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Los 235

DDS. Peter Doig (b.1959) Alpiniste, etching, 2007, signed in pencil, numbered 30/60, published by Salon Verlag, Cologne, on wove paper, with full margins, in good condition, 535 x 395 mm (21 x 151/2 in) Contained in the original portfolio with the book: The Wonders of Ski-ing, by Hannes Schneider and Arnold Fanck, and a printed bookplate, signed in pencil and numbered 30/60

Los 240

DDS. Tracey Emin (b.1963) Bird on Branch, etching, 2002, initialled in pencil, on wove paper, with full margins, in good condition, 130 x 195 mm (5 x 73/4 in)

Los 241

DDS. Tracey Emin (b.1963) You Said, etching with aquatint, 2009, signed, titled an dated in pencil, numbered 289/300, published by the Tate Gallery, London, on wove paper, with full margins, in good condition, 240 x 330 mm (91/2 x 13 in)

Los 244A

Lucio Fontana (1899-1968) Concetto Spaziale (r.e6) etching with aquatint, with punched holes by the artist, 1962 signed in pencil, numbered 3/75, on wove paper, with full margins, in good condition, 248 x 205 mm (93/4 x 8 in

Los 248

Sam Francis (1923-1994) senza titolo ii (s.f.e. 065) etching and aquatint printed in colours, 1987, signed in pencil, numbered 28/66, on wove paper, with full margins, in good condition, 590 x 725 mm (231/4 x 281/2 in)

Los 248A

Helen Frankenthaler (b.1928) Walking Rain (h.130) lithograph with aquatint, etching and engraving printed in colours, 1987, signed and dated in pencil, inscribed ap, numbered 10/14, an artist proof aside from the edition of 54, printed and published by Tyler Graphics, New York, with there blindstamp, on wove paper, with full margins, in good condition, 765 x 565 mm (301/4 x 221/4 in)

Los 257

DDS. Damien Hirst (b.1965) You threw a Melon at my head (from In a spin, the action of the world on things Vol. I) etching with aquatint printed in colours, 2002, signed in pencil, from the edition of 68, on wove paper, with full margins, in good condition, 400 x 270 mm (153/4 x 103/4 in)

Los 258

DDS. Damien Hirst (b.1965) Lavender Baby (from In a spin, the action of the world upon things vol. I) etching with aquatint printed in colours, 2002, signed in pencil, from the edition of 68, on wove paper, with full margins, in good condition, 400 x 270 mm (153/4 x 103/4 in)

Los 259

DDS. Damien Hirst (b.1965) All around the world (from In a spin, the action of the world on things Vol. I) etching with aquatint printed in colours, 2002, signed in pencil, from the edition of 68, published by the Paragon Press, on wove paper, with full margins, in good condition, 620 x 500 mm (241/4 x 193/4 in)

Los 264

DDS. Damien Hirst (b.1965) Green Butterfly, etching with aquatint printed in colours, 2008, signed in pencil, also with the artist’s rubber stamp, numbered from the edition of 75, published by Other Criteria, London, on wove paper, with full margins, in good condition, 250 x 300 mm (93/4 x 12 in)

Los 299

DDS. David Hockney (b.1937) The French Shop (S.A.C.122) etching with aquatint printed in colours, 1977, signed and dated in pencil, numbered 84/500, published by the Observer, London, on BFK Rives paper, with full margins, in good condition, 535 x 450 mm (21 x 173/4 in)

Los 302

DDS. David Hockney (b.1937) Princess in her Tower (S.A.C.74) etching with aquatint, 1969, (from Six Fairy Tales from the Brothers Grimm), signed in pencil, from the edition of 100, on wove paper, with full margins, in good condition, 450 x 310 mm (173/4 x 121/4 in)

Los 304

DDS. David Hockney (b.1937) Old Rinkrank threatens the princess (S.A.C.96) etching with aquatint, 1969, (from Six Fairy Tales from the Brothers Grimm), signed in pencil, from the edition of 100, on wove paper, with full margins, in good condition, 450 x 310 mm (173/4 x 121/4 in)

Los 305

DDS. David Hockney (b.1937) Corpses on fire (from Six Fairy Tales from the Brothers Grimm) (S.A.C.91), etching, 1969, signed in pencil, 95/100, published by Petersburg Press, London, on Hodgkinson handmade paper, a small paper loss to left edge of sheet, 445 x 400 mm (171/2 x 153/4 in)

Los 306

DDS. David Hockney (b.1937) It Picks Its Way (S.A.C.202) etching with aquatint printed in colours, 1976-77, signed in pencil, numbered 86/200, published by Petersburg Press, London, on wove paper, with full margins in good condition, 340 x 430 mm (131/4 x 17 in)

Los 307

DDS. David Hockney (b.1937) Discord Merely Magnifies (S.A.C.205) etching with aquatint printed in colours, 1976-77, signed in pencil, numbered 86/200, published by Petersburg Press, London, on wove paper, with full margins, in good condition, 340 x 430 mm (131/4 x 17 in)

Los 308

DDS. David Hockney (b.1937) Franco American Mail (S.A.C.203) etching with aquatint printed in colours, 1976-77, signed in pencil, numbered 86/200, published by Petersburg Press, London, on wove paper, with full margins in good condition, 340 x 430 mm (131/4 x 17 in)

Los 309

DDS. David Hockney (b.1937) Figures with Still Life (S.A.C.208) etching with aquatint printed in colours, 1976-77, signed in pencil, numbered 86/200, published by Petersburg Press, London, on wove paper, with full margins in good condition, 425 x 340 mm (163/4 x 131/2 in)

Los 338A

Dieter Roth (1930-1998) Duett (d.182) etching with drypoint, 1971, signed and dated in pencil, numbered 3/30, published by Petersburg Press, London, on wove paper, with full margins, in good condition, 640 x 710 mm (251/4 x 28 in)

Los 483

After Timothy John Greenwood - the polecat, black and white copper etching signed in pencil and numbered 49/50, plate size 7" x 6"; also by the same hand - study of a deer, signed in pencil and numbered 37/50, copper plate black and white etching, plate size 9" x 6"; after Edward J. Cherry - village street scene, black and white etching, signed, plate size 5.5" X 7" (3)

Los 493

After Frank Branwyn - gathering of village people watching a game of bowls beneath a windmill, signed in pencil on mount, black and white etching, 23" x 19"; also after Mortimer Menpes - view of tiled brick houses, signed in pencil on mount, black and white etching, 7.5" x 6" (2)

Los 494

After Graham Clarke - three signed and titled black and white framed etchings, `Lord of the Mowend (artists proof)`, 14.5" x 22", `The Green Man 74/100`, 14.5" x 21.5" and `Paper Mill 10/75`, 5.75" x 9"; also after Michael Chaplin R. E. - `Kentish Barn`, signed and dated 1976 in pencil on mount, limited edition no. 29/75 black and white etching, 20.5" x 24" (glass a.f)

Los 23

after Rembrandt/The Sleeping Sow/black and white etching and/sundry pictures and frames.

Los 183

MARIE ADLER (1863-1947) Town scene, Vienna, signed and titled in pencil in the margin, etching, 11 1/4" x 7 1/2", together with a collection of further prints and watercolours

Los 184

WILFRED FAIRCLOUGH (British, 1907-1996) `The Spanish Beggar`, signed and dated `38 in pencil in the margin lower right, and titled verso, etching, 6" x 5", together with two further etchings (3)

Los 479

Charles Frederick Tunnicliffe (1901-1979) The Bull etching, signed in pencil and numbered 9/75 11 x 9in (28 x 23cm)

Los 480

Ernest Stephen Lumsden (British, 1883-1945) Boats and Coolies etching, signed and numbered in ink 21/63, gallery label verso 10 x 14in (25.5 x 36cm) * Provenance: ex-Duncan R. Miller Fine Arts, London. This work was featured in `The Prints of the Year 1928`.

Los 483

Edmund Blampied (British 1886-1966) Poor People drypoint etching, signed in pencil and numbered 20/100 10 x 7.5in (26 x 19cm).

Los 485

Edmund Blampied (British 1886-1966) The Centinarian drypoint etching, signed in ink and numbered 60/100 10.25 x 10.25in (27 x 27cm).

Los 450

Frances Winder, Moorland Scene, pastel; together with a Hilda Walker etching of windmills. (2)

Los 484

Bridget Tempest, "Harriers", etching, signed, titled and numbered 30/50 in pencil

Los 518

James Hamilton Hay (1874-1916), "Maude Quilliam", study of a lady seated at a table, etching, titled and dated 1916, unframed. 21cm by 24cm

Los 520

James Hamilton Hay (1874-1916), "Dark Arch", Runcorn Bridge, etching, signed in pencil, unframed. 30cm by 24cm

Los 521

James Hamilton Hay (1874-1916), Glade at Golden Hill Park, etching, monogrammed in pencil lower left, unframed. 22cm by 27cm

Los 522

James Hamilton Hay (1874-1916), "Pavy Ark and Mill Ghyll", etching, signed in pencil to the margin, monogrammed lower left and titled, unframed. 26cm by 21cm

Los 523

James Hamilton Hay (1874-1916), portrait of the engraver, etching, 1915, signed in pencil, unframed. 22.5cm by 23cm

Los 524

James Hamilton Hay (1874-1916), "Beatrix Burne", study of a seated lady in an interior, etching, 1915, unframed. 21cm by 26cm

Los 525

James Hamilton Hay (1874-1916), "Margaret Forbes", study of a lady on a settee, etching, 1915, signed in pencil, unframed. 21.5cm by 26cm

Los 526

James Hamilton Hay (1874-1916), a line of trees, etching, unframed. 21cm by 26cm

Los 527

James Hamilton Hay (1874-1916), "Yvonne Kaye", study of a seated woman, etching, 1915, titled, unframed. 30cm by 18.5cm

Los 529

James Hamilton Hay (1874-1916), Castle`s Yard, Vauxhall, etching, 1913, signed in pencil, unframed. 34cm by 23cm

Los 530

James Hamilton Hay (1874-1916), Runcorn Bridge, etching 1913, signed in pencil, unframed. 15cm by 19cm

Los 531

James Hamilton Hay (1874-1916), "Halton", etching, signed in pencil, titled unframed, 11cm by 27.5cm; together with Walberswick Ferry, Southwold, an etching by the same artist, signed in pencil, unframed, 17.5cm by 26.5cm. (2)

Los 532

James Hamilton Hay (1874-1916), The New Lion, British Museum, etching, signed and dated 1913 in pencil, unframed. 27cm by 21cm

Los 533

James Hamilton Hay (1874-1916), "Runcorn Bridge", etching, signed in pencil, titled, unframed, 25cm by 39cm; together with "Sand Storm, Waterloo", an etching by the same artist, unframed, 18cm by 20cm. (2)

Los 534

James Hamilton Hay (1874-1916), "Pa-Nehsi", etching, 1913, signed in pencil, titled, unframed. 17.5cm by 13.5cm

Los 535

James Hamilton Hay (1874-1916), "Dark Arch", Runcorn Bridge, etching, signed in pencil, unframed. 30cm by 24cm

Los 536

James Hamilton Hay (1874-1916), The Encased Statue, etching, 1913, signed in pencil, unframed. 34cm by 22.5cm

Los 537

James Hamilton Hay (1874-1916), "Dark Arch", Runcorn Bridge, etching, signed in pencil, unframed. 30cm by 24cm

Los 538

James Hamilton Hay (1874-1916), Limbourne, etching, signed in pencil to the margin, unframed. 14cm by 21.5cm

Los 539

James Hamilton Hay (1874-1916), "Runcorn Suspension Bridge", etching, signed in pencil, unframed. 30cm by 23cm

Los 540

James Hamilton Hay (1874-1916), Southwold Autumn Landscape, etching, 1913, unframed, 12.5cm by 17.5cm; together with "Taintree House", etching by the same artist, October 1908, signed and dated in pencil to the margin, unframed, 9cm by 13cm. (2) Note: Taintree House, Audlem, near Nantwich, was the artist`s residence from 1907 to 1911.

Los 541

James Hamilton Hay (1874-1916), Corfe Castle with a Signal Post, etching, signed in pencil to the margin, unframed. 21.5cm by 23cm

Los 542

James Hamilton Hay (1874-1916), Hyde Park, etching, 1913, unframed, 21.5cm by 14cm; together with Spring in Dorset, an etching by the same artist, unframed, 19.5cm by 23cm. (2)

Los 543

James Hamilton Hay (1874-1916), Southwold Salt Mill, etching, 1913, signed in pencil, unframed. 14cm by 21cm

Los 544

James Hamilton Hay (1874-1916), Corfe Castle and Village, etching, signed in pencil to the margin, unframed. 14cm by 21cm

Los 545

James Hamilton Hay (1874-1916), Corfe Castle from the Fields, etching, signed in pencil to the margin, unframed. 18cm by 27.5cm

Los 546

James Hamilton Hay (1874-1916), Corfe Castle, etching, 1914, signed in pencil in the margin, titled, unframed. 23cm by 28cm

Los 547

James Hamilton Hay (1874-1916), Corfe Square, etching, 1914, unframed. 22cm by 34cm

Los 548

James Hamilton Hay (1874-1916), Buckingham Landscape, etching, signed in pencil, unframed. 17cm by 25.5cm

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