolf Hitlers flankierten Hoheitsadler wurde von Hitler mit seinem eigenhändig signierten und meist mit einer persönlichen Widmung versehenen Porträtfoto sowohl an bedeutende Persönlichkeiten aus Staat, Wehrmacht und Partei und ausländische Staatsgäste, als auch an bedeutende Persönlichkeiten aus Kultur und Gesellschaft zu besonderen Anlässen überreicht. Die künstlerische Gesamtkonzeption stammt von Professor Gerdy Troost, der Witwe des von Hitler hoch geschätzten Architekten Paul Ludwig Troost. Adolf Hitler nahm persönlichen Anteil an der Gestaltung dieser Art von repräsentativen Geschenken und wirkte auf deren künstlerischen Entwurf teilweise selbst ein. Ausweislich des Archivs Professor Gerdy Troosts wurden etwa 100 solcher Silberrahmen für Geschenk - Porträtfotos Adolf Hitlers zur Überreichnung an hochgestellte Persönlichkeiten durch die Gebrüder Wandinger angefertigt. Mindestens ein Exemplar wurde in silbervergoldeter Ausführung hergestellt. Diese Foto - Geschenkrahmen wurden in durch die Werkstatt der Buchbinderin Frieda Thiersch angefertigten Präsentationskassetten aus rotem Saffianleder mit in Silber, bzw. Gold geprägtem Hoheitsadler auf den Deckeln überreicht. Die herkömmlichen Geschenkrahmen haben die Abmessungen 390 x 285 mm. Das hier vorliegende, mutmaßlich für Adolf Hitler selbst angefertigte Exemplar besitzt die Maße 400 x 440 mm. Es ist meines Wissens das einzige Sonderformat dieses kunsthandwerklich äußerst aufwendig gearbeiteten Präsentationsrahmens, das bisher bekannt geworden ist. Typisch für die Schlichtheit der von Adolf Hitler für den eigenen Gebrauch bestimmten Gegenstände ist auch, daß anders als bei den Geschenkrahmen, die Saffianlederkassette nicht mit einem Hoheitsadler versehen wurde. Bedeutendes historisches Sammlungsstück von imposanter Größe und in dieser Form warscheinlich ein Unikat.The Third German Reich 1933 - 1945 - Leading Personalities of the 3rd Reich : ADOLF HITLER PERSONAL PICTURE FRAME OF A RENDERING OF HIS BIRTHPLACE BRANAU ON THE INN.Large format representative frame is hand made in silver in special large format and features original etching of the birth house of Adolf Hitler in Braunau on the Inn. Lower left edge features artists signature "Ernst Zippens". Right edge features hand written inscription "Braunau a. Inn, Birthplace of the Fuhrer". The silver frame dedication field at the lower portion of the photo features meandering greek bands with an applied national eagle and the initials "AH". The edge of the frame features maker mark for the Brothers Wandiger "FHW" along with silver hallmark "925", crown and half moon. The Brothers Wandiger provided a variety of presentation gifts ordered by Adolf Hitler as well as the national eagles and metal devices for the higher grade documents of the Knight's Cross of the Iron Cross. Reverse features leather stand and is covered in dark brown Saffian leather. Frame includes presentation cassette in red Saffian leather with red felt lining. Interior features artist's signature of the book binder, "FRIEDA THIERSCH" and measures 420 x 460 x 40 mm.. Presentation frames in different dimensions were produced by the goldsmiths, the Brothers Wandiger, they were made of hammered silver and featured the initials of Hitler and a national eagle. When used as presentation frames with his picture Hitler personally signed each photo and usually added a personal dedication. This particular type of frame was presented to important personalities of the military, the party, the nation and foreign officials. Also, to important personalities from art and science. The basic design is attributed to Gerdy Troost, the widow of Hitler's highly regarded architect, Paul Ludwig Troost. Adolf Hitler personally involved himself with the concept and design of this style of presentation gifts. According to the Archives of Professor Gerdy Troost, approximately 100 of these special type of silver frames were delivered by the Wandingers for the purposes of presenting them to high-ranking personalities. At least one example was produced from gold plated silver. The standard photo presentation frames measured 390 x 285 mm and were presented with a superb presentation cassette. The red Saffian leather cassette featured a gold or silver embossed national eagle to its cover and was designed and produced by the famous book binder, Frieda Thiersch. The accompanying frame measures 390 x 285 mm. The rectangular format (horizontal) offered at auction which was probably personally produced for Adolf Hitler mesures 400 x 440 mm. To the best of my knowledge, this is the only type of "special format" presentation frame known. Given Hitler's style of keeping is personal items simple this special frame does not have the embossed national eagle on the Saffian leather cassette. Important historical collector's item of impressive size and in this form, most likely unique.

Los 4003

Jean Remlinger (French 1935-): Figure Study, colour etching inscribed and numbered E/A dated '95, 18cm x 13cm

Los 4096

Henry Wilkinson (British 1921-2011): Shooting Snipe, coloured drypoint etching signed and numbered 56/200 in pencil 27cm x 36cm

Los 4106

Charles Turner (British 1774-1857) after Joseph Mallord William Turner (1775-1851): 'Clyde', etching aquatint and mezzotint pub. 1808, 18cm x 27cm

Los 1017

Frank Greenwood - Old houses close to Manchester Cathedral, etching, signed in pencil to the margin, 40 x 25cm

Los 1060

James Gilray - The Sound of the Horn! - or 'The Danger of riding an Old Hunter!', colour etching, 25x35cm

Los 1061

George Soper - Return to work, etching, signed in pencil to the margin, 12.5x17cm, and George Thomas Rope (1845-1929) - figure on a country lane, pencil drawing, signed lower right, 17x24.5 (2)Soper - has some light browning otherwise very good.Rope - has some light staining to left hand side.

Los 1075

David Shepherd - Ardoyne Patrol, limited edition print, together with Thomas Sidney Cooper - monochrome print, and CJ Murray - etching (3)

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