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Edmund Blampied (British, 1886-1966), 'Fairy Tales' (1931), etching, ed. 17/108, inscribed with signature to margin, 19 x 27cm, framed and glazed, bearing Chas A. Jackson label to the reverse.

Louis Icart (French, 1888-1950), full-length depiction of a woman with birdcage, etching in colours, signed in pencil to margin, 43 x 32cm, framed and glazed.

Derby interest: 18th century map of Derby, c.1731; also a 19th century etching of East View of Derby; and a 19th century etching of a view of Derby from St Mary's Bridge

An early 19th century English School pencil and ink picture of a fly fisherman on the banks of a river, together with a 19th century framed etching of Wootton Hall Lodge, Staffordshire

After Tickhill. Castle Near Doncaster, panoramic map, book plate etching, 30cm x 46cm, various other book plates, prints, pictures, Cries Of London style etc. (5)

FLIEGERBAUER, Max(1874 Etzelbach - 1952 Rudolstadt) "Birkenweg"Radierung. Bleistiftsignatur. In der Platte datiert: 1932.Druckplatte: 24,5 x 19 cm. Gerahmt & hinter Glas43,5 x 34,5 cm.Blatt lichtgebräunt.Deutscher Maler und Grafiker aus Rudolstadt. FLIEGERBAUER, Max(1874 Etzelbach - 1952 Rudolstadt) "Birkenweg"Etching. Pencil signature. Dated in the plate: 1932.Print plate: 24.5 x 19 cm. Framed & behind glass43.5 x 34.5 cm.Sheet light browned.German painter and graphic artist from Rudolstadt.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MECKING, Fritz(*1920 Bielefeld - 1988) Hügelige WinterlandschaftFarbradierung. Bleistiftsignatur. Künstlerexemplar "e.a.".Druckplatte: 9,8 x 14,7 cm. Gerahmt & hinter Glas29 x 40,8 cm.  MECKING, Fritz(*1920 Bielefeld - 1988) Hilly winter landscapeColor etching. Pencil signature. Artist's copy "e.a."Print plate: 9.8 x 14.7 cm. Framed & behind glass29 x 40.8 cm. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

REINHOLD, Bruno(1891 Berlin - 1973 Berlin) "Eosanderportal Schloss Berlin"Radierung. Bleistiftsignatur.Druckplatte: 36 x 25 cm. Gerahmt & hinter Glas50,5 x 39,5 cm.Blatt etwas lichtgebräunt.Deutscher Maler und Grafiker. REINHOLD, Bruno(1891 Berlin - 1973 Berlin) "Eosanderportal Schloss Berlin"Etching. Pencil signature.Printing plate: 36 x 25 cm. Framed & behind glass50.5 x 39.5 cm.Sheet somewhat light browned.German painter and graphic artist.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HERZOG, Walter(*1936 Dresden) "Stufen - aufsteigend"Radierung mit leicht getöntem Plattenfond. Bleistiftsignatur. Exemplar: 46/75.Platte: 29,5 x 29 cm. Gerahmt & hinter Glas51 x 41 cm. Deutscher Zeichner und Grafiker. HERZOG, Walter(*1936 Dresden) "Steps - ascending"Etching with slightly tinted plate background. Pencil signature. Copy: 46/75.Plate: 29.5 x 29 cm. Framed & behind glass51 x 41 cm. German draftsman and graphic artist.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HARTMANN, Fritz(1878 Wuppertal - 1961 Wuppertal) "Rothenburg Kobolzellertor"Aquarellierte Original-Radierung. Bleistiftsignatur.Druckplatte: 35 x 25 cm. Gerahmt & hinter Glas49,5 x 37,5 cm.Blatt lichtgebräunt.Deutscher Maler und Radierer der Düsseldorfer Malerschule. HARTMANN, Fritz(1878 Wuppertal - 1961 Wuppertal) "Rothenburg Kobolzellertor"Aquarellellierte original etching. Pencil signature.Printing plate: 35 x 25 cm. Framed & behind glass49.5 x 37.5 cm.Sheet light browned.German painter and etcher of the Düsseldorf school of painting.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ROTHE, Wilhelm(1783 - 1845) Blick auf die Leuchtenburg bei Kahla an der SaaleKolorierte Umrissradierung. Im Druck signiert.Platte: 55,5 x 65,5 cm. Gerahmt & hinter Glas66,5 x 79,5 cm. Ansicht der Leuchtenburg bei Kahla in Thüringen in ländlicher Umgebung, im Vordergrund Staffagefiguren, bezeichnet "Schloss Leuchtenburg bei Kahla an der Saale | Seiner koeniglichen Hoheit dem Herrn Ludwig X. reg. Grossherzog von Hessen-Darmstadt und bei Rhein etc."; nach einem Gemälde von Johann Carl August Richter (1785 - 1853) Stärker lichtgebräunt, stockfleckig.Provenienz : Aus Thüringer Adelsbesitz, Restitutionsgut mit Inventarnummer des Residenzschlosses Altenburg, vormals Bestand Schloss Poschwitz. ROTHE, Wilhelm(1783 - 1845) View of the Leuchtenburg near Kahla on the SaaleColored outline etching. Signed in print.Plate: 55.5 x 65.5 cm. Framed & behind glass66.5 x 79.5 cm.View of the Leuchtenburg near Kahla in Thuringia in rural surroundings, in the foreground staffage figures, inscribed "Schloss Leuchtenburg bei Kahla an der Saale | Seiner koeniglichen Hoheit dem Herrn Ludwig X. reg. Grossherzog von Hessen-Darmstadt und bei Rhein etc."; after a painting by Johann Carl August Richter (1785 - 1853) Stronger light browned, foxing.Provenance : From Thuringian nobility, restitution property with inventory number of the Residenzschloss Altenburg, formerly stock Poschwitz Castle.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ROHR, Wilhelm(1848 Leipzig - 1907 München) Mappe - "Die Cisterzienser"14 + 1 Radierung. 1 Radierung mit Bleistiftsignatur. Mappe: 50 x 62 cm. Vollständige Original-Klappmappe "Die Cisterzienser von Rohr" mit 14 Original-Radierungen, Titelblatt mit Widmung "Zur freundlichen Erinnerung an die schönen Tage in Stams" und 4-seitigem typografischem Einführungstext auf 2 Blättern von Adolf Harnack, verziert mit Radierung des Klosters Stams Je stockfleckig, je mit größerem Wasserfleck, je an den Rändern mit Bestoßungen, Mappe stärker defekt. Deutscher Maler, Radierer und Kupferstecher. ROHR, Wilhelm(1848 Leipzig - 1907 Munich) Folder - "The Cistercians"14 + 1 etching. 1 etching with pencil signature. Folder: 50 x 62 cm. Complete original folders "The Cistercians of Rohr" with 14 original etchings, title page with dedication "To the friendly memory of the beautiful days in Stams" and 4-page typographical introductory text on 2 sheets by Adolf Harnack, decorated with etching of the monastery of Stams Each foxed, each with larger water stain, each at the edges with bumps, folder more defective. German painter, etcher and engraver. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

5 Werke des Weimarer Radiervereins5 Radierungen. Je in der Platte signiert. Gerahmt & hinter GlasMax. 60 x 45 cm. Oscar Schulz: Großmutter und Enkelin, [1889], Druckplatte: 22 x 16 cm | "Studienkopf à la Rembrandt", [1888], Druckplatte: 22 x 16 cm, 13,3 x 9,1 cm, gerahmt & hinter Glas je: 51 x 37 cm | "Bäuerin", [1889], Druckplatte: 16 x 12,1 cm, gerahmt & hinter Glas: 57 x 42 cm; Max Thedy: "Studienkopf", [1888], Druckplatte: 19,8 x 15 cm und Otto Fröhlich: "Die Großmutter", [1901], Druckplatte: 20 x 14,1 cm, gerahmt & hinter Glas: 60 x 45 cm 5 works of the Weimar Etching Society5 etchings. Each signed in the plate. Framed & behind glassMax. 60 x 45 cm. Oscar Schulz: Grandmother and Granddaughter, [1889], printing plate: 22 x 16 cm | "Study Head à la Rembrandt", [1888], printing plate: 22 x 16 cm, 13.3 x 9.1 cm, framed & behind glass each: 51 x 37 cm | "Peasant Woman", [1889], printing plate: 16 x 12.1 cm, framed & behind glass: 57 x 42 cm; Max Thedy: "Study Head", [1888], printing plate: 19.8 x 15 cm and Otto Fröhlich: "The Grandmother", [1901], printing plate: 20 x 14.1 cm, framed & behind glass: 60 x 45 cm .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BRÜNING, Max(1887 Delitzsch - 1968 Lindau) Weiblicher Akt vor ovalem SpiegelRadierung in Sepia. Bleistiftsignatur.Platte: 33,8 x 16,8 cm. Gerahmt & hinter Glas59 x 39 cm. Deutscher Maler und Grafiker, persönlicher Zeichenlehrer des Kronprinzen Wilhelm (ab 1919 Wilhelm von Preußen). Bei einem Bombenangriff auf Berlin im Jahr 1943 wurden ca. 300 seiner Radierplatten vernichtet, die in der Kunstkupferstecherei Schütz verwahrt waren. BRÜNING, Max(1887 Delitzsch - 1968 Lindau) Female nude before oval mirrorEtching in sepia. Pencil signature.Plate: 33.8 x 16.8 cm. Framed & behind glass59 x 39 cm. German painter and graphic artist, personal drawing teacher of Crown Prince Wilhelm (from 1919 Wilhelm of Prussia). During a bombing raid on Berlin in 1943, about 300 of his etching plates were destroyed, which were stored in the Kunstkupferstecherei Schütz.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BRÜNING, Max(1887 Delitzsch - 1968 Lindau) Rückenansicht eines liegenden weiblichen AktesRadierung in Sepia. Bleistiftsignatur.Druckplatte: 13,5 x 28,5 cm. 25 x 39,5 cm.Blatt etwas lichtgebräunt.Deutscher Maler und Grafiker, persönlicher Zeichenlehrer des Kronprinzen Wilhelm (ab 1919 Wilhelm von Preußen). Bei einem Bombenangriff auf Berlin im Jahr 1943 wurden ca. 300 seiner Radierplatten vernichtet, die in der Kunstkupferstecherei Schütz verwahrt waren. BRÜNING, Max(1887 Delitzsch - 1968 Lindau) Back view of a reclining female nudeEtching in sepia. Pencil signature.Print plate: 13.5 x 28.5 cm. 25 x 39,5 cm.Sheet somewhat light browned.German painter and graphic artist, personal drawing teacher of Crown Prince Wilhelm (from 1919 Wilhelm of Prussia). During a bombing raid on Berlin in 1943, about 300 of his etching plates were destroyed, which were stored in the Kunstkupferstecherei Schütz.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

RÖHLING, Carl(1849 Berlin - 1922 Berlin) "Wer nicht liebt Wein, Weib und Gesang, bleibt ein Narr ein Leben lang"Radierung von 3 Platten. In der Platte signiert. In der Platte datiert: 1882.Gerahmt & hinter Glas82,5 x 166 cm. Großformatige, detailreiche Verbildlichung des Martin Luthers zugeschriebenem Vers "Wer nicht liebt Wein, Weib und Gesang, bleibt ein Narr ein Leben lang"; aus 3 zusammengesetzten Blättern mit zechender Tischgesellschaft in der Mitte des Werkes, gerahmt von allegorischen Bildern und Figuren der griechisch-römischen Mythologie Mit Rissen, teils retuschiert, etwas stockfleckig.Deutscher Maler und Illustrator.Shipping not available RÖHLING, Carl(1849 Berlin - 1922 Berlin) "Wer nicht liebt Wein, Weib und Gesang, bleibt ein Narr ein Leben lang"Etching from 3 plates. Signed in the plate. Dated in the plate: 1882.Framed & behind glass82.5 x 166 cm.Large-format, richly detailed illustration of Martin Luther's attributed verse "Who does not love wine, women and song, remains a fool all his life"; from 3 composite sheets with carousing table company in the center of the work, framed by allegorical images and figures of Greco-Roman mythology With tears, partly retouched, some foxing.German painter and illustrator.Shipping not available.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

UHL, Joseph(1877 New York City - 1945 Bergen) "Jugendträume"Radierung. Bleistiftsignatur. Exemplar: 13/50.Abbildung: 20,5 x 29 cm. Gerahmt & hinter Glas45 x 55 cm.Blatt etwas lichtgebräunt und stockfleckig. UHL, Joseph(1877 New York City - 1945 Bergen) "Jugendträume"Etching. Pencil signature. Copy: 13/50.Image: 20.5 x 29 cm. Framed & behind glass45 x 55 cm.Sheet somewhat light browned and foxed.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

VOGELER, Heinrich(1872 Bremen - 1942 Kolchos) "Die Lerche"Radierung auf Bütten. Im Druck monogrammiert. [1899].Platte: 15,7 x 15,7 cm. Gerahmt & hinter Glas45 x 39 cm. Jüngerer Abzug des 1899 entstandenen Selbtsbildnisses Deutscher Maler, Grafiker, Architekt, Designer, Pädagoge, Schriftsteller und Sozialist; gehörte zur ersten Generation der Künstlerkolonie Worpswede: "Was Heinrich Vogeler unter den anderen Künstlern des Jugendstils und des Symbolismus hervorhebt, ist die unbeschwerte Märchenhaftigkeit seiner Bilderwelt mit ihrer großen Fabulierkunst. Solchen Märchenbildern ist die Betonung einer Empfindungswelt gemeinsam, in der geheimnisvolle Vorgänge spielen." (Zitat: Hans H. Hofstätter in: Symbolismus und Jugendstil in Malerei und Grafik von Heinrich Vogeler, www.heinrich-vogeler.de).Literatur : Vgl. Heinrich Vogeler - Von Worpswede nach Moskau (1997), S. 144; WVZ Rief Nr. 24. VOGELER, Heinrich(1872 Bremen - 1942 Kolkhoz) "The Lark"Etching on laid paper. Monogrammed in print. [1899].Plate: 15.7 x 15.7 cm. Framed & behind glass45 x 39 cm.Younger print of the 1899 self-portrait German painter, graphic artist, architect, designer, educator, writer and socialist; belonged to the first generation of the artist colony Worpswede: "What Heinrich Vogeler stands out among the other artists of Art Nouveau and Symbolism, is the light-hearted fairy tale-like nature of his imagery with its great fabulierkunst. Such fairy tale pictures have in common the emphasis on a world of sensation in which mysterious processes take place." (Quote: Hans H. Hofstätter in: Symbolism and Art Nouveau in Painting and Graphic Art by Heinrich Vogeler, www.heinrich-vogeler.de).Literature : Cf. Heinrich Vogeler - From Worpswede to Moscow (1997), p. 144; WVZ Rief No. 24..*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) EisvogelFarbradierung. Bleistiftsignatur.Druckplatte: 27,5 x 20 cm. Gerahmt & hinter Glas42 x 32,5 cm.Blatt etwas lichtgebräunt.Deutscher Maler, Grafiker und Illustrator, der besonders durch seine Tierdarstellungen Bekanntheit erlangte, 1912 - 1917 Meisterschüler von Walther Klemm an der Hochschule für Bildende Kunst Weimar. Ab 1916 als Kurt Meyer-Eberhardt unter Beifügung des Mädchennamens der Mutter. MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) EisvogelColor etching. Pencil signature.Print plate: 27.5 x 20 cm. Framed & behind glass42 x 32.5 cm.Sheet somewhat light browned.German painter, graphic artist and illustrator, who became known especially for his depictions of animals, 1912 - 1917 master student of Walther Klemm at the Weimar Academy of Fine Arts. From 1916 as Kurt Meyer-Eberhardt, adding the maiden name of the mother.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WENK-WOLFF, Uwe(*1929 Mannheim) Weiblicher Akt mit KrebsFarbradierung. Bleistiftsignatur. Exemplar: 14/30.Druckplatte: 34 x 21 cm. Gerahmt & hinter Glas44 x 40 cm. Deutscher Maler, Grafiker, Bildhauer und Zeichner. WENK-WOLFF, Uwe(*1929 Mannheim) Female Nude with CancerColor etching. Pencil signature. Copy: 14/30.Print plate: 34 x 21 cm. Framed & behind glass44 x 40 cm. German painter, graphic artist, sculptor and draftsman.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

GÖRG, Jürgen(*1951 Dernbach) "Liebelei"Fardradierung. Bleistiftsignatur. [19]89. Exemplar: 8/100.Druckplatte: 35,5 x 27,8 cm, Blatt: 53 x 45,2 cm. Literatur : https://www.juergengoerg.de/index.php. GÖRG, Jürgen(*1951 Dernbach) "Liebelei"Fard etching. Pencil signature. [19]89. Copy: 8/100.Printing plate: 35.5 x 27.8 cm, sheet: 53 x 45.2 cm. Literature : https://www.juergengoerg.de/index.php.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HRDLICKA, Alfred(1928 Wien - 2009 Wien) "Melancholie"Radierung. Bleistiftsignatur. 1971. Künstlerexemplar "H.C.".Druckplatte: 33 x 49 cm. Gerahmt & hinter Glas54 x 68 cm. "Alfred Hrdlicka [...] gilt im deutschsprachigen Raum als einer der herausragenden Bildhauer, Maler, Graphiker und Zeichner des 20. Jahrhunderts, unter anderem bekannt durch das "Mahnmal gegen Krieg und Faschismus" im Zentrum von Wien." Quelle: www.alfredhrdlicka.com. HRDLICKA, Alfred(1928 Vienna - 2009 Vienna) "Melancholy"Etching. Pencil signature. 1971. artist's copy "H.C.".Printing plate: 33 x 49 cm. Framed & behind glass54 x 68 cm. "Alfred Hrdlicka [...] is considered in the German-speaking world as one of the outstanding sculptors, painters, graphic artists and draftsmen of the 20th century, known among other things for the "Memorial against War and Fascism" in the center of Vienna." Source: www.alfredhrdlicka.com.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FRIEDRICH, Hilmar(*1938 Stühlingen) 6 Werke mit verschiedenen Sujets2 Holzschnitte, 2 Radierungen, 2 Lithografien. Je mit Bleistiftsignatur. 1961/1962. Max. 60 x 45 cm. "3 Frauen", Holzschnitt, Bleistiftsignatur, 1962, Exemplar: 98/100, Druckstock: 50 x 32,7 cm, Blatt: 59,5 x 42 cm, minimal griff- und knickspurig | "Oberbayrischer Hofbarockjäger", Radierung, Bleistiftsignatur, 1962, Druckplatte: 24,6 x 16,7 cm, Blatt: 53,5 x 40 cm, etwas knickspurig | "Die Familie", Radierung, Bleistiftsignatur, 1962, Druckplatte: 16,3 x 24,6 cm, Blatt: 39,5 x 53 cm | "Kreuzabnahme", Holzschnitt, Bleistiftsignatur, 1962, Exemplar: 99/100, Druckstock: 49,5 x 35 cm, Blatt: 59 x 41,8 cm, minimal griff- und knickspurig | "Ecce Homo", Lithografie, Bleistiftsignatur, 1962, Exemplar: 20/100, Abbildung: 52 x 33 cm, Blatt: 59 x 42 cm, minimal knickspurig | "Pferd", Lithografie, Bleistiftsignatur, 1961, Exemplar: 95/100, Abbildung: 39 x 46 cm, Blatt: 42 x 59 cm, minimal knickspurig, Randbereich leicht lichtgebräunt Deutscher, Maler, Grafiker und Bildhauer. In Wacken und Neumünster stehen in unterschiedlicher Ausführung die von ihm gefertigte Bronzen "Der kleine Prinz", die zentrale Figur der gleichnamigen Erzählung von Antoine de Saint-Exupéry. FRIEDRICH, Hilmar(*1938 Stühlingen) 6 works with various subjects2 woodcuts, 2 etchings, 2 lithographs. Each with pencil signature. 1961/1962. Max. 60 x 45 cm. "3 Women", woodcut, pencil signature, 1962, copy: 98/100, printing block: 50 x 32,7 cm, sheet: 59,5 x 42 cm, minimal handling and crease marks | "Oberbayrischer Hofbarockjäger", etching, pencil signature, 1962, printing plate: 24.6 x 16.7 cm, sheet: 53.5 x 40 cm, some creasing | "Die Familie", etching, pencil signature, 1962, printing plate: 16.3 x 24.6 cm, sheet: 39.5 x 53 cm | "Deposition from the Cross", woodcut, pencil signature, 1962, copy: 99/100, printing block: 49.5 x 35 cm, sheet: 59 x 41.8 cm, minimal handling and crease marks | "Ecce Homo", lithograph, pencil signature, 1962, copy: 20/100, image: 52 x 33 cm, sheet: 59 x 42 cm, minimal creases | "Horse", lithograph, pencil signature, 1961, copy: 95/100, image: 39 x 46 cm, sheet: 42 x 59 cm, minimal creases, margins slightly light browned German, painter, graphic artist and sculptor. In Wacken and Neumünster are in different versions of the bronzes he made "The Little Prince", the central character of the eponymous story by Antoine de Saint-Exupéry. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

JOHN, Joachim(1933 Tetschen - 2018 Neu Frauenmark) "Die Sandinisten"Radierung auf Hahnemühle-Bütten. Bleistiftsignatur. [19]87. Exemplar: 27/50.Blatt: 47 x 60 cm. Blatt 7 aus dem Portfolio "America Latina" Deutscher Maler, Grafiker und Autor. JOHN, Joachim(1933 Tetschen - 2018 Neu Frauenmark) "The Sandinistas"Etching on Hahnemühle laid paper. Pencil signature. [19]87. copy: 27/50.Sheet: 47 x 60 cm.Sheet 7 from the portfolio "America Latina" German painter, graphic artist and author.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

REDEKER, Peter(1942 Spital am Semmering - 2022 Hannover) DünenlandschaftFarbradierung. Bleistiftsignatur. [19]67.Druckplatte: 19,7 x 25 cm, Blatt: 34 x 45 cm. Frühes Werk des Künstlers Österreichisch-deutscher Maler und Grafiker, 1975 bis 2008 Professor an der Fachhochschule Hannover. REDEKER, Peter(1942 Spital am Semmering - 2022 Hannover) DunescapeColor etching. Pencil signature. [19]67.Print plate: 19.7 x 25 cm, sheet: 34 x 45 cm.Early work of the artist Austrian-German painter and graphic artist, 1975 to 2008 professor at the University of Applied Sciences and Arts Hannover.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ELIASBERG, Paul(1907 München - 1983 Hamburg) Meer bei NachtRadierung auf Bütten. Bleistiftsignatur. Druckplatte: 20 x 24,5 cm, Blatt: 38 x 56,5 cm. Abbildungsbereich etwas lichtgebräunt. Deutsch-französischer Grafiker. ELIASBERG, Paul(1907 Munich - 1983 Hamburg) Sea at nightEtching on laid paper. Pencil signature. Printing plate: 20 x 24.5 cm, sheet: 38 x 56.5 cm. Image area somewhat light browned. German-French graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Undeutlich signiert: Reiher bei SonnenuntergangFarbradierung. Bleistiftsignatur. [19]86. Exemplar: 63/100. Druckplatte: 23 x 29,5 cm. Gerahmt & hinter Glas46 x 51 cm. Indistinctly signed: Heron at sunsetColor etching. Pencil signature. [19]86. copy: 63/100. Print plate: 23 x 29.5 cm. Framed & behind glass46 x 51 cm. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

STÖRTENBECKER, Nikolaus(1940 Hamburg - 2022 Hamburg) "Phlox"Farbradierung. Bleistiftsignatur. Datiert: "8.X.1985". Exemplar: 12/65.Druckplatte: 30 x 22 cm. Gerahmt & hinter Glas66 x 45,7 cm.  STÖRTENBECKER, Nikolaus(1940 Hamburg - 2022 Hamburg) "Phlox"Color etching. Pencil signature. Dated: "8.X.1985". Copy: 12/65.Print plate: 30 x 22 cm. Framed & behind glass66 x 45.7 cm. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Blattschale mit SalamanderDaum. Verreries de Nancy, Daum Fréres & Cie., Ätzsignatur, 2. H. 20. Jh. Frankreich. Pate de verre. Farbloses Glas mit grünen, violetten und gelben Farbeinschmelzungen. L 13,5 cm. Kleine Schale in Form eines Blattes mit einem Salamander Minimale Bestoßung an der Blattspitze. Leaf bowl with salamanderDaum. Verreries de Nancy, Daum Fréres & Cie, etching signature, 2nd H. 20th century France. Pate de verre. Colorless glass with green, purple and yellow color enamels. L 13,5 cm. Small bowl in the shape of a leaf with a salamander Minimal bumping at the tip of the leaf. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Vase mit BlumendekorGallé. Emile Charles Martin Gallé, Ätzmarke, 1904/1906. Frankreich. Farbloses Glas mit gelb verlaufendem Innenfang und hellbraunem Überfang. H 10,5 cm. Konvexe Vase mit dem geätzten Dekor einer blühenden Pflanze Vase with floral decorGallé. Emile Charles Martin Gallé, etching mark, 1904/1906. France. Colorless glass with yellow gradient interior and light brown overlay. H 10,5 cm. Convex vase with the etched decoration of a flowering plant .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Kleine Vase mit KressedekorGallé. Emile Charles Martin Gallé, Ätzmarke, um 1906/1914. Frankreich. Farbloses Glas mit orangegelbem Überfang. H 6 cm. Balusterväschen mit umlaufend geätzten Kapuzinerkresseblüten; ausgekugelter Abriss Small vase with cress decorGallé. Emile Charles Martin Gallé, etching mark, c. 1906/1914. France. Colorless glass with orange-yellow overlay. H 6 cm. Baluster vase with nasturtium flowers etched around; dislocated demolition .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Jagdflasche mit Silberdeckel, dazu 3 SilberbecherAlle gepunzt. Um 1880-90. England und Dänemark. Silber, farbloses Glas. Becher zusammen 69 g. Langes Glasgefäß mit verschlungener Monogrammätzung auf dem Glas und Scharnierdeckel, L 30 cm. 3 kleine Becher mit floralen Gravuren, 2x mit Monogramm (WM bzw. HM), H 4 - 6,5 cm Becher leicht verbeult, 1x Lötspuren im Boden. Hunting bottle with silver lid, plus 3 silver cupsAll hallmarked. Circa 1880-90. england and denmark. Silver, colorless glass. Cup together 69 g. Long glass vessel with intertwined monogram etching on the glass and hinged lid, L 30 cm. 3 small cups with floral engravings, 2x with monogram (WM and HM respectively), H 4 - 6,5 cm Cups slightly dented, 1x solder traces in the bottom. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

William Douglas Macleod (1892-1963), 'Palace Tower, Siena', etching, signed in pencil, 10.5" x 5" (27 x 13cm).

Winifred Marie Louise Austin (1876-1964), 'Young Cuckoo', etching, signed and inscribed in pencil, plate size 7" x 8.5" (18 x 21.5cm).

William Walcot (1874-1943), 'The First Temple to Jupiter', etching, signed in pencil, 5" x 7" (13 x 18cm), along with 'The Entry of Hadrian into Ancient Salonika', etching, signed in pencil, 3.25" x 5" (8 x 12.5cm), (2).

John George Mathieson (Early 20th Century), an etching of a Loch scene, signed in pencil, 9" x 13.5" (23 x 34.5cm), along with three further pencil signed prints by different hands, (4).

Fred Slocombe (1847-1920), a scene of figures and ducks on a road beside a lake, engraving, signed in pencil, plate size 14" x 22" (36 x 56cm), along with an etching of hoses in an interior pencil signed by Charles E. Baskett, 22" x 16" (56 x 40cm), both unframed, (2).

George Worsley Adamson (1913-2005), 'Whit Sunday, St Mary's Wigan', etching, signed and inscribed, plate size 15.75" x 11" (40 x 28cm).

Leslie Moffat Ward (1888-1978), a street scene with figures and cats, lithograph, 12" x 9" (30 x 23cm), along with an etching of a female figure by the door of a house, 10" x 9" (25 x 23cm), both unframed, (2).

David Young Cameron (1865-1945) Scottish, 'Mansion House, North Street', etching, signed in pencil, 5" x 7.75" (12.5 x 20cm).

Andrew Fairbairn Affleck (1874-1935), 'A Venetian Doorway', etching, signed in pencil, 6" x 10" (15 x 25cm).

Patricia Griffiths (20th Century), 'Blackburn', a fairground, etching, plate size, 8.25" x 5.5" (21 x 14cm).

William Douglas Macleod (1892-1963), 'Marseilles', etching, signed in pen, 10" x 15" (25 x 38cm).

William Douglas Macleod (1892-1963), Boats on a Continental River, etching, signed in pencil, 6.75" x 12.75" (17 x 30cm).

Winifred Marie Louise Austin (1876-1964), 'Goldcrest', etching, signed and inscribed in pencil, plate size 5.5" x 4.5" (14 x 11.5cm).

Leslie Moffat Ward (1888-1978), 'Storm Clouds on a Lakeland River', etching, signed in pencil, 11" x 10.75" (28 x 27cm), along with 'Little Upland Farm', etching, signed and inscribed in pencil, 5" x 7" (12.5 x 18cm), both unframed, (2).

Geoffrey Garnier (1889-1971), 'The Old Mill, Molesworth', etching, signed and inscribed 'Trial' in pencil, 10.5" x 12" (27 x 30cm).

David Young Cameron (1865-1945) Scottish, 'Old Bridge Inn, Partick', etching, signed in pencil, 5" x 7.75" (12.5 x 19.5cm).

Leonard Robert Brightwell (1889-1983), 'The Babes in the Wood', etching, signed and inscribed in pencil, plate size 12" x 8.5" (30 x 22cm).

William Douglas Macleod (1892-1963), 'Ponte Vecchio, Florence', etching, signed in pencil, 9.25" x 12.25" (23.5 x 31cm).

William Lionel Wyllie, fishing boats heading for shore, print, signed in pencil, inscribed 'Proof Etching' verso, 6" x 9.25" (15 x 23.5cm).

David Young Cameron (1865-1945) Scottish, 'Corner of Rottenrow and Taylor Street, Glasgow', etching, signed in pencil, 5" x 6.5" (12.5 x 16.5cm), along with further engraving by William Johnston of figures in a busy town street, 8" x 5.5" (20 x 14cm), (2).

William Lionel Wyllie (1851-1931), Waterloo Bridge, etching, signed in pencil, plate size 7.5" x 13.75" (19 x 35cm), along with a trial proof of London Bridge and Southwark Cathedral by the same hand, plate size 12" x 8.75" (30 x 22cm), both unframed (2).

A collection of four engravings, including a pair by the same hand of 'Somerset House' and 'Blackfriars', each indistinctly signed, plate size 8" x 6" (20 x 15cm), along with an engraving of Admiralty Arch, indistinctly signed, 6" x 8" (15 x 20cm), and a signed etching of Lincoln Cathedral by Margaret Rudge, 3.75" x 5.25" (9.5 x 13.5cm), (4).

William Douglas Macleod (1892-1963), 'Marina di Pisa', etching, signed in pencil, 9" x 12" (23 x 30cm).

Leslie Moffat Ward (1888-1978), 'Houns Tout Hill', etching, signed and inscribed, 6" x 8.75" (15 x 22cm), along with another etching by the same hand of cows resting, signed in pencil, 7" x 7.5" (17 x 19cm), both unframed, (2).

Arthur Joseph Gaskin (1862-1928)Warren Wood, 1923etching on paper, framedsigned AJG titled and dated Xmas 23 in pencil,13.5 x 12cm. (image)

Brenda Hartill (20th century): Artists proof coloured etching, earth, signed in pencil, 24 x 26 cm. Not available for in-house P&P

Incisione acquerellata su carta in cornice. Cm 23x30Framed watercolor etching on paper. 23x30 cm

A framed etching of moored barge and low tide in a creek. Signed in pencil 57x48cm- NO RESERVE