78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

*Richard Bawden (b.1936) etching - Cardew Bowl, signed and numbered 70/85, 55cm x 75cm, in glazed frame

*Richard Bawden (b.1936) signed limited etching - 'Irises', 8/75, in glazed frame, 55cm x 42cm

*Richard Bawden (b.1936) signed limited edition etching and aquatint - Spider Plant, 32/75, in glazed frame, 50cm x 66cm

Group of East Anglian engravings to include West Views of Orford and Framingham Castles, published by Buck, a similar later copy of the South-West Prospect of Ipswich, together with an etching of Sproughton Church, each framed and glazed (4)

*Charles Bartlett (1921-2004) signed limited edition etching - Iron Bridge, 48/200, in glazed frame, 58cm x 63cm

Collection of Valerie Thornton (1931-1991) works from the Michael Chase family collection to include five original drawings from the prints depicting Florence Cathedral and St Botolphs Church, West Sussex, together with a Valerie Thornton signed artists proof etching, 'Fidenza Horseman', also five life drawings, unframed (11 items)

Christopher Richard Wynne Nevinson (1889-1946) signed etching - Rue De Rivoli, 1921, 29cm x 18.5cm, in glazed frameProvenance: The descendants of Edward and Evelyn Grindlay. Removed from Westcott, Dorking

Alfred East (1849-1913) signed etching - Gateway, together with three further etchings, 19th century watercolour of Canterbury, map, watercolour portrait by W. Cubit Cooke and a photographic printProvenance: collection of the artist William Edward Riley (1852-1937) thence by family descent

William Walcot (1874-1943) signed etching London panorama, together with another and a third depicting figures before a temple, each unframedProvenance: collection of the artist William Edward Riley (1852-1937) thence by family descent

After Cecil Cutler - A portrait of Edward VII, colour photolithograph, published by Fores, London, 1908, 50 x 34cms, in gilt frame; a Victorian chromolithographic portrait of the Queen and family; and 'Going to Whites', hand-coloured etching, published by Fores, London, 1823, 31 x 18.5cms, in gilt frame. (3)

J* C* Stadler after J* Farington - "Junction of the Thames & Canal Nr. Lechlade", etching with hand-colouring, 21 x 31.5cms, in softwood frame.

These are three framed pictures. Two by the same artist signed 'Reece George-Saulier', both original and dating 1901 and Both measuring 39.5cm x 31cm. The third is a framed etching of a view in London, quite clearly showing St Paul's Cathedral and people working on the Thames.

PAINTINGS AND PRINTS etc to include Vic Bowcott Waterfall landscape, watercolour on paper, approximate size 12cm x 10cm, Alan Walford watercolour of Lichfield Cathedral, Venetian charcoal sketch indistinctly signed, Venetian etching signed Luca Tollo, David Binns print, large limited edition print of a landscape, indistinctly signed, size 69cm x 108cm including frame, framed tiles etc

PAINTING AND PRINTS, comprising a Henry Wilkinson drypoint etching with colours depicting hounds and birds, 50/100, signed to lower margin size approximately 22cm x 32cm, landscape with windmill oil on board, signed K.J. Course, Edwin T Chicken signed print of a robin and a print of a bird on a branch (4)

Gillian Whaite (1934-), etching and watercolour, Cat among autumn leaves, signed, 11/75, 40 x 50cm

An early 20th century etching of the Rialto Bridge, Venice, indistinctly signed, 22 x 30cm and a coloured engraving of St Paul's Cathedral, 1835, 19 x 14cm

*David Tindle RA (b.1932) Sandals and a jacket on a chair etching with wash, signed and inscribed '1st state proof with wash' in pencil pl. 25 x 20cm, unframed; Primulas on a table etching, signed and inscribed '1st state' in pencil pl. 25 x 20cm, unframed; and one further sheet with an impression of each of the above on each side, unframed (3) *Artist's Resale Right may apply to this lot.Condition report: Each sheet is lightly cockled. Some of the corners are a little soft. Some small stains on some of the edges and corners. One sheet bears an impression on each side; therefore the plate marks punch through into the print on the other side.

*Sylvia Gosse (1881-1968) Nude in a doorway etching, signed in pencil 12.5 x 8.5cm Provenance: The Germaine Greer collection; Exhibited: Michael Parkin Gallery, The Sickert Women and the Sickert Girls, March 1974. *Artist's Resale Right may apply to this lot.Condition report: The paper is a little discoloured and there is a light shadow around the print, visible most clearly at the top, as if from a previous frame, very faint. Thunderbugs under the glass. A very light wave to the paper. Not seen outside of glazed frame.

Robert Charles Goff (1837-1922) Hotel Metropole, Brighton etching, signed and dated 1893 in pencil image 13.8 x 21.5cmCondition report: There is some cocklig and stime staining to the paper.

*Leon Underwood (1890-1975) 'The Tulip Girl' etching, signed and dated 1921 l.r. plate 17.2 x 12.4cm Together with a second version of the etching, unsigned, which includes details of flowers (2) *Artist's Resale Right may apply to this lot.Condition report: Some slight time staining to the paper, otherwise in generally good order, unexamined out of frames.

*Felix Bracquemond (French, 1833-1914) 'Le Terrasse de La Villa Brancas' etching, 1876, signed and dated in the plate, from the eighth and final state, published by 'L'Art', on laid paper plate 25.2 x 35.5cm *Artist's Resale Right may apply to this lot.Condition report: A good clear dark impression. The paper is lightly cockled upper left quarter. Two large pale brown spots of discolouration upper left. Not seen outside of glazed frame.

*Winston Megoran (1913-1971) 'Running Free' etching and aquatint in colours, Warwick Galleries artists proof blindstamp, signed and inscribed with title in pencil plate 25 x 35cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. A couple of tiny spots of foxing. Paper is a little yellowed. Generally in good condition.

William Strang RA (1859-1921) ‘The Tower’ 1890 drypoint on Zinc, one of 20 proofs. David Strang states that this is the first state of three (Reference: OC 161; DS 195) plate 26.5 x 31.5cm; together with ‘The Cottages ‘ 1894 signed in pencil ‘Wm Strang fec DS’ l.r., and ‘David Strang imp’ l.l., plate 12.6 x 25cm and an additional etching, indistinclty inscribed, all unframed (3)Condition report: apparently in good order.

Robert Charles Goff (1837-1922) Charing Cross Railway etching, signed in pencil plate 26 x 18cmCondition report: In generally good condition, unexamined out of frame. Ready to hang.

*Peter Laszlo Peri (Hungarian, 1899-1967) 'Western culture' etching plate 20 x 27.5cm; 'Fighting for his family II' etching and aquatint, 1943, signed and dated in pencil plate 20 x 30cm; 'Let me stay with him' etching and aquatint, 1943, signed, dated and numbered 3/100 in pencil plate 15 x 19.5cm; 'VE Day' etching, signed in pencil plate 20 x 15cm *Artist's Resale Right may apply to this lot.Condition report: Western culture: no obvious flaws. Fighting for his family II: paper a little yellowed. A light diagonal crease running through the left area. A couple of creases elsewhere including a light crease along top edge. A couple of specks of brown and white stains on top edge. Let me stay with him: a little cockling along top edge. A crease in top left margin outside printed area. Possibly a light stain in lower centre of margin. A white curved line in printed area on right side, possibly from the printing process VE day: A few light creases including a prominent crease top right. A spot of brown foxing in the centre. Paper a little yellowed. None seen outside of glazed frames

*Celia Paul (b.1959) Mother and Paul etching, signed in pencil and numbered 4/25 20 x 14.5cm *Artist's Resale Right may apply to this lot.Condition report: In generally good order, unexamined out of frame.

Roberto Matta (Chilean, 1911-2002) Untitled etching with aquatint for ‘Paroles Peintes’, 1959, from a limited edition of 56 copies, signed in pencil on blue paper below sheet size 32 x 27cm, unframed Literature: Georges Visat catalogue raisonne “L’Oeuvre Grave de Matta'', no. 36 & 37.Condition report: Paper stuck down, vertical light creases.

August Renoir (1841-1919) Baigneuse debout à mi-jambes etching on laid plate 16 x 11cmCondition report: discolouration to the paper. Unexamined out of frame.

*Michael Ayrton (1921-1975) 'Femmes/Hombres' etching, numbered 18/XX in pencil sheet 29.5 x 39.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: A few tiny brown spots on paper, but generally in good condition.

*Bryan Ingham (1936-1997) 'Spotted Jug I (Kynance)', 1982 soft and hard ground etching finished with hand colouring, signed, titled, dated 1980 and inscribed `TP' in pencil, aside from the edition plate 7.5 x 10.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: original condition.

Raymond Ray-Jones RE ARCA (1886-1942) A lady seated wearing a hat etching, signed in pencil plate 20 x 18cmCondition report: In generally good condition unexamined out of frame.

*Mick Rooney RA (b.1944) 'The Dream Arcade', 1996 etching, a two-plate copper etching in colours with collograph on Somerset TP 300gsm paper; signed, titled and numbered 10/40 in pencil from the edition of 40 (plus 4 artist's proofs & 2 printer's proofs); printed at the studios of Pratt Contemporary Art by Martin Saull sheet 43 x 48cm, unframed *Artist's Resale Right may apply to this lot.Condition report: in good condition.

*Mick Rooney RA (b.1944) 'The Magic Moth', 1996 Etching 10 / 40, atwo-plate copper etching in colours with collograph on Somerset TP 300 gsm paper, signed, inscribed and numbered10/40 in pencil from the edition of 40 (plus 4 artist's proofs & 2 printer's proofs); printed at the studios of Pratt Contemporary Art by Martin Saull sheet 43 x 48cm, unframed *Artist's Resale Right may apply to this lot.Condition report: in good condition.

*Bryan Ingham (1936-1997) 'Souvenir of Falmouth V', 1982 etching, signed, titled, dated and numbered 8/125 in pencil sheet 18.5 x 28.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: in original condition.

*Paul Drury (1903-1987) Portrait of Carel Weight (Garton 38) etching, 1939, numbered 'A 16/25' in pencil l.l., from the The Paul Drury Memorial Portfolio 1994, with their blindstamp sheet 30 x 24.5cm, mounted *Artist's Resale Right may apply to this lot.Condition report: Attached to backboard by two pieces of tape at top edge. Paper lightly cockled at left edge. Light dirt along top edge. A little light paper discolouration verso. Overall good condition.

*Paul Drury (1903-1987) Head of a young woman etching, 1930, signed in pencil, inscribed with initials and date within the plate plate 14.5 x 12cm *Artist's Resale Right may apply to this lot.Condition report: The paper is lightly yellowed. A few light spots of foxing. There is a stamp verso that is visible in the lower left margin. Otherwise good condition and ready to hang. Not seen outside of glazed frame.

*William Crozier (1930-2011) Verona Garden etching and aquatint on wove, signed and dated 2007 l.r., titled l.c. and numbered 76/ l.l., printed by Berardinelli, Verona sheet 69.5 x 90cm, unframed *Artist's Resale Right may apply to this lot.Condition report: In generally good condition.

*William Crozier (1930-2011) 'Labyrinth' etching and aquatint on wove, signed and dated 2007 l.r., titled l.c., numbered 59/80 l.l., printed by Berardinelli, Verona sheet 69 x 90cm, unframed *Artist's Resale Right may apply to this lot.Condition report: In generally good condition.

*John Duffin (b.1965) 'Battersea Sky' etching, 1987, signed, dated, inscribed with title and numbered 8/25 in pencil plate 32.5 x 23cm *Artist's Resale Right may apply to this lot.Condition report: Some light speckles of brown foxing visible in the margins. No other obvious flaws, otherwise in good condition and ready to hang. Not seen outside of glazed frame.

*Douglas Portway (1922-1993) Untitled etching and aquatint printed in colours, signed and numbered 12/20 in roman numerals in pencil sheet 69 x 56cm, mounted *Artist's Resale Right may apply to this lot.Condition report: Some light half-moon handling creases throughout, although only visible from certain angles. A little light dirt in places. The area visible through the mount is in good condition. Attached to the mount with strips of tape at the top and sides.

William Lionel Wylie RA RBA RE RI NEAC (British, 1851 - 1931) dry point etching, 'The Clyde at Govan' published W B Howell & Co, London, signed in pencil lower left, 20cm X 49.5cm, framed and glazed

MAXIME MAUFRA (FRENCH 1861-1918) Paris and the Pont Neuf seen from St-Cloudoil on canvas 50 x 65 cm (19 3/4 x 25 5/8 in.) signed lower right PROVENANCE Gallery Keops, GenevaAcquired from the above by the present owner, circa 1987-1989 LOT NOTES Maxime Maufra was born in Nantes France a city on the Loire in 1861. Maufra started early in his artistic career at the age of eighteen. Maufra was inspired by two artists from Nantes, the Leduc brothers, Charles and Alfred, and the famed landscape painter Charles Le Roux. While inspired by these artists, Maufra did not start a career as a painter, painting only in his spare time from 1884-1890, during this period he discovered works from Impressionists and displayed his paintings at the Paris Salon in 1886. By 1890 Maufra decided to embrace painting as a full-time career, leaving Nantes for Pont-Aven in the Finistere of Brittany, here is where he met Paul Gauguin and Paul Serusier. Maufra had his first solo exhibition in Paris in 1894, at Le Barc de Toutteville. Traveling back to Brittany each year, exploring the Quiberon region, and finding inspiration in Dauphine, Midi, Algeria and Savoy. Maxime Maufra is known for his landscapes and marine views, Maufra sometimes practice the pointillist technique of fellow artists Camille Pissarro and Alfred Sisley, incorporating strong and bold colors from the Pont-Aven School, and exploring other techniques such as etching and lithography. As an artist Maufra remained independent the enterity of his artistic career up until his death in May of 1923. CONDITION Observed in frame, the work appears in good condition. No apparent issues visible to the naked eye. Inspection under UV shows scattered retouching to around 5-10% of the surface, most notably a thin line in the sky emerging from the central left edge (about 1/3 the length of the surface), and an adjoining section of the bridge. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

AFTER ADRIAEN VAN OSTADE (DUTCH 1610-1685)Boers Drinking in a Tavern, 1663 etching14.6 x 12.5 cm (5 3/4 x 4 7/8 in.)signed and dated in platePROVENANCEJohn Bulfair Prints, New York (label on verso)CONDITIONObserved in frame, the etching is in overall very good condition. Toning to the margins consistent with age. Small water mark to the lower left corner of the margin. Otherwise, no issues apparent to the naked eye.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A GROUP OF NINE ETCHINGS BY JOHN LEECH (BRITISH 1817-1864), colored etchingeach 9.3 x 15.2 cm (3 5/8 x 6 in.) [sight]LOT NOTESThe present works are from a first edition of Handley Cross, a book by John SurteesCONDITION Observed in frame. Overall the group of nine appears in good original condition. Minor waviness to each sheet. Minor discoloration to one of the nine etchings near the top edge. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

PAIR OF FRENCH ETCHINGScomprising: a) Vue de la Colonnade du Louvre (Paris: Chez Basset, [circa 1780-1800]) hand colored etching. plate: 20.4 x 40 cm ( 9 1/2 x 15 3/4 in.). b) Vue de la Grande Place a Mexico (Paris: Chez Basset, [circa 1780-1800]) hand colored etching. plate: 20.4 x 40 cm ( 9 1/2 x 15 3/4 in.).CONDITIONObserved in frame. Both etchings in overall age-appropriate condition. a) Vue de la Colonnade du Louvre, age-appropriate discoloration in paper. Foxing is apparent most notably above the Colonnade and the lower right corner of sheet. b) Vue de la Grande Place a Mexico, age-appropriate discoloration in paper. Water damage has occurred on the upper and lower right corners of sheet. Foxing is apparent most notably on the left upper corner of the sheet. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

PAIR OF ETCHINGS AFTER JOHN OGILBY (SCOTTISH 1600-1676)I. TAMARACA / OBSIDIO ET EXPUGNATIO PORTUS CALVI, hand colored etchingplate dimensions of each: 28 x 35 cm (11 x 13 3/4 in.)CONDITIONObserved in frame, both etchings are in overall stable age-appropriate condition.a) I. TAMARACA, Slight waviness to the sheet. age-appropriate discoloration in paper. Some foxing is apparent in the upper and lower corners of the sheet.b) OBSIDIO ET EXPUGNATIO PORTUS CALVI, Slight waviness to the sheet. Foxing is apparent on the upper left and lower middle of the sheet.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

DAVID HOCKNEY (BRITISH B. 1937) On It May Stay His Eye, from "The Blue Guitar" portfolio, 1976-77 etching plate: 35.5 x 42.5 cm (14 x 16 3/4 in.) signed lower right, inscribed with edition 19/200 lower left PROVENANCEMargo Leavin Gallery, Los Angeles (gallery label on verso)CONDITION Observed in frame, some discoloration apparent in the lower margin of the sheet, not affecting the image. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

OLEG KUDRYASHOV (B. 1932) Bar Scene , 1969 etching on cream wove paper plate mark: 29 x 25 cm (11 3/8 x 9 7/8 in.); full sheet: 46 x 40 cm (18 1/8 x 15 3/4 in.) inscribed with proof edition, signed and dated lower right and inscribed on verso PROVENANCE The Nasher Museum of Art at Duke University, DurhamCONDITION Unframed, the work appears in very good original condition with no significant issues to report. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

A GROUP OF SIX PRINTS BY LEONID LAMM (RUSSIAN 1928-2017)comprising: a) Byaka-kaka, Objects in Space, 1972, plate mark: 49.53 x 31 cm (49.53 x 12 1/4 in.), full sheet: 65 x 44 cm (25 5/8 x 17 3/8 in.), etching on cream woven paper, mounted on thick paper, signed lower left, monogrammed and dated in plate, titled and edition 1/1 lower right b) From the Series Scary Dances Libdo, 1971, lithograph, image: 48 x 36 cm (18 7/8 x 14 1/8 in.), full sheet: 64 x 44 cm (25 1/4 x 17 3/8 in.), signed and titled, lower left, monogrammed and dated in image, edition 5/12 and signed lower right c) Self-Portrait, 1971, lithograph, image: 49 x 33 cm (19 1/4 x 13 in.), monogram and dated in image, titled lower left and signed with edition 7/12 lower right, export stamp in purple on verso d) Byaka-kaka, Objects in Space, 1972, plate marks: 49 x 32 cm (9 1/4 x 12 5/8 in.), full sheet: 62 x 44 (24 3/8 x 17 3/8 in.), etching on cream woven paper, signed, titled and signed again with edition 1/1, monogrammed and dated in plate, export stamp on verso. e) Eve, 1978, monotype, pen, ink on paper mounted on thick paper board, 36.2 x 24.77 cm (9 3/4 x 14 1/4 in.), titled lower left and monogrammed and dated lower right f) Marked Woman, 1972, monotype, pen, ink, watercolor mounted on paperboard, 36.83 x 25 cm (14 1/2 x 9 7/8 in.), titled lower left and monogrammed and dated lower rightPROVENANCE The Nasher Museum of Art at Duke University, DurhamCONDITION a) Unframed, the work appears in overall very good condition. Minor discoloration to the corners. b) Unframed, the work appears in overall very good condition. c) Unframed, the work appears in overall very good condition. Slight bending at the corners. The sheet is not fully laid down, creases visible throughout the sheet. d) Unframed, the work appears in age-appropriate condition, minor crease top left corner, discoloration to sheet. e) Unframed, the work appears in overall good original condition. Minor crease to the top perimeter. Slight lifting to the sheet from the paper board. f) Unframed, the work appears in age overall good original condition. Minor wear to the corners and tear to the left edge. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

J Chalmers Park, Edinburgh, Etching, framed under glass, signed in pencil, 18 x 13.5cm

DY Cameron (Scottish 1865-1945), 'Porto Del Molo - Genoa' , drypoint etching, signed in pencil and framed under glass, 17 x 20cm

Elisabeth Frink Anthony and Cleopatra 1982 Etching Signed in pencil Limited edition of 175.  Printed at Kelpra Studio with their blindstamp. Published by the Royal Shakespeare company.

Elizabeth Blackadder - signed Limited Edition etching and aqua tint cat in a basket numbered 6 of 70 - signed in pencil in a gilt frame - frame size 60cm x 58cm

Two books, The Studio Modern Masters of Etching, Sir D.Y. Cameron, R.A. and Frank Brangwyn

Adriaen van Ostade (1610 in Haarlem, Niederlande - 1685 ebda.)Der Bauerntanz im Wirtshaus, Radierung auf Papier, u.r. plattenbez. "A. v. Ostade fecit et excud.", ca. 23,5x30,5cm, gerahmt (ca. 39x45cm), Papier gebräunt, lichtrandig, am oberen Rand RestaurierungsspurenAdriaen van Ostade (1610, Haarlem, Netherlands - 1685 ibid.)the farmer's dance in the tavern, etching on paper, plate-signed "A. v. Ostade fecit et excud." bottom right, ca. 23.5x30.5cm, framed (ca. 39x45cm), darkened paper, slight fading, traces of restoration on the upper edge

Nita Spilhaus (1878 in Lissabon - 1967 in Rondebosch)Lübecker Dankwartsbrücke, kolorierte Radierung, unten m. Bleistift bez., ca. 23x18,5cm, gerahmt (ca. 41,5x31,5cm)Nita Spilhaus (1878, Lisbon - 1967, Rondebosch)Lübeck Dankwartsbrücke, colored etching, inscribed with pencil to bottom, ca. 23x18.5cm, framed (ca. 41.5x31.5cm)

Frosch im GrasUnbekannter Künstler, Aquatintaradierung, u.r. unl. bleistiftsign., Ex. e.a./100, ca. 24x9cm, gerahmt (ca. 42,5x32,5cm)Frog in the grassunknown artist, aquatint etching, illegible pencil sign. bottom right, ex. e.a./100, ca. 24x9cm, framed (ca. 42.5x32.5cm)

Claude H Rowbotham (1864-1949) 'St Pauls from Blackfriars', a print in colours, together with an Alexander R Gibson (1880-1960) etching, a wax batik and a moorland watercolour by Harriet Skidmore (act.1875-1904).

Maestro del Dado (Meister mit dem Würfel), tätig in Rom 1. H. 16. Jh. Zweikampf von Gladiatoren. Kupferstich auf Bütten, re. u. Ecke monogr., beschn. , kaschiert, Rand hinterlegt. Am linken rand abgetrennter Streifen wieder angefügt, partiell Bereibungen, re. ob. Ecke min. Ausriss, nachgezeichnet. Auf Untersatzkarton mont. 20,8 x 23,5 cm (Bl) Artist known by monogram, called master with the cube, active in Rome 1st half 16th ct.: gladiators fighting with swords, copper etching, lacks of condition. 20,8 x 23,5 cm

Beck (i.e. Beck, Detlef). Geb. 1958 Leipzig, lebt und arbeitet ebd. ''Sparkasse''. Um 2000. Radierung, sign., num. Ex. 1/70. Kalenderblatt, Büttenkarton, 39,5 x 30 cm (Pl), 74,5 x 55 cm (Bl) Beck (i.e. Beck, Detlef). Born 1958 Leipzig, lives and works ibid. ''Savings Bank''. Around 2000. etching, signed, num. Ex. 1/70. calendar sheet, handmade paper board