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78475 Los(e)/Seite
Collection of pictures circa 1920-1930 from Birmingham Municipal School of Art, provenance from the family of Ormond Edwin Gollins, assistant principal of Birmingham Municipal School of Art 1920-1930 Black and white woodblock printSnowshill Station, possibly by Elizabeth Field, signed in pencil to reverse of mount, 19cm x 27cmAttributed to Margaret Noble2 Colour woodblock printsViews of possibly St Martin's Church, Birmingham, 12cm x 13.8cmUnattributedLimited edition Colour woodblock print Industrial canal scene with figure, probably Birmingham, 6/10, 16cm x 16.5cm Margaret G Marshall Etching"Old Market House ...", signed in pencil, 12.5cm x 15cm A Thorne(?) Black and white print, possibly linocutCattle in stable x 2, one signed in pencil, 10cm x 14cm, all mounted and five other prints, all in folder (12)
A collection of miscellaneous prints and engravings, including James Gillray, 'A Fundamental Error in the Art of Skaiting', 23 x 33cm, and Crispijn van de Passe the Younger, figure 10 from `L `Instruction de Roy en l`Excercise de Monter a Cheval` by Antoine de Pluviel (both framed), with various unframed prints including, Kenneth Steel, signed etching with drypoint, Shewsbury School from the River, Hogenberg after Hoefnagel, 'Palatium Regium in Angliæ Regno apellatum Nonciutz', Emblem after Allom, 'The Post Office, St Paul's Cathedral and Bull & Mouth Inn, London in 1829' and 'A View of the Bridge over the River at Hampton Court' etc.
Adriaen van Ostade (Dutch 1610-1685), The Peasant Settling His Debt, etching [1646 and later] and three other small prints, comprising two etchings after Stefano della Bella (1610-1664) from 'Varii Capricci Militari' [plates 1 and 5] and an engraving of a 17th century falconer releasing his game birds (4, two in one frame), 10 x 8.5cm to 13 x 16cm
*Malcolm Osborne (1880-1963) Portrait of Sydney Jones, seated, sketching etching, signed in pencil l.r. 34.5 x 26cm Provenance: The Estate of Virginia Chapman, late of Debden Manor. *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. No obvious condition issues.
*Augustus John OM RA (1878-1961) Percy Wyndham Lewis: large plate, circa 1903 etching and drypoint, signed in pencil l.r. 19.5 x 15.5cm Provenance: with Fine Art Society, London. *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Spots of foxing and staining to margin.
For your consideration is this 1885 first edition copy of Volume 1 Personal Memoirs of U.S. Grant. Showering the reader with his personal thoughts and excerpts from his life, the volume includes an amazing look into an honorable man. Showing plain leather covers with bold gold stamped lettering along the spine. Of all the memoirs written by former U.S. presidents, those of U.S. Grant are often considered to be the best: being well written and the most readable; full of interesting detail and insight. For example, there is a fascinating fold-out of the terms of surrender given to Robert E. Lee. Volume I shows an excellent etching of Grant as a young soldier. The volume was published by Grant's friend, Samuel Clemmons (Mark Twain) under the alias of his nephew, Charles L. Webster. The condition of this book is fair with wear marks to the spine and cover due to age and use. The measurements of this book are 9 1/2" x 6 1/2".
John Clerk of Eldin (Scottish, 1728-1812), "The hill of Arthur's Seat and Town of Edinburgh from Loch End", etching, monogrammed and dated 1774 in the plate, framed. Plate 146mm by 380mm. Note: Clerk was a prominent Scottish Enlightenment amateur artist. He was the brother-in-law of Robert Adam and his wealth afforded him the opportunity to travel around Scotland drawing and was successfully encouraged to take up etching by Paul Sandby. Another example of the subject etching was used as the cover illustration for Bertram, Geoffrey, "The Etchings of John Clerk of Eldin" pub. 2012
EDWARD J. CHERRY, YE ANCIENT HOUSE OF MOLL, CATHEDRAL CLOSE, etching, signed, 17cm x 10.5cm Mounted, framed and under glass, along with other etchings and prints including an etching by Wilfred Appleby, a print of Perspective View of the Royal Palace and Gardens at Hampton Court and a map of Kent, each framed and under glass (7)
A packet containing a 19th Century monochrome watercolour of Loddon church, by J. Cullum, pencil signed to margin, approx 24 x 29cm; Two late 19th Century albumen print photographs depicting Loddon House & The Old School, each mounted, images approx 14 x 20cm; A 19th Century etching of Binham Priory by John Coney
Three packets of Norfolk and Suffolketchings, engravings etc, including large engraved view of Wolterton Manor at East Barsham by John Adey Repton, Henry Davy etchings of Redenhall, North Cove and Benhall church doors; Cornelius Winter 'Norfolk & Norwich Antiquities', 1888, vol II, and John Sell Cotman etching of Walsoken church interior; A pair of panoramic etched views of Lowestoft & Great Yarmouth by Edwin Edwards, 1873, each limited editions (38/150), each titled, numbered and signed by the artist to margin, each mounted, plus John Crome and Henry Davy etchings
Two packets of 19th Century Norfolk and Suffolk etchings, prints etc, including John Sell cotman etching of Wymondham Abbey, 1813; Henry Davy etchings of Beccles, Shadingfield & Wiston church interiors; coloured engraving Flixton Hall; drawings by Stephen Govier of Orford Castle, Horham, Eye etc; Billingford church by Henry Davy etc., Swan Inn, Feering by Edwin Edwards (2)
After Rembrandt van Rijn (1606-1669): The Baptism of the Eunuch, signed and dated 1641 within the plate but later, etching, 19cm x 22cm, (1); Lieven Willemsz. van Coppenol, Writing-Master, monogrammed and inscribed margin, 19th century drypoint etching, 30cm x 21.5cm, (1); Man in Oriental Costume, 16.5cm x 13.5cm, (1); C. Phillips (fl. 1750-87, engraver), Rembrandt's Sister, [London: n.d., c. 1770], pink mezzotint engraving, 19.5cm x 16cm, (1); Pieter de Bailliu (1613-1660, engraver) S. Anastasius, later strike, no watermarks, 30.5cm x 24cm, (1); A.L. Stein (18th century, engraver), Portrait of a Young Man, Leipzig?: 1769, dated within the plate, drypoint etching, 34cm x 27cm, (1), [7]
Old Master Prints - Giovanni Lanfranco (1582?1647), by and after, The Triumph of a Roman Emperor, Rome: Giovanni Giacomo De Rossi, [n.d.], etching, 28.5cm x 61cm, (1); Pierre Subleyras (1699-1749), by and after, Mary Magdalene washing Jesus's feet during the supper in the house of Simon the Pharisee, [n.d., c. 1787], etching, 26cm x 61cm, (1); etc., [4]

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78475 Los(e)/Seite