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78472 Los(e)/Seite
Firenze. Etching engraved by Carlo Gregori, reinforcements and restorantions, tiny marginal tears, 21,14 x 27,56 in. Lively scene showing the Piazza invaded by the football players. Plate from the famous series entitled “Scelta di XXIV Vedute delle principali contrade, piazze, chiese, e palazzi della Città di Firenze”, a masterpiece by Giuseppe Zocchi considered an important document of the Florence of the eighteenth century.
Etching, full margins, 3,35 x 4,33 in. A niceful country scene in which two men inflate a balloon for a group of kids, while the background shows the fortifications of a northern European city with subtitle at the underneath “Wiltu den Ballon schlagen gschwind, must sehen das du habest wind”.
*Gillray (James). Taking Physick, published John Miller & William Blackwood, Edinburgh, [1824 - 1827], etching with contemporary hand colouring, slight staining to margins, 260 x 190 mm, together with Metalic Tractors, [1824 - 1827], mixed method engraving with contemporary hand colouring, 195 x 230 mm, mounted, with another seven Edinburgh published Gillray caricatures, including, 'The Bear and his Leader...', 'A Smoking Club', 'More Pigs than Teats...', 'A Cockney & his Wife going to Wycombe', 'Tales of Wonder', 'A Kick at the Broadbottoms...' and 'Doublures of Character...', various sizes, six mounted, many with pages of descriptive text, with My Poll & my Partner Joe, published H.Humphrey, 1796, etching with contemporary hand colouring, felt pen doodle on verso with showthrough, 265 x 290 mm, plus thirteen Gillray caricatures printed on eight leaves, published by H.G.Bohn, with additional cartoons to verso, (one with later hand colouring), circa 1850, each sheet approximately 480 x 380 mm The Caricatures of Gillray; with Historical and Political Illustrations, and Compendious Biographical Anecdotes and Notices was a nine volume history of James Gillray's works, published by John Miller of London and William Blackwood of Edinburgh between 1824 and 1827. It was one of four major posthumous editions of Gillrays prints to have been published during the first half of the nineteenth-century, although it was the only one to have been produced using copied engravings rather than Gillray's original copperplates. (18)
A watercolour, by O.H. Thomas - "Snowdon from Penyclavyd", signed and inscribed; a watercolour by George S. Cauntley - "Monument at Philae" from his album of "Jouney through Turkey, Egypt and near East, 1844-7", inscribed label verso; together a colour etching by Dr D. Donald - "Tetuan", with signature to border. (3)
After Henry G Walker, The Inner Harbour, Brixham, a framed dry-point etching, signed in pencil within mount, labelled verso, 19 x 30cm, another etching, Landing Fish, Brixham, 21.5 x 27cm, signed in pencil, titled label verso; after Donal Cobb, a signed coloured print, The Regatta, 49 x 64.5cm and a framed print after Frank Sherrin, Fishing Boats Returning, 18.5 x 28cm, (4).

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78472 Los(e)/Seite