* Ballooning. Vue d'optique, Expérience de la Machine Aréostatique de Mrs de Montgolfier d'Anonoai en Vivarais..., circa 1783, hand-coloured engraving, title repeated in German, some spotting and soiling to margins, margins frayed, 290 x 410 mm, mounted, together with Havell (Robert & Son). The Descent of Mr Livingston on the Coast of Baldoyle County of Dublin on Thursday the 27th June 1822 on which day he ascended from Porto Bello Barracks for the benefit of the suffering poor of the South & South West of Ireland, R. Havell, Oct. 1832, uncoloured aquatint after T. J. Mulvany, central fold, repaired closed tears affecting image, slight dust soiling and staining, 370 x 440 mm, mounted, with Le Noir (publisher). Expérience de la Machine Aréostatique de Mrs de Montgolfier d'Anonai en Vivarais..., Paris, 1783, uncoloured engraving, slight creasing and dust soiling, occasional repaired marginal closed tears, 400 x 290 mm, mounted, plus Continental School. Aerostat D'Aix, circa 1784, unattributed (possibly amateur) uncoloured etching on laid of the first manned balloon flight, title in ink manuscript, old folds, occasional marginal closed tears, 340 x 410 mm, and An exact representation of the first Aerial Ship "The Eagle" now exhibiting in the grounds of the Aeronautical Society, Victoria Road, facing Kensington Gardens, circa 1835, unattributed uncoloured lithograph with the dimensions below the image (the airship never flew as it was too heavy), dust-soiled and creased, 225 x 255 mm, mounted, framed and glazed, with Fournisseur (M. publisher). A Monsieur de Faujace de St Fond de Plusiers Accademies. Experience Aerostatique faite à Versailles le 19 Septembre 1783, en présence de leurs Majestés de la Famille Royale et de la plus de 130 milles spectateurs par Mrs. Montgolfier avec un Ballon de 57 pied de hauteur sur 41 de diamêtre..., 1874 but early 20th century impression, hand coloured print, 250 x 310 mm, framed and glazedQty: (6)
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* Van der Aa (Pieter, 1659–1733). Volo, Fuochi, Artificiali, et altri Givochi nel Giovedi grasso, from Splendor Magnificentissimae Urbis Venetiarum Clarissimus [Magnificent Illuminations of the Illustrious City of Venice], published by Pieter van der Aa, Leiden, circa 1720, copper engraving on two conjoined sheets of laid paper, caption title in Italian, Latin and French, plate size 32 x 41.5 cm, sheet size 39.5 x 50.5 cm, loose in window mount, together with Anonymous. Des Waereld doen en doolen, Is maar een Mallemoolen, fom the series Het Groote Tafereel der Dwaasheid, [1720-1721], etching on two conjoined sheets of laid paper, a closed tear to both left and right margins, not affecting image (the left hand side repaired to verso), plate size 31.5 x 44 cm, sheet size 39 x 47 cm, hinge-mounted in modern card window-mountQty: (2)NOTESThe second work is a satire on the financial crisis of 1720 (more commonly known in England as the South Sea Bubble), which had serious repercussions in England, France, Holland, and elsewhere across Europe. The poem in Dutch in four columns below the image is signed 'Philadelphus', nom de plume of Gysbert Tyssens (1693-1732), who also wrote six plays concerning the Wind Trade.
Victorian 1831 Pattern Royal Navy Officer's Sword 30 inch, single edged, slightly curved blade with large fuller. Traces of foliage and crowned anchor etching. Brass guard with Victorian crowned anchor cartouche and folding rear section. Quillon absent. Brass lion mask pommel and backstrap. Shagreen covered grip with twist wire binding. Now contained in a steel scabbard with two loose hanging rings.
1897 Pattern Infantry Officer's Sword 33 inch, single edged blade with large fuller. Foliage etching and field gun. Together with owner's intertwined initials. The forte with maker Hobson & Son London. White metal, foliage scroll, pierced guard with GRV cypher. White metal, checkered backstrap. Shagreen covered grip with twist wire binding. Contained in its leather covered, field scabbard.
Rare Springfield Arms Warner Belt Model Percussion Revolver 31 cal, 5 inch barrel with white metal stud foresight. Six shot percussion cylinder with scroll foliage etching. Top frame flat with floral engraving and maker Springfield Arms Co. Steel body, grip frame and trigger guard with scroll foliage engraving. Offset percussion hammer with foliage engraving. Polished wooden slab grips. According to various records, only approx 100 of this pattern were made.
Imperial German M1871 Dress Bayonet Sidearm 19 1/4 inch, single edged, narrow blade. Traces of foliage scroll etching. The forte with maker W.K & C with trade mark. White metal muzzle ring with downswept quillon. Turn up quillon crossguard. Brass grip with bird beak pommel. One side with grooved panel. False spring absent. Blade with minor pitting.
Michael Atkin (British Contemporary): 'Farm at Glaisdale', artist's proof etching with aquatint signed and titled in pencil 18cm x 22cm; David Morris (British Contemporary): 'Grape Lane Whitby', artist's proof etching with aquatint signed and titled in pencil 16cm x 20cm (2)Click here to view further images, condition reports, sale times & delivery costs for this lot.
Michael Atkin (Northern Contemporary): 'It's a Bit of a Climb', limited edition hand coloured etching with aquatint signed titled and numbered 4/60 in pencil, original title label verso 38cm x 28cmClick here to view further images, condition reports, sale times & delivery costs for this lot.
James Alphege Brewer (British 1909-1938): 'Mercery Lane Canterbury', coloured etching signed in pencil 27cm x 14cm; R Houck (20th century): 'La Dordogne', oil on canvas signed, titled on the stretcher verso (a/f) 65cm x 100cm; together with a mezzotint after Thomas Lawrence and five Le Blond prints, max 34cm x 28cm (8)Click here to view further images, condition reports, sale times & delivery costs for this lot.
![Graham Clarke Limited edition 75/100 Etching- hand coloured on handmade paper [by artist] titled "Porth St Ruan". Dated March](https://cdn.globalauctionplatform.com/3202eced-311f-4ebd-9e33-acfa00ed9850/9694829f-59e1-4cc9-84b3-acfb0084a99d/468x382.jpg)
Theodore Casimir Roussel (French, 1847-1926), The Saw Mill, Putney, London, etching and drypoint on ivory laid paper, signed in pencil on the tab indicating that this impression was printed by the artist, also signed in the plate, 1888-89, 4 5/8 x 3 1/8in. (11.6 x 7.8cm.), unframed. * Provenance: Michael Parkin Fine Art Ltd, Chelsea, London. ** References: (20 1/1) The Prints of Theodore Roussel: A Catalogue Raisonné by Margaret Dunwoody Hausberg 1991. There is another example of this rare etching in the Art Institute of Chicago.
ROBIN TANNER (1904-1988). A black & white etching of flowers in a jug titled: “February”. Inscribed “Robin Tanner fec. et. imp. 1975” in pencil lower margin, with artist’s paper label verso; 10” x 6¼” (image), framed & glazed. (20” x 14½” over-all). *Please Note: Artist's Re-Sale Rights might apply.
Two Chinese Qingbai bowls, Song dynasty, the first incised with foliage to the interior, the second with a flower to the underside, both with unglazed rims, 17.7 and 17.8cmCONDITION: Both with crazing to the glaze all over. The first with some etching to the glaze and the second with remnants of metal and earth to the unglazed rim.
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