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78475 Los(e)/Seite
Los 165
A RARE GERMAN ETCHED HALBERD, DATED 1566 with medially-ridged leaf-shaped terminal blade etched on the respective faces with the figure of St George on one side and an inscription including the date and the initials 'P W' on the other, all against a stippled ground surrounded by scrolling leafy tendrils, small axe-blade pierced with five holes, rear fluke formed with an additional lug above, the latter stamped with a clover leaf mark on one side, etched throughout with further tendrils inhabited by exotic birds (the etching worn), and faceted socket decorated en suite, on an early fabric-covered wooden haft, fitted with two pairs of straps on the upper portion and the lower encased with a trellis pattern of leather studded with large domed brass nails 46.2 cm; 18¼ in head Provenance Schloss Grafenegg, Austria, sold Galerie Fischer, Zurich 1934, lot 47. The inscription reads: "Gott Mein Trost, Aber Jesus Christus Hat Mich von Allen Suenden Erloest, Anno Domini 1566" A halberd of similar form struck with the same maker's mark and decorated with the Crucifixion on one side and a standard bearer on the other is preserved in the Royal Armouries, Leeds. See Ffoulkes 1916, p. 248. No. 1026.
Los 134
A RARE ETCHED PARTISAN OF THE GUARD OF THE ELECTOR FRIEDRICH AUGUST I OF SAXONY, 'THE STRONG' (1670, 1694-1733), CIRCA 1694-7 with central blade of flattened-diamond section, broad base formed of a pair of flat notched flukes, etched at the base with a pattern of scrolling foliage on each side and surmounted on the respective faces with the crowned electoral arms and the initials 'CFA' for Churfürst Friedrich August, moulded collar, faceted socket and a pair of long straps, on a wooden haft painted with an inventory number 61.2 cm; 24? in head Provenance The Saxon Electoral Armoury, Dresden. Friedrich August I ruled as Elector of Saxony (1694-1733) and twice as King August II of Poland (1697-1704 and 1709-33). Similar partisans are preserved in the Wartburg (inv. no. 461) and the Wallace Collection, London (inv. Nos. A1002 & A1003). Another partisan from this group with the same notable style of etching is preserved in the Deutsches Historiches Museum, Berlin. See Müller and Kölling 1981, p. 311 no. 395.
Los 322
ËœMililtary Edged Weapons and Militaria PROPERTY FROM THE ESTATE OF BRUCE GEORGE W.N.B. George (1915-2016) gained a first in Architecture at Liverpool University in 1937, where he studied Scandinavian "functionalist" influences on architecture, touring Sweden, Denmark and Finland. During the war he served with the Artists' Rifles (28th London Regiment), the Royal Artillery (Anti-Aircraft Command) and 315 Battery, 5th Searchlight Regiment RA. In 1942 George was confined with 50,000 others in Changi Jail before being moved to the Burma-Thailand Railway in June 1943. Following the war he setup the architectural practice George, Trew & Dunn who, in 1959, were selected to redesign the Royal Military Chapel (the Guards Chapel) in Birdcage Walk, following its destruction by a V1 bomb during a service in June 1944. A NAVAL OFFICER'S SPADROON, CIRCA 1790 with regulation blade retaining traces of etching, gilt-brass 'five-ball' hilt, fluted ivory grip interrupted by a gilt-brass band engraved with the owner's initials 'REV' (gilding worn) 81.5 cm; 32 1/8 in blade
Los 452
*Rossini (Luigi, 1790-1857). Veduta dell'Arco di Settimo Severo ne Foro Boario, 1821, etching on wove paper, some spotting and staining, largely confined to margins, plate mark 41 x 49 cm (16 x 19.25 in), together with Ghisi (Georgio Mantovano), Classical deities, circa 1580, oval engraving, 18.5 x 24 cm (7.25 x 9.5 in), framed and glazed, plus Waterloo (Anthonie), Scenes in the low countries, circa 1680, two etchings on laid paper, each approximately 12.5 x 21 cm (5 x8.25 in), mounted, and Earlom (Richard), Marine scene, published John Boydell, 1775, etching on laid paper after Claude le Lorrain, plate size 20.5 x 26 cm (8 x 10.25 in), mounted, with another 58 Old Master etchings and engravings, mostly 18th century, with examples by Pretner, Zingg, Boissieux and Eichler, various sizes and condition (62)
Los 598
*Conder (Charles, 1868-1909). Seated Lady, etching on laid paper, an artist's proof, signed in blue pencil, and marked 'Artist's proof' to lower margin, additionally signed within the plate with initials C.C. lower left, and with an area to the lower left of the plate marked off in blue pencil, plate size 202 x 150 mm (7.95 x 5.9 ins), light surface marks and overall spotting, laid down on backing card, sheet size 315 x 265 mm (12.4 x 10.5 ins) Provenance: From the collection of Lady Ottoline Morrell by descent. (1)
Los 450
*Van Dyck (Anthony, 1599-1641). Christ crowned with thorns (also known as The Reed offered to Christ), circa 1631, etching and engraving on heavy wove paper, by Lucas Vorsterman, with printed inscription at foot Anton Van Dyck invenit et fecit aqua forti, but without the privilege or publisher's name Bon Enfant, a very good well-inked dark impression, faint manuscript initials N.St. to lower right corner (possibly an early ownership), trimmed to plate mark, sheet size 264 x 215 mm (10.4 x 8.5 ins), some light scattered spotting and pale glue stains to extreme corners, mounted Hollstein 20. Of Van Dyck's 19 etchings 17 are portraits, the exceptions being Titian and his mistress (Hollstein 628 and the present work, Hollstein 519). (1)
Los 432
*Both (Jan, 1615-1652). The Large Tree (from the set of Upright Italian Landscapes), etching on laid paper, trimmed to plate margins, sheet size 260 x 204 mm (10.25 x 8.05 ins), together with a collection of 350 various Old Master prints and engravings, mostly 17th and 18th century, mainly Dutch and Flemish Schools, including Hollar, Jan Collaert, Ostade, Crispijn de Passe, Sadeler, Saenredam, Christoffel van Sichem, Lucas Vorsterman, Esaias van de Velde, Ruisdale, Coryn Boel, Callot, Waterloo, etc., many with signs of removal from previous albums, condition variable, all loosely contained in 2 modern ring binders (approx. 350)
Los 441
*Goya (Francisco de, 1746-1828). Que Guerrero!, etching, burnished aquatint and drypoint on laid paper from the edition of 300, printed by Francois Li‚nard, Paris, in 1877, plate size 245 x 355 mm, with margins, small waterstain to upper left corner, generally in very good condition, framed and glazed, with Waddington Graphics label to verso Delteil 220, ii. Harris 266, iii. (1)
Los 635
*Nicholson (Ben, 1894-1982). Still life with blue, 1968, a reproduction of the original etching, issued sometime in the late 1980s or 1990s with the agreement of the estate of the artist, and issued in an edition of 300, on thick handmade paper, signed and dated in pencil, a few minor marks, plate size 266 x 122 mm (10.5 x 4.75 ins), sheet size 357 x 213 mm (14 x 8.4 ins) (1)
Los 453
*Piranesi (Giovanni Battista). Veduta de Palazzo Odescalchi, from Vedute di Roma, 1753, etching on laid paper with double ring fleur-de-lis watermark, a few minor worm holes to margins and occasionally to image, repaired to verso, closed tear to left margin repaired, just touching image, plate size 410 x 620 mm (16 x 24.5 ins) Hind 26. Wilton-Ely 178. Ficacci 916. (1)
Los 609
*Griggs (Frederick Landseer, 1876-1938). Meppershall Chapel, 1915, etching on laid paper, one of 30 impressions of the third state, signed in pencil, some light toning, sheet edges with some tears and loss to edges (caused by previous mounting and glue), encroaching particularly to the lower right corner of the image (but with some margin on all sides), plate size 131 x 116 mm (5.2 x 4.5 ins), sheet size 210 x 185 mm (8.3 x 7.2 ins), with margins shorter in several places Comstock 13, iii/iii. (1)
Los 592
*Bessant (Don, 1941-1993). Cotswold Spring, & August Morning, 1977, together two colour lithographs on handmade paper, published by Christie's Contemporary Art, both signed, dated, titled and numbered 123 and 51 from editions of 150 respectively, sheet size 470 x 400 mm (18.5 x 15.75 ins), matching gilt frames, glazed, with CCA certificate of authenticity to verso, together with Daniel (Valerie, 20th/21st century), Cottage Window, etching with aquatint, signed, titled, and numbered 65/100, plate size 540 x 400 mm (21.25 x 15.75 ins), with margins, framed and glazed (unexamined out of frame) (3)
Los 608
*Griggs (Frederick Landseer, 1876-1938). Lone-End, 1930, etching on pale cream laid paper, signed in pencil, and inscribed in black ink to verso D.H.P. for Dove's House Press, and numbered 18, from the published edition of 90 impressions, some pale discoloration and light spotting and surface marks, 182 x 260 mm (7.15 x 10.25 ins), sheet size 246 x 320 mm (9.7 x 12.5 ins) Comstock 43, iii/iii. (1)
Los 599
*Daniel (Valerie, 20th/21st century). Anemones, & Tulips, two large mixed method engravings, limited edition 64/100 and 33/100 respectively, each approximately 55 x 40.5 cm (21.5 x 16 in), together with Partridge (Eleanor), View from marbled wall, 1981, aquatint etching, signed in pencil, limited edition 13/50, 56.5 x 43 cm (22 x 17 in), with Stokoe (Michael), Summer Vines, late 20th century, mixed method engraving, signed in pencil by artist below image, limited edition 10/50, 46 x 32.5 cm (18 x 12.75 in), plus Jones (Olwen), House Plants, colour screenprint, signed in pencil, limited edition 61/100, 44 x 32 cm (17.25 x 12.5 in), together with other 20th century prints and etchings, various sizes and condition (43)
![*@Picasso (Pablo, 1881-1973). Sculpteurs, ModÅ les et Sculpture (from the Vollard Suite), March 20 1933 [printed 1939], etchin](https://cdn.globalauctionplatform.com/2eb3dfff-c50e-4326-b646-a625012bde72/cee1f671-7917-4b5b-e10e-77c25e43b284/468x382.jpg)
Los 638
*@Picasso (Pablo, 1881-1973). Sculpteurs, ModŠles et Sculpture (from the Vollard Suite), March 20 1933 [printed 1939], etching on watermarked paper, one of 50 copies printed on Montval paper, dated in the plate 'Paris 20 Mars XXXIII', signed in pencil to lower margin, pale mount stain, plate size 193 x 266mm (7.5 x 10.5ins), sheet size 340 x 403mm (13.4 x 15.75ins), framed and glazed Bloch 149; Geiser 301. 313 impressions printed from each plate. 260 copies watermarked either "Picasso" or "Vollard" were printed on Montval paper. There were also 50 copies printed on a Montval paper about 2" larger in both directions and those were watermarked "Papeterie Montgolfier … Montval". This etching is from the edition of 50 with wider margins on Montval paper. (1)
Los 632
*Monk (William, 1863-1937). Castellated house by a river, etching, signed in pencil by artist to lower right, plate size 18 x 25 cm (7 x 9.75 in), mounted, together with Davies (Linda), Ballet dancer tying her shoes, late 20th century, etching, signed by artist in pencil to lower left, limited edition 3/12, plate size 31 x 22.5 cm (12 x 9 in), with another thirty etchings, mostly 20th century, including some signed in pencil, with examples by Robertson, Bayly, McFadden, Andrews, Parker, Walker, Roux and Ball, various sizes and condition (32)
![*Gross (Anthony, 1905-1984). Mississippi, or Rocky Pool, [1966], etching, numbered 2/50, titled, and signed in pencil to lowe](https://cdn.globalauctionplatform.com/2eb3dfff-c50e-4326-b646-a625012bde72/ea350a47-bad8-4142-e1d1-02bec8dac5df/468x382.jpg)
Los 455
*Rembrandt (Harmensz van Rijn, 1606-1669). The Death of the Virgin, 1639, a later restrike etching on laid paper, probably 18th or 19th century, a strong well-inked impression, trimmed to image, laid down on card, sheet size 390 x 315 mm (15.3 x 12.4 ins), together with The Bathers, 1651, etching on laid paper, printed by Donald Shaw MacLaughlan in 1907 from the original plate (then in the possession of the art dealer and collector Alvin-Beaumont in Paris), trimmed to plate mark, sheet size 109 x 138 mm (4.25 x 5.4 ins), plus Holy Family with the Cat and Snake, 1654, etching on laid paper, printed by Donald Shaw MacLaughlan in 1907 from the original plate (then in the possession of the art dealer and collector Alvin-Beaumont, Paris), trimmed to plate mark, sheet size 96 x 146 mm (3.75 x 5.75 ins), together with 8 other etchings by Rembrandt, all later reprints, including Jan Uytenbogaert, The Baptism of the Eunuch, Jesus amongst the Doctors, etc. (11)
Los 624
*Lumsden (Ernest, 1883-1945). A Toledo Inn, 1923, original etching on laid, signed in ink & pencil to lower margin, 300 x 164mm (11.75 x 6.5ins), limited edition of 50 copies, together with six other original signed etchings, seven black chalk & nine pencil drawings by Lumsden, including portraits, views & scenes, plus an oil on canvas portrait of a gentleman (24)
Los 440
*Goya (Francisco de, 1746-1828). El famoso Martincho poniendo banderillas al quiebro (The famous Martincho playing the bull with the movement of his body), 1816, etching, drypoint burin and burnished aquatint on laid paper, with partial watermark 'AN', numbered 15 to top right, plate size 257 x 352 mm (9.7 x 13.8 ins), one or two surface marks and light diagonal crease towards left hand side, sheet size 313 x 475 mm (12.3 x 18.7 ins), tab-mounted Delteil 238. Harris 218. (1)
Los 261
William Henry Vernon, (1820-1909) Mother and child, tent and figures on camels in an extensive desert landscape watercolour and gouache, signed 24 x 19.5 cm together with a watercolour of an Elder and camel a coloured etching after Edgar Pattison 'Return of the Caravan', and a print of a Middle Eastern city (4)
Los 392
James Abbott McNeil Whistler (1834-1903), The Little Pool, etching dated in plate 1861 and inscribed 'the Works of James Whistler: Etchings and Drypoints are on view at 39 Old Bond Street, E Thomas Publisher', published in the Thames Set, 1871, 10.5cm x 12.5cm, framed Note: examples of this etching are included in the collections of the the National Portrait Gallery, London, the Victoria and Albert Museum, British Museum and other international art galleries.
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78475 Los(e)/Seite