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78475 Los(e)/Seite
Los 66
Chris Orr (British b.1943) - ‘….What is a Self Service Cafeteria?’, colour etching with aquatint, signed and dated 1974 lower right, titled lower centre, numbered 55/125 lower left, image 22.5cm x 54cm; together with an etching by the same hand, ‘A Department Store’, signed and dated 1971, inscribed with title and numbered 17/50, 27cm x 35cm, unframed (2).
Los 75
Wilfred Crawford Appleby (1889-1954) - 'Edinburgh Castle', early 20th century monochrome etching, signed and titled in pencil, 21cm x 30.5cm, within an oak frame, together with two etchings by Gabriel van Schnell and five further etchings by Kenneth Holmes, Paul Geissler, Ernest L. Hampshire, Henry Lambert and Frank H. Mason (8).
Los 302
Jürgen Görg, German b.1951- Untitled; Salome, 1987; Untitled, 1987;(i) etching with aquatint in colours on wove, signed and numbered 70/75 in pencil, plate: 25.6 x 17.8 cm, (ii) lithograph in colours on wove, signed, dated and numbered 74/180 in pencil, sheet: 74.5 x 60.5 cm, (iii) lithograph in colours on wove, signed, dated and inscribed 'EA' in pencil, sheet: 66.5 x 53.7 cm, together with two digital prints on wove after original works by the artist,(unframed)(ARR)(5)
Los 280
Bob Dylan, American b.1941- The Drawn Blank Series (Mexico; Truck; Man On A Bridge; Three Chairs), 2011; each giclée print in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, (framed) (4) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Los 11
David Hockney OM CH RA, British b. 1937-Two Boys, Aged 23 or 24, 1966;etching with aquatint on Crisbrook handmade paper, from 'Illustrations for Fourteen Poems' by C.P Cavafy, signed and inscribed 'for The Black Dwarf' in pencil, printed at Alecto Studios, published by Editions Alecto sheet: 34.9 x 22.2 cm, (framed) (ARR) Provenance: Fundraising event for The Black Dwarf from the Robert Self Gallery in September 1970. | Provenance: from the collection of Klaus Hinrichsen. Note: Klaus Hinrichsen (1912–2004) was a German-born art historian who fled Nazi Germany in 1938. He was interned at Hutchinsons Camp on the Isle of Man from 1940, where he organised exhibitions featuring refugee artists such as Kurt Schwitters. Prevented from working in public art institutions after his release, he dedicated himself to collecting and researching maps, ethnographic works, and lithographs, meticulously cataloguing his acquisitions. He sourced items from Sotheby’s, Christie’s, and antique dealers, prioritising historical significance and conducted extensive provenance research at the British Library. His archive, including records and ephemera from his time in internment, is now held at the Tate Gallery.
Los 68
Victor Pasmore CH CBE, British 1908-1998,Harmony of Opposites, 1995;etching and aquatint on wove, signed with initials in pencil, dated and numbered 33/35, sheet: 68 x 81 cm, (framed) (ARR) Note: together with the catalogue raisonné on the artist's works by Alan Bowness and Luigi Lambertini, published by Thames and Hudson, 1980.Provenance: Private UK Collection | Marlborough Graphics Ltd, London
Los 133
Robyn Denny, Sir Peter Blake CBE RDI RA & Alexander Hollweg, British 1930-2014, b.1932- & 1936-2020, Untitled; Liberty as a 'Suffolk Child by John Constable R.AA'; Country Dance, all from the portfolio 'For John Constable', 1976; (i) screenprint in colours with collage on paper, signed, numbered '52/100' and dated '76 in pencil, sheet: 63.5 x 102 cm, (ii) etching with collage on wove, signed and numbered 91/100 in pencil, sheet: 65.5 x 50cm, (iii) woodcut printed in colours on wove, signed, dated, titled and numbered 52/100 in pencil, sheet: 56 x 76cm, published by Bernard Jacobson Gallery, London, (all unframed) (ARR) (3) (VAT charged on hammer price)
Los 4
Pierre Soulages, French 1919-2022, Eau-forte No 13 (Rivière XIII), 1957; etching and aquatint BFK Rives wove paper, signed and numbered 5/100 in pencil, printed by Lacourière, published by Berggruen, Paris, sheet: 75.8 x 56.3 cm, (framed) (ARR) Provenance: from the collection of Klaus Hinrichsen. Note: Klaus Hinrichsen (1912–2004) was a German-born art historian who fled Nazi Germany in 1938. He was interned at Hutchinsons Camp on the Isle of Man from 1940, where he organised exhibitions featuring refugee artists such as Kurt Schwitters. Prevented from working in public art institutions after his release, he dedicated himself to collecting and researching maps, ethnographic works, and lithographs, meticulously cataloguing his acquisitions. He sourced items from Sotheby’s, Christie’s, and antique dealers, prioritising historical significance and conducted extensive provenance research at the British Library. His archive, including records and ephemera from his time in internment, is now held at the Tate Gallery.
Los 283
Bob Dylan, American b.1941- The Drawn Blank Series, 2008, (the complete portfolio of 10 prints): Cassandra; Woman on a Bed; Vista from Balcony; Sunday Afternoon; Lakeside Cabin; Two Sisters; Dad's Restaurant; Sidewalk Café; Statue of Liberty; Bragg Apartment, New York City; each giclée print on Hahnemühle 350gsm Museum Etching wove, each signed and numbered from the edition of 295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, contained within the original grey folio, (unframed) (10) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Los 77
After Francis Picabia, French 1879-1953,Composition, Du Cubisme, 1947; drypoint etching on wove, signed and dated in the plate, from the folio, Du Cubisme, 1947, printed by R. Girard et Cie, Paris, 1947, published by Compagnie Française des Arts Graphiques, Paris, plate: 18 x 12.7 cm, (unframed)
Los 287
Bob Dylan, American, b.1941- The Drawn Blank Series: Man on a Bridge; Sidewalk Café; Motel Pool; Woman in Red Lion Pub; Still Life with Peaches; Mexico; Three Chairs; Truck, 2011; giclée print in colours on 350gsm Hahnemühle Museum Etching wove, each signed and numbered 154/295, printed by GTZ editions, New York, published by Washington Green in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, each contained in a branded bespoke grey card box folio, (unframed) (8) Note: each print includes a certificate issued by Washington Green Fine Art.
Los 278
Bob Dylan, American b.1941- The Drawn Blank Series (Bell Tower in Stockholm; Carbondale Motel; Trailer; Backstage Dressing Room; Iron Railing; Corner Flat), 2013; each giclée print on Hahnemühle 350gsm Museum Etching wove,each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, contained within the original grey folio, (unframed) (6)Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Los 282
Bob Dylan, American b.1941- The Drawn Blank Series (Sidewalk Café; Woman in Red Lion Pub; Still Life with Peaches; Motel Pool), 2011; each giclée print in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, (framed) (4) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Los 277
Bob Dylan, American b.1941- Man On A Bridge, 2010; giclée print in colours on Hahnemühle 350gsm Museum Etching wove, signed and numbered 109/195 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 122 x 91.5cm, contained within the original grey tube, (unframed) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Los 284
Bob Dylan, American b.1941- The Drawn Blank Series, 2010, (the complete portfolio of 8 prints): Dad's Restaurant; Fisherman; Backyard; Horse; Bicycle; Dallas Hotel Room; Rose on a Hillside; Sunflowers; each giclée print on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, contained within the original grey folio, (unframed) (8) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Los 16
Various Artists, European School 20th Century, (i) Paul Herrmann (German 1864-1946) The Shepherdess, from Illustration for Songs by Goethe, c.1920, drypoint etching, signed and numbered in pencil, together with three other drypoint etchings, each signed and inscribed, largest sheet: 51 x 40 cm,(ii) Hermann Struck (German 1876-1944), Heimallos, etching with drypoint on laid paper, signed, titled and numbered from the edition of 25 in pencil, 31.5 x 22.6 cm,(iii) Rudolf Grossmann (German 1882-1941), Boxer, 1921, hand-coloured lithograph on wove, signed in pencil, image: 31 x 29 cm, (iv) German School, Early-Mid 20th century, Untitled (Wooded Country Lane), drypoint etching on wove, signed and numbered 18/100 in pencil, plate: 24.9 x 21.7 cm, (v) German School, Mid-20th Century, Untitled (Farm Worker with a Rake), woodcut on wove, signed in pencil, published by Balder-Presse Wildeflecken, Rhön, sheet: 35.5 x 25 cm,(vi) Aloys Wach (German 1892-1940), Blick auf eine Straße, 1919, two etchings with drypoint on paper, signed in pencil, plate: 22.6 x 19.6 cm,(vii) Max Burchartz (German 1887-1961), Sitzender weiblicher Akt, 1920, lithograph on paper, signed in pencil, image: 39 x 29 cm,(viii) Ulrich Hübner (German 1872-1932), Lübeck No.4, 1914, lithograph on laid paper, signed and dated within the plate, signed and inscribed in pencil, sheet: 45 x 35.5 cm,(ix) Bruno Karberg (German 1896-1967), Zum Weihnachtsfest, 1935, four woodcuts on wove, signed in pencil, with front pages, each sheet: 26 x 19.3 cm, (unframed) (13) Provenance: from the collection of Klaus Hinrichsen. Note: Klaus Hinrichsen (1912–2004) was a German-born art historian who fled Nazi Germany in 1938. He was interned at Hutchinsons Camp on the Isle of Man from 1940, where he organised exhibitions featuring refugee artists such as Kurt Schwitters. Prevented from working in public art institutions after his release, he dedicated himself to collecting and researching maps, ethnographic works, and lithographs, meticulously cataloguing his acquisitions. He sourced items from Sotheby’s, Christie’s, and antique dealers, prioritising historical significance and conducted extensive provenance research at the British Library. His archive, including records and ephemera from his time in internment, is now held at the Tate Gallery.
Los 279
Bob Dylan, American b.1941- The Drawn Blank Series (House on Union Street; Sidewalk Cafe; Bicycle; Motel Pool), 2013; set of four giclée prints in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 91.5 x 71 cm, (unframed) (4) Note: each work together with a Certificate of Authenticity published by Washington Green Fine Art.
Los 288
Bob Dylan, American b. 1941-Train Tracks (Portfolio - Set of 4), 2012;each giclée print in colours on 350gsm Hahnemühle Museum Etching wove, each signed and numbered 207/295 in pencil, each printed by GTZ Fine Art Editions, New York, each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 91.5 x 71 cm, (unframed) (4)Note: each together with a certificate of authenticity issued by Washington Green Fine Art.
Los 1
Jules Pascin (Bulgarian/French 1885-1930), Lovis Corinth (German 1858-1925) & Paul Berthon (French 1872-1934),Pierre Mac Orlan, c.1925; The Birth of Venus (Die Geburt der Venus) from Compositions (Kompositionen), 1921-22; Female nude with sunflowers;(i) drypoint etching on wove, inscribed in pencil to lower margin, plate: 14.4 x 9.4 cm, (ii) etching with drypoint on wove, signed in pencil, from an unnumbered edition, printed by Alfred Ruckenbrod, Berlin, published by Alfred Ruckenbrod, Berlin, plate: 30.1 x 21.7 cm, (iii) lithograph printed in colours on wove, signed with monogram within the plate, image: 39 x 13.5 cm, (framed)(3) Provenance: from the collection of Klaus Hinrichsen. Note: Klaus Hinrichsen (1912–2004) was a German-born art historian who fled Nazi Germany in 1938. He was interned at Hutchinsons Camp on the Isle of Man from 1940, where he organised exhibitions featuring refugee artists such as Kurt Schwitters. Prevented from working in public art institutions after his release, he dedicated himself to collecting and researching maps, ethnographic works, and lithographs, meticulously cataloguing his acquisitions. He sourced items from Sotheby’s, Christie’s, and antique dealers, prioritising historical significance and conducted extensive provenance research at the British Library. His archive, including records and ephemera from his time in internment, is now held at the Tate Gallery.
Los 265
John Cage, American 1912-1992, Score Without Parts (40 Drawings by Thoreau): Twelve Haiku, 1978; colour hardground etching, softground etching, photo-etching, drypoint, sugarlift aquatint, and engraving on Rives BFK paper, signed, dated and titled in pencil, published by Crown Point Press, San Francisco, with their blind stamp, printed by Stephen Thomas, sheet: 56.6 x 75.5 cm, (framed)
Los 73
Édouard Manet, French 1832-1883,Les Petits cavaliers, after the painting attributed to Velazquez, c.1860;monochrome etching on Velin paper, indistinctly inscribed with signature in the lower margin, and inscribed 'Ed Manet' in pencil on the reverse, sheet: 29.5 x 46.5 cm, (framed) Note: Ref. Guerin 8, Harris, 5
Los 700
A green glass vase, design: C.J.Lanooy, 1921 - 1923. Execution: Glass Factory Leerdam, marked with etching mark on the bottom, h 13.3 cm (Lit: Leerdam Glass 1878-1998, A.v.d.Kley-Blekxtoon, 2nd edition: page 69, fig. 63). Also includes vase by K.P.C de Bazel, h 14.5 cm, lidded bowl by A.D. Copier, tot. 4x.
Los 541
A clear glass thick-walled vase, design: A.D.Copier, 1936, executed by: Glass Factory Leerdam, marked with etching mark 'CL' on the bottom, h 12.7 x Ø 12.7 cm (hint of yellow) (Lit: Leerdam Arts and Crafts Catalogue 1937: p.34 and Leerdam Glass 1878-2003, A.v.d.Kley-Blekxtoon, 4th edition: p.114, fig.143). Here are two other vases by the same artist, total 3x.
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78475 Los(e)/Seite