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78475 Los(e)/Seite
Los 737
Charles Frederick Allbon (British 1856-1926) - View of Antwerp, black and white etching, signed, 16 x 40cm, together with an 18th century engraved map of the parish of St Mary Rotherhithe, published 1755 Stow's Survey, 40 x 51cm, a black and white engraving after JMW Turner - A View of the Inside of Brazen Nose (sic) College Quadrangle, 36 x 45cm, various sizes all framed
Los 756
20th century continental study of a Parisian type street scene with figures, oil on canvas, 61 x 92cm, together with an early 20th century continental coloured etching of a harbour scene with a team of horses, indistinctly signed and a further signed coloured limited edition print of horse drawn carriages after P Buckley? inscribed Evensong at Long Grove, all framed
Los 782
W Melville (Early 20th century British) - St Paul's Canon Alley, signed monochrome etching, 13 x 7.5cm together with Frederick Farrell (British 1882-1935) - Etching of Horseguards Parade, William Walker etching of St James' Palace, also together with a naive style pen and ink study of Tower Bridge, London, various sizes, all framed
Los 105
ARTHUR CHARLTON (1917-2007) colour lithograph - Swansea footballers playing against a team at the old Vetch Field ground circa 1950s (with referee in a blazer), unsigned, 28 x 38cms Auctioneer's Note: Arthur Charlton was born in the North-East of England but Swansea became his adopted home from 1952 onwards. A prisoner of war from 1942-45, he set out to record his experience through drawings and a diary; lack of materials forced him to improvise by utilising whatever materials were available, including bitumen paper, biscuit wrappers and the backs of labels from tins. On the 23 April 1945 he was released by the Russian army and flown back to England where he resumed his art education at the Royal College of Art. He then pursued a career as an artist and senior art lecturer, after taking an appointment at the Swansea School of Art. A close friend of the Swansea artists Glenys and Ron Cour, during sixty years of creative activity he created prints using wood engraving, etching, aquatint, lithography, linocut and silkscreen. His work is in the permanent collection of the Imperial war Museum and the Welsh Arts Council (print of Caswell Bay).
Los 107
ARTHUR CHARLTON (1917-2007) aquatint etching - Pembrokeshire coastal scene with boat house and boats, entitled 'Solva With Boats', unsigned, circa 1982, part of a series of Welsh coastal prints primarily of the Gower Peninsula (please see verso), 39 x 49cms (framed and glazed) Auctioneer's Note: please see lot 105
Los 3650
Blade: Forged stainless steel, hand-polished. Each side a blood-groove. Traditional acid etching on both sides, ornaments and Swiss cross, solid brass guard, consisting of top nut, grip back, ring and guard, manually engraved polished, with Swiss cross, nickel plated finish, strong and solid ABS handle with sharkskin imitation surface, 3 double-twisted brass wires in golden color wrapped around the handle grooves, handmade scabbard made of a steel tube, manually polished, fitted with carrying ring made of stainless steel, interior with 2 slats for protection of the blade, knot in red and white ribbon with gold wire tassel. Blade size 79 cm. Germany workshop, Carl Eickhorn marked with mark 1921-1933. I-II
Los 268
Modern British school - Merganser, etching and aquatint, indistinctly signed and titled in pencil to the lower margin, artists proof, visible sheet dimensions 24.5 x 31cm; one other by the artist of Newhaven Harbour, etching and aquatint, signed, titled, numbered 8/25, and dated '93 to the lower margin, visible sheet dimensions 20 x 19.5cm; Frans Wesselman - Still life with radish, etching, signed, titled and numbered 31/100 in pencil to the lower margin, 16 x 20.5cm; and Maggie Wiglas - A Puffin, colour print, signed and dated ' 95 in pencil lower right, 18 x 16cm (4)
Los 305
Brian Sowerby - The Portuguese Pots, etching, signed, titled, dated 1989, and numbered 2/75 in pencil to the lower margin, visible sheet dimensions 17 x 21cm; together with Brian Sowerby - Work in Progress, etching, 3/75, the full sheet 25.5 x 35.5cm; and one other by the artist - The Shed, 9/50, 30 x 24.5cm, each unframed (3)
Los 306
Brian Sowerby - All at Sea, etching, signed and titled in pencil to the lower margin, full sheet dimensions 22 x 36cm; one other by the artist - Homeward Bound, etching, 25.5 x 38.5cm; and six smaller etchings by the artist, each signed and titled in pencil to the lower margin, each approx 19 x 15.5cm (8)
Los 1056
•ADRIAN WISZNIEWSKI (SCOTTISH B. 1958) SATYRICAL PIECE Etching, signed, inscribed with title, dated 2/7/87 and numbered 14/25, 25.5 x 35cm (10 x 13 3/4") CORRUPT LOVE Etching with aquatint, signed and numbered 15/25, 22.5 x 22.5cm (8 7/8 x 8 7/8"), (2) Condition Report: On inspection the paper of both etchings are light to moderately wavy in appearance. On close inspection there are five small crease lines in the paper located across the lower middle section of 'Satyrical Piece'. .
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78475 Los(e)/Seite