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78475 Los(e)/Seite
Tessa Beaver (British 1932-2018); 'Pitch Pine' monochrome woodblock print, numbered 10/50 titled and signed in pencil, 25cm x 33cm, Hilary Paynter (British, b.1943); 'Northleach' monochrome print numbered 9/100 titled and signed in pencil, 14cm x 24cm and Léon Verdier (French, b.1866); 'Misty Morning London' etching, inscribed in pencil and title, 10cm x 7cm (3)
† DAVID HOCKNEY OM CH RA (born 1937); etching and aquatint on Crisbrook handmade paper, 'In the Dull Village, 1966', from illustrations for fourteen poems by C.B. Cavafy (Tokyo 54), signed and numbered 34/75, inscribed on Wiseman Originals label verso, 34.5 x 22cm.Condition Report: Heavy brown staining throughout image and mount, very slight rippling to paper, no tears or further blemishes.
Pablo Picasso (Spanish, 1881-1973) Avant Garde, Picasso's Erotic Gravures #8 - by Editor Ralph Ginzburg First Edition; First Printing. Softcover. 28cm x 28cm (11" x 11") Pablo Picasso (Spanish, 1881-1973) is known as the founder of Cubism. He was born in Málaga in 1881 to an artist father. The family moved to Barcelona in 1895, where Picasso enrolled at the School of Fine Arts. In the beginning of 1901, Picasso moved to Paris for the first time. The city was considered the cultural capital of Europe and attracted many aspiring artists. Soon after, he made his first sale with art dealer Berthe Weill and quickly became an influential figure in the artistic circles of Montmartre. After working in his characteristic Blue Period of 1901‒4 (as seen in Motherhood (1901)), Picasso developed his famous Cubist style in 1906/7. Together with French artist Georges Braque, Picasso extended the technique to Analytical Cubism and Synthetic Cubism (as seen in Fruit Dish, Bottle and Violin (1914)). Picasso was extremely productive during his lifetime, expanding his oeuvre to include etching, sculpture and ceramics. The Spanish artist had a profound influence on the formation of 20th-century Avant-garde art and his works can be found in many notable modern art collections around the world.
Celedonio Perellon (Spanish, 1926-2015) Untitled Colour etching on paper Limited edition of 69 copies Numbered 19/69 and signed by artist on margin 11cm x 16cm (4 3/5" x 816 3/8") Celedonio Perellon (Spanish, 1926-2015) was a prestigious illustrator. He drew some comics at an early stage of his career. He started out at Adolfo López Rubio's studio, which he shared with such future famous comic artists as Víctor De la Fuente and José Laffond. Soon afterwards he took up illustration. In the 1970s he concentrated on his painting works. These years he showed an interest in the erotic subject matter, which could be appreciated in his occasional long comic entitled 'Bunda'. Celedonio Perellón has illustrated more than two hundred books, many of them classical works and children's books. He has exhibited his paintings in Europe and the USA.
Salvador Dali (Spanish 1904-1989) Cymbeline Colour etching on paper Signed and numbered in pencil on margins 17cm x 12.5cm(63/4" x 4 7/8") Salvador Dalí (Spanish 1904-1989) is a Spanish Surrealist painter and printmaker, influential for his explorations of subconscious imagery. As an art student in Madrid and Barcelona, Dalí assimilated a vast number of artistic styles and displayed unusual technical facility as a painter. It was not until the late 1920s, however, that two events brought about the development of his mature artistic style: his discovery of Sigmund Freud’s writings on the erotic significance of subconscious imagery and his affiliation with the Paris Surrealists, a group of artists and writers who sought to establish the “greater reality” of the human subconscious over reason. To bring up images from his subconscious mind, Dalí began to induce hallucinatory states in himself by a process he described as “paranoiac critical.”
Celedonio Perellon (Spanish 1926-2015) Untitled Etching on paper Signed by artist 25.5cm x 17cm (10" X 6 7/8") Celedonio Perellon (Spanish 1926-2015) was a prestigious illustrator. Celedonio Perellón drew some comics at an early stage of his career. He started out at Adolfo López Rubio's studio, which he shared with such future famous comic artists as Víctor De la Fuente and José Laffond. Soon afterwards he took up illustration. In the 1970s he concentrated on his painting works. These years he showed an interest in the erotic subject matter, which could be appreciated in his occasional long comic entitled 'Bunda'. Celedonio Perellón has illustrated more than two hundred books, many of them classical works and children's books. He has exhibited his paintings in Europe and the USA.
Graham Clarke ( b.1941) A rare pencil signed & titled limited edition etching 'Mullion Cove' (Cornwall) un-numbered, inscribed in pencil H.C. (Hors D' Commerce) and printed in monochrome tones. The rest of the edition of 350 was published by Christie's contemporary art circa 1977. Presented in original metal frame with perspex glazing. Frame size approx 25 x 21 inches.
Graham Clarke ( b.1941) A rare pencil signed & titled limited edition etching 'Thomas Hardy's cottage' un-numbered, inscribed in pencil H.C. (Hors D' Commerce) and printed in monochrome tones. The rest of the edition of 350 was printed in colours and published by Christie's contemporary art circa 1977. Presented in original metal frame with perspex glazing. Frame size approx 25 x 21 inches.
A collection of three contemporary etchings / paintings. The lot comprising: Heidi Koenig (German b.1964) Ama Dablam Etching on paper Numbered 9/150, titled and signed on margin by artist 40 x 34 cm (16" x 13.4") Heidi Koenig (German b.1964) Primavera Etching on paper Numbered 22125, titled and signed on margin by artist 40cm x 34cm Eugene Joseph (British b.1958) Untitled Watercolour on paper Signed & framed
Harry Furniss's Royal Academy 'An Artistic Joke, a Reproduction in Photogravure, Executed by Alfred and Charles Dawson of the pictures in the above exhibit together with the illustrated catalogue', published by the Typographic Etching Company, limited edition 349/1000, dated 1887 to the front, 1888 to the interior.
Twentieth Century Continental School : Venetian Canal Scene, etching with aquatint, printed in colours, indistinctly signed in pencil, numbered XXVII/XXX, with full margins, printed on wove paper, 29 cm x 10 cm, together with a pair similar also depicting a Venetian canal scenes by the same artist, smaller in size, both also signed, all parts framed. (3)

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