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78472 Los(e)/Seite
Los 239
GEORGE WILLIAM PILKINGTON (SOUTH AFRICAN 1879-1958) Congella, Durban Bay, etching, signed, titled and numbered 10/50 to the margin; together with another etching of Bishop`s Walk, Lambeth, signed in the plate with initials CEH and dated (18)92, Goupil Gallery label verso, the first 10 x 15cm (2)
Los 261
§ FRECHKOP, LEONID (1897-1982) A Group of Six Works, each signed, three with initials, one inscribed and dated 1955, one also further signed on the reverse. Four pencil, one pencil and watercolour and one etching on paper, the largest measuring 31 by 24 cm and the smallest 16 by 12.5 cm. Provenance: A gift from the artist to the father of the present owners in July 1962 (inscription on the reverse). Important private collection, France.
Los 527
A RARE TULA STEEL KINDJAL TULA, CIRCA 1800 Length in scabbard 53 cm, length of blade 35.5 cm. Related literature: For similar work, see Nozhi mira, Mir entsiklopediy `Avanta`, Astral, Moscow, 2008, p.62. The kindjal with double fuller steel blade and square formed ivory grip carved with lozenge pattern, the scabbard and grip with shaped steel mounts inlaid with stylized flowers, leaves and garlands, applied with brass. Works from the Tula armourers were always distinguished by the high quality of their craftsmanship and originality. Masterful metalworking and the use of different techniques to decorate arms laid the foundation for the production of other objects and furniture in steel. In the 16–17th centuries Tula masters inherited the traditions of the Moscow Armoury Chamber for decorating arms; patterns on steel were applied by engraving or etching and plated with gold, silver and copper or damascened. Works by Tula “goldsmiths” take a prominent place in the collections of various museums in Russia and the West. One of the most significant collections is that held by the State Hermitage. The present lot is a rare and representative example of the Tula armourers’ creativity; the steel mounts of the scabbard and handle are decorated with an elegant, two-colour inlay of flowers, leaves and garlands. Such high quality pieces are a rarity in the current art market and therefore of particular interest to collectors. A similar kindjal can be found in the collection of the State Historical Museum in Moscow.
Los 98
LUIGI KASIMIR 4 Etchings All Estate Signed LUIGI KASIMIR (Austro-Hungarian 1881-1962) Lot of 4 prints "Heiligenblut, Austria", "Klosternenburg, Austria", "Himmelstrasse" Aquatint etching on paper. Two oval plates measure 7 1/2 x 8 inches and frame 18 x 15 inches. Plate: 10 x 9 1/2 and frame: 17 x 15 1/2 inches. Plate: 10 x 9 inches and frame All estate signed in pencil. (CONDITION: In good condition - not inspected out of frame.)
Los 333
ARR. John Bellany CBE RA HRSA LLD (Lon) (Scottish 1942-2013) Oil on canvas, signed top left Milne’s Bar, Bellany Moffat Paintings 1965 (top right) ‘Interior scene including Alexander Moffat, Alan Bold, John Bellany (self portrait), John Tonge, Betty Smith, Bob Watt and Picasso’ 152cm x 172cm Six or seven years ago Alexander Moffat and Allan Riach were working on the book ‘Arts of Resistance’. They asked John Bellany for his permission to reproduce his little etching of Milne’s Bar, Hanover Street, Edinburgh. One week later John Bellany phoned and told them to forget the etching, he had just done a painting for them! This is the painting ‘Milnes Bar’ When we asked Alexander Moffat (featured in the painting) to comment on the painting he told us. ‘This version certainly bathes Milne’s Bar in wonderfully warm Italianate colours, John Tonge (Author of the Art of Scotland, 1938) in the background with his walking stick, Bob Watt was the manager of the Bar, a rather staid Presbyterian figure, who kept everyone in order… his word was law. A slim Alan Bold features centre stage and Betty Smith was my girlfriend in those far off days. The artist himself in his best corduroy suit seems to be keeping a low profile which was never the case. Picasso was our hero… he had to be there with us. We often had imaginary conversations with him’Provenance: Purchased directly from the artist by the present owner
Los 643
After HEYWOOD HARDY (1842-1933) British, By JOSEPH BISHOP PRATT (1854-1910) British The Pick of The Pack, Stormer and Grasper Etching 72 x 61.5 cms, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some slight staining, old label to verso for Thomas Agnew and Sons, Manchester.
Los 653
After HENRY ALKEN (1785-1851) British, By THOMAS SUTHERLAND (born 1785) British Epsom Races Hand coloured etching Published February 9th 1819 by S & J Fuller at Their Sporting Gallery, 34 Rathbone Place 67 x 42 cms, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some staining, slight losses to frame.
![Jane O`Malley (b.1944) CHRISTMAS DAY PAINTING, 1992 oil with silver paint and incising on board dated [25/12/92] upper right](http://lot-images.atgmedia.com/SR/10092/2903219/95-201456222112_468x382.jpg)
Los 95
Jane O`Malley (b.1944) CHRISTMAS DAY PAINTING, 1992 oil with silver paint and incising on board dated [25/12/92] upper right; signed, titled, dated and with archival number [647] on reverse 20 by 29in., 50 by 72.5cm. L Also with this lot, John Kelly RHA (1932-2006) Harlequin, 1974, (etching with aquatint from an edition of 56), dimensions 9.5 by 8.25ins. (2 items total).Proceeds of this sale to go to the Peter McVerry Trust.
Los 802
A framed and coloured etching of Canterbury Cathedral by Edouard Sharland signed in pencil - 43 cm x 24 cm along with an original etching - on the Oise near Auvers by John Fullwood F.S.A. - 16 cm x 24 cm and a pen and ink of Fishing boats and nets drying signed T. Ralli Scaramanga Martigues 1898 - 20 cm x 29.5 cm
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78472 Los(e)/Seite