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78475 Los(e)/Seite
Los 119
JOHN SELL COTMAN - Two children by a milking stool, etching, 8" x 5"; three further by the same hand to include an oriental figure with rifle; a woman drawing water; and Fécamp, all published posthumously by Charles Muskett, 1846; and two further etchings by Alexander Runciman and Marie Riolet, all mounted but unframed (6)
Los 490
SOLLY, N.Neal, 'Memoir of The Life of David Cox', Chapman & Hall, 1873. 4to. illus. with photographs pasted in. T.e.g. cl. bd. Tog.with PENNELL, Joseph, 'Etchers & Etching', T. Fisher Unwin, 3rd edn. The Graphic Arts Series. Plus HILL, Joseph & MIDGLEY, William, 'The History of The Royal Birmingham Society of Artists', Birmingham, (1929). 4to. cl. bd. Plus EDWARDS, Ralph & RAMSEY, L.G.G. 'The Connoisseurs Complete Period Guide', London, 1968. cl. bd., Plus booklets/pamphlets.
Los 1
ALBANY E HOWARTH (1872-1936) - A coastal fortification with tower, etching, pencil signed in the margin, 7 1/2" x 10 1/2"; John Cameron 'The Seine at Thomeroy', dry point, pencil signed in the margin, 7 1/2" x 8 1/2" and an engraving after Sam Bough inscribed with presentation inscription in pencil by the artist and dated 1878 (3).
Los 30
CSARBA MASKUS 'Toscana', Ltd edition print, signed and numbered 139/350, 36" x 24"; two skiing lithographs by Duncan Hamilton Fraser, a Mediterranean view, lithograph, a collection of six nude studies and an etching by Marcel Jacque - Logging in the Barbizon Forest, all but the last item unframed (11).
Los 95
A MIXED FOLIO OF PRINTS AND ENGRAVINGS to include: J* Cummings - The Breakfast lithograph, pencil signed and dated '47, 7 1/2" x 9"; Michael Rotter - three tennis colour prints; Boilly lithograph; mezzotint after Sir Joshua Reynolds; etching in the manner of Rembrandt ; two colour engravings by William Allingham, Sidney Tushingham etching; a lithograph of the Nile after C. Werner, etc.
Los 1760
A group of five prints including an engraving of a river scene in a mill town, an etching of a girl in an interior signed Marcel Jacque, a river scene by Bryce Walker, a street scene and a study of snipe, together with English School modern, Downland landscape, oil on canvas, 44 x 60 cm (6).
Los 928
James Gillray 1757-1815, (Carlo Kahn)- "Wife & no Wife- or -A Trip to the Continent', publ by William Holland No 66 Drury Lane, London March 27 1785; design'd by Carlo Khan, etching on laid, bears inscriptions in pen lower margin, 36.5x47cm. Note: James Gillray Started life by learning letter-engraving, at which he soon became an adept. This employment, however, did not keep his interest and he wandered about for a time with a company of strolling players. After a very checkered experience he returned to London and was admitted a student in the Royal Academy supporting himself by engraving, and probably issuing a considerable number of caricatures under fictitious names. This etching depicting the marriage of the Prince of Wales and Mrs Fitzherbert.
Los 1019
Jilly Edwards, late 20th/early 21st century- "Deviant Series"; etching with aquatint, printed in colours, signed, titled, inscribed 'A/P' and dated 1991, 55x49.3cm. Christopher White late 20th/early 21st century- "Bermondsey Tuesday"; etching printed in mauve, signed, titled, inscribed 'A/P IV/IV' and dated 1995 in pencil, 44x32.8cm., (2) (may be subject to Droit de Suite)
Los 1021
William Monk RE 1863-1937- Buckingham Palace from St James's Park; etching with aquatint, signed within the plate, 17x25cm: Frederick Pegram 1870-1937- "Bedtime", etching, signed in pencil: Percy Lancaster ARE 1878-1951- "The Stairway"; monogrammed within the plate and signed in pencil: Harry Banks 1869-1947- the Estuary, Bristol; etching with aquatint, signed in pencil, together with other 19/20 century etchings after various hands, (7) (unframed)
Los 1162
Ernest Sargieson b.1947- "Pitt Stop Stage 2"; etching with aquatint and working out with pen and black ink, 29.5x24.5cm: together with stages three and four of the same/similar plate, each numbered in pencil: "A Station Barrow", etching with aquatint, signed, titled and numbered 14/15 in pencil, after the same hand, (4) (part unframed) Note: Ernest Sargieson began working on the railways immediately after leaving school. He moved between several British Rail offices before being promoted to Divisional Control at King's Cross. Over the next eight years, he worked on seven of the nine positions in the control. Sargieson left British Rail after obtaining a place in the City and Guilds of London Art School, which in turn led to a place at the Royal Academy Schools. In 1981, he remarked that switching careers had 'put me in my present position, which remains as much of a mystery to me as anyone else!'
Los 1179
Norman Stevens 1937-1988- "Stonehenge"; etching with aquatint, signed, titled, numbered 56/83 and dated 74 in pencil, 44x46cm: After Fleur Cowles, 20th century- "Bunch of Flowers"; published by the Adam Cavendish collection Ltd, 1978, signed dated 78 and numbered 145/451 in pencil, reproduction print, (2)
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78475 Los(e)/Seite