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Preisdatenbank abonnierenIan McNeil COOKE (1937) It's Spring Again Artist's proof, coloured etching, signed and titled, image size 30cm x 26cm, 49cm x 43.5cm framed. Ian was born London 1937. He attended Kingston School of Art and moved to Cornwall in 1969. Ian studied etching in St Ives with artist Roy Walker, and in 1979 purchased the former Bosullow School House, now Men-an-Tol Studio, where he set up his own printmaking studio.
Various Artists Five limited edition prints MIchele Wright, The Company of Gulls, etching 27/40, plate size 16cm x 26cm, 33.5cm x 44cm framed; Sheila Stafford, Smudge on the Ocean, etching, 20/100, plate size 12cm x 15cm, 32.5cm x 27.5cm framed, together with a further etching 'The Blue Table, byt the same artist; Tim WAYNE (1950) Tell Me A Secret, edition 8/365, signed and titled, 34cm x 34cm framed; together with an Ian Laurie etching. (5)
Pierre Alechinsky signed etching in colors - dated 1989 - edition Robert & Lydie DutrouALECHINSKY PIERRE (° 1927) kleurets n° 34/99 op een facsimile van een oude zeventiende eeuwse militaire kaart getiteld : "Le Fort de Touillon" - 57,5 x 90 getekend, gedateerd 1989 en geannoteerd A.G. editie Robert & Lydie Dutrou
Norman Ackroyd CBE, RA (1938-2024) "Puffin Island" Signed and dated (20)18, inscribed and numbered 56/90, etching, 22cm by 28cm (unframed) Norman Ackroyd was one of the UK’s most respected printmakers, and the greatest etcher of his generation. A consummate technical master, he captured light, wind and water on paper with an extraordinary subtlety of tone.Born in Leeds, his love of the elemental landscape was entrenched through a childhood exploring the Yorkshire Dales, cycling and fishing and trying to sketch light sparkling on water. An early talent for art was spotted at school, and he was awarded a scholarship to Leeds College of Art. In his early twenties, Ackroyd was accepted into the Royal College of Art, where he was instructed in etching by Julian Trevelyan, and where he made lifelong friends with Zandra Rhodes and David Hockney.After a spell teaching, Ackroyd embarked on his career as a landscape artist, becoming elected as an associate of the Royal Academy in 1988, and a Royal Academician in 1991. Amongst numerous honours, he was made a Senior Fellow of the Royal College of Art in 2000 and was awarded the CBE in 2007.Whilst he worked in a range of media, Ackroyd was most prolific in intaglio etching, working from his studio and home in a converted warehouse in Bermondsey, London. Drawn to wild and windswept outlying coastal margins, he loved to visit the rugged coast and islands of Ireland, the Outer Hebrides and the west coast of Scotland. Sketching on the spot, often from a small boat bobbing around on the swell, he captured the cliffs, foaming seas and wheeling gulls. Such experiences helped him imbue his work with extraordinary atmosphere - a sense of the sublime and the power and timelessness of these marginal places. Rarely does man appear in his work.Ackroyd was fascinated by, and a master of the technical process of printmaking, and never lost his enthusiasm for the subject. Renowned for his generosity of spirit and knowledge, one of his last endeavours was to set up a foundation that will allow young artists to complete their education. His works are held in private and public collections around the world, in the likes of the Tate, Moma in New York, the Rijksmuseum and the Royal Collection.
Julian Trevelyan RA (1910-1988)"Seaside, 1936"Signed, inscribed and numbered 10/25, etching, 20.5cm by 8cmCockling to the paper. The odd tiny minor sporadic foxing spot in evidence to the margins and exposed areas of white paper, especially to the lower margin above the signature, and to the left of Seaside and to the bells within the image. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
Norman Ackroyd CBE, RA (1938-2024) "From Sutton Bank - Vale of York"Signed and dated 8/2/09, inscribed and numbered 68/90, etching, 49cm by 77cmIt is float mounted, the paper has a deckled edge. Slight tear/ line to the mount where the paper is overlapping top right corner. Slight cockling to the paper. Some very light surface dirt and debris trapped under the glass. In good overall condition. Not examined out of the frame.
Julian Trevelyan RA (1910-1988)"Tom Among the Flowers" (1978)Signed, inscribed and numbered 1/50, etching and aquatint, 54cm by 64.5cmSignificant time staining to the sheet. Slight cockling to the paper. The odd small sporadic foxing spot in evidence, especially to the margins. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
Boris O'Klein (1893-1985), "Le Circle Vicieux", "Je Vous Offre Mon Coeur", "Chacun Son Tour","Sens Interdit", "A L'impossible nul n'est tenu", and "Tu Viens Beau Blond", each signed and titled in pencil, colour etching, mostly approx. 22 x 49.5cm, from the "Dirty Dogs of Paris" series, and an unsigned and untitled print from the series. (7)
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