δ Paul Delvaux (1897-1994)Sept Dialogues avec Paul Delvaux (Jacob 76-80)The complete album, 1971, comprising one etching with aquatint printed in colours and four etchings, each signed in pencil, numbered from the edition of 150, all on BFK Rives paper, with full margins, and with the book bound as issued with printed paper wrappers, all loose within the washed silk covered portfolio, overall size 390 x 290mm (15 3/8 x 11 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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BOXING INTEREST: A FRAMED SET OF PORTRAITS OF PUGILISTS a full-length portrait of 'Gentleman' John Jackson flanked by head and shoulders portraits of Ned Turner, Ned Painter, George Cooper and Bob Gregson, monochrome engravings, 33cm x 41cm; a coloured etching 'A Visit to the Fives Court', 18.5cm x 23cm; a coloured etching 'Art of Self Defence' 12.5cm x 17.5cm; a cover of Sportsman's Magazine featuring Phelps and Martin, No.32, Vol III, October 3rd 1846, coloured, 26cm x 19.5cm; a humourous work after Henry Mayo Bateman 'Hair and Art', 24cm x 17.5cm; and a reproduction of 'The Great Fight between Broome and Hannan' 24.5cm x 34cm (6)
Derby interest; an 1810 etching entitled Francis Noel Clarke Mundy Esquire, and his grandson William Mundy of Markeaton, near Derby, published on May 12, 1810 by Mr R Reinagle, No1 Upper Conway Street, painted by Mr R Reinagle, engraved by Charles Turner, fitted in a black frame, 58cms high x 62cms wide approx
JULIAN HARTNOLL. Two Christmas cards signed by Hartnoll and dated 1987 and 1984, one lithograph the other gold paint, together with a wood engraving by GEORGE MACKLEY. 'Coltsfoot', and etching of a squirrel on a branch, a little book of cats by alice and a coloured etching signed in pencil 'Journeys of Icarus I' 95 / 95 title page, smallest 7 x 10 cm, largest 48 x 48 cm
REMBRANDT HARMENSZOON VAN RIJN (NACH) 1606 Leiden - 1669 Amsterdam DIE AUFERWECKUNG DES LAZARUS Radierung auf chamoisfarbenem Papier. BM 35,5 x 25 cm (R. 57,5 x 45,5 cm). Seitenverkehrte Wiederholung des Blattes. In ein Passepartout eingelegt und hinter Glas gerahmt (ungeöffnet). REMBRANDT HARMENSZOON VAN RIJN (AFTER) 1606 Leiden - 1669 Amsterdam THE REVIVAL OF LAZARUS Etching on paper. Sheet size 35,5 x 25 cm (f. 57,5 x 45,5 cm). Reversed repetition of the theme. Framed in a passepartout and behind glass (not opened).
GIOVANNI BATTISTA PIRANESI 1720 Venedig - 1778 Rom VEDUTA DEL MAUSOLEO D'ELIO ADRIANO (ORA CHIAMATO CASTELLO S. ANGELO) Radierung auf Bütten, mit Mittelfalz. DM 43 x 55 cm (R. 68 x 79 cm). Unten rechts in der Platte bez. 'Piranesi Archit. dis. et inc.'; unten Mitte mit ausführlicher Bildlegende. Gebräunt, leicht fleckig. Im Passepartout und hinter Glas gerahmt (ungeöffnet). GIOVANNI BATTISTA PIRANESI 1720 Venice - 1778 Rome VEDUTA DEL MAUSOLEO D'ELIO ADRIANO (ORA CHIAMATO CASTELLO S. ANGELO) Etching on hand-made paper, with centre-fold. Print size 43 x 55 cm (f. 68 x 79 cm). Inscribed in the plate in the lower right 'Piranesi Archit. dis. et inc.'; in the lower centre legend with description. Brownish, min. spotty. Framed in a passepartout and behind glass (not opened).
EDGAR DEGAS 1834 Paris - 1917 ebenda DANSEUSE METTANT SON CHAUSSON (ca. 1892) Radierung auf chamoisfarbenem Papier. BM 32,5 x 24,5 cm, DM 17,5 x 11,5 cm (R. 38 x 29,5. Leicht gebräunt, min. fleckig, Randbesch. Posthumer Druck. 2. Zustand (von 2) nach der rayierten Platte. Aus einer Auflage von ca. 150 Exemplaren. Herausgegeben von Ambroise Vollard, Paris, 1918. Hinter Glas gerahmt (ungeöffnet). Literatur: Delteil 36; Adhémar 60. EDGAR DEGAS 1834 Paris - 1917 ibidem DANSEUSE METTANT SON CHAUSSON (ca. 1892) Etching on paper. Sheet size 32,5 x 24,5 cm, print size 17,5 x 11,5 cm (f. 38 x 29,5 cm). Min. brownish, min. spotty, damaged at the margins. Posthumous print. 2nd state (of 2) after the cancelled plate. From an edition of ca. 150 copies. Published by Ambroise Vollard, Paris, 1918. Framed behind glass (not opened). Literature: Delteil 36; Adhémar 60.
CONCORD AND CAVENDISH MORTON (20TH CENTURY) 'Rhapsody in Blue' and 'Spring Rhapsody', two wood engravings in colour, each pencil signed in the margin and the former dated 1934, 37 x 47cm and 34.5 x 50cm respectively; and J*W* King, Kings College, Cambridge, etching, pencil signed in the margin, 20 x 33.5cm (3)
CONSTANCE MARY POTT (1862-c1930) The Strand, etching pencil signed in the margin, 19 x 23.5cm; another by the same hand - Mrs Henry Pott (mother of Constance); an overpainted photographic miniature of the same sitter; a letter from the artist; a further etching; an etching by Hedley Fitton; and one further by G. Keeling (7)
OLIVER OMMANNEY (20TH CENTURY) The Trundle, 1987, oil on board, 14 x 20cm; another by the same hand - 'Nr Donnington', 9.5 x 19cm; Robert R. Greenhalf (b.1950) 'Cookley Lock', signed, watercolour, 31 x 23.5cm; and Michael Chaplin (20th Century): 'Molly Rose', etching, pencil signed in the margin, titled and numbered 66/200, etching, 29 x 37.5cm (4)
WILLIAM HOGARTH Mr Garrick in the Character of Richard the 3rd, etching on chine applique, 41.5 x 51cms; two further Hogarth etchings to include: Scholars at a lecture and The Company of Undertakers; two small pencil signed etchings by Robert and Luigi Kasimir; and nine further engravings, mostly unframed (14)
LEONARD R. SQUIRRELL (1893-1979) Edinburgh from Calton Hill, etching with aquatint, pencil signed in the margin, 23 x 35.5cm; and a small collection of further engravings and watercolours to include: Claude Rowbotham (x4); portrait of a lady reading a letter, signed with initials 'P.E' and dated 1880, 29 x 21cm etc, all unframed
Various jewellery, a group of bangles comprising two hammered metal bangles with etching and rose decoration, three wicker bangles, an orange and black coloured beaded necklace, with a screw in clasp and matching clip on earrings converted from loose beads and an imitation jet multi row beaded necklace with similar clasp. (a quantity)

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