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78475 Los(e)/Seite
Charles Turner- 'Henry Brougham Esqr. M.P. & F.R.S.', after Lonsdale; mezzotint, 50.8x36.8cm: Kenneth Holmes- Italianate street scene; etching, signed and dedicated in pencil: together with a quantity of mostly 19th century prints, one in a maple veneered cushion moulded frame, various sizes, (a lot)
Rosamund C. Jones-'The Peasant Man'; etching, signed, titled and dated '71 in pencil, 46x54.3cm: After Jacques Wely- 'Polka des Anes pour Piano par Henri Bresles', publ. E. Coutarel, Paris; lithograph printed in colours: together with two watercolours by Rosalba Mostosi titled 'Bodmin Moor' and 'Sennen Cove, Cornwall', both signed, various sizes, (4)
Follower of Rowlandson- 'The Tax Collector'; pencil and watercolour, inscribed, 16.8x5.8cm: F. P. Nodder, No.15 Brewer St., publ. Jan 1st 1793- Tree frogs; hand-coloured etching: together with one other similar print, and one other titled 'The Bloomsbury Youth...', publ. A Hamilton Junr. Fleet Street Feb 1, 1784, various sizes, (4)
George Malcolm Patterson- Coastal ruins; etching, signed in pencil, 19.4x16.6cm: Charles W. Cain- Flooded forest; etching, signed in pencil: together with eight other artist's etchings and prints by different hands including: Percy Robertson, A. Brouet, A. Auger, Valliant, and others, various sizes, (11)
*Attributed to John Chalon- Portrait of a man, head and shoulders, possibly a self-portrait of the artist; etching on laid, 11.5x9cm: John William Buxton Knight- Figures on a bridge by an old inn; etching, signed with initials within the plate: together with a mixed folio of prints, including two etchings by Charles Robertson, various sizes, (a lot), (unframed)
K. Roubal- Pheasant in a tree in an alpine winter landscape; etching, signed and dated '26 within the plate, 18x14cm: together with four other etchings of wildlife by the same hand, and a quantity of heliogravures after European Masters from the 17/18th centuries, various sizes, (a lot), (unframed)
Richard Newton- 'Heigh Ho! for a Husband', publ. April 8, 1796 by William Holland No. 50 Oxford Str.; hand-coloured stipple engraving, 23. 2x33cm: Richard Dighton- 'A View taken from Chatham Row, Bath, publ. Jan 1809; hand-coloured etching: together with a mixed folio of prints by or after different hands, various sizes, (a lot), (unframed)
Charles Tomkins- 'Grand Tournament un the presence of the Emperor Charlemagne in his Chariot of Chivalry...', publ. by Akerman, No. 101 Strand; hand-coloured etching, 39.7x53cm: Jacobus Houbraken- 'John Duke of Marlborough', 1745, publ. J & P. Knapton, London: Together with a mixed folio of prints by or after different hands, various sizes, (a lot)
Adolphe Theodore J. Potemont- 'Hotel Nantes, Place de Carrousel, 1849'; etching, signed and inscribed with title within the plate, 14.1x22.1cm: After Spy- 'His Religion is the worship of all sorts of winged and finny freaks'; publ. by Vincent Brooks, Day & Son Ltd.; chromolithograph: together with a quantity of prints, including those by or after: A.G. Pym, A.Y. Cameron, Percy Robertson, Seymour Hayden, Beardsley and W. Nicholson, various sizes, (a lot), (unframed)
William Wynne Ryland- Dandies with musicians, 1763, after Fra. Albano; stipple engraving, 29x38.4cm: James Basire- Classical figures, 1 1769, after Carravaggio; etching with roulette: together with seven other late 18th century prints by different hands including: Simon Watts and Guercino, various sizes, (9), (unframed)
Thomas Rowlandson- 'The Sculptor'; hand-coloured etching on wove, 28.8x22.5cm: French School c1930- Cartoon of a man with spectacles in profile; black and coloured chalk, inscribed 'Biri, Biri, Biarritz, and dated 1935: Norman Stevens- 'Lilies'; black chalk, signed and dated '77, various sizes, (3), (unframed)
Ethelbert White- 'The Crooked Tree', 1923, illustration to Richard Jeffries "Story of my Heart"; wood engraving, signed, titled and numbered 3/50 in pencil, 11x13cm: together with one other wood engraving by the same hand titled 'The Chaff Cutting Shed', signed, titled and numbered 5/50 in pencil, and an etching by Seymour Hayden titled 'Felham', initialled and inscribed within the plate, various sizes, (3), (unframed)
PORTFOLIO containing: Double page engraved view of Dunham Massey, Cheshire, by Kip after Knyff (torn margins); Dubourg's Original View of Ancient Jerusalem . . . Drawn from the model by N. Whittock, tinted lithograph (spotted, defective margins); ten 18th c. engraved topographical views of Norfolk; engraved view of Chester Cathedral, 1854; large double page etching, partly hand coloured, of French lottery tickets by Cardieu after Gatteux. With nine other prints and photographs (23)
SIR FRANK BRANGWYN, RA, RWS (1867-1956) THE VALENTRE BRIDGE, CAHORS (Gaunt 178) Etching, printed in dark brown with plate tone, 1911, the second state (from the edition of 25 in that state), signed in pencil 53.5 x 80.5cm. ++ Minor foxing and a few damp marks; the sheet slightly uneven; strongly printed
A photograph of Charles Darwin inscribed in pencil verso 'Charles Darwin done in Verandah at Devon by his son Leonard', mounted on card, 19 x 13cm A photograph of Emma Darwin inscribed verso 'Emma Darwin wife of C.D.', mounted on card, 24 x 17cm Two photographs of the Ruskin & Morris drawing room at 31 Kensington Square with Henrietta Litchfield (C.D.'s daughter Aunt Etty), seated in a chair, taken by Leonard Darwin, 25 x 29.5cm An etching of Charles Darwin, 9 x 8cm, and an engraving of Erasmus Darwin, 45 x 31cm
Hedley Fitton, R. E.- 'Chichester Cross', publ. Dec 1st 1926 by R. Dunthorne & Son Ltd., 5 Vigo St., W.; etching, signed in pencil and inscribed on the reverse, 39.8x33.7cm: together with one other etching of an old archway by the same hand, also signed in pencil, publ. May 20th 1926, 31.5x22.2cm., (2)
Charles Bird- 'A Good old Commander and most kind Gentleman, HenV Act IV', publ. Oct 10th 1900 by W. R. Deighton 3 & 4 Grand Hotel Buildings Trafalgar Square; etching, signed in pencil, 29.3x25.2cm: English School 19th century- 'British Infantry of the Line 1812 Foot Guards'; hand-coloured engraved chart: together with a quantity of prints, by different hands, various sizes, (a lot), (part unframed)
After J. E. Millais- Little girl with flowers, publ. by Thos. Agnew & Sons October 20th 1888; mezzotint engraving, signed in pencil, (twice), 41x28.5cm: together with one other mezzotint engraving of a girl holding a letter, also signed in pencil, an etching of a river landscape after B.W. Leader, and a colour reproduction print after D. Y. Cameron, both signed by the artist in pencil, various sizes, (4)
Follower of Rembrandt- Rembrandt's Mother at a Table; etching on laid, bears signature, 15x11.8cm: English School 19th century- Peasants with donkeys beneath a Spanish archway; watercolour heightened with white: together with two other watercolours and an etching by different hands, various sizes, (5)
(+VAT) A GROUP OF TEN PRINTS RELATING TO WORDSWORTH AND OTHER LITERARY FIGURES comprising mainly steel engravings of Rydal Mount (3), The Knoll, Ambleside, (residence of Harriet Martineau), Dora Wordsworth, Byron, Lady Noel Byron, The Dungeon of Chillon, a cabinet photograph by Herbert Bell of Ambleside depicting a print of the Drawing room, Rydal Mount, with William and Mary Wordsworth, and an etching of Dove Cottage (?) (inscribed verso Rydal Mount), mostly taken from books (10)

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78475 Los(e)/Seite