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Los 77

SYDNEY FOLEY (1916-2001) `Paris At Night`, signed, watercolour, 8 3/4" x 12 1/2"; two further watercolours by M.W. Cottee; and an etching by Henry Wilkinson - Gun dog with dead game in a landscape, pencil signed in the margin and numbered 127/150 (4).

Los 110

RONALD MADDOX (b. 1930) Christ Church College Oxford and Magdalen Tower and Bridge Oxford, a pair, signed watercolours, 17 1/4" x 14" ; and an etching of Tom Tower, Oxford (3) Provenance: Mall Galleries

Los 261

ROWLAND LANGMAID (1897-1956) `Beachy Head`, etching, pencil signed and titled in the margin, 2 3/4" x 11 1/4" (see illustration).

Los 270

AFTER WILLIAM JOHN HUGGINS (1781-1845) A three masted frigate in full sail, etching, hand-coloured, 8" x 9 1/2"; and companion, a pair (2).

Los 272

HAROLD WYLLIE (1880-1975) Hulk lying in an estuary, signed and numbered LXXXIV in pencil in the margin, etching, 9 1/4" x 18 1/2".

Los 273

HAROLD WYLLIE (1880-1975) Yachts at anchor in an estuary, signed and numbered LVIII in pencil in the margin, etching, 6 1/4" x 11 3/4".

Los 274

WILLIAM LIONEL WYLLIE (1851-1931) Yachts in the bay of St. Michael, signed in pencil in the margin, etching, 5 1/2" x 9".

Los 578

SALAMAN, Malcolm,C. (ed). `Modern Masters of Etching`, The Sutdio, 1925-1928. Plts. tipped in. 9 vols. some repeats. Oblong Fo. Paper bds. worn. ( Nos. 4, 5x2, 7x3, 8, 11, 18)

Los 301

James Emile Laboureur (1877-1943) Girl with Geese signed in pencil bottom left inscribed with title bottom left corner numbered 4/8 bottom right etching 17 x 15cm.

Los 302

James Emile Laboureur (1877-1943) Girl with White Hat, 1921 signed in pencil bottom left inscribed with title bottom left corner etching 18 x 11cm.

Los 303

James Emile Laboureur (1877-1943) Landscape at Seuril (?) signed in pencil bottom left inscribed with title bottom left corner numbered 5/8 bottom right etching 19.5 x 22.5cm.

Los 304

James Emile Laboureur (1877-1943) In the Balcony signed in pencil bottom left inscribed with title bottom left corner numbered 16/35 bottom right 2nd state etching 19 x 12cm.

Los 305

James Emile Laboureur (1877-1943) The Deserted Beach, c.1918 signed in pencil bottom left inscribed with title bottom left corner numbered 5/8 bottom right 1st state etching 14.5 x 16.5cm.

Los 306

James Emile Laboureur (1877-1943) Young girls on the quayside signed in pencil bottom left inscribed with title bottom left corner numbered 3/14 bottom right 1st state etching 15 x 13cm.

Los 307

James Emile Laboureur (1877-1943) Dinner at the Inn signed in pencil bottom left inscribed with title bottom left corner numbered 7/8 bottom right 1st state etching 19 x 17cm.

Los 308

James Emile Laboureur (1877-1943) The Dock Worker’s Supper signed in pencil bottom left inscribed with title bottom left corner numbered 6/8 bottom right 1st state etching 11.5 x 12cm.

Los 309

James Emile Laboureur (1877-1943) The young girl with a glass of liqueur signed in pencil bottom left inscribed with title bottom left corner numbered 4/8 bottom right 1st state etching 16.5 x 14cm.

Los 310

James Emile Laboureur (1877-1943) The Shooting Gallery signed in pencil bottom left numbered 7/7 bottom right etching 26.5 x 22.5cm.

Los 311

James Emile Laboureur (1877-1943) Girl with Bottle signed in pencil bottom left numbered 5/8 bottom right etching 21 x 18cm.

Los 312

James Emile Laboureur (1877-1943) L’Attente’; waiting, 1914 unsigned 1st state etching 16 x 17cm, together with two other impressions. (3)

Los 314

James Emile Laboureur (1877-1943) The Painter 1921 signed in pencil bottom right inscribed in pencil bottom right ‘To Monsieur Robert Hottot with my best wishes for 1922’, etching, 12 x 8.5cm, with a similar image and four other etchings by the same hand (6)

Los 353

An album containing largely 19th Century works on paper including Golfo Di Baia-gouache-28 x 41.5 (approx) (illustrated); Il Gran Muaico di Pompei-engraving; small size Neapolitan School gouaches including Naples from The Sea, Royal Gardens, Cathedral (ruins), The Blue Grotto, Temple of Mercury, Sorreneto, Molo di Napoli, Temple of Love, Napoli da Capdimonte-each 9.5 x 13.5cm approx, 4 on each sheet, sheet size 26 x 35cm, 8 x sheets = 32 images; Character studies-Pidocchiosi (grooming); Manglare Maccaroni (pasta making); Pesatori di Pesce (fish sellers) (illustrated); Monica Fran Cescana (a nun); Frittegolo (fish trader); Doma di Capri (lady with flowers (illustrated); Cambramoncha (money lender); Poultry Seller; Mamaro Firmatori (seaman); Pescataro (fish seller) (illustrate); Lampagnaro (musicians); Pescaindolo (fish seller)-gouaches, mostly full sheets 37 x 23cm (9), two smaller each 23 x 26cm, one 27 x 35cm (12 x images); The Pope Blessing The People from The Balkcony of St Peters on Easter Sunday-coloured etching (illustrated); la Scala Santa-coloured etching; Testina Chapel and Fete of Corpus Christi-coloured etchings (2); Florence & Milano -coloured etchings (2), Colosseum; Campido Glio; Fioro Romano; The Pantheon; St Pietro; Piazza del Popolo (illustrated) coloured etchings cica 1830, each 12.5 x 18cm approx; Tempio de Neptune and Pestrum-gouache, 10 x 16.5cm (illustrate); Interlacken-coloured engraving by Weber with other similar engravings; Veduta Generale della Piazza del Duomo di Pisa-coloured engraving by Ranieri Grassi, album size 53.5 x 33.5

Los 1409

After Roberts, `View of Wandsworth`, `View of Clapham` a double hand coloured print, published by Alexander Hogg, J T Smith, `Views of the Princes Chamber and the Old House of Lords, May 10th 1809`, etching, and seven other topographical prints and engravings by Morton, Cruikshank, Rapkin, Bartlett (9)

Los 1413

John Crome (1768-1821), `Front of the New Mills`, etching, dated 1813, 21 x 29cm, John Sell Cotman, `Remains of Winchester Palace`, etching, dated 1828, and one other by Prout (3)

Los 1424

William Lionel Wyllie (1851-1931), Racing Barges, etching, signed in pencil

Los 1

George Soper - `Pit Props for the Trenches`, monochrome etching, circa 1919, signed in pencil, approx 14cm x 21cm, within an ebonized frame. Note: see `The Catalogue Raisonné of Prints and Etchings`, Plate 144.

Los 51

Norman Stevens - `Morning`, etching with aquatint, signed, titled, dated `74 and editioned `7/15 AP` in pencil, sheet size approx 79cm x 56.5cm.

Los 62

Lynette Turner - `Strawberry Fields`, hand-coloured etching, signed, titled, editioned 1/50 and dated 1992 in pencil recto, titled label verso.

Los 63

W. Edwin Law - `Holyrood Palace`, monochrome etching, signed and titled in pencil, together with three etchings and four colour mezzotints.

Los 105

Ralph Steadman - Ratty from Alice in Wonderland, monochrome etching, signed and inscribed Artist`s Proof in pencil, approx 29cm x 27cm.

Los 143

Dorsey Potter Tyson - `The Second Dance`, hand-coloured etching, signed and editioned 42/100 in pencil, approx 32cm x 26cm, within a titled mount and painted frame.

Los 144

Dorsey Potter Tyson - `A Chinese Gong`, hand-coloured etching, signed and editioned 46/100 in pencil, approx 22.5cm x 16cm, within a titled mount and painted frame.

Los 196

After Jacques Beurdeley - `Willows by the Mill (Les Saules Près Du Moulin)`, early 20th Century monochrome etching, signed and editioned 9/50 in pencil, within an oak frame, together with three similar etchings after Beurdeley and a collection of decorative pictures and prints.

Los 490

Mortimer Menpes (1855-1938) PORTRAIT OF JAMES ABBOTT MCNEILL WHISTLER Etching, signed in pencil in the margin l.r. 16.5 x 14.5cm

Los 151

SALVADOR DALI (1904-1989), `La femme adultere`, original drypoint etching in colours, 17.5cm x 12cm, plate, signed, framed. (Provenance form collection of Madame Denise Rigal, printed by Denise Rigal)

Los 152

SALVADOR DALI (1904-1989), `L`ange gabriel`, original drypoint etching in colours, 17.5cm x 12cm, plate, signed, framed. (Provenance form collection of Madame Denise Rigal, printed by Denise Rigal)

Los 517

Harry Becker, British 1865-1928- Sheep Grazing; drypoint etching, signed in pencil, 5.5x19.7cm: Alfred Bentley RE, British 1879-1923- Figure by a river with bridge; drypoint etching, signed in pencil, 21.5x31cm: Richard Livesay, British c.1750-c.1823- The Ages of Man, after William Hogarth, publ March 1st 1782 by R Livesay at Mrs Hogarth`s Leicester Fields, London; etching, 27x36cm: , William Hooker, British 1779-1832- "Blue Banana Bird at Rio de Janeiro, on a Sprig of the Guava Tree", after Jam. Forbes; hand-coloured aquatint, 28.7x22.2cm: together with two others by and after the same hand: together with a further small quantity of 19th & 20th century, prints and reproductions, (a lot) (unframed)

Los 520

After Marcantonio Raimondi, Italian c.1480-1527/1534- "Neptune Calming the Tempest which Aeoluis Raised aginst Aeneas` Fleet", after Raphael; engraving, 41x32.5cm: After Marcantonio Raimondi, Italian c.1480-1527/1534- Venus sitting on a bank extracting a thorn from her foot; engraving, 26x17cm: After Anea Vico, Italian 1523-1567- "The Entombment", after Raphael; engraving, 27.7x20cm: After Aegidius Sadeler 1570-1629- "Virgin and Child on a Grassy Bank", after Albrecht Durer; engraving, 32x24cm: After Heironymus Hopfer c.1500-1563- "Portrait of Charles V, Emperor"; etching and stipple engraving, 32.5x15.3cm: Follower of Martin Schongauer 1430-1491- The Adoration of the Magi; engraving, 26x19.5cm: Georg Pencz, German c.1500-1550- The money lender; engraving, 11.3x7.5cm: together with a further quantity of old master prints by and after different hands, (a lot) (7) (unframed)

Los 522

After Pablo Picasso, Spanish 1881-1973- "Le Peintre et son Modèlel", 1930, lithograph on BFK Rives, bears signature in pencil, 32.5x50cm: After Henri de Toulouse-Lautrec, French 1864-1901- Studies of Yvette Guilbert; lithograph, signed with monogram within the plate, 30.5x23.5cm: After Auguste Rodin, French 1840-1917- Two nude figures; etching, signed within the plate, 15x9.7cm., (3) (unframed)

Los 523

Georg Friedrich Schmidt, German 1712-1775- Self Portrait, after Rembrandt van Rijn; etching, signed inscribed and dated 1753 within the plate, 12.5x9.5cm: together with a quantity of etchings, prints and reproductions, many after Rembrandt van Rijn, by and after different hands, (a lot) (unframed)

Los 529

Witold Bezuszko, Polish b.1955- "Kaya I"; etching with aquatint printed in grey/blue, signed and dated `84, numbered 4/20, 39x29.5cm: together with a further nine similar style prints by the same hand, all signed, dated and numbered, (10) (unframed) (may be subject to Droit de Suite)

Los 535

Paul Lachmann, Danish, early-mid 20th century- Harbour scene; etching, signed, inscribed and dated 1933, 13.5x14.5cm: together with a quantity of drawings, prints and etchings by the same hand, most signed and variously inscribed, (a lot) (unframed)

Los 538

Max Brünning, German 1887-1968- Nude reclining in an interior; etching with drypoint, signed in pencil, 33.5x22cm: After Jean-Baptiste Arnout, French b.1788- "Fontainebleau", publ Paris chez Keith et Hauser, Bould des Italiens 13; hand-coloured lithograph, 31x37cm., (2) (part unframed)

Los 577

* Joseph Denovan Adam Jr, British exh 1900-1931- "The Bison"; etching with drypoint, signed and titled in pencil, 16x27cm

Los 594

Douglas Owen Portway, South African 1922-1993- Standing female nude; etching with drypoint, signed and numbered 19/50 in pencil, 17x14cm: British School, early 20th century- At the ball; pen and black ink, signed with monogram `LS`, 17.5x13.5cm., (2)

Los 601

Pierre-Yves Trémois, French b.1921 and Jean Rostand, French 1894-1977- "Les Limites de L`Humain", Publ. Monaco, Jaspard, Polus & Co. 1971; large folio, printed text, drypoint etching and aquatint, case printed and embossed in black, black hard publisher`s slipcase, numbered 22/180 in pencil, 49.5x32.5cm (may be subject to Droit de Suite)

Los 604

Ernst Fuchs, Austrian b.1930- Untitled study of a female nude; etching, signed, numbered XVIII/XX and inscribed `EA` in pencil, 29x25.4cm (may be subject to Droit de Suite)

Los 605

Giovanni Baptiste Piranesi, Italian 1720-1778- "Di due spelonche ornate dagli antichi alla riva del lago Albano"; etching, one of two sheets, this being the left hand portion, 60.5x46cm

Los 621

Michael Fairclough, British, b.1940- "Hadrian`s Wall, Housesteads"; aquatint in colours, signed and inscribed AP 2/29, titled to verso, 20.8x26.7cm: together with seven other aquatints by the same artist: David Suff, British, b.1955- "Le Penseye"; hand coloured etching, signed, dated 1980 and inscribed AP in pencil, 15x10cm: together with two other hand coloured engravings by the same artist: together with four other late 20th century prints by various hands, (15) (unframed) (may be subject to Droit de Suite)

Los 661

Julian Trevelyan RA, British 1910-1988- "Farnham"; etching with aquatint printed in colours, signed, titled and numbered 34/50 in pencil, 47x35cm Provenance: Acquired directly from the artist by the current owner

Los 662

Julian Trevelyan RA, British 1910-1988- "Arles"; etching with aquatint printed in colours, signed, titled and numbered 2/65 in pencil, 48x35cm Provenance: Acquired directly from the artist by the current owner

Los 707

Rory McEwen, Scottish 1932-1982- Lobster; etching, signed, numbered 14/50 and dated 1972 in pencil, 33.5x42.5cm: Rory McEwen, Scottish 1932-1982- Tulips, a pair; reproductions printed in colours, both signed in pencil and numbered 172/500, ea. 57x49cm, (3)

Los 732

* An Album containing a mixed collection of mostly French 19th century drawings, watercolours and prints to include- Louis Huard 1813-1874- Thirty nine sketches depicting societal, pastimes, hunting and battle scenes; pencil, pen and ink wash, initialled and 2 signed: Auguste Ernest Sembach b.1854- "Shoreham" a pair; watercolour, signed and inscribed, ea. 25x16.7cm: Felix Augustin Milius 1843-1894- A day out by the seaside, After Ernest Ange Duez; etching, 15.1x25cm: Felix Buhot 1847-1898- "L`Embarcadere", Publ Vve A Cadart, Edit Imp 56 B`ard Hausmann Paris; etching, 19.1x17.2cm (trimmed): G Montbard, 19th century- "L`Orage", Publ Vve A Cadart, Edit Imp 56 B`ard Hausmann Paris; etching, 18.1x27.4cm: Maxime Lalanne 1827-1886- "Les Roches Noires Pres Trouvilee (Maree Basse), Publ Vve A Cadart, Edit Imp 56 B`ard Haussmann Paris; etching, 18x31.7cm: J Boutry, 19th century- "Le Temple de Venus a Rome", Publ Vve A Cadart, Edit Imp 56 B`ard Haussmann Paris; etching, 15.7x23.8cm: Marcelin de Groseilliez 1837-1880- "Avelghem Pres de Courtray", Publ A Cadart Edit Imp Rue N`ve des Mathurins 58 Paris; etching, 11.5x16cm: Auguste Ballin 1842-1885- "Vue de Gravesend Sur La Tamise", Publ A Cadart Edit Imp Rue N`ve des Mathurins 58 Paris; etching, 15x31.1cm: Auguste Ballin 1842-1885- "Windsor Castle", Publ Vve A Cadart, Edit Imp 56 B`ard Haussmann Paris; etching, 14.9x31.4cm: Auguste Ballin 1842-1885- "Greenwich", Publ A Cadart Edit Imp Rue N`ve des Mathurins 58 Paris; etching, 15x31.3cm: Filippo Palizzi 1818-1899- "L`Abreuvoir", Publ Vve A Cadart, Edit Imp 56 B`ard Haussmann Paris; etching, 19.4x27.6cm: Charles Joseph Beauverie 1839-1924- "Auvers"; etching, 15.7x23.8cm: E Martin-Chablis, 19th century- "La Neige", Publ Vve A Cadart, Edit Imp 56 B`ard Haussmann Paris; etching, 18x24.8cm: Henri Alexandre Saffrey, 19th century- "La Seine a Croissy", Publ Imp Vve A Cadart, Paris; etching, 16.2x23.5cm: Johan-Barthold Jongkind 1819-1891- "Canal de Hollande Pres de Rotterdam (Hiver), Publ Vve A Cadart, Edit Imp 56 B`ard Haussmann Paris; etching, 15.8x24cm: French Impressionist School, 19th century- Bare knuckle wrestling; etching, 26.4x20.4cm: Eugene Gaujean 1850-1900- Woman bathing with onlooker, after Jean Jacques Henner; etching, 27.5x19.2cm: Charles Albert Waltner 1846-1925- "Rembrandt"; etching, 20x16cm: French School, 19th century- Woman with dog by the sea; etching, 23.2x14cm: Adolphe Lalauze 1838-1905/6- "La Courante", after Pieter Codde, publ A Salmon; etching, 16x22.3cm: French School, 19th century- Figures resting by a lake in a mountainous landscape; lithograph, 12x16.4cm: French School, 19th century- Pier in a river landscape; etching, 10.2x15.2cm: Auguste Ballin 1842-1885- Grand Canal Venice; etching, 15x31.5cm; all items in album are laid, some on shared sheets, double sided, various sizes, (album)

Los 219

A Black and White Etching depicting railway station on Thames, in oak frame, 22cm x 28cm

Los 240

W E Norton, Signed Black and White Marine Etching "Evening", signed in pencil, in oak and gilt frame, 54cm x 40cm

Los 241

An 18th Century Oval Black and White Etching depicting various figures on wooded river landscape, in gilt frame, 43cm x 52cm

Los 266

Rowland Langmaid, Signed Black and White Marine Etching "Sunlit Sea", signed in pencil, in gilt frame, 21.5cm x 16cm

Los 1316

WILLIAM LIONEL WYLLIE, RA (1851-1931) BARGES NEAR BLACKFRIARS BRIDGE Etching, signed in pencil 16 x 37.5cm. ++ A very few spots of foxing; slight mat burn

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