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Los 252

GEOFFREY GARNIER The Red River, Gwithian. Etching. Signed, inscribed and numbered 30/30. 9 x 12ins.

Los 274

H. CUTNER The life class. Etching. Signed and dated '27. Dedicated to J. Blampied. 7 1/2 x 10ins.

Los 275

ELEANOR HUGHES Trewoofe. Etching. Signed. 9 1/2 x 8ins.

Los 276

H. P. EVANS On The Thames. Etching. Signed. Together with an etching aquatint by Gyrth Russell.

Los 288

JERZY FACZYNSHI Swans at the park. Oil on canvas. Signed. 24 x 18ins. Together with a Corot etching.

Los 297

JAMES ABBOT McNEILL WHISTLER Billingsgate. Etching. 7th state of 8 (K47, W45) 5 7/8 x 8 7/8ins. (It is definitely known that this plate has been destroyed.)

Los 314

GERALD BROCKHURST Casper, 1933. Etching. From an edition of 91. Initialled in plate and signed in pencil.

Los 332

KENNETH HOLMES Continental architecture. Etching. Signed. 10 x 14ins.

Los 334

KENNETH HOLMES Continental bridge. Etching. Signed. 8 1/2 x 12 1/2ins.

Los 335

KENNETH HOLMES River architecture. Etching. Signed. 7 1/2 x 9ins. Together with a large etching, by the same, of the works of Joseph Hoyle & Son Ltd., Yorkshire.

Los 336

KENNETH HOLMES Ice skating. Etching. Signed. 12 x 18ins.

Los 416

ELIZABETH FORBES Boy with a stick. Etching. Monogrammed in the plate. 4 x 3ins.

Los 439

BRYAN INGHAM Untitled. Etching. 12 x 18ins., unframed.

Los 340

AFTER GEORGE SOPER (1870-1942), KELP GATHERERS, ETCHING, signed in pencil to the mount. 21cm by 30cm

Los 346

AFTER BERNARD LENS (1682-1740), "A VIEW FROM THE BOWLING GREEN AT ISLINGTON", etching, inscribed "B. Lens delt. 1730".

Los 356

DAME LAURA KNIGHT (1877-1970), CIRCUS PERFORMERS, ETCHING, signed in pencil, framed. 37cm by 26.5cm

Los 605

WILLIAM LIONEL WYLLIE (1851-1931). Etching, Sea Scouts in Portsmouth Harbour with HMS Victory in the Distance, signed in pencil, 15cm x 24.5cm, framed. ILLUSTRATED.

Los 606

FRANK LAING: etching Edinburgh street scene with trees to the fore, signed in pencil to mount, 22cm x 14cm, framed

Los 607

GWEN DAVIES: etching "Aberystwyth from Penybont" river landscape, 16cm x 26cm, framed.

Los 6

Cameron, D.Y. - Hind, Arthur The etchings of D.Y. Cameron. London: Halton & Truscott, 1924. Folio, number 111 of 200 copies, signed etching as frontispiece, 95 plates, contemporary quarter calf gilt, blindstamped cloth, rubbed backstrip

Los 523

Clerk, John, of Eldin A series of etchings chiefly of views in Scotland... with additional etchings and facsimiles from his drawings. Edinburgh: Bannatyne Club, 1855, first collected edtion, large folio, lithographed portrait frontispiece and 55 lithographed or etched plates, some with two or more views, tissue guards, recent black half morocco, raised bands, marbled sides, spine gilt Note: John Clerk (1736-1812), artist, author and parliamentarian, was one of the few eighteenth-century Scottish practitioners of etching and his landsape etchings, as well as being important documentary records, are often seen as important precursors to the etching revival of the mid nineteenth century.

Los 489

AFTER MULLER "With Full Dignity", black and white etching, signed in pencil to mount and inscribed and dated 1912 on label verso

Los 496

AFTER MULLER "Butterflies II", black and white etching bearing pencil signature to margin and bears inscribed label dated 1899 verso, together with four further butterfly engravings

Los 139

C HODGSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Friends”, 5” x 8”, and five other framed prints (6)

Los 142

C H SHANNON, SIGNED IN PENCIL TO MARGIN, SEPIA LITHOGRAPH, “Mother and Child”, 8” x 6”, AFTER FREDERICK TAYLOR, BLACK AND WHITE ETCHING, A Hunting Group, 3” x 4 ½”, maple framed, and TWO HAND COLOURED ENGRAVINGS (From a Publication), “St Katherine’s Docks” and “London Bridge – 1756”, 6” x 8” (4)

Los 155

FRANK GILLETT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Gipsy with Performing Bear in a Lane (first trial proof), 10” x 7”, unframed

Los 157

FRANK GILLETT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “A Regular Customer” (first trial), 12” x 12”, unframed

Los 208

ANDREW F AFFLICK, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Notre Dame”, 14” x 8” and NATHANIEL SPARKS RE, DRYPOINT ETCHING, “Chatterton’s Church, Bristol”, 14” x 7”, (2)

Los 209

JACKSON SIMPSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Startled”, (Mallard Rising), 5 ½” x 8”

Los 210

T F SIMON, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING AND AQUATINT, Booksellers on the Banks of the Seine, Paris, 12” x 15”

Los 212

A HUGH FISHER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Study of Tiger Heads, 9” x 7”

Los 216

SIR FRANK BRANGWYN, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING “Porte De Gande” (Bruges), 15” x 13”, mounted but unframed

Los 219

HENRY JAMES STARLING, BLACK AND WHITE ETCHING, “Market Place, Norwich”, (See Artists Label Verso), 10” x8”

Los 221

J M BALL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “St Paul’s, Watling Street”, 10” x 4”, together with THREE FURTHER FRAMED SIGNED ETCHINGS, various subjects and sizes, (4)

Los 222

SIR FRANK BRANGWYN, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING, “Trees in Snow”, 4” x 3 ½”

Los 226

HUBERT VON HERKOMER, INITIALED AND DATED ’91 TO IMAGE, DRYPOINT ETCHING, Young Lady Seated, 6” x 6” and two others (3)

Los 231

REGINALD GREEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Blakeney Quay”, 6 ½” x 9 ½”

Los 234

AFTER EDWARD DEGAS, BLACK AND WHITE ETCHING AND AQUATINT (LATER PRINTED FROM AN ORIGINAL COPPER PLATE ENGRAVED BY EDWARD DEGAS), “Danseuses don la Couilisse”, See extensive details verso, 5 ½” x 4”

Los 235

S TUSHINGHAM, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Pizza Chapel, Florence”, 13” x 7”

Los 240

ALBANY E HOWARTH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Published 1919, “Chiddingstone, Kent”, 11” x 14”

Los 241

M JACQUES, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING, An Early Flight of a Bi-Plane, 12” x 17”

Los 242

ALEC FRASER, SIGNED IN PENCIL TO MARGIN, TWO BLACK AND WHITE ETCHINGS, Named River Landscapes with Bridges, 6” x 9” and INDISTINCTLY SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Road through the Pass, Trosacks, 5” x 7 ½” ,(3)

Los 244

BLAKEMORE BELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “The Scissor’s Grinder”, 11” x 8”

Los 247

WILLIAM STRANG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Farm Girls in a Road, 9” x 6”

Los 249

LAPÉRE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, (Inscribed), Shepherd and Sheep in Landscape, 5” x 6”

Los 252

DAVID LAW, SIGNED TO IMAGE, BLACK AND WHITE ETCHING, Published 1885, “St Paul’s from Bankside”, 11” x 16”

Los 255

GERTRUDE HAYES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “The Schoolhouse Quadrangle, Rugby”, 8” x 10”

Los 258

ROLAND GREEN, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (2/2), Inscribed “Godwits”, 9” x 12”

Los 259

IAN HUGO, SIGNED AND DATED 1943 TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (8/30), “Firebird”, (see exhibition label verso), 5” x 7”

Los 260

LOUIS CONRAD ROSENBERG (AMERICAN), SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Grand Mosque Cairouan”, (see gallery label verso), 7” x 11”

Los 376

HENRY WEBB, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION, (13/1200, COLOURED ETCHING, Inscribed “Lords 1966”, 11 ½” x 21 ½”

Los 380

WALTER DENDY SADLER AND JAMES DOBIE, SIGNED BY BOTH IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Game of Bowls, 16 ½” x 24 ½”

Los 2624

C.J.Balier 1895-1964, coloured etching, a portrait of Greta Garbo, inscribed in pencil

Los 326

Henry Rayner, Australian, 1902-1957- "The Clowns"; etching, signed within the plate, signed and titled in pencil, 19.5x16cm: Edward McCleray, mid-late 20th century- "Mower"; aquatint, signed, titled and numbered 248/260 in pencil, 35x42cm: Jeffrey Edwards b.1945- "Asking for Trouble"; lithograph printed in colours, signed, titled, numbered 36/85 and dated 79 in pencil, 46x54cm: together with one other lithograph by the same hand, titled "Where are you Barry", signed, titled, inscribed 'Proof' and dated 89 in pencil, 42x45cm., and a reproduction print after Picasso, (5)

Los 408

Alessandro Badiale 1623-1668- The Holy Family; etching, 34x25cm. Provenance: Property of a Deceased Estate

Los 410

Francois Boucher 1703-1770- "Veue de Vincennes", after Jean-Antoine Watteau; etching, 26.3x38.5cm. Provenance: Property of a Deceased Estate

Los 433

* Henry William Bunbury 1750-1811- "Patience In a Punt"; hand coloured etching, 28x38cm: A Hamilton, mid 19th century- Portrait of a young woman, seated holding a book; black and coloured crayon, signed, 44x30cm, (2)

Los 443

* John Simpson Fraser c.1840-c.1900 exh 1880-1893- Fishermen returning; watercolour, signed and dated 92, 36x25cm: European school, early 20th century, "L'Hivez and L' Automour"; etching with aquatint printed in colours, both signed and titled, (3) (unframed)

Los 488

Robert Adams 1917-1984- Untitled; screenprint in colours, signed, numbered 22/50 and dated 1965 in pencil, 80.7x57.7cm: Bryan Ingham 1936-1997- Landscape with a vase of flowers; mixed technique etching with embossing and pen and ink, 32.3x48cm., (2)

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