78472 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenAttributed to Eszter Gyory (b.1942) 'Outlaw world', etching and aquatint, numbered 75/200, signed in pencil lower right, 27.5cm x 23cm At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
Susie Perring (Contemporary) 'Tapas', etching and aquatint, numbered 65/120, signed in pencil lower right, 44cm x 43cmProvenance: With 'The Wiseman Gallery, 40-41 South Parade, Summertown, Oxford' receipt, dated 10/04/01. Minor display wear and scuffs to the frame. Some foreign objects under the glass over the mount in places. The etching itself appears ok.
Bernard Kay (1927-2021)'Malvern College', etching and aquatint, artist's proof, signed to the lower right, unframed, 30cm x 60cm; together with matching copper plate, 30.5cm x 61cm and a further copper plate, circa 1950s, 33.5cm x 47cm (3) Print with creasing outside the plate. Has been written on in pencil outside the plate by a separate hand to Kay's. Copper plates with signs of wear consistent with age and use as expected. Copper plates with areas of staining.
After Augustus John (1878-1961) 'Self Portrait, 1906', etching, unsigned, 21cm x 18cmProvenance: Russell Barnes Esq, with 'Liss Fine Art' label to the reverse. Literature: Campbell Dodgson, Catalogue Raisonne, No 9. At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
Bernard Kay (1927-2021)'Stonehenge', etching and aquatint, proof, signed in pencil lower right, unframed, 46cm x 57.5cm and a collection of smaller studies by the same artist, also unframed (6) At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
REMBRANDT HARMENSZOON VAN RIJN (DUTCH 1606-1669) THE THREE TREES (B., HOLL. 212; NEW HOLL. 214; H. 205), 1643 etching with engraving and drypoint, on laid paper, watermark Foolscap with five-pointed Collar (Hinterding A-a-a), New Hollstein's only state, a brilliant, early impression of this highly important subject, printing very richly and darkly, with intense contrasts and bright highlights, the burr and sulphur tinting in the sky very pronounced, with small margins the sheet 21.8cm x 28.3cm (8 ½in x 11in) Christiaan Josi (1768-1828), Amsterdam and London (see Lugt 573, without mark); his posthumous sale, Christie's, London, 18-21 March 1829, lot 83 'Most Brilliant Impression' (£12; to Seguier)William Seguier (1771-1843), London (Lugt 2277), acquired at the above sale, with his pencil signature verso; his posthumous sale, Christie's, London, 29 April - 3 May 1844, lot 431 (£23-12-6; to Hawkins)John Heywood Hawkins (1803-1877), London and Bignor Park, Sussex, his purchase price inscribed in Greek letters (see Lugt 3023); acquired at the above saleProbably with Colnaghi & Co., London; acquired from the aboveWalter Francis Duke of Buccleuch (1806-1884), London and Dalkeith, Scotland (Lugt 402); probably acquired from the above, with his collection ink mark verso; his posthumous sale, Christie's, London, 19-22 April 1887, lot 1954 ('from the Seguier and Hawkins Collections') (£165; to Meder)With Louis Gerhard Meder (1848-1924) (of Amsler & Ruthardt), Berlin; presumably acquired on behalf of the belowSammlung der Königlichen Museen, Berlin, dated 1887 (Lugt 1610); presumably acquired from the above; with their de-accession stamp verso (Lugt 2482); their sale, Amsler & Ruthardt, Berlin, 6 March 1899 (and following days), lot 1600 ('Die Gewitterlandschaft mit den drei Bäumen. S. 212. Des Meisters Hauptblatt unter den Landschaften; das prachtvolle Exemplar der Sammlung Buccleuch, auf Schellenkappenpapier und mit 3 mm Rand ringsum. Exemplare von der Schönheit und vortrefflichen Erhaltung des vorliegenden sind von höchster Seltenheit und Kostbarkeit.')Dr Julius Elischer von Thurzóbánya (1846-1909), Budapest (Lugt 824, stamped twice); probably acquired at the above saleWith Kennedy Galleries, New York, with their stock number a48042 in pencil versoRobert Woods Bliss (1875-1962) and Mildred Barnes Bliss (1879–1969), Dumbarton Oaks, Washington, D.C. (Lugt 2004a); presumably acquired from the aboveDumbarton Oaks Research Library and Collection, Washington D.C; presumably part of the donation from the aboveWith R. M. Light & Co., Santa Barbara, CaliforniaPrivate Collection, acquired from the above on 31 January 1980; then by descentChristie's London, Old Master Prints, 9 December 2021, lot 126Acquired from the above by Hugo Burge Literature: Bartsch, Hollstein 212; New Hollstein 214; Hind 205Cynthia P. Schneider, Rembrandt’s Landscapes – Drawings and Prints, National Gallery of Art, Washington, D.C. (exh. cat.), 1990, no. 75, pp. 240-42 (another impression illustrated)Erik Hinterding, Rembrandt Etchings from the Frits Lugt Collection, Fondation Custodia, Paris, 2008, no. 167, pp. 390-93 (another impression illustrated)Nicholas Stogdon, A Descriptive Catalogue of the Etchings by Rembrandt in a Private Collection, Switzerland, privately printed, 2011, no. 93, pp. 158-9 (another impression illustrated)The Three Trees is Rembrandt’s largest and most elaborate landscape etching and is considered a masterpiece within his oeuvre.
AN 1822 PATTERN INFANTRY OFFICER'S SWORD with 32" curved and pipe backed blade, remnants of etching including George IV cypher, brass hilt, shagreen grip and leather scabbard with brass mounts inscribed "GILPIN & CO. NORTHUMBERLAND ST. LONDON", 38 1/8" long (Est. plus 24% premium inc. VAT)Condition Report: Some oxidation to blade and wear to etching. Flattening to hand guard and wear to scabbard foot where it has been dragged during active use. Scabbard flexible but not bent.
Claude Rowbotham, signed aquatint, river estuary scene at sunset, unframed together with a Robert Linnell Armitage etching ' Old Saxon Mill, Warwick ', a Continental oil on canvas laid to board , figures in a landscape , indistinctly inscribed and dated 1909, 22cm x 29cm, and a coloured print of a lime cement factory on the Thames
Philips Fruytiers (1610-1666), Portrait of Jacob Edelheer, three quarter length, a view of Castle Sterckshof in the background, etching and engraving laid on card, circa 1650, 34x48cm and Claude Mellan (1598-1688), H. Bernardus kneeling before a cross, engraving (left side laid on card), 30x45cm (engraving), 39x56cm, unframed.
A COLLECTION OF LATER 20TH CENTURY PICTURES, to include watercolours of Steam Locomotives by Peter Annabele, P.O. Jones and J.B. Thorne, a watercolour of a Morgan Plus 6 sports car by illustrator Roy Pratt, two oil on board landscapes by Edna Wright - small one loose in frame, an unsigned Venetian watercolour possibly by Barbara Dorf, a coastal watercolour signed Craven, two Janet Beckett ink and watercolour landscapes, Venetian scene signed John Thorne, Melanie Epps etching etc, largest approximately 41cm x 48cm including frame (17)
A pair of exquisite Lalique Agne champagne flutes, featuring a breathtaking design where delicately frosted angel wings extend seamlessly from the stem into the bowl, with intricate etching enhancing their ethereal form. This masterful composition exemplifies Lalique’s renowned artistry, blending texture and transparency to create a truly sculptural glassware piece. Each flute is signed Lalique France on the base, ensuring authenticity and craftsmanship.Issued: 20th centuryDimensions: 8"HCountry of Origin: FranceCondition: Age related wear.
A View of the Cities of London and Westminster with the Suburbs and Circumjacent Country Shewing the steeples of all the Churches and as many of the Public Buildings as are seen from the gallery of the steeple of Islington which town appears in the foreground. Etching with aquatint, Title, artist-engraver, and imprint in margin beneath the image. Accompanied by a key-block with 140 references Author: SWERTNER, Johannes. Publication place: London. Publisher: Published as the Act directs by John Swertner No. 10 Nevils Court Fetter Lane. Publication date: 1789. Size: 46.5 x 73cm Condition: Coloured. Top, Right and left margins restored, repairs to folds and other areas.
STANLEY WILLIAM HAYTER (BRITISH 1901-1988) ⊕ LA LEÇON D’ANATOMIEsigned and dated SWHayter 54 lower right; numbered 49/200 lower leftetching on wove paper40.5 x 30cm;15 3/4 x 11 7/8in65 x 49.5cm; 25 1/2 x 19 1/2 framedProperty from a Private Collector, WinchesterProvenanceJulian Raikes (acquired by the end of the 1960s) Acquired from the above by the present owner in 1978 Literature: Black & Moorhead 214There is a minor tear to the mount on the lower right vertical edge, visible only under close inspection. Otherwise, this work is in good original condition. This work is framed under glass and has not been examined out of frame.
AFTER JEAN-BAPTISTE-CAMILLE COROT (FRENCH 1796-1875) BRIDGE ACROSS A RIVER & PEASANT WOMAN IN A LANDSCAPE (I & II) each etchings on paper by Pierre Mallet each 30 x 46cm; 11 3/4 x 18in (approx) 64 x 79cm; 25 1/4 x 31in (framed) together with another etching of a view of Bruges of a similar size and also framed. (3)Property from a Private Collectionoffered for sale without reserve
AFTER GIOVANNI BATTISTA PIAZETTA (ITALIAN 1682-1754) After Giovanni Piazzetta by Marco Pitteri (1702-1786), San Jacobus Maior from The Holy Family and Apostles, engraving, 1742, on laid paper, with margins, together with Johann Christian Reinhardt (1761-1847), Nel Colosseo, from Malerisch radirte Prospekte aus Italien, circa 1792, etching on laid paper, with margins, Adam von Bartsch (1591-1666), Woman sitting in an archway, etching, 1800, on wove paper, with margins; and Robert Bénard (born 1734) after Jacques-Raymond Lucotte (1733-1804), engraving from Orfèvre Grossier (Goldsmiths’ works by Denis Diderot); and G.Silvani after C. Dolci, Santa Rosa, engraving, 19th century sheet size 55.5 x 44cm; 22 x 17 1/4in and smaller(5)Marco Pitteri (1702-1786) after Giovanni Battista Piazzetta (1682-1754), San Jacobus Maior from The Holy Family and Apostles, engraving, 1742 £50-70; Johann Christian Reinhardt (1761-1847), Nel Colosseo, from Malerisch radirte Prospekte aus Italien, etching £70-100; Adam von Bartsch (1591-1666), Woman sitting in an archway, etching, 1800; and Robert Bénard (born 1734) after Jacques-Raymond Lucotte (1733-1804), engraving from Orfèvre Grossier (Goldsmiths’ works by Denis Diderot) 5 prints 3/5 LOCATED IMCOMPLETE - POSSIBLE DUPLICATE OF LADY IN ARCHWAY - 4 images missing
ANA MARIA PACHECO (BRAZILIAN B.1943) ⊕ BANDIDOS I - LAMPIÁOsigned and dated 01 lower right; titled Bandidos I-Lampião lower centre; numbered 3/20 lower leftetching on paper67.5 x 59cm; 26 3/4 x 23 1/4in97 x 84.5cm; 38 1/4 x 33 1/4in (framed)Property from a South London Collectoroffered for sale without reserveThis work is in good original condition. Not examined out of frame. Held under perspex.
BILL JACKLIN (BRITISH B.1943) ⊕ TEMPLE I - HONG KONGsigned and dated Jacklin 94 lower right; titled Temple I Hong Kong. lower centre; numbered 2/30. lower leftetching and aquatint on wove paper29.5 x 25cm; 11 3/4 x 10 in62 x 54cm; 24 1/4 x 21 1/4in (framed)Property from a Private Collector, CroydonProvenanceHong Kong Arts Centre Acquired from the above by the present owner in 1995ExhibitedHong Kong Arts Centre, Urban Portraits Hong Kong 1993-95, 1995offered for sale without reserve
THEODORE ROUSSEAU (FRENCH 1812-1867) CHENES DE ROCHE (Delteil no. 4) etching on chine appliqué to wove paper, 1861, the third (final) state, published by Auguste Delâtre in the Gazette des Beaux Arts; one of only four prints made by the artist12.5 x 17; 5 x 6 3/4in17.8 x 26.5cm; 7 x 10 1/2in (sheet)unframed
ROBYN DENNY (BRITISH 1930-2014) ⊕ †GENERATION 5signed, dated and numbered 21/35 R Denny '78 lower right; annotated 5 lower centreetching, aquatint and watercolour wash on firm wove paper51 x 70.5cm; 20 x 27 3/4inunframedThere are some very minor accretions, visible only under very close inspection. The edges of the paper are deckled, deemed inherent to the artist's chosen medium. Otherwise this work is in good original condition. This work is unframed.
WILLIAM FREDERICK LONGSTAFF (AUSTRALIAN 1879-1953) VIEWS OF LONDON (I-IX)each signed Longstaff lower right; each numbered lower lefteach etching and aquatint on wove papereach approximately 17.5 x 17cm; 7 x 6 3/4ineach 46 x 35.5cm; 18 x 14in (mounted)all unframed (9)Property from a West London CollectorProvenanceA gift to the present owner from her father in the 1940s
EILEEN COOPER (BRITISH B. 1953) ⊕ LEARNING TO FLYsigned and dated Eileen Cooper 1989 lower right; titled Learning to Fly lower centre; numbered 4/35 lower leftetching and aquatint on paper31 x 23.5cm; 12 1/4 x 9 1/4in75.5 x 64cm; 29 1/2 x 25 1/4in (framed)ProvenanceBenjamin Rhodes GalleryAcquired from the above by the present owner in 1990
GRAHAM CLARKE (BRITISH B.1941) ⊕ RYEsigned Graham Clarke lower right; titled and numbered Rye 1/75 lower leftetching on paper15 x 18cm; 5 3/4 x 6in 27 x 30cm; 10 3/4 x 11 3/4in (sheet)offered for sale without reserveThis work is unframed. Some spots of discolouration on the reverse. Slight dogear to lower right and upper left corners. This work is in very good original condition.
AFTER JOZEF ISRAELS (DUTCH 1824-1911) AND VARIOUS ARTISTS THE BEREAVED FISHERMAN (I); OBEDIENT TO THE LAW (II); STEADY JOHNNIE STEADY (III); NEVER TELL A LIE (IV)etching by Léopold Lowenstam (i); etching by Frederick Goodall after Samuel Cousins (ii); two etchings by W. H. Simmons after Erskine Nicol (iii & iv) signed in pencil by artist and etcher (i)75 x 55cm; 29 1/2 x 21 3/4in (i)109 x 76cm; 43 x 30in (ii) 109 x 76cm; 43 x 30in - approx. (iii & iv)all unframed(4)Property from a London Collection ProvenanceAcquired by the present owner in the 1990s offered for sale without reserve
JACQUES VILLON (1875-1963) A COLLECTION OF FRENCH 19TH CENTURY LITHOGRAPHS published posthumously by Atelier Mourlot Frères; Jacques Villon (1875-1963), Intimité, lithograph printed in colours, printed by Fernand Mourlot, Paris, unsigned; together with Bernard Buffet (1928-1999), Le Clown Jojo, lithograph printed in colours, unsigned, printed by Fernand Mourlot, Paris; and four lithographs including after Pierre Bonnard, Dans la Rue, lithograph printed in colours, printed by Mourlot Frères, 1952; after Édouard Vuillard, La Vieille Femme au Forneau; Le Square Vintimille; and Une Galerie au Gymnase (laid down, published by Mourlot, 1948; and after Wassily Kandinsky, one plate from Kleine Welten, lithograph printed in colours; André Dunoyer de Segonzac (1884-1974), Montmartre, etching; together with Luigi Lucioni (1900-1988), Route 7 Year, etching, 1946, signed in pencil (some light-staining), all on wove paper except the etching by Lucioni (on laid paper), sheet 27 x 35cm; 10 3/4 x 13 3/4in and smaller (9)
ANTHONIE WATERLOO (DUTCH 1609-1690) A MOTHER AND CHILDREN RESTING (HOLLSTEIN 122) Etching, 17th century, presumably third (final) state; together with Shepherd Asleep on a Hummock (Hollstein 118), etching, 17th century, second state (of three); together with The Small Hamlet, etching and engraving, mid to late 17th century, from 12 Landscapes, a late impression; together with three etchings after Anthonie Waterloo (three works) and one etching by Jan Ruyscher (1648-1643) published by Waterloo (cf. Hollstein 21, 61, 62), 33 x 27cm; 13 x 105/8in and smaller(8)
STANLEY WILLIAM HAYTER (BRITISH 1901-1988) ⊕ DANAËsigned and dated SWHayter 54 lower right; titled Danaë lower centre; numbered 86/95 lower leftetching on wove paper40.5 x 30cm;15 3/4 x 11 7/8in65 x 49.5cm; 25 1/2 x 19 1/2 (framed)Property from a Private Collector, WinchesterProvenanceJulian Raikes (acquired by the end of the 1960s) Acquired from the above by the present owner in 1978Literature: Black & Moorhead 213There is minor soft creasing to the lower left and right corners, visible only under close inspection. Otherwise this work is in good original condition. This work is framed under glass and has not been examined out of frame.
AN AQUATINT ETCHING OF SIR THOMAS STAMFORD RAFFLES, 1830 'President of the Zoological Society', copper plate engraving, from Memoir of the Life and Public Services of Sir Thomas Stamford Raffles, F.R.S. &c. John Murray, London, 1830, engraved by S. Cousins, after a bust by Sir Francis Leggatt Chantrey (1781-1841) 27 x 17cm Condition Information: Minor toning to areas Ownership Statement: This item is offered for sale in the name of the owner, Sake Santema. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A group of 5 framed pictures 1) A Pastel study of a female, signed by Browne, dated for1950 lower right inside mount measures 31cm x 23 cm Condition: Good 2) A collage of 6 separate etchings by London based artist example scenes of London bridge, Twickenham, Oxford, each etching is a well known scene Wilfred Wm Ball 1853-1917 He was a landscape, marine painter & Etcher Has had his work exhibited in Glasgow, Liverpool, Leicester and Dudley Inside frame measurements 51cm x 31 cm The 2 larger etchings 7 cm x 11 cm Condition: Good 3) A pair of matching framed and themed pastels with fireside scenes of Tudor period. inside mount measurement on larger picture 25cm x 33cmCondition: Good 4) A 19th centaury signed lower right R Scott. an oil on board of a water mill & country scene , with a plaster frame Inside mount 29cm x 39cm Condition: some damage to frame, and Board to frame loose View all pictures
D Y CAMERON, etching, signed and dated 1928, with printed text, "This proof has been printed and signed by Sir D Y Cameron RA from the copper plate with eight designs 2 1/4 by 1 7/8 inches of CP (monogram for Charles Price or Carolus Princeps) on a cartouche with coronet and Price of Wales feathers above, over a trophy of arms and flags; on the entablature below are the values on four of the designs-one, two, three and six pence; the other four entablatures being left blank, "the interior part to be filled up by clerks" (Sir Robt. Strange`s memoirs vol.1 p.52). The plate was found near the west end of Loch Lagan, probably thrown aside during the flight from Culloden 1746.................................." 46 x 32cm.
Loading...
