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Lion and Unicorn
Los 162

This Baccarat Mille Nuits Plate M, designed by Mathias, showcases Baccarat's commitment to artistry and craftsmanship. Part of the Mille Nuits collection, the plate features delicately crimped edges and intricate etching that enhances the optical brilliance of the crystal. The elegant design, inspired by "One Thousand and One Nights," captures the light in an enchanting manner, making it a striking addition to any collection. The piece is offered in its original sealed box, preserving its pristine condition. Artist: MathiasDimensions: 8.5" dia. Country of Origin: FranceCondition: New, sealed box.

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AMW Auctions
Los 813

**Antique Framed Hand-Coloured Etching 'Meadow Walk' by Kathleen Caddick (1983) - Artist's Proof X/XV**This beautifully framed artwork, titled 'Meadow Walk,' is an exquisite hand-coloured etching by Kathleen Caddick. Presented in an antique frame with a rustic gold and brown finish, it measures 14.5" x 18" externally, while the visible area of the artwork itself is 6" x 9". The painting captures a serene landscape with leafless trees, likely at dawn or dusk, creating a tranquil and picturesque scene of a gently sloping field and a distant body of water.Notably, this piece is an artist’s proof, marked X/XV, first published in 1983 by Wold Galleries, located at Halford House, Station Road, Bourton-on-the-Water, Gloucestershire. The back of the frame bears labels affirming its provenance and includes detailed contact information for Wold Galleries, adding to the historical and artistic value of the artwork.

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AMW Auctions
Los 835

**Victorian Etching "Tiger's Head" by Herbert Dicksee, 1891**An original etching titled "Tiger's Head" by Herbert Dicksee (1862–1942), a renowned British artist recognised for his realistic and emotive wildlife depictions. Created in 1891, the piece captures a dramatic close-up of a snarling tiger, highlighting its imposing facial features, sharp teeth, and penetrating gaze. The fine cross-hatching and textural detail render the tiger’s fur, whiskers, and expression with extraordinary realism.Executed in sepia or dark ink on paper, this etching measures 498 mm in width and 575 mm in height (image size). It is preserved in a light wooden frame with a gold inner trim and a white mount for elegant display. The artist’s monogram, "HD," is signed in the lower right corner, affirming its attribution to Dicksee.This etching exemplifies the Victorian fascination with wildlife during a time when artists like Dicksee drew inspiration from animal studies and conservation themes. A collectible artwork, it reflects the technical mastery and lifelike animation characteristic of Dicksee’s celebrated oeuvre.

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AMW Auctions
Los 818

**Framed Artwork: "The Lace Gate," Imperial Palace, Vienna by Robert Kassini**This framed artwork, attributed to Robert Kassini, depicts "The Lace Gate" at the Imperial Palace, Vienna. The scene features an ornate wrought iron gate set within a prominent stone archway, leading to a cobblestone street framed by historic European buildings. A horse-drawn carriage and pedestrians populate the background, suggesting a late 19th or early 20th-century timeframe. Muted tones of black, grey, beige, and subtle hints of blue and green dominate the colour palette. The piece is likely a coloured print, hand-tinted etching, or lithograph. Below the image, faint text is visible, potentially identifying the title or artist. The artwork is bordered by an off-white mat, displaying minor age-related discolouration. The reverse features handwritten notes and a label. These provide provenance details, including the title, artist, and purchase history, stating the artwork was acquired from "Herr Pöhler in the Archway of the Palace - Sept 1897". The piece is set in a decorative wooden frame, approximately 45–60 cm in height and 30–40 cm in width. The frame shows signs of wear, with minor chipping and missing fragments, reflecting its age. Dating to circa 1880–1930, this artwork carries associations with Vienna's Imperial history and is further enriched by its documented provenance and historical setting.

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AMW Auctions
Los 836

**Framed Etching of a Lion by Herbert Dicksee** This is a sepia-toned wildlife etching attributed to **Herbert Thomas Dicksee (1862–1942)**, celebrated for his extraordinary depictions of animals. The piece portrays a majestic lion in detailed realism, showcasing its intricate fur texture and expressive gaze. Likely an original or early print, this etching reflects Dicksee's Edwardian-era artistry and dedication to life studies, often inspired by animals at the London Zoo. **Medium and Presentation:** Rendered in fine etching techniques, the work features masterful linework and tonal contrasts. Mounted on a cream-coloured mat and housed in a light wooden rectangular frame with clean grooves, this timeless artwork is presented with a classic aesthetic. **Signature and Publisher Details:** The etching bears the faint signature "H. Dicksee" in the lower right, authenticating his authorship. A handwritten inscription referencing **C. E. Clifford & Co., 12 Piccadilly, London** suggests provenance linked to this late 19th-century art publisher, complementing the Victorian to early Edwardian dating of the piece. **Dimensions (framed):** Approx. 40–50 cm in height and 30–40 cm in width. This rare lion portrait embodies Dicksee's hallmark style and remains a notable example of British wildlife art, valued by collectors and connoisseurs alike.

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Wessex Auction Rooms
Los 626

Set of four 19th century evangelists, St Matthew, St Mark, St Luke and St John, each reverse glass paintings, 35 x 24.5cm, all framed, after George Cruikshank (British, 1792 - 1878), two: 'A Dandy painting or - an Exquisite in Fits, hand-coloured etching, 26 x 35cm and 'a Scene at the London Museum Piccadilly - or - a peep at the spoils of ambition, taken at the Battle of Waterloo - being a new tax on John Bull for 1816', hand-coloured etching, 27 x 36cm and six other pictures (12)

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Wessex Auction Rooms
Los 542

Frances Shearing (b. 1953), 'They were lost but who cared?', limited edition etching, signed in pencil lower right, titled lower centre, numbered 130/150 lower left, 24 x 17.5cm together with a study of sheep in Ffon village, aquatint, signed Williams lower right, dated '95, titled in Welsh lower centre and marked AP (Artist's Proof) lower left, 34 x 24cm, both framed and glazed (2)

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Wessex Auction Rooms
Los 537

Sir Archibald Thornburn (British, 1860 - 1935), birds on the beach, print, signed in pencil lower left, 33 x 43.5cm, framed and glazed, S Henshaw, landscape scene with mountain in the background, 31.5 x 19cm, framed and glazed, Christopher Gifford Ambler (British, 1886 - 1965), study of a dog, 'Peeping Tom', pencil, 39 x 25.5cm, after Percival Gaskell (British, 1868 - 1934), figures under the trees, etching, signed in pencil lower right and inscribed lower left 'Preliminary etching for mezzotint', etching, 23 x 30.5cm, a collection of engravings and other pictures

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Wessex Auction Rooms
Los 619

Five silk stevengraphs, each depicting the horse racing jockey - 'The Late Fred Archer', Mathew Henderson, John Macdonald Boat Builder's yard scene, etching, signed in pencil lower right, 18.5 x 32cm and other pictures (1 bag)

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Wessex Auction Rooms
Los 545

Rowland Langmaid (British, 1897 - 1956), 'Mother of Parliaments' etching, Mucklows Gallery label verso, inscribed with title and further inscribed 'original drypoint signed artist's proof by R Langmaid', signed in pencil lower right, 18 x 40cm, framed and glazed

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Wessex Auction Rooms
Los 625

19th century satirical print, General Frost shaveing little Boney, hand-coloured etching, 34.5 x 23.5cm together with twelve various prints, all framed and glazed

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Wessex Auction Rooms
Los 598

Frank Brangwyn (Welsh, 1867 - 1956), The Death of St Milburga, etching, signed in pencil lower right, 21 x 24cm, framed and glazed

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Wessex Auction Rooms
Los 588

Russian school, snowy village scene, etching, signed indistinctly lower right and dated '62, titled lower left, 28.5 x 38.5cm, framed and glazed

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Franklin Browns
Los 153

CAT OUTRAM (SCOTTISH CONTEMPORARY), HERMITAGE OF BRAID, Ltd Ed etching, 23/30, signed and titled in pencil, framed under glass, 43 x 50cm

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Franklin Browns
Los 178

CAT OUTRAM (SCOTTISH CONTEMPORARY),CROSSING THE LAMMERMUIRS, Ltd Ed etching, 14/50, signed and titled in pencil, framed under glass, 27 X 14cm

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Hyperion Auctions
Los 31

Collection of assorted Framed etching and engravings to include Professor Otto F. Probst, Franz Von Stuck etc.

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Willingham Auctions
Los 580

After Alfred Blundell(1883-1968): Culford School, (North Front), signed etching, titled and signed in pencil to the margins, 22 by 33cm, framed and glazed.

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Arthur Johnson & Sons Auctioneers
Los 426

Eileen Alice Soper (English 1905-1990) Children Hour, signed etching, framed

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Arthur Johnson & Sons Auctioneers
Los 415

A Louis Raemaeker etching, The German Tango, political cartoon, signed in pencil lower right, framed

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Andrew Smith & Son
Los 348

F Frantz (1876-1945) - Beached boats, watercolour, signed, 17 x 24 cm to/w C H Baskett (1872-1953) - The Dane, etching, signed, 1925, 23 x 33 cm (2)

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Andrew Smith & Son
Los 345

Nineteen various architectural and classical furnishing prints/engravings and an etching of a Tamworth pig (19)

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Stride & Son
Los 1285

Leo Maillet, 'Die Baume', signed and numbered 19/30, etching, 35.5 x 47cm; together with two further etchings by the same artist, framed as one. (2)

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Stride & Son
Los 1284

Leo Maillet, 'Der Plotzliche Spaziergang', signed and numbered 7/28, etching, 61 x 50cm.

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Stride & Son
Los 1281

After Sir Stanley Spencer, self portrait of the artist, oil on board, 63 x 51cm, unframed; together with another Georgian portrait; three pen and ink sketches by Heinz Diehl, framed as one; and an antique etching of 'Newmarket' (4)

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Stride & Son
Los 1283

Leo Maillet, 'Die Wahrheit Uber Sancho Pansa', signed and dated 28/50, etching, 66 x 39.5cm.

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Stride & Son
Los 1184

James Abbott McNeill Whistler, 'Chelsea', etching, pl.13 x 20cm.

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Potteries Auctions
Los 873

Herbert Dicksee (1862-1942) 'Oh For The Touch of a Vanished Hand'. Signed etching on paper. Framed behind glass. Signed lower left with dedication 'to marion meien'. Size incl. frame, Height: 57cm Width: 87cm

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Lion and Unicorn
Los 244

This striking wood block etching by Hedley Hilton presents a dynamic and detailed Parisian street scene, featuring intricate architectural elements and a lively urban atmosphere. A prominent clock tower serves as the focal point, surrounded by historic buildings and bustling streets. The composition showcases expert linework and depth, capturing the essence of old Paris. Artist: Hedley Hilton (British, 1859-1929) Dimensions: 12" x 18"Condition: Age related wear. The etching exhibits noticeable water damage, particularly along the edges of the paper. Staining and discoloration are visible, which may impact its visual presentation. Despite this, the artwork retains its detailed charm and historical appeal.

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Forum Auctions
Los 122

Trade card.- Hogarth (William, attributed to) A Perspective View of David Loudon's Bunn House at Chelsey, Who has the Honour to serve the Royal Family, hand-coloured engraving, 215 x 377mm., torn without loss, browned, laid down onto thin card with a related 19th century article from the Gentleman's Magazine, no printer, [c.1750] § An exact representation of an attempt made by Margt Nicholson to stab his Majesty on Wednesday Augt 2 1786, hand-coloured etching, 240 x 316mm., trimmed, laid down on thin card with 3 other related engravings, W.S. Fores, 5th August, 1786; and 5 others, miscellaneous engravings, caricatures and ephemera, v.s. (7)

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Forum Auctions
Los 200

Grahame (Kenneth) The Wind in the Willows, centenary edition, one of 1000 copies with an original etching, tipped-in colour plates and plain illustrations and decorations by Charles van Sandwyk, original copper etching numbered and signed in pencil and mounted at beginning, original vellum-backed pictorial boards, gilt, t.e.g, original cloth drop-back box, folio, Folio Society, 2008.

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Forum Auctions
Los 290

London.- Tower Hill.- Hollar (Wenceslaus) The true maner of the execution of Thomas Earle of Strafford, etching, Pennington's final state (of 3) with lettered margin, a good impression on laid paper with armorial watermark, platemark 185 x 265 mm (7 1/4 x 10 1/2 in), sheet 300 x 355 mm (11 3/4 x 14 in), central vertical fold with thinning or minor repair in the upper centre margin, minor spotting and surface dirt, handling creases, unframed, 1641.Provenance:Julian Marshall (1836-1903) [Lugt 1494]Literature:Pennington 552 iii/iii

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Forum Auctions
Los 224

Moore (Henry) The Graphic Work, 2 vol., illustrations dust-jackets, original slipcases, a little rubbed to extremities, Geneva, Gerald Cramer, 1973-76; Mother and Child, text in French and English, one of 50 copies lacking loose etching, original green drop-back box, a few small surface marks, preserved in cardboard box, The Henry Moore Foundation, 1992; and c. 50 others by or about the artist, v.s. (c.55)

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Busby Auctioneers & Valuers
Los 728

John Brunsden (1933-2014), 'Towards Seatown', coloured etching, signed, titled and numbered 138/150, 45x60cm

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Busby Auctioneers & Valuers
Los 598

Rowland Langmaid R.A. (1897-1956), London Bridge from the Thames, drypoint etching, signed and titled, 8x35cm

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Adam Partridge Auctioneers & Valuers
Los 511

† JOHN BRUNSDEN (1933-2014); colour etching, farm house in landscape, 44 x 58cm, framed and glazed.Condition Report: There appears to be imperfections/ scratches to the image however we think they are part of the actual image, signs of dirt to the two top corners.

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Anderson & Garland Ltd. Newcastle
Los 806

An interesting and extensive collection of Newcastle on Tyne and surrounding area postal history and covers, to include: Ship Letters, from Norway to Newcastle; Barras-Bridge receiving house marks, including one 1847, with very early mark, some with 1841 penny reds; Quayside receiving office, North Shields postmarks; some Edwardian postcards, with Rothbury postmarks; international covers including Newcastle to Italy and Australia; a Uniform four-penny rate 1839/40 cover, Westgate St receiving house, 545 number cancels; early postmarks of the 18th Century, including two line New-Castle, Shoehorse, and circular, some milage marks; local advertising envelopes; other Northern towns including Berwick, Alnwick, Hexham, Haydon Bridge; and a selection of etching of Northern landmarks, seventy-two covers, wrappers, postcards, envelopes and other philatelic items (does not include the etchings).

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McTear's
Los 95A

* WILLIAM DOUGLAS MACLEOD (SCOTTISH 1892 - 1963), HIGH STREET & CANONGATE, EDINBURGH etching on paper, signedmounted, framed and under glassoverall size 43cm x 31cm

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McTear's
Los 75A

* TROY KINNEY (AMERICAN 1871 - 1938), BALLERINA etching on paper, signedmounted, framed and under glassoverall size 34cm x 24cm

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McTear's
Los 175A

JOHN SHAPLAND (BRITISH 1865 - 1929) AND WALTER HENRY SWEET (BRITISH 1889 - 1943), SANTA MARIA DELLA SALUTE, VENICE etching on paper, signedmounted, framed and under glassoverall size 54cm x 42cm

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McTear's
Los 220A

CHARLES WILLIAM CAIN (BRITISH 1893 - 1962), THE DATE PICKERS etching on paper, signed and titled mounted, framed and under glassoverall size 28cm x 45cm

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McTear's
Los 205A

FREDERICK RICHARDS (BRITISH 20TH CENTURY), WATERLOO BRIDGE etching on paper, signedmounted, framed and under glassoverall size 33cm x 41cm

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Fonsie Mealy Auctioneers
Los 140

Camille Fonce, French (1867-1937) "Interior of Reimes Cathedral," coloured etching, signed  64cms x 50cms (25" x 20") published by Arthur Booth and Sons, London 1915, mounted and framed. (1)

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Anthemion Auctions
Los 123

June RadfordA harbour sceneA limited edition Lino Cut, Number 4/18Together with an etching titled The Lone Pine

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Mallams
Los 44

Jo Barry (b.1949)'Tread Softly', pencil signed, titled and no.61/150 to the margin, etching in colours, 13.5 x 14.5cm; and two further by the same hand - 'Flooded Reflections' and 'Cold Sunrise'. (3)Purchased from the Royal Academy Summer Exhibitions and sold together with the exhibition catalogues

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Mallams
Los 42

James Gillray'Meeting of the Monied Interest - Constitutional Opposition to ye 10 pr cent - ie John Bull's Friends Alarm'd by the New Tax', hand coloured etching, pub. John Miller, Edinburgh, 21 x 28cm

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Mallams
Los 34

Francis Seymour Haden (1818-1910)Greenwich, pencil signed to the margin, etching, 34 x 52cm, and one further - Windsor Castle. (2)

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Mallams
Los 45

Alan Parker (b.1965)'Lombardy Poplar, Rushington Fen', pencil signed and no. 16/99 to the margin, etching, 45 x 14cmPurchased from the Royal Academy Summer Exhibition, and sold together with exhibition catalogue

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Mallams
Los 53

Sue Kavanagh (20th/21st century)'Campion and Cow Parsley', pencil signed, titled and no. 45/75 to the margin, etching in colours, 32 x 25cm; and two further prints comprising Richard Beer - 'Balcony', and Ferelith Reay - 'Flying over Water'. (3)Each purchased at the Royal Academy Summer Exhibition; the Beer and Reay sold together with Exhibition catalogues

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Mallams
Los 29

Rudolf Harold van Rossum (1924-2007)'Play of Light and Shadow (Maroc)', pencil signed, inscribed, dated '71 and no. 16/35 to the margin, etching, 49 x 69cm

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Mallams
Los 18

Brian Perrin (b.1932)Open Window, signed in pencil to the margin, artist's proof etching with aquatint, 50 x 35.5cm

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Mallams
Los 52

Robert Greenhalf (b.1950)'High Summer', pencil signed, titled and no.62/100 to the margin, etching in colours, 29.5 x 26.5cm; and Laurence Jenkins - 'Beauchere', pencil signed, titled and no. 4/30 to the margin, etching in colours, 18 x 33cm. (2)Purchased Royal Academy Summer Exhibition; the Laurence Jenkins sold together with a copy of the exhibition catalogue (1996, no.250)

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Mallams
Los 47

Richard Spare (b.1951)'Greek Boat', pencil signed, titled and no.5/60, etching in colours, 4.5 x 10cm, and one further by the same hand - 'Three Hens'. (2)

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Mallams
Los 74

Circle of James Abbot McNeil Whistler (1834-1903)Boats moored at a wall, etching, 16 x 19cm

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Bourne End Auction Rooms
Los 25

Marc Chagall (1887-1985) A limited edition hand coloured etching, 'La Tombe de Rachel', from La Bible series, numbered 100/100, numbered and signed to the margin, 30cm x 23.5cm, the frame 57cm x 44.5cmIf there is no condition report shown, please request

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Bourne End Auction Rooms
Los 24

Marc Chagall (1887-1985) A limited edition hand coloured etching, 'King David', from La Bible series, numbered 33/100, numbered and signed to the margin, 24cm x 31cm, the frame 47.5cm x 58cmIf there is no condition report shown, please request

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Bamfords Auctioneers & Valuers
Los 383

Harold Wyllie (1880-1973) The Needles signed, No. XXX, etching, 13cm x 36cm

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Kinghams Auctioneers
Los 263

Herbert Thomas Dicksee (British, 1862-1942), Rural Landscape, signed and blind stamp l.l., etching, published by Frost & Reed, 1914, 26 by 35cm, framed

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Kinghams Auctioneers
Los 267

Edgar Degas (French, 1834-1917), Sur la Scene No.3. On Stage No.3, (1876-1877), etching, issued by Amboise Voillard in an edition of 150 issued for an exhibition catalogue of the Societe des Amis des Arts de Pau, c.1876/77 with some 40 impressions traced, signed in the plate, 10 by 12.5cm, framed. Note: from the first edition printed from cancelled plate 1910/15. Delteil 32; Reed-Shapiro 24 vi/vi. Provenance: with William Weston Gallery, London

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Kinghams Auctioneers
Los 266

Marius Bauer (Dutch, 1867-1932), Festival, Flags Waving, drypoint etching, 1897, number 77 of an edition of 100, signed in pencil l.r, 15 by 12cm, framed

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