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78472 Los(e)/Seite
Terry Winters (born 1949)Black Key Frame, 2002Etching and aquatint in colors on Lana Gravure paper, signed in pencil, dated and numbered 23/24, with blindstamp of the printer/publisher, Universal Limited Art Editions, Bay Shore, Long Island, with full margins.23 3/4 x 19 3/4in (60.3 x 50.1cm)sheet 31 x 26in (78.7 x 66cm)This lot is subject to the following lot symbols: ¤
Fernand Léger (1881-1955)L'Oiseau Rouge dans le Bois (S.E. 19), 1953Etching and aquatint in colors on Rives BFK paper, signature faded (visible under blacklight) and numbered 17/125 in pencil, published/printed by Atelier Lacourière, Paris, with wide margins. 17 7/8 x 25 1/4in (45.4 x 64.1cm)sheet 22 x 29 1/2in (55.9 x 74.9cm)
After Herbert Dicksee (1862-1942), Etching on paper, 'The Clover-Field', Monogrammed and dated 1907 lower left, with attribution, title and blind stamp to lower margin, 32.5cm x 49.5cm, Framed and glazed, With John Haymson (1902-1980), Print on paper, 'Independence Hall, Philadelphia', Printed title and signature lower left and lower right, 52cm x 67cm, Framed and glazed (2)
Harry Becker (1865-1928) - Heavy horses ploughing, etching, 25 x 75.5cmCondition report: Mount conceals extremities of picture and margin. Heavily creased to upper right corner. Full length vertical crease to right hand side. Light discolouration all over. Appears to have been recently framed and mounted.
Harry Becker (1865-1928) - Two heavy horses ploughing, etching, 13.5 x 24.5cm; and one other - Study of a farm worker, etching, 14.5 x 9.75cm (2)Condition report: Heavy horses - no apparent faults, in modern glazed frame. Farm worker - rippling to paper, browning spot at three o'clock, some browning to extremities from mount, minor traces of white to body of picture, in modern glazed frame.
Alan Freer (b.1926), ''Tree study, Suffolk'', signed, pen and wash, together with three further modern pictures to include an example by Anabel Gault, ''Suffolk Landscape 1992'', a second state etching and mirror image ink self portrait by Martin Lack and a further coloured drawing, Landscape with Trees, by Matthew Spender, 19.5cm by 20cm, 17cm by 19.5cm, 34cm by 17cm (overall) and 50cm by 61cm respectively (4)
Ralph Hedley (b.1948) British ''Pine Marten'' Artist proof, etching on paper, signed and dated (19)75 lower right corner in pencil; together with ''Edible Doormouse'', oil on canvas, signed and dated Ralph Hedley 1975 on the verso in pencil, 14.5cm by 14cm and 25cm by 19.5cm respectively (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
A George V 1897 pattern Infantry Officer's sword, the 81cm fullered blade etched with a crowned GR cypher and foliage, having a pierced steel hilt with further GR cypher, wire bound fish skin grip and chequered backstrap, housed in a steel scabbard, 98cm.Condition report: Tip of blade rounded, light pitting to blade with worn etching, hilt rusted with dents, scabbard pitted with some rust.
An Edwardian Court Sword, the 80cm double edge steel blade bearing traces of etched decoration, the bead cast brass stirrup hilt with shell guard, panelled grip, and draped urn pommel, 95cm, lacks scabbard; a Late 19th Century Indian Double Headed Processional Axe, the 20cm crescent shape blades etched with foliate strapwork panels of deer, with central spike and tubular haft, 76cm (2). 1 - Blade with black patching. 2 - Black/brown patina. Etching is worn.
A Victorian 1827 Pattern Rifle Regiment Sword, the 82cm single edge fullered steel blade etched with crowned Royal cypher, crowned strung bugle and foliage, the steel gothic hilt pierced with royal cypher, with wire bound fishskin grip and steel two ring scabbard, 99cm. Grey patching and faint etching to blade, with nicks to edge. Pitting to hilt and scabbard, with dents
AFTER ROWLAND LANGMAID "Tall-masted ship", dry point etching, signed in pencil lower right together with numerous further prints to include vanity fair prints, snaffles "The Warwickshire" etc CONDITION REPORTS Some light scratches throughout. Deeper scratch to the sail. Paper slightly greyed and browned in places. Some light fold marks. Frame with various chips, nibbles, scratches, etc. Various general signs of wear and tear throughout.
Late-Georgian scrapbook, c.1830, 240 pages of mounted engraved portraits, caricatures/cartoons, topographical views, heraldic devices, natural history plates (birds, butterflies, mammals), fashion plates, travel & exploration plates (natives/inhabitants), printed verse and published articles, mounted crests. Printmaking methods include stipple engraving, etching, aquatint. Featuring six pages of trimmed and mounted signatures/autographs (presumably taken from free frank post and correspondence), most appear to be political figures, including Lord John Russell, Palmerston (Prime Minister), Waldo Sibthorp, Thomas Wilde, Melville, Mann-Cornwallis, Christopher Cole, and others (many indistinctly signed). The album includes an original ticket for the trial of Warren Hastings, engraved in red ink on laid/chain-lined paper with wax seal, inscribed 'William Henry'. The album includes a manuscript letter, signed 'G Noel', 1837, requesting a work by Archbishop Leighton if it is 'among your books for sale'. Quarto, contemporary blind-embossed green calf with marbled endpapers, morocco ownership label lettered in gilt to front pastedown, 'Elizabeth Becket, Newark', rebacked with the original spine laid down
JOHN BRUNSDON (1933-2014); a signed limited edition etching with aquatint 'Shakespeare's Birthplace and Garden', number 148/175 with label and artist biography verso, 11 x 28.8cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
* Erotica. A trinket box, circa 1810-1820, circular brass coaster, with pierced rim, top inset with gathered and twisted leather forming a closure (rubbed), base inset with hand-coloured circular etching of six erotic scenes and a mythological deity in the form of a faun (possibly Pan?), toned and some water-staining to edge, small hole in blank margin, diameter 8 cm (3.25 ins), together with An early Victorian Valentine, circa 1840, hand-coloured lithographed sheet, with a romantic allegorical verse in which a cottage 'To be Let with immediate possession' is symbolic of the heart, surrounded by an illustration of cupid beside a young lady seated on a bench next to a fountain, and a winding road 'Love Lane' leading to 'Hearts' Cottage', within border of flowers, lyres, and love birds, several folds, toned, and some show-through from contemporary manuscript on verso, 24.5 x 19.5 cm (9.75 x 7.75 ins), framed and glazed, plus Matrimony Thermometer, Germany, circa 1880s, glass thermometer mounted on card printed with six increments each illustrated by a colour lithographed figure of a man or woman: 'Indifferent', 'Flirting', 'in love', 'Jealous', 'Angry', Furious', toned, extreme tip of lower left corner missing, length 19 cm (7.5 ins), housed in original cardboard box, worn, titled on pull-off lid in early manuscript, and a large heart-shaped Boer War pincushion with label on front 'Granadier Guards' and Edward VII's cypher, 19 x 18 cm (7.5 x 7 ins) (Qty: 4)NOTESAn unusual collection of objects pertaining to love and marriage. The first item is particularly curious; we have been unable to trace anything similar. We can only speculate what it was used for; perhaps holding accoutrements of a gentleman's dress (collar studs etc.), for storing dice, or maybe for holding sugared almonds or similar comfits. Whatever its ostensible use, its true purpose is clearly to amuse and titilate. The second item might appeal to anyone involved in the sale or management of property: "I have a little heart to let,/Depicted just above,/The fixtures are unvarying truth,/The Rent is - Constant Love...".
Rembrandt Harmensz van Rijn (1606-1669)Self-Portrait with Saskia (Bartsch 19; New Hollstein 158) Etching, 1636, on laid paper, a very good impression of New Hollstein's second state (of four), trimmed on or just inside the platemark above, trimmed just inside the platemark but retaining a fillet of blank paper outside the borderline on three sides, small abrasions at the upper sheet edge, generally in good conditionSheet 103 x 93mm. (4 1/8 x 3 3/4in.)
Pablo Picasso (1881-1973)Le Repas Frugal, from La Suite des Saltimbanques (Bloch 1; Baer 2 II.b.1) Etching with drypoint, 1904, on laid japon paper, a rich, atmospheric impression from the small deluxe edition of 27 or 29 impressions on this paper after steel-facing, printed by Louis Fort, published by Ambroise Vollard, Paris, 1913, with wide margins, in very good condition, framedPlate 463 x 377mm. (18 1/4 x 14 7/8in.); Sheet 592 x 505mm. (23 1/4 x 19 7/8in.)This lot is subject to the following lot symbols: AR
Richard Hamilton (1922-2011)Swingeing London 67 (Lullin 70) Etching and aquatint, with embossing, metallic foil die-stamping and collage, 1968, on mould-made etching paper, signed and numbered 63/70 in pencil (there were also three artist's proofs), published by Petersburg Press, London, the full sheet, with pale time-staining and occasional foxing, some creases and a tiny repaired hole in the right margin, otherwise in good condition, framedPlate 340 x 556mm.(13 3/8 x 21 7/8in.); Sheet 570 x 728mm. (22 3/8 x 28 5/8in.)This lot is subject to the following lot symbols: AR
Rembrandt Harmensz van Rijn (1606-1669)Self-Portrait in a velvet cap with plume (Bartsch 20; New Hollstein 170) Etching, 1638, on laid paper, New Hollstein's third state (of four), with small margins, with creases in the lower right image and light-staining, framedPlate 134 x 103mm. (5 1/4 x 4in.); Sheet 144 x 106mm. (5 5/8 x 4 1/8in.)
Wayne Thiebaud (born 1920)Pie Case Etching, aquatint and drypoint in colours, 2002, on wove paper, signed, dated and inscribed 'AP 7' in pencil, an artist's proof aside from the edition of 40, published by Crown Point Press, San Francisco, with their blindstamp, the full sheet, in very good condition, framedPlate 436 x 590mm. (17 1/4 x 23 1/4in.); Sheet 665 x 793mm. (26 1/8 x 31 1/4in.)

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78472 Los(e)/Seite