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78475 Los(e)/Seite
Los 1
'Rehearsal on stage at Cafe Concert' A soft-ground etching, by Richard Ranft, showing female characters wearing tutus in the foreground with a group of men in street dress in the background holding shields and spears, image area 30cm. x 38cm. signed in the plate and in pencil dated '11/29' and stamped 'Ed. Sagot, Editeur, Paris'
Los 1
After Anton Mauve (1838-1888), SHEPHERD WITH HIS FLOCK OF SHEEP', signed indistinctly in pencil by the engraver, dry point etching, published 1805, J Casper, Berlin, 22cms x 31cms (8.75" x 12"), together with another similar engraving depicting 'work horses', 20cms x 29cms (8" x 11.5"), framed (2)
Los 1
A Small Group of Romantic Engravings, including Lysander & Hermia, and Astarte & Zadig, by or after Marillier, Milius, Smirk, Home and Genisson, engravings, including two colour-printed stipple-engravings, various sizes, some margins trimmed, one plate damp-stained, occasional slight surface dirt and other minor defects, Paris, late 18th and 19th centuries; with a small hand-coloured etching of a white slave trader, 20th century (22)
Los 1
Schem. 6 plates for Gargantua and Pantagruel by Rabelais, lithographs, each c.225 x 175mm., hinged onto supports, [Paris, 1937] ~ Lobel-Riche (Almery) A plate for Arabesques Intimes, etching with some rocker-work, 235 x 155mm., hinged onto paper support, 1937; with an erotic pochoir-coloured print by Milivoy Uzelac, mid 20th century; and the engraved title, or wrapper, only, with erotic vignette, for Les Sources du Plaisir, Album Viril, early 19th century (9)
Los 1
Williams (Charles, attributed to) A Wonderful Thing from Paris, or Madame Sacchi gratifying John Bull's curiosity at Covent Garden Theatre, April 1816, a group of excited men in the stalls admire the Italian acrobat's anatomy rather than her skill on the tight rope, etching in original hand-colouring, 345 x 250mm., watermarked 1814, edges a little dusty but a good example with margins, [Not in B.M.Satires Cat.], Sidebotham, [1816]
Los 1
Chardin (Jean Baptiste Simeon) La Gouvernante, engraving by Bernard Francois Lepicie, 340 x 250mm., with hand-colouring, trimmed to image and title, just affecting lettering below title, very small further loss top right corner, repaired tear within image, two tears in title area, lined, Paris, 1739 ~ Huet (Jean Baptiste) Jannette, soft-ground etching, 250 x 195mm., surface dirt, a crease within the image, Paris, Chez Bonnet, late 18th century; with one hand-coloured lithograph of a horse and groom by Theodore Gericault, one etching by Luce Maximilien and one tinted lithograph by Francois Desnoyer, 19th and 20th century (5).
Los 1
Laurie & Whittle, publishers. A Parody upon the Poem of Alonzo the Brave and the Fair Imogen, a wedding party is horrified by a ghostly apparition, engraving by Eckstein, with hand-colouring, illustration to "a juvenile attempt at poetry, by Charles Few", the 17 verses beneath, 431 x 262mm. in total, slight surface dust, [B.M. Satires 9503], 1799 ~ Gillray (James) John Bull's Progress etching, four designs charting John Bull's demise as he recruits to serve as a soldier, with hand-colouring, 302 x 380mm., a few faint spots,trimmed to platemark along top edge, "Pantagruel's victorious return to the court of Gargantua" on the reverse, trimmed to just inside image along top edge, H. Humphrey, 1793, but a later issue, [Bohn, c.1849]; with a mid-18th century engraved map of the parishes of St. John's Wapping, and St. Paul, Shadwell, from Stow's survey, two plates from Pyne's Costume of Great Britain, 1808, and an early 20th century plan of the gardens at Kew (6).
Los 1
Morghen (Raphael) Lorenzo de' Medici; La Poesia; La Fornarini, and other portrait plates by Morghen and others, after Titian, Raphael, Vasari and others, including a portrait of Antonio Canova by Joseph Saunders, engravings, each c.320 x 220mm., with wide margins, occasional spotting and light creasing, Florence, Luigi Bardi, c.1820; with 10 other plates of portraits, religious scenes, ecclesiastical architecture and an etching of a venerable Welsh oak tree by George Cuitt (18).
Los 1
THOMAS GIRTIN (1775-1802) (THE SEINE, PARIS: VIEW OF NOTRE DAME) (Abbey 102; plate 11) Softground etching, with hand colouring, from 'A selection of Twenty of the most Picturesque Views in Paris and its Environs', apparently prior to the aquatint by F. C. Lewis, circa 1801-1802, trimmed to the image, laid down onto a support sheet with wash line decoration Sheet 14.8 x 44.3cm.
Los 1
AFTER WILLIAM JOHN HUGGINS (1781-1845) H.M. BRIGANTINE `BUZZARD' CAPTURING THE SPANISH SLAVE BRIG `FORMIDABLE' ON THE COAST OF AFRICA, DECEMBER 17th 1834 Aquatint with etching and hand colouring, by E. Duncan, published by F. S. Crawley 36 x 50.5cm. ++ A few minor blemishes and old soft creases; slight light staining; generally good
Los 1
STANLEY WILLIAM HAYTER (1901-1988) PAYSAGE ANTHROPOPHAGE (B&M 106) Engraving with etching, 1937, final state, signed, one of five proofs aside from the edition of 30 18.5 x 35.5cm.; with an inscribed etching of Eastbourne Pier by HANS TISDALL (16 x 20cm.)(2) ++ (Hayter) Some light staining, tear extending 57mm into image upper left centre; (Tisdall) generally good
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78475 Los(e)/Seite