78475 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenRembrandt van Rijn (1606-1669)The Baptism of the EunuchEtching with touches of drypoint, 1641, but a later impression of New Hollstein's final state (of four), on laid paper without watermark, platemark 182 x 210 mm. (7 1/4 x 8 1/4 in), sheet 190 x 219 mm (7 1/2 x 8 5/8 in), even toning to the sheet, with faint damp-staining to upper section (unframed)Literature:Hind 182; New Hollstein 186 iv/iv
δ Pablo Picasso (1881-1973)Le Repos de Sculpteur IV (from the Vollard Suite) (Bloch 174)Etching 1933, signed in pencil, the edition was 250, on Montval laid paper, from the Vollard Suite, with the Vollard watermark, published by Ambroise Vollard, Paris, with full margins, 193 x 267mm (7 5/8 x 10 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria: among RuinsEtching, 1634, but a later impression of New Hollstein's third state (of five) printing with plate tone, some signs of wear but before further re-working, on buff laid paper without watermark, platemark 122 x 107 mm (4 3/4 x 4 1/4 in), 136 x 120 mm (5 3/8 x 4 3/4 in), light exposure lines in margins, small perforation to foot of the well, fine splitting to lower left platemark, and also to upper centre (unframed).Literature:Hind 122; New Hollstein 127 iii/v
δ Jacques Villon (1875-1963)La Cigarette (Ginestet/Pouillon)Etching with aquatint printed in colours, 1901, signed and inscribed 'No. 18' in pencil, from the edition of approximately 46, on wove paper, published by L'Estampe Nouvelle, Paris, with wide margins, plate 418 x 343mm (16 1/2 x 13 1/2in (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Self-Portrait etching at a WindowEtching, drypoint and burin, 1648, but a later impression of New Hollstein's eighth state (of nine), well inked and printing clearly with contrasts, on cream laid paper without watermark, platemark 158 x 131 mm (6 1/4 x 5 1/4 in), sheet 161 x 133 mm (6 3/8 x 5 1/4 in) (unframed)Literature:Hind 229; New Hollstein 240 viii/ix
δ Jake and Dinos Chapman (b. 1962 & 1966)The Rape of CreativityEtching printed with tone, 2003, signed and numbered from the edition of 100 verso, on wove paper, published by Modern Art Oxford, with full margins, sheet 493 x 590mm (19 ½ x 23 ¼in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Peter Doig (b.1959)Haus Der BuilderEtching with aquatint printed in colours, 2001, signed and numbered from the edition of 46, on wove paper, published by Charles Booth-Clibborn under his imprint the Paragon Press, with full margins, 665 x 857mm (26 ¼ x 34 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Tracey Emin (b.1963)No Substitute for Your LoveEtching, 2003, signed and numbered from the edition of 300 in pencil, on wove paper, the full sheet, 460 x 510mm (18 x 20in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good but later 19th century impression of New Hollstein's seventh state (of eight), an evenly printed impression with some signs of wear in the plate, platemark 526 x 408mm (20 3/4 x 16in), sheet 545 x 415mm (21 1/2 x 16 1/4 in), blue 'colportage' ink stamp verso, edges reinforced verso, minor toning and some marginal spotting (unframed)Literature:Hind 103; New Hollstein 119 vii/viii
δ Damien Hirst (b.1965)DoxylamineEtching printed in colours, 2007, signed and numbered from the edition of 75 in pencil, on Hahnemuhle wove paper, published by Charles Booth-Clibborn under his imprint The Paragon Press, London, the full sheet, 820 x 940mm (32 1/4 x 37in) (unframed)This work is accompanied by a certificate of authenticity. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)I Get Around (from In a Spin, The Action of the World on Things I)Etching printed in colours, 2002, signed in pencil, from the edition of 68, on Hahnemuhle paper, printed by Hope (Sufferance) Press, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, the full sheet 910 x 706mm (35 3/8 x 27 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)I Saw Half of the Moon (from In a Spin, The Action of the World on Things I)Etching printed in colours, 2002, signed in pencil, from the edition of 68, on Hahnemuhle paper, printed by Hope (Sufferance) Press, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, the full sheet 910 x 706mm (35 3/8 x 27 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)Spin Me Right Round (from In a Spin, The Action of the World on Things I)Etching printed in colours, 2002, signed in pencil, from the edition of 68, on Hahnemuhle paper, printed by Hope (Sufferance) Press, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, the full sheet 910 x 706mm (35 3/8 x 27 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)You Threw a Melon at my Head (from In a Spin, The Action of the World on Things I)Etching printed in colours, 2002, signed in pencil, from the edition of 68, on Hahnemuhle paper, printed by Hope (Sufferance) Press, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, the full sheet 910 x 706mm (35 3/8 x 27 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
A QUANTITY OF ASSORTED PICTURES AND PRINTS ETC, to include limited edition etchings by Mary George, watercolour of flowers by A.C.Powner, prints by Gordon Butler, landscape with heavy horses, etching by Venancio Arribas, painting on board of A.Pike, initialled, various prints etc (two boxes and loose)
Pair of etchings, Archduchy of Austria. 1- Partie Du Cercle d'Autriche, 1704. Par Sanson, Gegraphe ordinaire du Roy. Chez Iaillot, de Geographe ago majesté, 1704. 46x65 cm, copper etching. With walnut frame cm 59x78,5. 2 - Cards Des Paysbas Catholiques, 1702. Aut. Guillaume Delisle (1675-1726). Geographe de Roy: Ph Buachhe Glateer De L'auteur (1700/1773) .Cm47x63, copper etching. With frame ribbed rooted in gold 59x79 cm.
Sir Claude Francis Barry R.B.A. (1883-1970)Old Roman Bridge, St Remo signed 'F Barry' (lower left); titled and dated 'Old Roman Bridge/St Remo 19/50' (on board verso)oil and pastel on board56 x 91.5cm (22 1/16 x 36in).Footnotes:ProvenanceThe Artist, by whom gifted to the family of the present owner, and thence by descentPrivate Collection, U.K.The present work is related to the etching The Old Roman Bridge, Bordighera, reproduced in K. Campbell, Moon Behind Clouds: An Introduction to the life and work of Sir Claude Francis Barry, Fine Art Promotions Ltd, Jersey, no. 329, illustrated on p.235.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Art Trade.- O'Neale (Jefferyes Hamett), attributed to. The Painter submitting his picture to the Examination of Connoisseurs and Antiquarians, etching and engraving, 19.5 x 12.5 cm (7 ¾ x 5 in.), trimmed to or just within platemark, tiny tear at bottom edge, [BM Satires 2008], [Sentimental Magazine, January 1774]
Carracci (Annibale), Attributed to. Virgin seated with pillow, etching on laid paper with circular watermark containing initials 'A.A.', sheet 162 x 117 mm. (6 3/8 x 4 5/8 in), trimmed to or just within platemarks, Spanish collector's ink inscription verso, initialled 'J.Z.', some browning and surface dirt, unframed, [circa 1580-1600 but later]; presented on one mount with St Francis of Assisi in prayer, once understood to be by Annibale Carracci, now with an attribution to Luca Ciamberlano [cf. TIB]; together with an impression of Agostino Carracci's Apollo and the Python, after Bernardo Buontalenti's stage design for the third intermezzo of the festivities for the marriage of Ferdinando I de' Medici and Christine of Lorraine, etching on laid paper with indistinct circular watermark, sheet 245 x 345 mm. (9 3/4 x 13 1/2 in), trimmed within the platemark, repaired nicks and tears, surface dirt, toning to sheet, handling creases, all unframed, [circa 1589] (3).Provenance:(Virgin with Pillow; St Francis of Assisi) J. Peoli [Lugt 2020](Apollo and the Python) Giuseppe Storck (1766-1836) [L. 2318]; Unidentified collector 'vg' [L. 2513a]
Courtois (Guillaume, 1628-1679) Abdon and Sennen preparing a burial, after Courtois's own fresco from the nave of San Marco, the Venetian church in Rome, the fresco cycle was undertaken by the pupils of Pietro da Cortona, etching on laid paper with indistinct circular watermark of [?] an anchor or fleur-de-lis, sheet 305 x 310 mm. (12 x 12 1/4 in), trimmed to or just within the platemark, faint vertical "drying" crease as issued, small marginal nick in the lower left corner, unframed, published by Arnold van Westerhout, [circa 1650 or slightly later].Literature:Robert-Dumesnil 1
Rembrandt van Rijn.- Hamerton (Philip Gilbert) Etching & Etchers, first edition, title in red & black with vignette copy of Rembrandt's 'Self-portrait in flat cap', 35 etchings or drypoints, including an impression of Rembrandt's 'Three Oriental Figures (Jacob and Laban?)', and others, 6 double-page or folding, small hole to the centre of the Rembrandt, occasional light foxing throughout, some spotting and surface dirt, hinges weak with some splitting, original roan-backed cloth, gilt, g.e., rubbed, foot of spine missing, corners and spine ends very worn, 8vo, Macmillan, 1868.⁂ Includes original etchings by Rembrandt, J.M. Whistler ("Billingsgate"), Samuel Palmer ("Sunset"), J. Israels, H. Herkomer, A. Legros, and others.
Runciman (Alexander, 1736-1785) Perseus and the Sleeping Medusa, etching on fine handmade wove paper, platemark 170 x 260 mm. (6 3/4 x 10 1/4 in), sheet 220 x 280 mm. (8 3/4 x 11 in), good margins so unlikely to be from Kay's 1826 re-issue, but with clumsy correction to scratch in the plate running across the lower leg of Medusa, otherwise minor handling creases, unframed, [circa 1774 but later]; together with Gerard Valck's mezzotint portrait Guillaume III Roy de Angleterre, and an oval mezzotint portrait of Mary II after Kneller, and three decorative mezzotint cards by Lawrence Josset (20th century), various sizes, unframed (6)
Richard Brinsley Sheridan (1751-1816).- Rowlandson (Thomas), After. A Theatrical Candidate, after the caricature etching published circa 1797, pen and black ink, watercolour, bears date and signature 'Publd. April 6th by Ludivco Scratchi. 1802', in the lower left corner, on cream wove paper with partial text-based watermark, sheet 220 x 220 mm. (8 3/4 x 8 3/4 in), some minor spotting and light surface dirt, unframed, 1802 [or slightly later].Engraved:cf. BM Satires 9086
Mississippi Bubble.- Picart (Bernard) Monument consacré à la postérité en mémoir de la folie incroyable de la XX année du XVIII. siècle, satire on one of the earliest examples of an economic bubble, specifically John Law's scheme of 1720, possibly a proof impression or a separately published copy, etching and engraving, on thick laid paper without watermark, with title and text below in both French and Dutch, platemark 282 x 375 mm. (11 1/8 x 14 3/4 in), sheet 315 x 430 mm. (12 1/4 x 16 7/8 in), good margins, some repaired tears, spotting and surface dirt, unframed, [Amsterdam], 1720; together with a copy after Picart's satire on the Mississippi Bubble, etching and engraving, sheet 265 x 375 mm. (10 1/2 x 14 3/4 in), large repaired tear at the right edge, several folds, unframed, [c. 1720] (2)
Roman Catholic cause in Europe.- Hooghe (Romeyn de), After. Arlequin sur l' Hypogryphe à la Croisade Lojoliste / Armée van de Heylige Lingue voor der Jesuiten Monarchy, Dutch broadside satirising Louis XIV, James II and the Roman Catholic cause in Europe, engraving and etching with Dutch text in four columns below, on laid paper without watermark, sheet 535 x 390 mm. (21 x 15 1/4 in), several tears with two larger running in from the upper edge, other minor nicks and losses, particularly to corners, handling creases and surface dirt, unframed, [c. 1689].Literature:BM Satires 1205; Hollstein 156
Loading...
